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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B2275 it is the complementary color #C4DD8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B2275. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B2275 shade: #402270, #513483, #624696, #7358A9 and #846ABC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B2275. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B2275 shade: #3B2275, #2A1062, #19004F, #08003C and #000029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B2275 shade: #3C2277, #522277, #692277, #77226D and #772257

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B2275 shade: #3C2277, #252277 and #222277

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B2275 shade matches the following richer shades: #3C2277, #371683 and #320A8F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B2275 shade: #3C2277, #412F6A, #463B5E, #4B4851 and #4F5445

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B2275 shade: #223677, #252277, #3C2277, #522277 and #692277

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B2275 shade: #1C1037, #2C1957, #3C2277, #4C2C97 and #5C35B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B2275 shade: #3B2275, #77224D and #2B7722

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B2275 shade: #3B2275, #773C22 and #22773C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B2275 shade: #3B2275, #77224D, #5D7722 and #22774D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B2275 shade: #3B2275, #772233, #5D7722 and #227766

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 71 / 0 / 54

HEX #3B2275

RGB 59 34 117

HSL 258.07, 0.55%, 0.3%

LAB 21.42, 33.09, -43.55

 

Complementary color

CMYK 11 / 0 / 38 / 13

HEX #C4DD8A

RGB 196 221 138

HSL 78.07, 0.55%, 0.7%

LAB 84.63, -21.67, 38.02

 

CMYK 43 / 70 / 0 / 56

HEX #402270

RGB 64 34 112

HSL 263.08, 0.53%, 0.29%

LAB 21.59, 32.64, -40.04

 

CMYK 38 / 60 / 0 / 49

HEX #513483

RGB 81 52 131

HSL 262.03, 0.43%, 0.36%

LAB 29.02, 31.46, -40

 

CMYK 35 / 53 / 0 / 41

HEX #624696

RGB 98 70 150

HSL 261, 0.36%, 0.43%

LAB 36.33, 30.29, -39.86

 

CMYK 32 / 48 / 0 / 34

HEX #7358A9

RGB 115 88 169

HSL 260, 0.32%, 0.5%

LAB 43.49, 29.22, -39.71

 

CMYK 30 / 44 / 0 / 26

HEX #846ABC

RGB 132 106 188

HSL 259.02, 0.38%, 0.58%

LAB 50.5, 28.26, -39.6

 

CMYK 50 / 71 / 0 / 54

HEX #3B2275

RGB 59 34 117

HSL 258.07, 0.55%, 0.3%

LAB 21.42, 33.09, -43.55

 

CMYK 57 / 84 / 0 / 62

HEX #2A1062

RGB 42 16 98

HSL 259.02, 0.72%, 0.22%

LAB 14.09, 34.17, -43.25

 

CMYK 68 / 100 / 0 / 69

HEX #19004F

RGB 25 0 79

HSL 258.99, 1%, 0.15%

LAB 6.97, 34.58, -42.21

 

CMYK 87 / 100 / 0 / 76

HEX #08003C

RGB 8 0 60

HSL 248, 1%, 0.12%

LAB 3.41, 22.72, -34.64

 

CMYK 100 / 100 / 0 / 84

HEX #000029

RGB 0 0 41

HSL 240, 1%, 0.08%

LAB 1.45, 10.16, -23.62

 

CMYK 50 / 71 / 0 / 53

HEX #3C2277

RGB 60 34 119

HSL 258.35, 0.56%, 0.3%

LAB 21.71, 33.9, -44.36

 

CMYK 31 / 71 / 0 / 53

HEX #522277

RGB 82 34 119

HSL 273.88, 0.56%, 0.3%

LAB 24.54, 38.56, -39.63

 

CMYK 12 / 71 / 0 / 53

HEX #692277

RGB 105 34 119

HSL 290.12, 0.56%, 0.3%

LAB 28.06, 43.97, -33.8

 

CMYK 0 / 71 / 8 / 53

HEX #77226D

RGB 119 34 109

HSL 307.06, 0.56%, 0.3%

LAB 29.84, 45.64, -24.45

 

CMYK 0 / 71 / 27 / 53

HEX #772257

RGB 119 34 87

HSL 322.59, 0.56%, 0.3%

LAB 28.78, 42.22, -11.82

 

CMYK 50 / 71 / 0 / 53

HEX #3C2277

RGB 60 34 119

HSL 258.35, 0.56%, 0.3%

LAB 21.71, 33.9, -44.36

 

CMYK 69 / 71 / 0 / 53

HEX #252277

RGB 37 34 119

HSL 242.12, 0.56%, 0.3%

LAB 19.51, 29.99, -48.05

 

CMYK 71 / 71 / 0 / 53

HEX #222277

RGB 34 34 119

HSL 240, 0.56%, 0.3%

LAB 19.29, 29.58, -48.42

 

CMYK 50 / 71 / 0 / 53

HEX #3C2277

RGB 60 34 119

HSL 258.35, 0.56%, 0.3%

LAB 21.71, 33.9, -44.36

 

CMYK 58 / 83 / 0 / 49

HEX #371683

RGB 55 22 131

HSL 258.17, 0.71%, 0.3%

LAB 20.14, 42.85, -54.58

 

CMYK 65 / 93 / 0 / 44

HEX #320A8F

RGB 50 10 143

HSL 258.05, 0.87%, 0.3%

LAB 19.55, 49.99, -63.11

 

CMYK 50 / 71 / 0 / 53

HEX #3C2277

RGB 60 34 119

HSL 258.35, 0.56%, 0.3%

LAB 21.71, 33.9, -44.36

 

