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Color name
HEX #3B2B97

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B2B97 it is the complementary color #C4D468. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B2B97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B2B97 shade: #402B92, #513DA5, #624FB8, #7361CB and #8473DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B2B97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B2B97 shade: #3B2B97, #2A1984, #190771, #08005E and #00004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B2B97 shade: #3B2B97, #582B97, #752B97, #932B97 and #972B7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B2B97 shade: #3B2B97 and #2B2B97

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B2B97 shade matches the following richer shades: #3B2B97, #301BA7 and #250BB7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B2B97 shade: #3B2B97, #463A87, #514A78, #5C5A68 and #676958

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B2B97 shade: #2B5697, #2B3997, #392B97, #562B97 and #732B97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B2B97 shade: #221857, #2E2277, #3B2B97, #4734B7 and #5C49CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B2B97 shade: #3B2B97, #972B73 and #48972B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B2B97 shade: #3B2B97, #97392B and #2B9739

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B2B97 shade: #3B2B97, #972B73, #89972B and #2B974F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B2B97 shade: #3B2B97, #972B52, #89972B and #2B976F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 72 / 0 / 41

HEX #3B2B97

RGB 59 43 151

HSL 248.89, 0.56%, 0.38%

LAB 26.42, 38.55, -56.69

 

Complementary color

CMYK 8 / 0 / 51 / 17

HEX #C4D468

RGB 196 212 104

HSL 68.89, 0.56%, 0.62%

LAB 81.74, -20.91, 51.03

 

CMYK 56 / 71 / 0 / 43

HEX #402B92

RGB 64 43 146

HSL 252.23, 0.54%, 0.37%

LAB 26.43, 37.75, -53.59

 

CMYK 51 / 63 / 0 / 35

HEX #513DA5

RGB 81 61 165

HSL 251.54, 0.46%, 0.44%

LAB 33.57, 36.14, -53.44

 

CMYK 47 / 57 / 0 / 28

HEX #624FB8

RGB 98 79 184

HSL 250.86, 0.43%, 0.52%

LAB 40.65, 34.64, -53.18

 

CMYK 43 / 52 / 0 / 20

HEX #7361CB

RGB 115 97 203

HSL 250.19, 0.5%, 0.59%

LAB 47.63, 33.3, -52.9

 

CMYK 41 / 48 / 0 / 13

HEX #8473DE

RGB 132 115 222

HSL 249.53, 0.62%, 0.66%

LAB 54.49, 32.11, -52.64

 

CMYK 61 / 72 / 0 / 41

HEX #3B2B97

RGB 59 43 151

HSL 248.89, 0.56%, 0.38%

LAB 26.42, 38.55, -56.69

 

CMYK 68 / 81 / 0 / 48

HEX #2A1984

RGB 42 25 132

HSL 249.53, 0.68%, 0.31%

LAB 19.45, 40.22, -56.41

 

CMYK 78 / 94 / 0 / 56

HEX #190771

RGB 25 7 113

HSL 250.19, 0.88%, 0.24%

LAB 12.93, 40.98, -55.09

 

CMYK 91 / 100 / 0 / 63

HEX #08005E

RGB 8 0 94

HSL 245.11, 1%, 0.18%

LAB 7.77, 38.32, -51.16

 

CMYK 100 / 100 / 0 / 71

HEX #00004B

RGB 0 0 75

HSL 240, 1%, 0.15%

LAB 4.59, 29.9, -43.41

 

CMYK 61 / 72 / 0 / 41

HEX #3B2B97

RGB 59 43 151

HSL 248.89, 0.56%, 0.38%

LAB 26.42, 38.55, -56.69

 

CMYK 42 / 72 / 0 / 41

HEX #582B97

RGB 88 43 151

HSL 265, 0.56%, 0.38%

LAB 29.51, 43.57, -51.53

 

CMYK 23 / 72 / 0 / 41

HEX #752B97

RGB 117 43 151

HSL 281.11, 0.56%, 0.38%

LAB 33.44, 49.58, -44.96

 

CMYK 3 / 72 / 0 / 41

HEX #932B97

RGB 147 43 151

HSL 297.78, 0.56%, 0.38%

LAB 38.14, 56.32, -37.19

 

CMYK 0 / 72 / 16 / 41

HEX #972B7F

RGB 151 43 127

HSL 313.33, 0.56%, 0.38%

LAB 37.55, 53.39, -23.33

 

CMYK 61 / 72 / 0 / 41

HEX #3B2B97

RGB 59 43 151

HSL 248.89, 0.56%, 0.38%

LAB 26.42, 38.55, -56.69

 

CMYK 72 / 72 / 0 / 41

HEX #2B2B97

RGB 43 43 151

HSL 240, 0.56%, 0.38%

LAB 25.19, 36.42, -58.77

 

CMYK 61 / 72 / 0 / 41

HEX #3B2B97

RGB 59 43 151

HSL 248.89, 0.56%, 0.38%

LAB 26.42, 38.55, -56.69

 

CMYK 71 / 84 / 0 / 35

HEX #301BA7

RGB 48 27 167

HSL 249, 0.72%, 0.38%

LAB 24.33, 50.51, -69.93

 

CMYK 80 / 94 / 0 / 28

HEX #250BB7

RGB 37 11 183

HSL 249.07, 0.89%, 0.38%

LAB 23.84, 59.74, -80.38

 

CMYK 61 / 72 / 0 / 41

HEX #3B2B97

RGB 59 43 151

HSL 248.89, 0.56%, 0.38%

LAB 26.42, 38.55, -56.69

 

