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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B6B12 it is the complementary color #C494ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B6B12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B6B12 shade: #406B0D, #517D20, #628F33, #73A146 and #84B359

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B6B12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B6B12 shade: #3B6B12, #2A5900, #194700, #083500 and #002300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B6B12 shade: #3C6D12, #556D12, #6D6D12, #6D5512 and #6D3C12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B6B12 shade: #3C6D12, #246D12, #126D1A, #126D32 and #126D4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B6B12 shade matches the following richer shades: #3C6D12 and #3B7708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B6B12 shade: #3C6D12, #3D631D, #3E5827, #3F4E31 and #3F443C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B6B12 shade: #6D6D12, #556D12, #3D6D12, #256D12 and #126D19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B6B12 shade: #152607, #294A0D, #3C6D12, #509018 and #63B41E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B6B12 shade: #3B6B12, #126D55 and #6D1261

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B6B12 shade: #3B6B12, #123D6D and #6D123D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B6B12 shade: #3B6B12, #126D55, #43126D and #6D122B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B6B12 shade: #3B6B12, #126A6D, #43126D and #6D1612

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 83 / 58

HEX #3B6B12

RGB 59 107 18

HSL 92.36, 0.71%, 0.25%

LAB 40.39, -31.8, 41.06

 

Complementary color

CMYK 17 / 38 / 0 / 7

HEX #C494ED

RGB 196 148 237

HSL 272.36, 0.71%, 0.75%

LAB 68.77, 34.54, -38.06

 

CMYK 40 / 0 / 88 / 58

HEX #406B0D

RGB 64 107 13

HSL 87.45, 0.78%, 0.24%

LAB 40.63, -30.16, 42.88

 

CMYK 35 / 0 / 74 / 51

HEX #517D20

RGB 81 125 32

HSL 88.39, 0.59%, 0.31%

LAB 47.65, -30.78, 43.39

 

CMYK 31 / 0 / 64 / 44

HEX #628F33

RGB 98 143 51

HSL 89.35, 0.47%, 0.38%

LAB 54.53, -31.1, 42.82

 

CMYK 29 / 0 / 57 / 37

HEX #73A146

RGB 115 161 70

HSL 90.33, 0.39%, 0.45%

LAB 61.29, -31.25, 41.83

 

CMYK 26 / 0 / 50 / 30

HEX #84B359

RGB 132 179 89

HSL 91.33, 0.37%, 0.53%

LAB 67.92, -31.28, 40.68

 

CMYK 45 / 0 / 83 / 58

HEX #3B6B12

RGB 59 107 18

HSL 92.36, 0.71%, 0.25%

LAB 40.39, -31.8, 41.06

 

CMYK 53 / 0 / 100 / 65

HEX #2A5900

RGB 42 89 0

HSL 91.69, 1%, 0.17%

LAB 33.22, -30.89, 39.91

 

CMYK 65 / 0 / 100 / 72

HEX #194700

RGB 25 71 0

HSL 98.87, 1%, 0.14%

LAB 25.9, -28.92, 33.65

 

CMYK 85 / 0 / 100 / 79

HEX #083500

RGB 8 53 0

HSL 110.94, 1%, 0.1%

LAB 18.36, -26.3, 25.51

 

CMYK 100 / 0 / 100 / 86

HEX #002300

RGB 0 35 0

HSL 120, 1%, 0.07%

LAB 10.57, -20.95, 15.36

 

CMYK 45 / 0 / 83 / 57

HEX #3C6D12

RGB 60 109 18

HSL 92.31, 0.72%, 0.25%

LAB 41.12, -32.32, 41.76

 

CMYK 22 / 0 / 83 / 57

HEX #556D12

RGB 85 109 18

HSL 75.82, 0.72%, 0.25%

LAB 42.63, -22.12, 43.69

 

CMYK 0 / 0 / 83 / 57

HEX #6D6D12

RGB 109 109 18

HSL 60, 0.72%, 0.25%

LAB 44.56, -11.03, 46.15

 

CMYK 0 / 22 / 83 / 57

HEX #6D5512

RGB 109 85 18

HSL 44.18, 0.72%, 0.25%

LAB 37.47, 2.91, 39.83

 

CMYK 0 / 45 / 83 / 57

HEX #6D3C12

RGB 109 60 18

HSL 27.69, 0.72%, 0.25%

LAB 30.7, 18.1, 33.57

 

CMYK 45 / 0 / 83 / 57

HEX #3C6D12

RGB 60 109 18

HSL 92.31, 0.72%, 0.25%

LAB 41.12, -32.32, 41.76

 

CMYK 67 / 0 / 83 / 57

HEX #246D12

RGB 36 109 18

HSL 108.13, 0.72%, 0.25%

LAB 40.17, -39.72, 40.53

 

CMYK 83 / 0 / 76 / 57

HEX #126D1A

RGB 18 109 26

HSL 125.27, 0.72%, 0.25%

LAB 39.82, -42.56, 37.09

 

CMYK 83 / 0 / 54 / 57

HEX #126D32

RGB 18 109 50

HSL 141.1, 0.72%, 0.25%

LAB 40.07, -39.42, 25.71

 

CMYK 83 / 0 / 32 / 57

HEX #126D4A

RGB 18 109 74

HSL 156.92, 0.72%, 0.25%

LAB 40.51, -34.45, 12.48

 

CMYK 45 / 0 / 83 / 57

HEX #3C6D12

RGB 60 109 18

HSL 92.31, 0.72%, 0.25%

LAB 41.12, -32.32, 41.76

 

CMYK 50 / 0 / 93 / 53

HEX #3B7708

RGB 59 119 8

HSL 92.43, 0.87%, 0.25%

LAB 44.43, -37.39, 47.25

 

