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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B665D it is the complementary color #C499A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B665D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B665D shade: #406658, #51786B, #628A7E, #739C91 and #84AEA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B665D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B665D shade: #3B665D, #2A544A, #194237, #083024 and #001E11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B665D shade: #3C685E, #3C6853, #3C6847, #3C683C and #48683C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B665D shade: #3C685E, #3C6568, #3C5968, #3C4D68 and #3C4168

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B665D shade matches the following richer shades: #3C685E, #2E7566, #21826E, #148F75 and #079C7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B665D shade: #3C685E, #495A57, #564D4F, #634047 and #703340

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B665D shade: #3C6847, #3C6852, #3C685E, #3C6568 and #3C5A68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B665D shade: #1D332F, #2D4D47, #3C685E, #4B8276 and #5A9C8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B665D shade: #3B665D, #3C3C68 and #684C3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B665D shade: #3B665D, #5E3C68 and #685E3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B665D shade: #3B665D, #3C3C68, #683C45 and #68673C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B665D shade: #3B665D, #483C68, #683C45 and #5B683C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 9 / 60

HEX #3B665D

RGB 59 102 93

HSL 167.44, 0.27%, 0.32%

LAB 39.95, -17.31, 0.39

 

Complementary color

CMYK 0 / 22 / 17 / 23

HEX #C499A2

RGB 196 153 162

HSL 347.44, 0.27%, 0.68%

LAB 67.37, 17.44, 1.46

 

CMYK 37 / 0 / 14 / 60

HEX #406658

RGB 64 102 88

HSL 157.89, 0.23%, 0.33%

LAB 40.08, -17, 3.65

 

CMYK 33 / 0 / 11 / 53

HEX #51786B

RGB 81 120 107

HSL 160, 0.19%, 0.39%

LAB 47.29, -16.77, 2.77

 

CMYK 29 / 0 / 9 / 46

HEX #628A7E

RGB 98 138 126

HSL 162, 0.17%, 0.46%

LAB 54.32, -16.56, 1.97

 

CMYK 26 / 0 / 7 / 39

HEX #739C91

RGB 115 156 145

HSL 163.9, 0.17%, 0.53%

LAB 61.19, -16.38, 1.22

 

CMYK 24 / 0 / 6 / 32

HEX #84AEA4

RGB 132 174 164

HSL 165.71, 0.21%, 0.6%

LAB 67.92, -16.23, 0.52

 

CMYK 42 / 0 / 9 / 60

HEX #3B665D

RGB 59 102 93

HSL 167.44, 0.27%, 0.32%

LAB 39.95, -17.31, 0.39

 

CMYK 50 / 0 / 12 / 67

HEX #2A544A

RGB 42 84 74

HSL 165.71, 0.33%, 0.25%

LAB 32.54, -17.47, 1.31

 

CMYK 62 / 0 / 17 / 74

HEX #194237

RGB 25 66 55

HSL 163.9, 0.45%, 0.18%

LAB 24.89, -17.54, 2.39

 

CMYK 83 / 0 / 25 / 81

HEX #083024

RGB 8 48 36

HSL 162, 0.71%, 0.11%

LAB 16.95, -17.32, 3.75

 

CMYK 100 / 0 / 43 / 88

HEX #001E11

RGB 0 30 17

HSL 154, 1%, 0.06%

LAB 8.73, -14.47, 5.22

 

CMYK 42 / 0 / 10 / 59

HEX #3C685E

RGB 60 104 94

HSL 166.36, 0.27%, 0.32%

LAB 40.69, -17.85, 0.85

 

CMYK 42 / 0 / 20 / 59

HEX #3C6853

RGB 60 104 83

HSL 151.36, 0.27%, 0.32%

LAB 40.39, -20.55, 7.11

 

CMYK 42 / 0 / 32 / 59

HEX #3C6847

RGB 60 104 71

HSL 135, 0.27%, 0.32%

LAB 40.11, -23.17, 13.94

 

