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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B76CF it is the complementary color #C48930. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B76CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B76CF shade: #4076CA, #5188DD, #629AF0, #73ACFF and #84BEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B76CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B76CF shade: #3B76CF, #2A64BC, #1952A9, #084096 and #002E83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B76CF shade: #3A75CF, #3A4DCF, #4F3ACF, #773ACF and #9F3ACF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B76CF shade: #3A75CF, #3A4DCF and #3A3ACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B76CF shade matches the following richer shades: #3A75CF, #2671E3 and #126DF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B76CF shade: #3A75CF, #4E79BB, #627DA8, #758294 and #898680

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B76CF shade: #3AC5CF, #3A9DCF, #3A76CF, #3A4ECF and #4E3ACF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B76CF shade: #245093, #2C62B4, #3A75CF, #5B8DD7 and #7CA4DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B76CF shade: #3B76CF, #B13ACF and #B1CF3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B76CF shade: #3B76CF, #CF3A76 and #76CF3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B76CF shade: #3B76CF, #B13ACF, #CF943A and #58CF3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B76CF shade: #3B76CF, #CF3AC0, #CF943A and #3ACF49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 43 / 0 / 19

HEX #3B76CF

RGB 59 118 207

HSL 216.08, 0.61%, 0.52%

LAB 49.97, 10.78, -51.63

 

Complementary color

CMYK 0 / 30 / 76 / 23

HEX #C48930

RGB 196 137 48

HSL 36.08, 0.61%, 0.48%

LAB 61.52, 14.6, 54.08

 

CMYK 68 / 42 / 0 / 21

HEX #4076CA

RGB 64 118 202

HSL 216.52, 0.57%, 0.52%

LAB 49.87, 9.72, -48.92

 

CMYK 63 / 38 / 0 / 13

HEX #5188DD

RGB 81 136 221

HSL 216.43, 0.67%, 0.59%

LAB 56.66, 8.22, -48.82

 

CMYK 59 / 36 / 0 / 6

HEX #629AF0

RGB 98 154 240

HSL 216.34, 0.83%, 0.66%

LAB 63.34, 7, -48.73

 

CMYK 55 / 33 / 0 / 0

HEX #73ACFF

RGB 115 172 255

HSL 215.57, 1%, 0.73%

LAB 69.73, 4.76, -46.79

 

CMYK 48 / 25 / 0 / 0

HEX #84BEFF

RGB 132 190 255

HSL 211.71, 1%, 0.76%

LAB 75.42, -1.56, -37.84

 

CMYK 71 / 43 / 0 / 19

HEX #3B76CF

RGB 59 118 207

HSL 216.08, 0.61%, 0.52%

LAB 49.97, 10.78, -51.63

 

CMYK 78 / 47 / 0 / 26

HEX #2A64BC

RGB 42 100 188

HSL 216.16, 0.63%, 0.45%

LAB 43.12, 12.89, -51.71

 

CMYK 85 / 51 / 0 / 34

HEX #1952A9

RGB 25 82 169

HSL 216.25, 0.74%, 0.38%

LAB 36.19, 15.57, -51.74

 

CMYK 95 / 57 / 0 / 41

HEX #084096

RGB 8 64 150

HSL 216.34, 0.9%, 0.31%

LAB 29.21, 19, -51.62

 

CMYK 100 / 65 / 0 / 49

HEX #002E83

RGB 0 46 131

HSL 218.93, 1%, 0.26%

LAB 22.28, 23.28, -51.19

 

CMYK 72 / 43 / 0 / 19

HEX #3A75CF

RGB 58 117 207

HSL 216.24, 0.61%, 0.52%

LAB 49.65, 11.26, -52.14

 

CMYK 72 / 63 / 0 / 19

HEX #3A4DCF

RGB 58 77 207

HSL 232.35, 0.61%, 0.52%

LAB 39.09, 36.65, -69.23

 

CMYK 62 / 72 / 0 / 19

HEX #4F3ACF

RGB 79 58 207

HSL 248.46, 0.61%, 0.52%

LAB 36.35, 50.41, -73.67

 

CMYK 43 / 72 / 0 / 19

HEX #773ACF

RGB 119 58 207

HSL 264.56, 0.61%, 0.52%

LAB 40.33, 56.47, -66.99

 

CMYK 23 / 72 / 0 / 19

HEX #9F3ACF

RGB 159 58 207

HSL 280.67, 0.61%, 0.52%

LAB 45.5, 63.9, -58.37

 

CMYK 72 / 43 / 0 / 19

HEX #3A75CF

RGB 58 117 207

HSL 216.24, 0.61%, 0.52%

LAB 49.65, 11.26, -52.14

 

CMYK 72 / 63 / 0 / 19

HEX #3A4DCF

RGB 58 77 207

HSL 232.35, 0.61%, 0.52%

LAB 39.09, 36.65, -69.23

 

CMYK 72 / 72 / 0 / 19

HEX #3A3ACF

RGB 58 58 207

HSL 240, 0.61%, 0.52%

LAB 34.86, 48.05, -76.17

 

CMYK 72 / 43 / 0 / 19

HEX #3A75CF

RGB 58 117 207

HSL 216.24, 0.61%, 0.52%

LAB 49.65, 11.26, -52.14

 

CMYK 83 / 50 / 0 / 11

HEX #2671E3

RGB 38 113 227

HSL 216.19, 0.77%, 0.52%

LAB 49.21, 19.1, -64.21

 

CMYK 93 / 56 / 0 / 3

HEX #126DF7

RGB 18 109 247

HSL 216.16, 0.93%, 0.52%

LAB 49.23, 28.17, -75.4

 

CMYK 72 / 43 / 0 / 19

HEX #3A75CF

RGB 58 117 207

HSL 216.24, 0.61%, 0.52%

LAB 49.65, 11.26, -52.14

 

