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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B531A it is the complementary color #C4ACE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B531A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B531A shade: #405315, #516528, #62773B, #73894E and #849B61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B531A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B531A shade: #3B531A, #2A4107, #192F00, #081D00 and #000B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B531A shade: #3A511A, #49511A, #514B1A, #513C1A and #512D1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B531A shade: #3A511A, #2B511A, #1C511A, #1A5127 and #1A5136

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B531A shade matches the following richer shades: #3A511A, #3B5A11 and #3D6308

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B531A shade: #3A511A, #394922, #37402B, #363734 and #342F3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B531A shade: #514B1A, #49511A, #3A511A, #2B511A and #1C511A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B531A shade: #0D1306, #243210, #3A511A, #507124 and #67902E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B531A shade: #3B531A, #1A513C and #511A50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B531A shade: #3B531A, #1A3A51 and #511A3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B531A shade: #3B531A, #1A513C, #311A51 and #511A2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B531A shade: #3B531A, #1A514D, #311A51 and #511A1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 0 / 69 / 67

HEX #3B531A

RGB 59 83 26

HSL 85.26, 0.52%, 0.21%

LAB 32.24, -19.54, 29.56

 

Complementary color

CMYK 14 / 25 / 0 / 10

HEX #C4ACE5

RGB 196 172 229

HSL 265.26, 0.52%, 0.79%

LAB 74.12, 19.58, -25.43

 

CMYK 23 / 0 / 75 / 67

HEX #405315

RGB 64 83 21

HSL 78.39, 0.6%, 0.2%

LAB 32.55, -17.72, 32.35

 

CMYK 20 / 0 / 60 / 60

HEX #516528

RGB 81 101 40

HSL 79.67, 0.43%, 0.28%

LAB 39.93, -18.1, 31.5

 

CMYK 18 / 0 / 50 / 53

HEX #62773B

RGB 98 119 59

HSL 81, 0.34%, 0.35%

LAB 47.11, -18.29, 30.28

 

CMYK 16 / 0 / 43 / 46

HEX #73894E

RGB 115 137 78

HSL 82.37, 0.27%, 0.42%

LAB 54.12, -18.38, 29.02

 

CMYK 15 / 0 / 37 / 39

HEX #849B61

RGB 132 155 97

HSL 83.79, 0.23%, 0.49%

LAB 60.97, -18.41, 27.79

 

CMYK 29 / 0 / 69 / 67

HEX #3B531A

RGB 59 83 26

HSL 85.26, 0.52%, 0.21%

LAB 32.24, -19.54, 29.56

 

CMYK 35 / 0 / 89 / 75

HEX #2A4107

RGB 42 65 7

HSL 83.79, 0.81%, 0.14%

LAB 24.6, -19.07, 29.88

 

CMYK 47 / 0 / 100 / 82

HEX #192F00

RGB 25 47 0

HSL 88.09, 1%, 0.09%

LAB 16.7, -17.87, 23.67

 

CMYK 72 / 0 / 100 / 89

HEX #081D00

RGB 8 29 0

HSL 103.45, 1%, 0.06%

LAB 8.4, -14.09, 12.32

 

CMYK 100 / 0 / 100 / 96

HEX #000B00

RGB 0 11 0

HSL 120, 1%, 0.02%

LAB 2.16, -4.42, 3.16

 

CMYK 28 / 0 / 68 / 68

HEX #3A511A

RGB 58 81 26

HSL 85.09, 0.51%, 0.21%

LAB 31.48, -18.91, 28.71

 

CMYK 10 / 0 / 68 / 68

HEX #49511A

RGB 73 81 26

HSL 68.73, 0.51%, 0.21%

LAB 32.65, -11.98, 30.31

 

CMYK 0 / 7 / 68 / 68

HEX #514B1A

RGB 81 75 26

HSL 53.45, 0.51%, 0.21%

LAB 31.48, -4.5, 29.27

 

