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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B6ED2 it is the complementary color #C4912D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B6ED2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B6ED2 shade: #406ECD, #5180E0, #6292F3, #73A4FF and #84B6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B6ED2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B6ED2 shade: #3B6ED2, #2A5CBF, #194AAC, #083899 and #002686

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B6ED2 shade: #3B6ED2, #3B45D2, #5A3BD2, #823BD2 and #AB3BD2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B6ED2 shade: #3B6ED2, #3B45D2 and #3B3BD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B6ED2 shade matches the following richer shades: #3B6ED2, #2868E6 and #1462F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B6ED2 shade: #3B6ED2, #4F74BF, #627BAB, #758198 and #898785

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B6ED2 shade: #3BC1D2, #3B98D2, #3B70D2, #3B48D2 and #573BD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B6ED2 shade: #224A99, #2A5BBA, #3B6ED2, #5D87DA and #7EA0E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B6ED2 shade: #3B6ED2, #BC3BD2 and #ACD23B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B6ED2 shade: #3B6ED2, #D23B70 and #70D23B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B6ED2 shade: #3B6ED2, #BC3BD2, #D29D3B and #52D23B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B6ED2 shade: #3B6ED2, #D23BBC, #D29D3B and #3BD252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 48 / 0 / 18

HEX #3B6ED2

RGB 59 110 210

HSL 219.74, 0.63%, 0.53%

LAB 47.92, 16.88, -56.62

 

Complementary color

CMYK 0 / 26 / 77 / 23

HEX #C4912D

RGB 196 145 45

HSL 39.74, 0.63%, 0.47%

LAB 63.49, 10.09, 57.18

 

CMYK 69 / 46 / 0 / 20

HEX #406ECD

RGB 64 110 205

HSL 220.43, 0.59%, 0.53%

LAB 47.82, 15.79, -53.93

 

CMYK 64 / 43 / 0 / 12

HEX #5180E0

RGB 81 128 224

HSL 220.28, 0.7%, 0.6%

LAB 54.63, 14.08, -53.74

 

CMYK 60 / 40 / 0 / 5

HEX #6292F3

RGB 98 146 243

HSL 220.14, 0.86%, 0.67%

LAB 61.33, 12.67, -53.57

 

CMYK 55 / 36 / 0 / 0

HEX #73A4FF

RGB 115 164 255

HSL 219, 1%, 0.73%

LAB 67.59, 9.32, -50.16

 

CMYK 48 / 29 / 0 / 0

HEX #84B6FF

RGB 132 182 255

HSL 215.61, 1%, 0.76%

LAB 73.27, 2.85, -41.18

 

CMYK 72 / 48 / 0 / 18

HEX #3B6ED2

RGB 59 110 210

HSL 219.74, 0.63%, 0.53%

LAB 47.92, 16.88, -56.62

 

CMYK 78 / 52 / 0 / 25

HEX #2A5CBF

RGB 42 92 191

HSL 219.87, 0.64%, 0.46%

LAB 41.07, 19.23, -56.76

 

CMYK 85 / 57 / 0 / 33

HEX #194AAC

RGB 25 74 172

HSL 220, 0.75%, 0.39%

LAB 34.15, 22.17, -56.82

 

CMYK 95 / 63 / 0 / 40

HEX #083899

RGB 8 56 153

HSL 220.14, 0.9%, 0.32%

LAB 27.24, 25.8, -56.67

 

CMYK 100 / 72 / 0 / 47

HEX #002686

RGB 0 38 134

HSL 222.99, 1%, 0.26%

LAB 20.47, 30.1, -56.04

 

CMYK 72 / 48 / 0 / 18

HEX #3B6ED2

RGB 59 110 210

HSL 219.74, 0.63%, 0.53%

LAB 47.92, 16.88, -56.62

 

CMYK 72 / 67 / 0 / 18

HEX #3B45D2

RGB 59 69 210

HSL 236.03, 0.63%, 0.53%

LAB 37.55, 42.72, -73.48

 

