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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B2F77 it is the complementary color #C4D088. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B2F77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B2F77 shade: #402F72, #514185, #625398, #7365AB and #8477BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B2F77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B2F77 shade: #3B2F77, #2A1D64, #190B51, #08003E and #00002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B2F77 shade: #3C3078, #503078, #633078, #773078 and #783067

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B2F77 shade: #3C3078 and #303078

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B2F77 shade matches the following richer shades: #3C3078, #332286, #2A1594 and #2107A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B2F77 shade: #3C3078, #453E6B, #4E4B5D, #57594F and #606642

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B2F77 shade: #304B78, #303778, #3C3078, #4F3078 and #633078

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B2F77 shade: #1F183D, #2D245B, #3C3078, #4B3C96 and #5947B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B2F77 shade: #3B2F77, #78305E and #417830

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B2F77 shade: #3B2F77, #783C30 and #30783C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B2F77 shade: #3B2F77, #78305E, #6C7830 and #30784B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B2F77 shade: #3B2F77, #783048, #6C7830 and #307860

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 61 / 0 / 53

HEX #3B2F77

RGB 59 47 119

HSL 250, 0.43%, 0.33%

LAB 24.62, 25.63, -39.64

 

Complementary color

CMYK 6 / 0 / 35 / 18

HEX #C4D088

RGB 196 208 136

HSL 70, 0.43%, 0.67%

LAB 81.09, -15.48, 34.44

 

CMYK 44 / 59 / 0 / 55

HEX #402F72

RGB 64 47 114

HSL 255.22, 0.42%, 0.32%

LAB 24.76, 25.25, -36.21

 

CMYK 39 / 51 / 0 / 48

HEX #514185

RGB 81 65 133

HSL 254.12, 0.34%, 0.39%

LAB 32.31, 23.95, -35.96

 

CMYK 36 / 45 / 0 / 40

HEX #625398

RGB 98 83 152

HSL 253.04, 0.29%, 0.46%

LAB 39.66, 22.85, -35.76

 

CMYK 33 / 41 / 0 / 33

HEX #7365AB

RGB 115 101 171

HSL 252, 0.29%, 0.53%

LAB 46.83, 21.9, -35.61

 

CMYK 31 / 37 / 0 / 25

HEX #8477BE

RGB 132 119 190

HSL 250.99, 0.35%, 0.61%

LAB 53.83, 21.09, -35.52

 

CMYK 50 / 61 / 0 / 53

HEX #3B2F77

RGB 59 47 119

HSL 250, 0.43%, 0.33%

LAB 24.62, 25.63, -39.64

 

CMYK 58 / 71 / 0 / 61

HEX #2A1D64

RGB 42 29 100

HSL 250.99, 0.55%, 0.25%

LAB 16.95, 27.36, -39.89

 

CMYK 69 / 86 / 0 / 68

HEX #190B51

RGB 25 11 81

HSL 252, 0.76%, 0.18%

LAB 9.32, 29.03, -39.69

 

CMYK 87 / 100 / 0 / 76

HEX #08003E

RGB 8 0 62

HSL 247.74, 1%, 0.12%

LAB 3.61, 23.92, -35.77

 

CMYK 100 / 100 / 0 / 83

HEX #00002B

RGB 0 0 43

HSL 240, 1%, 0.08%

LAB 1.58, 11.07, -24.95

 

CMYK 50 / 60 / 0 / 53

HEX #3C3078

RGB 60 48 120

HSL 250, 0.43%, 0.33%

LAB 25.05, 25.54, -39.59

 

CMYK 33 / 60 / 0 / 53

HEX #503078

RGB 80 48 120

HSL 266.67, 0.43%, 0.33%

LAB 27.23, 30.53, -35.96

 

CMYK 18 / 60 / 0 / 53

HEX #633078

RGB 99 48 120

HSL 282.5, 0.43%, 0.33%

LAB 29.72, 35.73, -31.84

 

CMYK 1 / 60 / 0 / 53

HEX #773078

RGB 119 48 120

HSL 299.17, 0.43%, 0.33%

LAB 32.68, 41.37, -26.96

 

CMYK 0 / 60 / 14 / 53

HEX #783067

RGB 120 48 103

HSL 314.17, 0.43%, 0.33%

LAB 32, 38.59, -17.23

 

CMYK 50 / 60 / 0 / 53

HEX #3C3078

RGB 60 48 120

HSL 250, 0.43%, 0.33%

LAB 25.05, 25.54, -39.59

 

CMYK 60 / 60 / 0 / 53

HEX #303078

RGB 48 48 120

HSL 240, 0.43%, 0.33%

LAB 23.99, 22.93, -41.34

 

CMYK 50 / 60 / 0 / 53

HEX #3C3078

RGB 60 48 120

HSL 250, 0.43%, 0.33%

LAB 25.05, 25.54, -39.59

 

CMYK 62 / 75 / 0 / 47

HEX #332286

RGB 51 34 134

HSL 250.2, 0.6%, 0.33%

LAB 22.19, 37.09, -53.11

 

CMYK 72 / 86 / 0 / 42

HEX #2A1594

RGB 42 21 148

HSL 249.92, 0.75%, 0.33%

LAB 20.7, 47, -64.33

 

CMYK 80 / 96 / 0 / 37

HEX #2107A1

RGB 33 7 161

HSL 250.13, 0.92%, 0.33%

LAB 20.24, 54.74, -73.12

 

CMYK 50 / 60 / 0 / 53

HEX #3C3078

RGB 60 48 120

HSL 250, 0.43%, 0.33%

LAB 25.05, 25.54, -39.59

 