CMYK 0 / 26 / 68 / 68

HEX #513C1A

RGB 81 60 26

HSL 37.09, 0.51%, 0.21%

LAB 26.89, 4.88, 24.17

 

CMYK 0 / 44 / 68 / 68

HEX #512D1A

RGB 81 45 26

HSL 20.73, 0.51%, 0.21%

LAB 22.66, 14.5, 19.21

 

CMYK 28 / 0 / 68 / 68

HEX #3A511A

RGB 58 81 26

HSL 85.09, 0.51%, 0.21%

LAB 31.48, -18.91, 28.71

 

CMYK 47 / 0 / 68 / 68

HEX #2B511A

RGB 43 81 26

HSL 101.45, 0.51%, 0.21%

LAB 30.58, -25.05, 27.45

 

CMYK 65 / 0 / 68 / 68

HEX #1C511A

RGB 28 81 26

HSL 117.82, 0.51%, 0.21%

LAB 29.93, -29.93, 26.55

 

CMYK 68 / 0 / 52 / 68

HEX #1A5127

RGB 26 81 39

HSL 134.18, 0.51%, 0.21%

LAB 30.04, -28.45, 19.45

 

CMYK 68 / 0 / 33 / 68

HEX #1A5136

RGB 26 81 54

HSL 150.55, 0.51%, 0.21%

LAB 30.33, -25.28, 10.69

 

CMYK 28 / 0 / 68 / 68

HEX #3A511A

RGB 58 81 26

HSL 85.09, 0.51%, 0.21%

LAB 31.48, -18.91, 28.71

 

CMYK 34 / 0 / 81 / 65

HEX #3B5A11

RGB 59 90 17

HSL 85.48, 0.68%, 0.21%

LAB 34.56, -23.84, 35.89

 

CMYK 38 / 0 / 92 / 61

HEX #3D6308

RGB 61 99 8

HSL 85.05, 0.85%, 0.21%

LAB 37.72, -27.83, 41.6

 

CMYK 28 / 0 / 68 / 68

HEX #3A511A

RGB 58 81 26

HSL 85.09, 0.51%, 0.21%

LAB 31.48, -18.91, 28.71

 

CMYK 22 / 0 / 53 / 71

HEX #394922

RGB 57 73 34

HSL 84.62, 0.36%, 0.21%

LAB 28.77, -14.02, 21.17

 

CMYK 14 / 0 / 33 / 75

HEX #37402B

RGB 55 64 43

HSL 85.71, 0.2%, 0.21%

LAB 25.72, -8.2, 11.66

 

CMYK 2 / 0 / 5 / 78

HEX #363734

RGB 54 55 52

HSL 80, 0.03%, 0.21%

LAB 22.88, -1.11, 1.73

 

CMYK 13 / 22 / 0 / 76

HEX #342F3C

RGB 52 47 60

HSL 263.08, 0.12%, 0.21%

LAB 20.4, 5.37, -7.4

 

CMYK 0 / 7 / 68 / 68

HEX #514B1A

RGB 81 75 26

HSL 53.45, 0.51%, 0.21%

LAB 31.48, -4.5, 29.27

 

CMYK 10 / 0 / 68 / 68

HEX #49511A

RGB 73 81 26

HSL 68.73, 0.51%, 0.21%

LAB 32.65, -11.98, 30.31

 

CMYK 28 / 0 / 68 / 68

HEX #3A511A

RGB 58 81 26

HSL 85.09, 0.51%, 0.21%

LAB 31.48, -18.91, 28.71

 

CMYK 47 / 0 / 68 / 68

HEX #2B511A

RGB 43 81 26

HSL 101.45, 0.51%, 0.21%

LAB 30.58, -25.05, 27.45

 

CMYK 65 / 0 / 68 / 68

HEX #1C511A

RGB 28 81 26

HSL 117.82, 0.51%, 0.21%

LAB 29.93, -29.93, 26.55

 