CMYK 45 / 0 / 83 / 57

HEX #3C6D12

RGB 60 109 18

HSL 92.31, 0.72%, 0.25%

LAB 41.12, -32.32, 41.76

 

CMYK 38 / 0 / 71 / 61

HEX #3D631D

RGB 61 99 29

HSL 92.57, 0.55%, 0.25%

LAB 37.85, -26.52, 34.2

 

CMYK 30 / 0 / 56 / 65

HEX #3E5827

RGB 62 88 39

HSL 91.84, 0.39%, 0.25%

LAB 34.29, -19.45, 25.09

 

CMYK 19 / 0 / 37 / 69

HEX #3F4E31

RGB 63 78 49

HSL 91.03, 0.23%, 0.25%

LAB 31.18, -11.99, 15.28

 

CMYK 7 / 0 / 12 / 73

HEX #3F443C

RGB 63 68 60

HSL 97.5, 0.06%, 0.25%

LAB 28.16, -3.84, 4.14

 

CMYK 0 / 0 / 83 / 57

HEX #6D6D12

RGB 109 109 18

HSL 60, 0.72%, 0.25%

LAB 44.56, -11.03, 46.15

 

CMYK 22 / 0 / 83 / 57

HEX #556D12

RGB 85 109 18

HSL 75.82, 0.72%, 0.25%

LAB 42.63, -22.12, 43.69

 

CMYK 44 / 0 / 83 / 57

HEX #3D6D12

RGB 61 109 18

HSL 91.65, 0.72%, 0.25%

LAB 41.17, -31.96, 41.82

 

CMYK 66 / 0 / 83 / 57

HEX #256D12

RGB 37 109 18

HSL 107.47, 0.72%, 0.25%

LAB 40.2, -39.47, 40.57

 

CMYK 83 / 0 / 77 / 57

HEX #126D19

RGB 18 109 25

HSL 124.62, 0.72%, 0.25%

LAB 39.81, -42.65, 37.48

 

CMYK 45 / 0 / 82 / 85

HEX #152607

RGB 21 38 7

HSL 92.9, 0.69%, 0.09%

LAB 12.99, -13.93, 16

 

CMYK 45 / 0 / 82 / 71

HEX #294A0D

RGB 41 74 13

HSL 92.46, 0.7%, 0.17%

LAB 27.84, -23.64, 30.57

 

CMYK 45 / 0 / 83 / 57

HEX #3C6D12

RGB 60 109 18

HSL 92.31, 0.72%, 0.25%

LAB 41.12, -32.32, 41.76

 

CMYK 44 / 0 / 83 / 44

HEX #509018

RGB 80 144 24

HSL 92, 0.71%, 0.33%

LAB 53.73, -40.01, 51.86

 

CMYK 45 / 0 / 83 / 29

HEX #63B41E

RGB 99 180 30

HSL 92.4, 0.71%, 0.41%

LAB 66.05, -48.07, 61.67

 

CMYK 45 / 0 / 83 / 58

HEX #3B6B12

RGB 59 107 18

HSL 92.36, 0.71%, 0.25%

LAB 40.39, -31.8, 41.06

 

CMYK 83 / 0 / 22 / 57

HEX #126D55

RGB 18 109 85

HSL 164.18, 0.72%, 0.25%

LAB 40.77, -31.61, 6.26

 

CMYK 0 / 83 / 11 / 57

HEX #6D1261

RGB 109 18 97

HSL 307.91, 0.72%, 0.25%

LAB 25.4, 46.71, -23.78

 

CMYK 45 / 0 / 83 / 58

HEX #3B6B12

RGB 59 107 18

HSL 92.36, 0.71%, 0.25%

LAB 40.39, -31.8, 41.06

 

CMYK 83 / 44 / 0 / 57

HEX #123D6D

RGB 18 61 109

HSL 211.65, 0.72%, 0.25%

LAB 25.47, 4.48, -32.02

 

CMYK 0 / 83 / 44 / 57

HEX #6D123D

RGB 109 18 61

HSL 331.65, 0.72%, 0.25%

LAB 23.74, 41.87, -2.15

 

CMYK 45 / 0 / 83 / 58

HEX #3B6B12

RGB 59 107 18

HSL 92.36, 0.71%, 0.25%

LAB 40.39, -31.8, 41.06

 

CMYK 83 / 0 / 22 / 57

HEX #126D55

RGB 18 109 85

HSL 164.18, 0.72%, 0.25%

LAB 40.77, -31.61, 6.26

 

CMYK 39 / 83 / 0 / 57

HEX #43126D

RGB 67 18 109

HSL 272.31, 0.72%, 0.25%

LAB 18.93, 40.36, -42.42

 

CMYK 0 / 83 / 61 / 57

HEX #6D122B

RGB 109 18 43

HSL 343.52, 0.72%, 0.25%

LAB 23.2, 40.22, 9.52

 

CMYK 45 / 0 / 83 / 58

HEX #3B6B12

RGB 59 107 18

HSL 92.36, 0.71%, 0.25%

LAB 40.39, -31.8, 41.06

 

CMYK 83 / 3 / 0 / 57

HEX #126A6D

RGB 18 106 109

HSL 181.98, 0.72%, 0.25%

LAB 40.48, -22.83, -8.75

 

CMYK 39 / 83 / 0 / 57

HEX #43126D

RGB 67 18 109

HSL 272.31, 0.72%, 0.25%

LAB 18.93, 40.36, -42.42

 

CMYK 0 / 80 / 83 / 57

HEX #6D1612

RGB 109 22 18

HSL 2.64, 0.72%, 0.25%

LAB 23.23, 37.47, 26.24

 

Description

Color code: HEX #3B6B12 | qconv.com Color code: HEX #3B6B12 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 107 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 107 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 83 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 83% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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