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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B7219 it is the complementary color #C48DE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B7219. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B7219 shade: #407214, #518427, #62963A, #73A84D and #84BA60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B7219. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B7219 shade: #3B7219, #2A6006, #194E00, #083C00 and #002A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B7219 shade: #3A7119, #527119, #6A7119, #716019 and #714819

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B7219 shade: #3A7119, #237119, #197127, #19713E and #197156

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B7219 shade matches the following richer shades: #3A7119, #387C0E and #358703

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B7219 shade: #3A7119, #3D6624, #405B2F, #424F3A and #454445

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B7219 shade: #6A7119, #527119, #3B7119, #237119 and #197126

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B7219 shade: #172D0A, #294F11, #3A7119, #4C9320 and #5DB528

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B7219 shade: #3B7219, #197161 and #71195E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B7219 shade: #3B7219, #193B71 and #71193B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B7219 shade: #3B7219, #197161, #4F1971 and #711929

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B7219 shade: #3B7219, #196771, #4F1971 and #712319

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 78 / 55

HEX #3B7219

RGB 59 114 25

HSL 97.08, 0.64%, 0.27%

LAB 42.82, -34.42, 40.9

 

Complementary color

CMYK 15 / 39 / 0 / 10

HEX #C48DE6

RGB 196 141 230

HSL 277.08, 0.64%, 0.73%

LAB 66.9, 36.86, -37.13

 

CMYK 44 / 0 / 82 / 55

HEX #407214

RGB 64 114 20

HSL 91.91, 0.7%, 0.26%

LAB 43.03, -32.97, 42.95

 

CMYK 39 / 0 / 70 / 48

HEX #518427

RGB 81 132 39

HSL 92.9, 0.54%, 0.34%

LAB 49.98, -33.47, 42.92

 

CMYK 35 / 0 / 61 / 41

HEX #62963A

RGB 98 150 58

HSL 93.91, 0.44%, 0.41%

LAB 56.8, -33.69, 42.12

 

CMYK 32 / 0 / 54 / 34

HEX #73A84D

RGB 115 168 77

HSL 94.95, 0.37%, 0.48%

LAB 63.5, -33.75, 41.03

 

CMYK 29 / 0 / 48 / 27

HEX #84BA60

RGB 132 186 96

HSL 96, 0.39%, 0.55%

LAB 70.08, -33.72, 39.85

 

CMYK 48 / 0 / 78 / 55

HEX #3B7219

RGB 59 114 25

HSL 97.08, 0.64%, 0.27%

LAB 42.82, -34.42, 40.9

 

CMYK 56 / 0 / 94 / 62

HEX #2A6006

RGB 42 96 6

HSL 96, 0.88%, 0.2%

LAB 35.73, -33.54, 40.09

 

CMYK 68 / 0 / 100 / 69

HEX #194E00

RGB 25 78 0

HSL 100.77, 1%, 0.15%

LAB 28.53, -31.74, 35.93

 

CMYK 87 / 0 / 100 / 76

HEX #083C00

RGB 8 60 0

HSL 112, 1%, 0.12%

LAB 21.14, -28.94, 28.69

 

CMYK 100 / 0 / 100 / 84

HEX #002A00

RGB 0 42 0

HSL 120, 1%, 0.08%

LAB 13.57, -24.56, 19.44

 

CMYK 49 / 0 / 78 / 56

HEX #3A7119

RGB 58 113 25

HSL 97.5, 0.64%, 0.27%

LAB 42.43, -34.33, 40.51

 

CMYK 27 / 0 / 78 / 56

HEX #527119

RGB 82 113 25

HSL 81.14, 0.64%, 0.27%

LAB 43.76, -25.06, 42.26

 

CMYK 6 / 0 / 78 / 56

HEX #6A7119

RGB 106 113 25

HSL 64.77, 0.64%, 0.27%

LAB 45.56, -14.33, 44.6

 

CMYK 0 / 15 / 78 / 56

HEX #716019

RGB 113 96 25

HSL 48.41, 0.64%, 0.27%

LAB 41.13, -1.36, 40.64

 

CMYK 0 / 36 / 78 / 56

HEX #714819

RGB 113 72 25

HSL 32.05, 0.64%, 0.27%

LAB 34.43, 13.06, 34.04

 

CMYK 49 / 0 / 78 / 56

HEX #3A7119

RGB 58 113 25

HSL 97.5, 0.64%, 0.27%

LAB 42.43, -34.33, 40.51

 

CMYK 69 / 0 / 78 / 56

HEX #237119

RGB 35 113 25

HSL 113.18, 0.64%, 0.27%

LAB 41.59, -40.94, 39.4

 

CMYK 78 / 0 / 65 / 56

HEX #197127

RGB 25 113 39

HSL 129.55, 0.64%, 0.27%

LAB 41.47, -41.48, 33.08

 

CMYK 78 / 0 / 45 / 56

HEX #19713E

RGB 25 113 62

HSL 145.23, 0.64%, 0.27%

LAB 41.79, -37.77, 21.21

 

CMYK 78 / 0 / 24 / 56

HEX #197156

RGB 25 113 86

HSL 161.59, 0.64%, 0.27%

LAB 42.29, -32.26, 7.83

 

CMYK 49 / 0 / 78 / 56

HEX #3A7119

RGB 58 113 25

HSL 97.5, 0.64%, 0.27%

LAB 42.43, -34.33, 40.51

 

CMYK 55 / 0 / 89 / 51

HEX #387C0E

RGB 56 124 14

HSL 97.09, 0.8%, 0.27%

LAB 46.03, -40.15, 47.24

 

CMYK 61 / 0 / 98 / 47

HEX #358703

RGB 53 135 3

HSL 97.27, 0.96%, 0.27%

LAB 49.61, -45.58, 52.42

 