CMYK 36 / 42 / 0 / 58

HEX #453E6B

RGB 69 62 107

HSL 249.33, 0.27%, 0.33%

LAB 28.83, 14.65, -25.22

 

CMYK 16 / 19 / 0 / 64

HEX #4E4B5D

RGB 78 75 93

HSL 250, 0.11%, 0.33%

LAB 32.79, 5.41, -10.11

 

CMYK 2 / 0 / 11 / 65

HEX #57594F

RGB 87 89 79

HSL 72, 0.06%, 0.33%

LAB 37.36, -2.85, 5.51

 

CMYK 6 / 0 / 35 / 60

HEX #606642

RGB 96 102 66

HSL 70, 0.21%, 0.33%

LAB 41.82, -8.86, 19.61

 

CMYK 60 / 38 / 0 / 53

HEX #304B78

RGB 48 75 120

HSL 217.5, 0.43%, 0.33%

LAB 31.84, 4.6, -28.78

 

CMYK 60 / 54 / 0 / 53

HEX #303778

RGB 48 55 120

HSL 234.17, 0.43%, 0.33%

LAB 25.91, 18.16, -38.24

 

CMYK 50 / 60 / 0 / 53

HEX #3C3078

RGB 60 48 120

HSL 250, 0.43%, 0.33%

LAB 25.05, 25.54, -39.59

 

CMYK 34 / 60 / 0 / 53

HEX #4F3078

RGB 79 48 120

HSL 265.83, 0.43%, 0.33%

LAB 27.11, 30.27, -36.16

 

CMYK 18 / 60 / 0 / 53

HEX #633078

RGB 99 48 120

HSL 282.5, 0.43%, 0.33%

LAB 29.72, 35.73, -31.84

 

CMYK 49 / 61 / 0 / 76

HEX #1F183D

RGB 31 24 61

HSL 251.35, 0.44%, 0.17%

LAB 11.15, 14.62, -22.71

 

CMYK 51 / 60 / 0 / 64

HEX #2D245B

RGB 45 36 91

HSL 249.82, 0.43%, 0.25%

LAB 18.25, 20.29, -31.79

 

CMYK 50 / 60 / 0 / 53

HEX #3C3078

RGB 60 48 120

HSL 250, 0.43%, 0.33%

LAB 25.05, 25.54, -39.59

 

CMYK 50 / 60 / 0 / 41

HEX #4B3C96

RGB 75 60 150

HSL 250, 0.43%, 0.41%

LAB 31.65, 30.85, -47.51

 

CMYK 50 / 60 / 0 / 30

HEX #5947B3

RGB 89 71 179

HSL 250, 0.43%, 0.49%

LAB 37.64, 36.04, -55.15

 

CMYK 50 / 61 / 0 / 53

HEX #3B2F77

RGB 59 47 119

HSL 250, 0.43%, 0.33%

LAB 24.62, 25.63, -39.64

 

CMYK 0 / 60 / 22 / 53

HEX #78305E

RGB 120 48 94

HSL 321.67, 0.43%, 0.33%

LAB 31.61, 37.12, -12.05

 

CMYK 46 / 0 / 60 / 53

HEX #417830

RGB 65 120 48

HSL 105.83, 0.43%, 0.33%

LAB 45.32, -32.83, 33.39

 

CMYK 50 / 61 / 0 / 53

HEX #3B2F77

RGB 59 47 119

HSL 250, 0.43%, 0.33%

LAB 24.62, 25.63, -39.64

 

CMYK 0 / 50 / 60 / 53

HEX #783C30

RGB 120 60 48

HSL 10, 0.43%, 0.33%

LAB 32.78, 24.94, 19.27

 

CMYK 60 / 0 / 50 / 53

HEX #30783C

RGB 48 120 60

HSL 130, 0.43%, 0.33%

LAB 44.78, -36.22, 26.27

 

CMYK 50 / 61 / 0 / 53

HEX #3B2F77

RGB 59 47 119

HSL 250, 0.43%, 0.33%

LAB 24.62, 25.63, -39.64

 

CMYK 0 / 60 / 22 / 53

HEX #78305E

RGB 120 48 94

HSL 321.67, 0.43%, 0.33%

LAB 31.61, 37.12, -12.05

 

CMYK 10 / 0 / 60 / 53

HEX #6C7830

RGB 108 120 48

HSL 70, 0.43%, 0.33%

LAB 48.05, -15.63, 37.24

 

CMYK 60 / 0 / 38 / 53

HEX #30784B

RGB 48 120 75

HSL 142.5, 0.43%, 0.33%

LAB 45.04, -33.48, 18.17

 

CMYK 50 / 61 / 0 / 53

HEX #3B2F77

RGB 59 47 119

HSL 250, 0.43%, 0.33%

LAB 24.62, 25.63, -39.64

 

CMYK 0 / 60 / 40 / 53

HEX #783048

RGB 120 48 72

HSL 340, 0.43%, 0.33%

LAB 30.82, 34.02, 1.08

 

CMYK 10 / 0 / 60 / 53

HEX #6C7830

RGB 108 120 48

HSL 70, 0.43%, 0.33%

LAB 48.05, -15.63, 37.24

 

CMYK 60 / 0 / 20 / 53

HEX #307860

RGB 48 120 96

HSL 160, 0.43%, 0.33%

LAB 45.5, -28.7, 6.53

 

Description

Color code: HEX #3B2F77 | qconv.com Color code: HEX #3B2F77 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 47 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 47 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 61 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 61% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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