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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B5E2B it is the complementary color #C4A1D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B5E2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B5E2B shade: #405E26, #517039, #62824C, #73945F and #84A672

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B5E2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B5E2B shade: #3B5E2B, #2A4C18, #193A05, #082800 and #001600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B5E2B shade: #3B5E2B, #495E2B, #575E2B, #5E582B and #5E4A2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B5E2B shade: #3B5E2B, #2E5E2B, #2B5E37, #2B5E45 and #2B5E52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B5E2B shade matches the following richer shades: #3B5E2B, #376920, #337515 and #2F800A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B5E2B shade: #3B5E2B, #405337, #444842, #483D4D and #4C3258

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B5E2B shade: #575E2B, #495E2B, #3C5E2B, #2E5E2B and #2B5E36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B5E2B shade: #182611, #2A421E, #3B5E2B, #4D7B38 and #5F9745

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B5E2B shade: #3B5E2B, #2B5E58 and #5E2B50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B5E2B shade: #3B5E2B, #2B3C5E and #5E2B3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B5E2B shade: #3B5E2B, #2B5E58, #4E2B5E and #5E2B31

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B5E2B shade: #3B5E2B, #2B555E, #4E2B5E and #5E352B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 54 / 63

HEX #3B5E2B

RGB 59 94 43

HSL 101.18, 0.37%, 0.27%

LAB 36.19, -23.24, 25.12

 

Complementary color

CMYK 8 / 24 / 0 / 17

HEX #C4A1D4

RGB 196 161 212

HSL 281.18, 0.37%, 0.73%

LAB 70.86, 22.11, -21.11

 

CMYK 32 / 0 / 60 / 63

HEX #405E26

RGB 64 94 38

HSL 92.14, 0.42%, 0.26%

LAB 36.43, -21.88, 28.2

 

CMYK 28 / 0 / 49 / 56

HEX #517039

RGB 81 112 57

HSL 93.82, 0.33%, 0.33%

LAB 43.7, -21.88, 26.92

 

CMYK 25 / 0 / 42 / 49

HEX #62824C

RGB 98 130 76

HSL 95.56, 0.26%, 0.4%

LAB 50.79, -21.79, 25.62

 

CMYK 22 / 0 / 36 / 42

HEX #73945F

RGB 115 148 95

HSL 97.36, 0.22%, 0.48%

LAB 57.7, -21.66, 24.39

 

CMYK 20 / 0 / 31 / 35

HEX #84A672

RGB 132 166 114

HSL 99.23, 0.23%, 0.55%

LAB 64.48, -21.53, 23.23

 

CMYK 37 / 0 / 54 / 63

HEX #3B5E2B

RGB 59 94 43

HSL 101.18, 0.37%, 0.27%

LAB 36.19, -23.24, 25.12

 

CMYK 45 / 0 / 68 / 70

HEX #2A4C18

RGB 42 76 24

HSL 99.23, 0.52%, 0.2%

LAB 28.71, -23.21, 26.39

 

CMYK 57 / 0 / 91 / 77

HEX #193A05

RGB 25 58 5

HSL 97.36, 0.84%, 0.12%

LAB 20.99, -22.78, 26.65

 

CMYK 80 / 0 / 100 / 84

HEX #082800

RGB 8 40 0

HSL 108, 1%, 0.08%

LAB 13.04, -21.03, 18.8

 

CMYK 100 / 0 / 100 / 91

HEX #001600

RGB 0 22 0

HSL 120, 1%, 0.04%

LAB 5.18, -10.59, 7.57

 

CMYK 37 / 0 / 54 / 63

HEX #3B5E2B

RGB 59 94 43

HSL 101.18, 0.37%, 0.27%

LAB 36.19, -23.24, 25.12

 

CMYK 22 / 0 / 54 / 63

HEX #495E2B

RGB 73 94 43

HSL 84.71, 0.37%, 0.27%

LAB 37.11, -17.49, 26.44

 

CMYK 7 / 0 / 54 / 63

HEX #575E2B

RGB 87 94 43

HSL 68.24, 0.37%, 0.27%

LAB 38.21, -11.22, 28.02

 