CMYK 48 / 57 / 0 / 47

HEX #463A87

RGB 70 58 135

HSL 249.35, 0.4%, 0.38%

LAB 29.61, 26.24, -41.59

 

CMYK 33 / 38 / 0 / 53

HEX #514A78

RGB 81 74 120

HSL 249.13, 0.24%, 0.38%

LAB 33.99, 14.37, -25.23

 

CMYK 12 / 13 / 0 / 59

HEX #5C5A68

RGB 92 90 104

HSL 248.57, 0.07%, 0.38%

LAB 38.88, 3.9, -7.71

 

CMYK 2 / 0 / 16 / 59

HEX #676958

RGB 103 105 88

HSL 67.06, 0.09%, 0.38%

LAB 43.79, -4.07, 9.31

 

CMYK 72 / 43 / 0 / 41

HEX #2B5697

RGB 43 86 151

HSL 216.11, 0.56%, 0.38%

LAB 36.75, 7.96, -40.01

 

CMYK 72 / 62 / 0 / 41

HEX #2B3997

RGB 43 57 151

HSL 232.22, 0.56%, 0.38%

LAB 28.58, 27.4, -53.21

 

CMYK 62 / 72 / 0 / 41

HEX #392B97

RGB 57 43 151

HSL 247.78, 0.56%, 0.38%

LAB 26.25, 38.25, -56.98

 

CMYK 43 / 72 / 0 / 41

HEX #562B97

RGB 86 43 151

HSL 263.89, 0.56%, 0.38%

LAB 29.26, 43.19, -51.93

 

CMYK 24 / 72 / 0 / 41

HEX #732B97

RGB 115 43 151

HSL 280, 0.56%, 0.38%

LAB 33.15, 49.15, -45.45

 

CMYK 61 / 72 / 0 / 66

HEX #221857

RGB 34 24 87

HSL 249.52, 0.57%, 0.22%

LAB 13.72, 24.59, -36.52

 

CMYK 61 / 71 / 0 / 53

HEX #2E2277

RGB 46 34 119

HSL 248.47, 0.56%, 0.3%

LAB 20.27, 31.37, -46.78

 

CMYK 61 / 72 / 0 / 41

HEX #3B2B97

RGB 59 43 151

HSL 248.89, 0.56%, 0.38%

LAB 26.42, 38.55, -56.69

 

CMYK 61 / 72 / 0 / 28

HEX #4734B7

RGB 71 52 183

HSL 248.7, 0.56%, 0.46%

LAB 32.29, 45.26, -66.31

 

CMYK 55 / 64 / 0 / 20

HEX #5C49CC

RGB 92 73 204

HSL 248.7, 0.56%, 0.54%

LAB 40.25, 43.06, -65.52

 

CMYK 61 / 72 / 0 / 41

HEX #3B2B97

RGB 59 43 151

HSL 248.89, 0.56%, 0.38%

LAB 26.42, 38.55, -56.69

 

CMYK 0 / 72 / 24 / 41

HEX #972B73

RGB 151 43 115

HSL 320, 0.56%, 0.38%

LAB 37.01, 51.66, -16.67

 

CMYK 52 / 0 / 72 / 41

HEX #48972B

RGB 72 151 43

HSL 103.89, 0.56%, 0.38%

LAB 55.77, -44.2, 47.17

 

CMYK 61 / 72 / 0 / 41

HEX #3B2B97

RGB 59 43 151

HSL 248.89, 0.56%, 0.38%

LAB 26.42, 38.55, -56.69

 

CMYK 0 / 62 / 72 / 41

HEX #97392B

RGB 151 57 43

HSL 7.78, 0.56%, 0.38%

LAB 37.26, 38.58, 28.97

 

CMYK 72 / 0 / 62 / 41

HEX #2B9739

RGB 43 151 57

HSL 127.78, 0.56%, 0.38%

LAB 55.01, -49.79, 40

 

CMYK 61 / 72 / 0 / 41

HEX #3B2B97

RGB 59 43 151

HSL 248.89, 0.56%, 0.38%

LAB 26.42, 38.55, -56.69

 

CMYK 0 / 72 / 24 / 41

HEX #972B73

RGB 151 43 115

HSL 320, 0.56%, 0.38%

LAB 37.01, 51.66, -16.67

 

CMYK 9 / 0 / 72 / 41

HEX #89972B

RGB 137 151 43

HSL 67.78, 0.56%, 0.38%

LAB 59.55, -19.49, 52.22

 

CMYK 72 / 0 / 48 / 41

HEX #2B974F

RGB 43 151 79

HSL 140, 0.56%, 0.38%

LAB 55.29, -46.57, 29.29

 

CMYK 61 / 72 / 0 / 41

HEX #3B2B97

RGB 59 43 151

HSL 248.89, 0.56%, 0.38%

LAB 26.42, 38.55, -56.69

 

CMYK 0 / 72 / 46 / 41

HEX #972B52

RGB 151 43 82

HSL 338.33, 0.56%, 0.38%

LAB 35.82, 47.72, 2.53

 

CMYK 9 / 0 / 72 / 41

HEX #89972B

RGB 137 151 43

HSL 67.78, 0.56%, 0.38%

LAB 59.55, -19.49, 52.22

 

CMYK 72 / 0 / 26 / 41

HEX #2B976F

RGB 43 151 111

HSL 157.78, 0.56%, 0.38%

LAB 55.88, -40.04, 12.48

 

Description

Color code: HEX #3B2B97 | qconv.com Color code: HEX #3B2B97 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 43 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 43 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 72 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 72% 0% 41% C M Y K

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Provide designers and agencies with accurate color values.

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