CMYK 39 / 56 / 0 / 58

HEX #412F6A

RGB 65 47 106

HSL 258.31, 0.39%, 0.3%

LAB 24.31, 23.06, -31.77

 

CMYK 26 / 37 / 0 / 63

HEX #463B5E

RGB 70 59 94

HSL 258.86, 0.23%, 0.3%

LAB 27.4, 13.22, -19.1

 

CMYK 7 / 11 / 0 / 68

HEX #4B4851

RGB 75 72 81

HSL 260, 0.06%, 0.3%

LAB 31.17, 3.26, -4.91

 

CMYK 6 / 0 / 18 / 67

HEX #4F5445

RGB 79 84 69

HSL 80, 0.1%, 0.3%

LAB 34.87, -5.1, 8.1

 

CMYK 71 / 55 / 0 / 53

HEX #223677

RGB 34 54 119

HSL 225.88, 0.56%, 0.3%

LAB 24.67, 15.82, -39.65

 

CMYK 69 / 71 / 0 / 53

HEX #252277

RGB 37 34 119

HSL 242.12, 0.56%, 0.3%

LAB 19.51, 29.99, -48.05

 

CMYK 50 / 71 / 0 / 53

HEX #3C2277

RGB 60 34 119

HSL 258.35, 0.56%, 0.3%

LAB 21.71, 33.9, -44.36

 

CMYK 31 / 71 / 0 / 53

HEX #522277

RGB 82 34 119

HSL 273.88, 0.56%, 0.3%

LAB 24.54, 38.56, -39.63

 

CMYK 12 / 71 / 0 / 53

HEX #692277

RGB 105 34 119

HSL 290.12, 0.56%, 0.3%

LAB 28.06, 43.97, -33.8

 

CMYK 49 / 71 / 0 / 78

HEX #1C1037

RGB 28 16 55

HSL 258.46, 0.55%, 0.14%

LAB 8.07, 17.46, -23.37

 

CMYK 49 / 71 / 0 / 66

HEX #2C1957

RGB 44 25 87

HSL 258.39, 0.55%, 0.22%

LAB 15.06, 26.01, -34.29

 

CMYK 50 / 71 / 0 / 53

HEX #3C2277

RGB 60 34 119

HSL 258.35, 0.56%, 0.3%

LAB 21.71, 33.9, -44.36

 

CMYK 50 / 71 / 0 / 41

HEX #4C2C97

RGB 76 44 151

HSL 257.94, 0.55%, 0.38%

LAB 28.31, 40.8, -53.54

 

CMYK 50 / 71 / 0 / 28

HEX #5C35B7

RGB 92 53 183

HSL 258, 0.55%, 0.46%

LAB 34.48, 47.94, -62.65

 

CMYK 50 / 71 / 0 / 54

HEX #3B2275

RGB 59 34 117

HSL 258.07, 0.55%, 0.3%

LAB 21.42, 33.09, -43.55

 

CMYK 0 / 71 / 35 / 53

HEX #77224D

RGB 119 34 77

HSL 329.65, 0.56%, 0.3%

LAB 28.38, 40.88, -5.82

 

CMYK 64 / 0 / 71 / 53

HEX #2B7722

RGB 43 119 34

HSL 113.65, 0.56%, 0.3%

LAB 43.98, -40.49, 38.25

 

CMYK 50 / 71 / 0 / 54

HEX #3B2275

RGB 59 34 117

HSL 258.07, 0.55%, 0.3%

LAB 21.42, 33.09, -43.55

 

CMYK 0 / 50 / 71 / 53

HEX #773C22

RGB 119 60 34

HSL 18.35, 0.56%, 0.3%

LAB 32.41, 23.47, 27.28

 

CMYK 71 / 0 / 50 / 53

HEX #22773C

RGB 34 119 60

HSL 138.35, 0.56%, 0.3%

LAB 44.03, -38.98, 25.24

 

CMYK 50 / 71 / 0 / 54

HEX #3B2275

RGB 59 34 117

HSL 258.07, 0.55%, 0.3%

LAB 21.42, 33.09, -43.55

 

CMYK 0 / 71 / 35 / 53

HEX #77224D

RGB 119 34 77

HSL 329.65, 0.56%, 0.3%

LAB 28.38, 40.88, -5.82

 

CMYK 22 / 0 / 71 / 53

HEX #5D7722

RGB 93 119 34

HSL 78.35, 0.56%, 0.3%

LAB 46.49, -22.79, 41.65

 

CMYK 71 / 0 / 35 / 53

HEX #22774D

RGB 34 119 77

HSL 150.35, 0.56%, 0.3%

LAB 44.33, -35.62, 15.99

 

CMYK 50 / 71 / 0 / 54

HEX #3B2275

RGB 59 34 117

HSL 258.07, 0.55%, 0.3%

LAB 21.42, 33.09, -43.55

 

CMYK 0 / 71 / 57 / 53

HEX #772233

RGB 119 34 51

HSL 348, 0.56%, 0.3%

LAB 27.59, 38.13, 10.41

 

CMYK 22 / 0 / 71 / 53

HEX #5D7722

RGB 93 119 34

HSL 78.35, 0.56%, 0.3%

LAB 46.49, -22.79, 41.65

 

CMYK 71 / 0 / 14 / 53

HEX #227766

RGB 34 119 102

HSL 168, 0.56%, 0.3%

LAB 44.93, -29.34, 2.09

 

Description

Color code: HEX #3B2275 | qconv.com Color code: HEX #3B2275 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 34 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 34 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 71 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 71% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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