CMYK 32 / 0 / 68 / 93

HEX #0D1306

RGB 13 19 6

HSL 87.69, 0.52%, 0.05%

LAB 5.1, -4.29, 5.09

 

CMYK 28 / 0 / 68 / 80

HEX #243210

RGB 36 50 16

HSL 84.71, 0.52%, 0.13%

LAB 18.77, -12.73, 19.4

 

CMYK 28 / 0 / 68 / 68

HEX #3A511A

RGB 58 81 26

HSL 85.09, 0.51%, 0.21%

LAB 31.48, -18.91, 28.71

 

CMYK 29 / 0 / 68 / 56

HEX #507124

RGB 80 113 36

HSL 85.71, 0.52%, 0.29%

LAB 43.72, -25.1, 37.6

 

CMYK 28 / 0 / 68 / 44

HEX #67902E

RGB 103 144 46

HSL 85.1, 0.52%, 0.37%

LAB 55.1, -30.05, 45.71

 

CMYK 29 / 0 / 69 / 67

HEX #3B531A

RGB 59 83 26

HSL 85.26, 0.52%, 0.21%

LAB 32.24, -19.54, 29.56

 

CMYK 68 / 0 / 26 / 68

HEX #1A513C

RGB 26 81 60

HSL 157.09, 0.51%, 0.21%

LAB 30.47, -23.77, 7.12

 

CMYK 0 / 68 / 1 / 68

HEX #511A50

RGB 81 26 80

HSL 301.09, 0.51%, 0.21%

LAB 20.31, 33.43, -20.83

 

CMYK 29 / 0 / 69 / 67

HEX #3B531A

RGB 59 83 26

HSL 85.26, 0.52%, 0.21%

LAB 32.24, -19.54, 29.56

 

CMYK 68 / 28 / 0 / 68

HEX #1A3A51

RGB 26 58 81

HSL 205.09, 0.51%, 0.21%

LAB 23.13, -3.55, -17.48

 

CMYK 0 / 68 / 28 / 68

HEX #511A3A

RGB 81 26 58

HSL 325.09, 0.51%, 0.21%

LAB 19.2, 29.52, -7.44

 

CMYK 29 / 0 / 69 / 67

HEX #3B531A

RGB 59 83 26

HSL 85.26, 0.52%, 0.21%

LAB 32.24, -19.54, 29.56

 

CMYK 68 / 0 / 26 / 68

HEX #1A513C

RGB 26 81 60

HSL 157.09, 0.51%, 0.21%

LAB 30.47, -23.77, 7.12

 

CMYK 40 / 68 / 0 / 68

HEX #311A51

RGB 49 26 81

HSL 265.09, 0.51%, 0.21%

LAB 15.41, 24.72, -29.62

 

CMYK 0 / 68 / 42 / 68

HEX #511A2F

RGB 81 26 47

HSL 337.09, 0.51%, 0.21%

LAB 18.77, 27.95, -0.35

 

CMYK 29 / 0 / 69 / 67

HEX #3B531A

RGB 59 83 26

HSL 85.26, 0.52%, 0.21%

LAB 32.24, -19.54, 29.56

 

CMYK 68 / 0 / 5 / 68

HEX #1A514D

RGB 26 81 77

HSL 175.64, 0.51%, 0.21%

LAB 30.97, -18.85, -2.97

 

CMYK 40 / 68 / 0 / 68

HEX #311A51

RGB 49 26 81

HSL 265.09, 0.51%, 0.21%

LAB 15.41, 24.72, -29.62

 

CMYK 0 / 68 / 63 / 68

HEX #511A1E

RGB 81 26 30

HSL 355.64, 0.51%, 0.21%

LAB 18.28, 26.1, 11

 

Description

Color code: HEX #3B531A | qconv.com Color code: HEX #3B531A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 83 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 83 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, none magenta, 69 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 0% 69% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - Sportest.it - Home
Link: http://www.sportest.it

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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