CMYK 0 / 6 / 54 / 63

HEX #5E582B

RGB 94 88 43

HSL 52.94, 0.37%, 0.27%

LAB 36.99, -4.45, 26.73

 

CMYK 0 / 21 / 54 / 63

HEX #5E4A2B

RGB 94 74 43

HSL 36.47, 0.37%, 0.27%

LAB 32.81, 4.06, 21.63

 

CMYK 37 / 0 / 54 / 63

HEX #3B5E2B

RGB 59 94 43

HSL 101.18, 0.37%, 0.27%

LAB 36.19, -23.24, 25.12

 

CMYK 51 / 0 / 54 / 63

HEX #2E5E2B

RGB 46 94 43

HSL 116.47, 0.37%, 0.27%

LAB 35.52, -27.91, 24.14

 

CMYK 54 / 0 / 41 / 63

HEX #2B5E37

RGB 43 94 55

HSL 134.12, 0.37%, 0.27%

LAB 35.59, -26.77, 17.26

 

CMYK 54 / 0 / 27 / 63

HEX #2B5E45

RGB 43 94 69

HSL 150.59, 0.37%, 0.27%

LAB 35.89, -23.75, 9.19

 

CMYK 54 / 0 / 13 / 63

HEX #2B5E52

RGB 43 94 82

HSL 165.88, 0.37%, 0.27%

LAB 36.23, -20.43, 1.66

 

CMYK 37 / 0 / 54 / 63

HEX #3B5E2B

RGB 59 94 43

HSL 101.18, 0.37%, 0.27%

LAB 36.19, -23.24, 25.12

 

CMYK 48 / 0 / 70 / 59

HEX #376920

RGB 55 105 32

HSL 101.1, 0.53%, 0.27%

LAB 39.61, -31.26, 34.62

 

CMYK 56 / 0 / 82 / 54

HEX #337515

RGB 51 117 21

HSL 101.25, 0.7%, 0.27%

LAB 43.48, -38.52, 42.84

 

CMYK 63 / 0 / 92 / 50

HEX #2F800A

RGB 47 128 10

HSL 101.19, 0.86%, 0.27%

LAB 47.06, -44.36, 48.88

 

CMYK 37 / 0 / 54 / 63

HEX #3B5E2B

RGB 59 94 43

HSL 101.18, 0.37%, 0.27%

LAB 36.19, -23.24, 25.12

 

CMYK 23 / 0 / 34 / 67

HEX #405337

RGB 64 83 55

HSL 100.71, 0.2%, 0.27%

LAB 33.03, -13.4, 14.08

 

CMYK 6 / 0 / 8 / 72

HEX #444842

RGB 68 72 66

HSL 100, 0.04%, 0.27%

LAB 30.05, -2.96, 3.03

 

CMYK 6 / 21 / 0 / 70

HEX #483D4D

RGB 72 61 77

HSL 281.25, 0.12%, 0.27%

LAB 27.44, 8.26, -7.94

 

CMYK 14 / 43 / 0 / 65

HEX #4C3258

RGB 76 50 88

HSL 281.05, 0.28%, 0.27%

LAB 25.33, 19.64, -18.36

 

CMYK 7 / 0 / 54 / 63

HEX #575E2B

RGB 87 94 43

HSL 68.24, 0.37%, 0.27%

LAB 38.21, -11.22, 28.02

 

CMYK 22 / 0 / 54 / 63

HEX #495E2B

RGB 73 94 43

HSL 84.71, 0.37%, 0.27%

LAB 37.11, -17.49, 26.44

 

CMYK 36 / 0 / 54 / 63

HEX #3C5E2B

RGB 60 94 43

HSL 100, 0.37%, 0.27%

LAB 36.25, -22.86, 25.21

 

CMYK 51 / 0 / 54 / 63

HEX #2E5E2B

RGB 46 94 43

HSL 116.47, 0.37%, 0.27%

LAB 35.52, -27.91, 24.14

 