CMYK 57 / 72 / 0 / 18

HEX #5A3BD2

RGB 90 59 210

HSL 252.32, 0.63%, 0.53%

LAB 37.76, 52.25, -73.06

 

CMYK 38 / 72 / 0 / 18

HEX #823BD2

RGB 130 59 210

HSL 268.21, 0.63%, 0.53%

LAB 42.04, 58.68, -65.89

 

CMYK 19 / 72 / 0 / 18

HEX #AB3BD2

RGB 171 59 210

HSL 284.5, 0.63%, 0.53%

LAB 47.55, 66.5, -56.71

 

CMYK 72 / 48 / 0 / 18

HEX #3B6ED2

RGB 59 110 210

HSL 219.74, 0.63%, 0.53%

LAB 47.92, 16.88, -56.62

 

CMYK 72 / 67 / 0 / 18

HEX #3B45D2

RGB 59 69 210

HSL 236.03, 0.63%, 0.53%

LAB 37.55, 42.72, -73.48

 

CMYK 72 / 72 / 0 / 18

HEX #3B3BD2

RGB 59 59 210

HSL 240, 0.63%, 0.53%

LAB 35.42, 48.56, -76.99

 

CMYK 72 / 48 / 0 / 18

HEX #3B6ED2

RGB 59 110 210

HSL 219.74, 0.63%, 0.53%

LAB 47.92, 16.88, -56.62

 

CMYK 83 / 55 / 0 / 10

HEX #2868E6

RGB 40 104 230

HSL 219.79, 0.79%, 0.53%

LAB 47.06, 26.12, -69.39

 

CMYK 92 / 61 / 0 / 2

HEX #1462F9

RGB 20 98 249

HSL 219.56, 0.95%, 0.53%

LAB 46.61, 35.98, -80.79

 

CMYK 72 / 48 / 0 / 18

HEX #3B6ED2

RGB 59 110 210

HSL 219.74, 0.63%, 0.53%

LAB 47.92, 16.88, -56.62

 

CMYK 59 / 39 / 0 / 25

HEX #4F74BF

RGB 79 116 191

HSL 220.18, 0.47%, 0.53%

LAB 49.39, 9.84, -43.34

 

CMYK 43 / 28 / 0 / 33

HEX #627BAB

RGB 98 123 171

HSL 219.45, 0.3%, 0.53%

LAB 51.5, 3.8, -28.4

 

CMYK 23 / 15 / 0 / 40

HEX #758198

RGB 117 129 152

HSL 219.43, 0.15%, 0.53%

LAB 53.76, 0.88, -13.8

 

CMYK 0 / 1 / 3 / 46

HEX #898785

RGB 137 135 133

HSL 30, 0.02%, 0.53%

LAB 56.43, 0.36, 1.33

 

CMYK 72 / 8 / 0 / 18

HEX #3BC1D2

RGB 59 193 210

HSL 186.75, 0.63%, 0.53%

LAB 72.04, -29.83, -18.9

 

CMYK 72 / 28 / 0 / 18

HEX #3B98D2

RGB 59 152 210

HSL 203.05, 0.63%, 0.53%

LAB 59.92, -8.34, -37.57

 

CMYK 72 / 47 / 0 / 18

HEX #3B70D2

RGB 59 112 210

HSL 218.94, 0.63%, 0.53%

LAB 48.48, 15.62, -55.73

 

CMYK 72 / 66 / 0 / 18

HEX #3B48D2

RGB 59 72 210

HSL 234.83, 0.63%, 0.53%

LAB 38.23, 40.9, -72.37

 

CMYK 59 / 72 / 0 / 18

HEX #573BD2

RGB 87 59 210

HSL 251.13, 0.63%, 0.53%

LAB 37.49, 51.84, -73.51

 

