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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B2DD4 it is the complementary color #C4D22B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B2DD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B2DD4 shade: #402DCF, #513FE2, #6251F5, #7363FF and #8475FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B2DD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B2DD4 shade: #3B2DD4, #2A1BC1, #1909AE, #08009B and #000088

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B2DD4 shade: #392BD4, #672BD4, #942BD4, #C22BD4 and #D42BB8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B2DD4 shade: #392BD4 and #2B2BD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B2DD4 shade matches the following richer shades: #392BD4, #2817E8 and #1702FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B2DD4 shade: #392BD4, #4B40BF, #5C55AA, #6D6996 and #7E7E81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B2DD4 shade: #2B77D4, #2B4AD4, #392BD4, #662BD4 and #932BD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B2DD4 shade: #271D8F, #3024B1, #392BD4, #594EDB and #7970E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B2DD4 shade: #3B2DD4, #D42BA4 and #61D42B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B2DD4 shade: #3B2DD4, #D4392B and #2BD439

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B2DD4 shade: #3B2DD4, #D42BA4, #C6D42B and #2BD45B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B2DD4 shade: #3B2DD4, #D42B71, #C6D42B and #2BD48E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 79 / 0 / 17

HEX #3B2DD4

RGB 59 45 212

HSL 245.03, 0.66%, 0.5%

LAB 33.05, 56.52, -82.07

 

Complementary color

CMYK 7 / 0 / 80 / 18

HEX #C4D22B

RGB 196 210 43

HSL 65.03, 0.66%, 0.5%

LAB 80.74, -23.72, 73.52

 

CMYK 69 / 78 / 0 / 19

HEX #402DCF

RGB 64 45 207

HSL 247.04, 0.64%, 0.49%

LAB 32.86, 55.43, -79.48

 

CMYK 64 / 72 / 0 / 11

HEX #513FE2

RGB 81 63 226

HSL 246.63, 0.74%, 0.57%

LAB 39.23, 53.76, -79.85

 

CMYK 60 / 67 / 0 / 4

HEX #6251F5

RGB 98 81 245

HSL 246.22, 0.89%, 0.64%

LAB 45.74, 51.94, -79.86

 

CMYK 55 / 61 / 0 / 0

HEX #7363FF

RGB 115 99 255

HSL 246.15, 1%, 0.69%

LAB 51.6, 47.48, -75.81

 

CMYK 48 / 54 / 0 / 0

HEX #8475FF

RGB 132 117 255

HSL 246.52, 1%, 0.73%

LAB 56.93, 40.34, -67.11

 

CMYK 72 / 79 / 0 / 17

HEX #3B2DD4

RGB 59 45 212

HSL 245.03, 0.66%, 0.5%

LAB 33.05, 56.52, -82.07

 

CMYK 78 / 86 / 0 / 24

HEX #2A1BC1

RGB 42 27 193

HSL 245.42, 0.75%, 0.43%

LAB 27.09, 57.72, -80.89

 

CMYK 86 / 95 / 0 / 32

HEX #1909AE

RGB 25 9 174

HSL 245.82, 0.9%, 0.36%

LAB 21.79, 57.48, -78.42

 

CMYK 95 / 100 / 0 / 39

HEX #08009B

RGB 8 0 155

HSL 243.1, 1%, 0.3%

LAB 17.54, 54.68, -73.96

 

CMYK 100 / 100 / 0 / 47

HEX #000088

RGB 0 0 136

HSL 240, 1%, 0.27%

LAB 14.27, 49.64, -67.6

 

CMYK 73 / 80 / 0 / 17

HEX #392BD4

RGB 57 43 212

HSL 244.97, 0.66%, 0.5%

LAB 32.59, 57.31, -82.83

 

CMYK 51 / 80 / 0 / 17

HEX #672BD4

RGB 103 43 212

HSL 261.3, 0.66%, 0.5%

LAB 36.68, 61.88, -75.95

 

CMYK 30 / 80 / 0 / 17

HEX #942BD4

RGB 148 43 212

HSL 277.28, 0.66%, 0.5%

LAB 42.43, 68.36, -66.31

 

CMYK 8 / 80 / 0 / 17

HEX #C22BD4

RGB 194 43 212

HSL 293.61, 0.66%, 0.5%

LAB 49.44, 76.32, -54.63

 

CMYK 0 / 80 / 13 / 17

HEX #D42BB8

RGB 212 43 184

HSL 309.94, 0.66%, 0.5%

LAB 50.9, 75.61, -35.93

 

CMYK 73 / 80 / 0 / 17

HEX #392BD4

RGB 57 43 212

HSL 244.97, 0.66%, 0.5%

LAB 32.59, 57.31, -82.83

 

CMYK 80 / 80 / 0 / 17

HEX #2B2BD4

RGB 43 43 212

HSL 240, 0.66%, 0.5%

LAB 31.8, 56.42, -84.17

 

CMYK 73 / 80 / 0 / 17

HEX #392BD4

RGB 57 43 212

HSL 244.97, 0.66%, 0.5%

LAB 32.59, 57.31, -82.83

 

CMYK 83 / 90 / 0 / 9

HEX #2817E8

RGB 40 23 232

HSL 244.88, 0.82%, 0.5%

LAB 31.56, 69.63, -96.07

 

CMYK 91 / 99 / 0 / 1

HEX #1702FD

RGB 23 2 253

HSL 245.02, 0.98%, 0.5%

LAB 32.52, 78.55, -106.37

 

CMYK 73 / 80 / 0 / 17

HEX #392BD4

RGB 57 43 212

HSL 244.97, 0.66%, 0.5%

LAB 32.59, 57.31, -82.83

 