CMYK 58 / 35 / 0 / 27

HEX #4E79BB

RGB 78 121 187

HSL 216.33, 0.44%, 0.52%

LAB 50.55, 5.24, -39.21

 

CMYK 42 / 26 / 0 / 34

HEX #627DA8

RGB 98 125 168

HSL 216.86, 0.29%, 0.52%

LAB 51.94, 1.74, -25.98

 

CMYK 21 / 12 / 0 / 42

HEX #758294

RGB 117 130 148

HSL 214.84, 0.13%, 0.52%

LAB 53.91, -0.66, -11.26

 

CMYK 0 / 2 / 7 / 46

HEX #898680

RGB 137 134 128

HSL 40, 0.04%, 0.52%

LAB 56.01, -0.02, 3.62

 

CMYK 72 / 5 / 0 / 19

HEX #3AC5CF

RGB 58 197 207

HSL 184.03, 0.61%, 0.52%

LAB 73.11, -32.78, -15.66

 

CMYK 72 / 24 / 0 / 19

HEX #3A9DCF

RGB 58 157 207

HSL 200.13, 0.61%, 0.52%

LAB 61.24, -12.28, -33.85

 

CMYK 72 / 43 / 0 / 19

HEX #3A76CF

RGB 58 118 207

HSL 215.84, 0.61%, 0.52%

LAB 49.93, 10.64, -51.69

 

CMYK 72 / 62 / 0 / 19

HEX #3A4ECF

RGB 58 78 207

HSL 231.95, 0.61%, 0.52%

LAB 39.33, 36.02, -68.84

 

CMYK 62 / 72 / 0 / 19

HEX #4E3ACF

RGB 78 58 207

HSL 248.05, 0.61%, 0.52%

LAB 36.27, 50.29, -73.81

 

CMYK 76 / 46 / 0 / 42

HEX #245093

RGB 36 80 147

HSL 216.22, 0.61%, 0.36%

LAB 34.43, 9.34, -41.31

 

CMYK 76 / 46 / 0 / 29

HEX #2C62B4

RGB 44 98 180

HSL 216.18, 0.61%, 0.44%

LAB 42.1, 11.36, -48.67

 

CMYK 72 / 43 / 0 / 19

HEX #3A75CF

RGB 58 117 207

HSL 216.24, 0.61%, 0.52%

LAB 49.65, 11.26, -52.14

 

CMYK 58 / 34 / 0 / 16

HEX #5B8DD7

RGB 91 141 215

HSL 215.81, 0.61%, 0.6%

LAB 58.21, 5.15, -42.98

 

CMYK 44 / 26 / 0 / 13

HEX #7CA4DF

RGB 124 164 223

HSL 215.76, 0.61%, 0.68%

LAB 66.64, 1.84, -34.1

 

CMYK 71 / 43 / 0 / 19

HEX #3B76CF

RGB 59 118 207

HSL 216.08, 0.61%, 0.52%

LAB 49.97, 10.78, -51.63

 

CMYK 14 / 72 / 0 / 19

HEX #B13ACF

RGB 177 58 207

HSL 287.92, 0.61%, 0.52%

LAB 48.11, 67.51, -54.04

 

CMYK 14 / 0 / 72 / 19

HEX #B1CF3A

RGB 177 207 58

HSL 72.08, 0.61%, 0.52%

LAB 78.62, -29.43, 66.44

 

CMYK 71 / 43 / 0 / 19

HEX #3B76CF

RGB 59 118 207

HSL 216.08, 0.61%, 0.52%

LAB 49.97, 10.78, -51.63

 

CMYK 0 / 72 / 43 / 19

HEX #CF3A76

RGB 207 58 118

HSL 335.84, 0.61%, 0.52%

LAB 49.01, 62.17, 0.46

 

CMYK 43 / 0 / 72 / 19

HEX #76CF3A

RGB 118 207 58

HSL 95.84, 0.61%, 0.52%

LAB 75.32, -51.11, 62.06

 

CMYK 71 / 43 / 0 / 19

HEX #3B76CF

RGB 59 118 207

HSL 216.08, 0.61%, 0.52%

LAB 49.97, 10.78, -51.63

 

CMYK 14 / 72 / 0 / 19

HEX #B13ACF

RGB 177 58 207

HSL 287.92, 0.61%, 0.52%

LAB 48.11, 67.51, -54.04

 

CMYK 0 / 29 / 72 / 19

HEX #CF943A

RGB 207 148 58

HSL 36.24, 0.61%, 0.52%

LAB 65.55, 13.84, 54.28

 

CMYK 57 / 0 / 72 / 19

HEX #58CF3A

RGB 88 207 58

HSL 107.92, 0.61%, 0.52%

LAB 74.19, -59.67, 60.56

 

CMYK 71 / 43 / 0 / 19

HEX #3B76CF

RGB 59 118 207

HSL 216.08, 0.61%, 0.52%

LAB 49.97, 10.78, -51.63

 

CMYK 0 / 72 / 7 / 19

HEX #CF3AC0

RGB 207 58 192

HSL 306.04, 0.61%, 0.52%

LAB 51.95, 71.42, -38.99

 

CMYK 0 / 29 / 72 / 19

HEX #CF943A

RGB 207 148 58

HSL 36.24, 0.61%, 0.52%

LAB 65.55, 13.84, 54.28

 

CMYK 72 / 0 / 65 / 19

HEX #3ACF49

RGB 58 207 73

HSL 126.04, 0.61%, 0.52%

LAB 73.55, -64.52, 53.81

 

Description

Color code: HEX #3B76CF | qconv.com Color code: HEX #3B76CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 118 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 118 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 43 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 43% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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