CMYK 78 / 52 / 0 / 40

HEX #224A99

RGB 34 74 153

HSL 219.83, 0.64%, 0.37%

LAB 33, 15.48, -47.26

 

CMYK 77 / 51 / 0 / 27

HEX #2A5BBA

RGB 42 91 186

HSL 219.58, 0.63%, 0.45%

LAB 40.44, 17.97, -54.86

 

CMYK 72 / 48 / 0 / 18

HEX #3B6ED2

RGB 59 110 210

HSL 219.74, 0.63%, 0.53%

LAB 47.92, 16.88, -56.62

 

CMYK 57 / 38 / 0 / 15

HEX #5D87DA

RGB 93 135 218

HSL 219.84, 0.63%, 0.61%

LAB 56.8, 10.09, -46.88

 

CMYK 44 / 29 / 0 / 12

HEX #7EA0E1

RGB 126 160 225

HSL 219.39, 0.62%, 0.69%

LAB 65.76, 5.17, -36.57

 

CMYK 72 / 48 / 0 / 18

HEX #3B6ED2

RGB 59 110 210

HSL 219.74, 0.63%, 0.53%

LAB 47.92, 16.88, -56.62

 

CMYK 10 / 72 / 0 / 18

HEX #BC3BD2

RGB 188 59 210

HSL 291.26, 0.63%, 0.53%

LAB 50.06, 69.95, -52.53

 

CMYK 18 / 0 / 72 / 18

HEX #ACD23B

RGB 172 210 59

HSL 75.1, 0.63%, 0.53%

LAB 79.14, -32.78, 66.49

 

CMYK 72 / 48 / 0 / 18

HEX #3B6ED2

RGB 59 110 210

HSL 219.74, 0.63%, 0.53%

LAB 47.92, 16.88, -56.62

 

CMYK 0 / 72 / 47 / 18

HEX #D23B70

RGB 210 59 112

HSL 338.94, 0.63%, 0.53%

LAB 49.5, 62.11, 4.88

 

CMYK 47 / 0 / 72 / 18

HEX #70D23B

RGB 112 210 59

HSL 98.94, 0.63%, 0.53%

LAB 75.98, -54.08, 62.29

 

CMYK 72 / 48 / 0 / 18

HEX #3B6ED2

RGB 59 110 210

HSL 219.74, 0.63%, 0.53%

LAB 47.92, 16.88, -56.62

 

CMYK 10 / 72 / 0 / 18

HEX #BC3BD2

RGB 188 59 210

HSL 291.26, 0.63%, 0.53%

LAB 50.06, 69.95, -52.53

 

CMYK 0 / 25 / 72 / 18

HEX #D29D3B

RGB 210 157 59

HSL 38.94, 0.63%, 0.53%

LAB 68.12, 10.31, 56.57

 

CMYK 61 / 0 / 72 / 18

HEX #52D23B

RGB 82 210 59

HSL 110.86, 0.63%, 0.53%

LAB 74.95, -62.08, 60.92

 

CMYK 72 / 48 / 0 / 18

HEX #3B6ED2

RGB 59 110 210

HSL 219.74, 0.63%, 0.53%

LAB 47.92, 16.88, -56.62

 

CMYK 0 / 72 / 10 / 18

HEX #D23BBC

RGB 210 59 188

HSL 308.74, 0.63%, 0.53%

LAB 52.35, 71.17, -36

 

CMYK 0 / 25 / 72 / 18

HEX #D29D3B

RGB 210 157 59

HSL 38.94, 0.63%, 0.53%

LAB 68.12, 10.31, 56.57

 

CMYK 72 / 0 / 61 / 18

HEX #3BD252

RGB 59 210 82

HSL 129.14, 0.63%, 0.53%

LAB 74.59, -64.36, 51.13

 

Description

Color code: HEX #3B6ED2 | qconv.com Color code: HEX #3B6ED2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 110 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 110 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 48 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 48% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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