CMYK 42 / 0 / 42 / 59

HEX #3C683C

RGB 60 104 60

HSL 120, 0.27%, 0.32%

LAB 39.89, -25.24, 20.13

 

CMYK 31 / 0 / 42 / 59

HEX #48683C

RGB 72 104 60

HSL 103.64, 0.27%, 0.32%

LAB 40.58, -20.83, 21.15

 

CMYK 42 / 0 / 10 / 59

HEX #3C685E

RGB 60 104 94

HSL 166.36, 0.27%, 0.32%

LAB 40.69, -17.85, 0.85

 

CMYK 42 / 3 / 0 / 59

HEX #3C6568

RGB 60 101 104

HSL 184.09, 0.27%, 0.32%

LAB 40.03, -13.47, -6.23

 

CMYK 42 / 14 / 0 / 59

HEX #3C5968

RGB 60 89 104

HSL 200.45, 0.27%, 0.32%

LAB 36.19, -6.41, -12.01

 

CMYK 42 / 26 / 0 / 59

HEX #3C4D68

RGB 60 77 104

HSL 216.82, 0.27%, 0.32%

LAB 32.41, 1.08, -17.79

 

CMYK 42 / 38 / 0 / 59

HEX #3C4168

RGB 60 65 104

HSL 233.18, 0.27%, 0.32%

LAB 28.75, 8.96, -23.49

 

CMYK 42 / 0 / 10 / 59

HEX #3C685E

RGB 60 104 94

HSL 166.36, 0.27%, 0.32%

LAB 40.69, -17.85, 0.85

 

CMYK 61 / 0 / 13 / 54

HEX #2E7566

RGB 46 117 102

HSL 167.32, 0.44%, 0.32%

LAB 44.61, -26.09, 1.66

 

CMYK 75 / 0 / 15 / 49

HEX #21826E

RGB 33 130 110

HSL 167.63, 0.6%, 0.32%

LAB 48.78, -32.46, 2.92

 

CMYK 86 / 0 / 18 / 44

HEX #148F75

RGB 20 143 117

HSL 167.32, 0.75%, 0.32%

LAB 53.03, -37.84, 4.97

 

CMYK 96 / 0 / 20 / 39

HEX #079C7D

RGB 7 156 125

HSL 167.52, 0.91%, 0.32%

LAB 57.37, -42.04, 6.6

 

CMYK 42 / 0 / 10 / 59

HEX #3C685E

RGB 60 104 94

HSL 166.36, 0.27%, 0.32%

LAB 40.69, -17.85, 0.85

 

CMYK 19 / 0 / 3 / 65

HEX #495A57

RGB 73 90 87

HSL 169.41, 0.1%, 0.32%

LAB 36.77, -7.23, -0.45

 

CMYK 0 / 10 / 8 / 66

HEX #564D4F

RGB 86 77 79

HSL 346.67, 0.06%, 0.32%

LAB 33.67, 4.14, 0.17

 

CMYK 0 / 35 / 28 / 61

HEX #634047

RGB 99 64 71

HSL 348, 0.21%, 0.32%

LAB 31.29, 16.35, 2.02

 

CMYK 0 / 54 / 43 / 56

HEX #703340

RGB 112 51 64

HSL 347.21, 0.37%, 0.32%

LAB 29.87, 28.41, 4.79

 

CMYK 42 / 0 / 32 / 59

HEX #3C6847

RGB 60 104 71

HSL 135, 0.27%, 0.32%

LAB 40.11, -23.17, 13.94

 

CMYK 42 / 0 / 21 / 59

HEX #3C6852

RGB 60 104 82

HSL 150, 0.27%, 0.32%

LAB 40.36, -20.78, 7.68

 

CMYK 42 / 0 / 10 / 59

HEX #3C685E

RGB 60 104 94

HSL 166.36, 0.27%, 0.32%

LAB 40.69, -17.85, 0.85

 

CMYK 42 / 3 / 0 / 59

HEX #3C6568

RGB 60 101 104

HSL 184.09, 0.27%, 0.32%

LAB 40.03, -13.47, -6.23

 