CMYK 54 / 0 / 43 / 63

HEX #2B5E36

RGB 43 94 54

HSL 132.94, 0.37%, 0.27%

LAB 35.57, -26.97, 17.83

 

CMYK 37 / 0 / 55 / 85

HEX #182611

RGB 24 38 17

HSL 100, 0.38%, 0.11%

LAB 13.36, -11.06, 11.85

 

CMYK 36 / 0 / 55 / 74

HEX #2A421E

RGB 42 66 30

HSL 100, 0.38%, 0.19%

LAB 25.21, -17.22, 18.91

 

CMYK 37 / 0 / 54 / 63

HEX #3B5E2B

RGB 59 94 43

HSL 101.18, 0.37%, 0.27%

LAB 36.19, -23.24, 25.12

 

CMYK 37 / 0 / 54 / 52

HEX #4D7B38

RGB 77 123 56

HSL 101.19, 0.37%, 0.35%

LAB 47.01, -29, 31.44

 

CMYK 37 / 0 / 54 / 41

HEX #5F9745

RGB 95 151 69

HSL 100.98, 0.37%, 0.43%

LAB 57.07, -34.02, 37.07

 

CMYK 37 / 0 / 54 / 63

HEX #3B5E2B

RGB 59 94 43

HSL 101.18, 0.37%, 0.27%

LAB 36.19, -23.24, 25.12

 

CMYK 54 / 0 / 6 / 63

HEX #2B5E58

RGB 43 94 88

HSL 172.94, 0.37%, 0.27%

LAB 36.41, -18.75, -1.8

 

CMYK 0 / 54 / 15 / 63

HEX #5E2B50

RGB 94 43 80

HSL 316.47, 0.37%, 0.27%

LAB 25.82, 28.59, -12.11

 

CMYK 37 / 0 / 54 / 63

HEX #3B5E2B

RGB 59 94 43

HSL 101.18, 0.37%, 0.27%

LAB 36.19, -23.24, 25.12

 

CMYK 54 / 36 / 0 / 63

HEX #2B3C5E

RGB 43 60 94

HSL 220, 0.37%, 0.27%

LAB 25.42, 4.09, -22.36

 

CMYK 0 / 54 / 36 / 63

HEX #5E2B3C

RGB 94 43 60

HSL 340, 0.37%, 0.27%

LAB 25.06, 25.34, 0.14

 

CMYK 37 / 0 / 54 / 63

HEX #3B5E2B

RGB 59 94 43

HSL 101.18, 0.37%, 0.27%

LAB 36.19, -23.24, 25.12

 

CMYK 54 / 0 / 6 / 63

HEX #2B5E58

RGB 43 94 88

HSL 172.94, 0.37%, 0.27%

LAB 36.41, -18.75, -1.8

 

CMYK 17 / 54 / 0 / 63

HEX #4E2B5E

RGB 78 43 94

HSL 281.18, 0.37%, 0.27%

LAB 24.18, 26.19, -24.08

 

CMYK 0 / 54 / 48 / 63

HEX #5E2B31

RGB 94 43 49

HSL 352.94, 0.37%, 0.27%

LAB 24.73, 23.9, 7.1

 

CMYK 37 / 0 / 54 / 63

HEX #3B5E2B

RGB 59 94 43

HSL 101.18, 0.37%, 0.27%

LAB 36.19, -23.24, 25.12

 

CMYK 54 / 10 / 0 / 63

HEX #2B555E

RGB 43 85 94

HSL 190.59, 0.37%, 0.27%

LAB 33.6, -11.83, -9.75

 

CMYK 17 / 54 / 0 / 63

HEX #4E2B5E

RGB 78 43 94

HSL 281.18, 0.37%, 0.27%

LAB 24.18, 26.19, -24.08

 

CMYK 0 / 44 / 54 / 63

HEX #5E352B

RGB 94 53 43

HSL 11.76, 0.37%, 0.27%

LAB 27.02, 17.2, 14.19

 

Description

Color code: HEX #3B5E2B | qconv.com Color code: HEX #3B5E2B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 94 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 94 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 54 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 54% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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