CMYK 61 / 66 / 0 / 25

HEX #4B40BF

RGB 75 64 191

HSL 245.2, 0.5%, 0.5%

LAB 35.84, 41.49, -65.2

 

CMYK 46 / 50 / 0 / 33

HEX #5C55AA

RGB 92 85 170

HSL 244.94, 0.33%, 0.5%

LAB 40.69, 25.34, -44.89

 

CMYK 27 / 30 / 0 / 41

HEX #6D6996

RGB 109 105 150

HSL 245.33, 0.18%, 0.5%

LAB 46.39, 12.05, -23.96

 

CMYK 2 / 2 / 0 / 49

HEX #7E7E81

RGB 126 126 129

HSL 240, 0.01%, 0.5%

LAB 52.89, 0.61, -1.63

 

CMYK 80 / 44 / 0 / 17

HEX #2B77D4

RGB 43 119 212

HSL 213.02, 0.66%, 0.5%

LAB 50.05, 10.08, -54.37

 

CMYK 80 / 65 / 0 / 17

HEX #2B4AD4

RGB 43 74 212

HSL 228.99, 0.66%, 0.5%

LAB 38.14, 38.81, -73.71

 

CMYK 73 / 80 / 0 / 17

HEX #392BD4

RGB 57 43 212

HSL 244.97, 0.66%, 0.5%

LAB 32.59, 57.31, -82.83

 

CMYK 52 / 80 / 0 / 17

HEX #662BD4

RGB 102 43 212

HSL 260.95, 0.66%, 0.5%

LAB 36.57, 61.75, -76.13

 

CMYK 31 / 80 / 0 / 17

HEX #932BD4

RGB 147 43 212

HSL 276.92, 0.66%, 0.5%

LAB 42.28, 68.19, -66.55

 

CMYK 73 / 80 / 0 / 44

HEX #271D8F

RGB 39 29 143

HSL 245.26, 0.66%, 0.34%

LAB 21.18, 41.37, -60.44

 

CMYK 73 / 80 / 0 / 31

HEX #3024B1

RGB 48 36 177

HSL 245.11, 0.66%, 0.42%

LAB 26.92, 49.35, -71.66

 

CMYK 73 / 80 / 0 / 17

HEX #392BD4

RGB 57 43 212

HSL 244.97, 0.66%, 0.5%

LAB 32.59, 57.31, -82.83

 

CMYK 59 / 64 / 0 / 14

HEX #594EDB

RGB 89 78 219

HSL 244.68, 0.66%, 0.58%

LAB 42.29, 44.31, -70.82

 

CMYK 46 / 50 / 0 / 11

HEX #7970E2

RGB 121 112 226

HSL 244.74, 0.66%, 0.66%

LAB 53.11, 32.45, -57.16

 

CMYK 72 / 79 / 0 / 17

HEX #3B2DD4

RGB 59 45 212

HSL 245.03, 0.66%, 0.5%

LAB 33.05, 56.52, -82.07

 

CMYK 0 / 80 / 23 / 17

HEX #D42BA4

RGB 212 43 164

HSL 317.04, 0.66%, 0.5%

LAB 49.98, 73, -25.6

 

CMYK 54 / 0 / 80 / 17

HEX #61D42B

RGB 97 212 43

HSL 100.83, 0.66%, 0.5%

LAB 75.95, -60.07, 67.18

 

CMYK 72 / 79 / 0 / 17

HEX #3B2DD4

RGB 59 45 212

HSL 245.03, 0.66%, 0.5%

LAB 33.05, 56.52, -82.07

 

CMYK 0 / 73 / 80 / 17

HEX #D4392B

RGB 212 57 43

HSL 4.97, 0.66%, 0.5%

LAB 48.38, 59.29, 44.22

 

CMYK 80 / 0 / 73 / 17

HEX #2BD439

RGB 43 212 57

HSL 124.97, 0.66%, 0.5%

LAB 74.76, -69.66, 61.17

 

CMYK 72 / 79 / 0 / 17

HEX #3B2DD4

RGB 59 45 212

HSL 245.03, 0.66%, 0.5%

LAB 33.05, 56.52, -82.07

 

CMYK 0 / 80 / 23 / 17

HEX #D42BA4

RGB 212 43 164

HSL 317.04, 0.66%, 0.5%

LAB 49.98, 73, -25.6

 

CMYK 7 / 0 / 80 / 17

HEX #C6D42B

RGB 198 212 43

HSL 64.97, 0.66%, 0.5%

LAB 81.44, -23.85, 74.19

 

CMYK 80 / 0 / 57 / 17

HEX #2BD45B

RGB 43 212 91

HSL 137.04, 0.66%, 0.5%

LAB 75.05, -66.11, 47.54

 

CMYK 72 / 79 / 0 / 17

HEX #3B2DD4

RGB 59 45 212

HSL 245.03, 0.66%, 0.5%

LAB 33.05, 56.52, -82.07

 

CMYK 0 / 80 / 47 / 17

HEX #D42B71

RGB 212 43 113

HSL 335.15, 0.66%, 0.5%

LAB 48.16, 67.63, 2.38

 

CMYK 7 / 0 / 80 / 17

HEX #C6D42B

RGB 198 212 43

HSL 64.97, 0.66%, 0.5%

LAB 81.44, -23.85, 74.19

 

CMYK 80 / 0 / 33 / 17

HEX #2BD48E

RGB 43 212 142

HSL 155.15, 0.66%, 0.5%

LAB 75.79, -57.43, 23.11

 

Description

Color code: HEX #3B2DD4 | qconv.com Color code: HEX #3B2DD4 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 45 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 45 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 79 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 79% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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