CMYK 42 / 13 / 0 / 59

HEX #3C5A68

RGB 60 90 104

HSL 199.09, 0.27%, 0.32%

LAB 36.5, -7.02, -11.52

 

CMYK 43 / 0 / 8 / 80

HEX #1D332F

RGB 29 51 47

HSL 169.09, 0.28%, 0.16%

LAB 19.37, -9.87, -0.23

 

CMYK 42 / 0 / 8 / 70

HEX #2D4D47

RGB 45 77 71

HSL 168.75, 0.26%, 0.24%

LAB 30.21, -13.42, -0.16

 

CMYK 42 / 0 / 10 / 59

HEX #3C685E

RGB 60 104 94

HSL 166.36, 0.27%, 0.32%

LAB 40.69, -17.85, 0.85

 

CMYK 42 / 0 / 9 / 49

HEX #4B8276

RGB 75 130 118

HSL 166.91, 0.27%, 0.4%

LAB 50.42, -21.25, 0.79

 

CMYK 42 / 0 / 9 / 39

HEX #5A9C8E

RGB 90 156 142

HSL 167.27, 0.27%, 0.48%

LAB 59.8, -24.52, 0.74

 

CMYK 42 / 0 / 9 / 60

HEX #3B665D

RGB 59 102 93

HSL 167.44, 0.27%, 0.32%

LAB 39.95, -17.31, 0.39

 

CMYK 42 / 42 / 0 / 59

HEX #3C3C68

RGB 60 60 104

HSL 240, 0.27%, 0.32%

LAB 27.27, 12.31, -25.81

 

CMYK 0 / 27 / 42 / 59

HEX #684C3C

RGB 104 76 60

HSL 21.82, 0.27%, 0.32%

LAB 34.88, 9.51, 14.14

 

CMYK 42 / 0 / 9 / 60

HEX #3B665D

RGB 59 102 93

HSL 167.44, 0.27%, 0.32%

LAB 39.95, -17.31, 0.39

 

CMYK 10 / 42 / 0 / 59

HEX #5E3C68

RGB 94 60 104

HSL 286.36, 0.27%, 0.32%

LAB 30.9, 23.43, -19.87

 

CMYK 0 / 10 / 42 / 59

HEX #685E3C

RGB 104 94 60

HSL 46.36, 0.27%, 0.32%

LAB 40.04, -1.43, 20.95

 

CMYK 42 / 0 / 9 / 60

HEX #3B665D

RGB 59 102 93

HSL 167.44, 0.27%, 0.32%

LAB 39.95, -17.31, 0.39

 

CMYK 42 / 42 / 0 / 59

HEX #3C3C68

RGB 60 60 104

HSL 240, 0.27%, 0.32%

LAB 27.27, 12.31, -25.81

 

CMYK 0 / 42 / 34 / 59

HEX #683C45

RGB 104 60 69

HSL 347.73, 0.27%, 0.32%

LAB 30.89, 20.6, 2.83

 

CMYK 0 / 1 / 42 / 59

HEX #68673C

RGB 104 103 60

HSL 58.64, 0.27%, 0.32%

LAB 42.72, -6.69, 24.38

 

CMYK 42 / 0 / 9 / 60

HEX #3B665D

RGB 59 102 93

HSL 167.44, 0.27%, 0.32%

LAB 39.95, -17.31, 0.39

 

CMYK 31 / 42 / 0 / 59

HEX #483C68

RGB 72 60 104

HSL 256.36, 0.27%, 0.32%

LAB 28.4, 16.04, -23.96

 

CMYK 0 / 42 / 34 / 59

HEX #683C45

RGB 104 60 69

HSL 347.73, 0.27%, 0.32%

LAB 30.89, 20.6, 2.83

 

CMYK 13 / 0 / 42 / 59

HEX #5B683C

RGB 91 104 60

HSL 77.73, 0.27%, 0.32%

LAB 41.92, -13, 23.15

 

Description

Color code: HEX #3B665D | qconv.com Color code: HEX #3B665D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 102 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 102 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 9 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 9% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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