CMYK 49 / 0 / 78 / 56

HEX #3A7119

RGB 58 113 25

HSL 97.5, 0.64%, 0.27%

LAB 42.43, -34.33, 40.51

 

CMYK 40 / 0 / 65 / 60

HEX #3D6624

RGB 61 102 36

HSL 97.27, 0.48%, 0.27%

LAB 38.94, -27.27, 32.04

 

CMYK 30 / 0 / 48 / 64

HEX #405B2F

RGB 64 91 47

HSL 96.82, 0.32%, 0.27%

LAB 35.55, -19.13, 22.13

 

CMYK 16 / 0 / 27 / 69

HEX #424F3A

RGB 66 79 58

HSL 97.14, 0.15%, 0.27%

LAB 31.93, -9.69, 10.74

 

CMYK 0 / 1 / 0 / 73

HEX #454445

RGB 69 68 69

HSL 300, 0.01%, 0.27%

LAB 28.98, 0.64, -0.46

 

CMYK 6 / 0 / 78 / 56

HEX #6A7119

RGB 106 113 25

HSL 64.77, 0.64%, 0.27%

LAB 45.56, -14.33, 44.6

 

CMYK 27 / 0 / 78 / 56

HEX #527119

RGB 82 113 25

HSL 81.14, 0.64%, 0.27%

LAB 43.76, -25.06, 42.26

 

CMYK 48 / 0 / 78 / 56

HEX #3B7119

RGB 59 113 25

HSL 96.82, 0.64%, 0.27%

LAB 42.48, -33.99, 40.57

 

CMYK 69 / 0 / 78 / 56

HEX #237119

RGB 35 113 25

HSL 113.18, 0.64%, 0.27%

LAB 41.59, -40.94, 39.4

 

CMYK 78 / 0 / 66 / 56

HEX #197126

RGB 25 113 38

HSL 128.86, 0.64%, 0.27%

LAB 41.46, -41.6, 33.55

 

CMYK 49 / 0 / 78 / 82

HEX #172D0A

RGB 23 45 10

HSL 97.71, 0.64%, 0.11%

LAB 15.91, -16.54, 18.59

 

CMYK 48 / 0 / 78 / 69

HEX #294F11

RGB 41 79 17

HSL 96.77, 0.65%, 0.19%

LAB 29.67, -25.72, 30.72

 

CMYK 49 / 0 / 78 / 56

HEX #3A7119

RGB 58 113 25

HSL 97.5, 0.64%, 0.27%

LAB 42.43, -34.33, 40.51

 

CMYK 48 / 0 / 78 / 42

HEX #4C9320

RGB 76 147 32

HSL 97.04, 0.64%, 0.35%

LAB 54.56, -42.15, 50.09

 

CMYK 49 / 0 / 78 / 29

HEX #5DB528

RGB 93 181 40

HSL 97.45, 0.64%, 0.43%

LAB 66.16, -49.85, 58.82

 

CMYK 48 / 0 / 78 / 55

HEX #3B7219

RGB 59 114 25

HSL 97.08, 0.64%, 0.27%

LAB 42.82, -34.42, 40.9

 

CMYK 78 / 0 / 14 / 56

HEX #197161

RGB 25 113 97

HSL 169.09, 0.64%, 0.27%

LAB 42.58, -29.23, 1.65

 

CMYK 0 / 78 / 17 / 56

HEX #71195E

RGB 113 25 94

HSL 312.95, 0.64%, 0.27%

LAB 26.77, 45.01, -19.61

 

CMYK 48 / 0 / 78 / 55

HEX #3B7219

RGB 59 114 25

HSL 97.08, 0.64%, 0.27%

LAB 42.82, -34.42, 40.9

 

CMYK 78 / 48 / 0 / 56

HEX #193B71

RGB 25 59 113

HSL 216.82, 0.64%, 0.27%

LAB 25.34, 8.47, -34.78

 

CMYK 0 / 78 / 48 / 56

HEX #71193B

RGB 113 25 59

HSL 336.82, 0.64%, 0.27%

LAB 25.33, 40.51, 1.64

 

CMYK 48 / 0 / 78 / 55

HEX #3B7219

RGB 59 114 25

HSL 97.08, 0.64%, 0.27%

LAB 42.82, -34.42, 40.9

 

CMYK 78 / 0 / 14 / 56

HEX #197161

RGB 25 113 97

HSL 169.09, 0.64%, 0.27%

LAB 42.58, -29.23, 1.65

 

CMYK 30 / 78 / 0 / 56

HEX #4F1971

RGB 79 25 113

HSL 276.82, 0.64%, 0.27%

LAB 22.12, 40.7, -39.73

 

CMYK 0 / 78 / 64 / 56

HEX #711929

RGB 113 25 41

HSL 349.09, 0.64%, 0.27%

LAB 24.85, 38.95, 13.26

 

CMYK 48 / 0 / 78 / 55

HEX #3B7219

RGB 59 114 25

HSL 97.08, 0.64%, 0.27%

LAB 42.82, -34.42, 40.9

 

CMYK 78 / 9 / 0 / 56

HEX #196771

RGB 25 103 113

HSL 186.82, 0.64%, 0.27%

LAB 39.75, -19.07, -12.27

 

CMYK 30 / 78 / 0 / 56

HEX #4F1971

RGB 79 25 113

HSL 276.82, 0.64%, 0.27%

LAB 22.12, 40.7, -39.73

 

CMYK 0 / 69 / 78 / 56

HEX #712319

RGB 113 35 25

HSL 6.82, 0.64%, 0.27%

LAB 26.11, 33.78, 25.27

 

Description

Color code: HEX #3B7219 | qconv.com Color code: HEX #3B7219 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 114 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 114 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 78 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 78% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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