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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B0FCB it is the complementary color #C4F034. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B0FCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B0FCB shade: #400FC6, #5121D9, #6233EC, #7345FF and #8457FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B0FCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B0FCB shade: #3B0FCB, #2A00B8, #1900A5, #080092 and #00007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B0FCB shade: #3B0FCB, #6E0FCB, #A10FCB, #CB0FC3 and #CB0F90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B0FCB shade: #3B0FCB and #0F0FCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B0FCB shade matches the following richer shades: #3B0FCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B0FCB shade: #3B0FCB, #4421BA, #4E32A8, #574496 and #615684

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B0FCB shade: #0F47CB, #0F15CB, #3B0FCB, #6D0FCB and #9F0FCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B0FCB shade: #25097F, #300CA5, #3B0FCB, #4917ED and #673DF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B0FCB shade: #3B0FCB, #CB0F7A and #2ECB0F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B0FCB shade: #3B0FCB, #CB3B0F and #0FCB3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B0FCB shade: #3B0FCB, #CB0F7A, #9FCB0F and #0FCB61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B0FCB shade: #3B0FCB, #CB0F41, #9FCB0F and #0FCB99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 93 / 0 / 20

HEX #3B0FCB

RGB 59 15 203

HSL 254.04, 0.86%, 0.43%

LAB 28.34, 64.88, -84.66

 

Complementary color

CMYK 18 / 0 / 78 / 6

HEX #C4F034

RGB 196 240 52

HSL 74.04, 0.86%, 0.57%

LAB 89.07, -37.37, 78.51

 

CMYK 68 / 92 / 0 / 22

HEX #400FC6

RGB 64 15 198

HSL 256.07, 0.86%, 0.42%

LAB 28.14, 63.87, -82.05

 

CMYK 63 / 85 / 0 / 15

HEX #5121D9

RGB 81 33 217

HSL 255.65, 0.74%, 0.49%

LAB 33.66, 64.65, -83.89

 

CMYK 58 / 78 / 0 / 7

HEX #6233EC

RGB 98 51 236

HSL 255.24, 0.83%, 0.56%

LAB 39.61, 64.27, -84.85

 

CMYK 55 / 73 / 0 / 0

HEX #7345FF

RGB 115 69 255

HSL 254.84, 1%, 0.64%

LAB 45.8, 63.31, -85.29

 

CMYK 48 / 66 / 0 / 0

HEX #8457FF

RGB 132 87 255

HSL 256.07, 1%, 0.67%

LAB 50.62, 56.93, -77.34

 

CMYK 71 / 93 / 0 / 20

HEX #3B0FCB

RGB 59 15 203

HSL 254.04, 0.86%, 0.43%

LAB 28.34, 64.88, -84.66

 

CMYK 77 / 100 / 0 / 28

HEX #2A00B8

RGB 42 0 184

HSL 253.7, 1%, 0.36%

LAB 23.52, 62.58, -81.51

 

CMYK 85 / 100 / 0 / 35

HEX #1900A5

RGB 25 0 165

HSL 249.09, 1%, 0.32%

LAB 19.73, 57.46, -76.41

 

CMYK 95 / 100 / 0 / 43

HEX #080092

RGB 8 0 146

HSL 243.29, 1%, 0.29%

LAB 16.14, 52.35, -70.74

 

CMYK 100 / 100 / 0 / 50

HEX #00007F

RGB 0 0 127

HSL 240, 1%, 0.25%

LAB 12.81, 47.24, -64.34

 

CMYK 71 / 93 / 0 / 20

HEX #3B0FCB

RGB 59 15 203

HSL 254.04, 0.86%, 0.43%

LAB 28.34, 64.88, -84.66

 

CMYK 46 / 93 / 0 / 20

HEX #6E0FCB

RGB 110 15 203

HSL 270.32, 0.86%, 0.43%

LAB 33.92, 68.64, -75.24

 

CMYK 21 / 93 / 0 / 20

HEX #A10FCB

RGB 161 15 203

HSL 286.6, 0.86%, 0.43%

LAB 41.58, 74.91, -62.39

 

CMYK 0 / 93 / 4 / 20

HEX #CB0FC3

RGB 203 15 195

HSL 302.55, 0.86%, 0.43%

LAB 48.23, 80.32, -46.66

 

CMYK 0 / 93 / 29 / 20

HEX #CB0F90

RGB 203 15 144

HSL 318.83, 0.86%, 0.43%

LAB 45.71, 73.83, -20.37

 

CMYK 71 / 93 / 0 / 20

HEX #3B0FCB

RGB 59 15 203

HSL 254.04, 0.86%, 0.43%

LAB 28.34, 64.88, -84.66

 

CMYK 93 / 93 / 0 / 20

HEX #0F0FCB

RGB 15 15 203

HSL 240, 0.86%, 0.43%

LAB 26.03, 63.6, -88.57

 

CMYK 71 / 93 / 0 / 20

HEX #3B0FCB

RGB 59 15 203

HSL 254.04, 0.86%, 0.43%

LAB 28.34, 64.88, -84.66

 

CMYK 71 / 93 / 0 / 20

HEX #3B0FCB

RGB 59 15 203

HSL 254.04, 0.86%, 0.43%

LAB 28.34, 64.88, -84.66

 

CMYK 63 / 82 / 0 / 27

HEX #4421BA

RGB 68 33 186

HSL 253.73, 0.7%, 0.43%

LAB 29.06, 55.14, -73.42

 

CMYK 54 / 70 / 0 / 34

HEX #4E32A8

RGB 78 50 168

HSL 254.24, 0.54%, 0.43%

LAB 31.18, 42.86, -59.15

 

CMYK 42 / 55 / 0 / 41

HEX #574496

RGB 87 68 150

HSL 253.9, 0.38%, 0.43%

LAB 34.73, 28.67, -42.48

 

CMYK 27 / 35 / 0 / 48

HEX #615684

RGB 97 86 132

HSL 254.35, 0.21%, 0.43%

LAB 39.35, 15.17, -24.15

 

CMYK 93 / 65 / 0 / 20

HEX #0F47CB

RGB 15 71 203

HSL 222.13, 0.86%, 0.43%

LAB 35.83, 35.72, -72.32

 

CMYK 93 / 90 / 0 / 20

HEX #0F15CB

RGB 15 21 203

HSL 238.09, 0.86%, 0.43%

LAB 26.59, 61.87, -87.63

 

CMYK 71 / 93 / 0 / 20

HEX #3B0FCB

RGB 59 15 203

HSL 254.04, 0.86%, 0.43%

LAB 28.34, 64.88, -84.66

 

CMYK 46 / 93 / 0 / 20

HEX #6D0FCB

RGB 109 15 203

HSL 270, 0.86%, 0.43%

LAB 33.78, 68.54, -75.46

 

CMYK 22 / 93 / 0 / 20

HEX #9F0FCB

RGB 159 15 203

HSL 285.96, 0.86%, 0.43%

LAB 41.25, 74.63, -62.93

 

CMYK 71 / 93 / 0 / 50

HEX #25097F

RGB 37 9 127

HSL 254.24, 0.87%, 0.27%

LAB 16.11, 45.01, -58.78

 

CMYK 71 / 93 / 0 / 35

HEX #300CA5

RGB 48 12 165

HSL 254.12, 0.86%, 0.35%

LAB 22.33, 55.19, -72.04

 

CMYK 71 / 93 / 0 / 20

HEX #3B0FCB

RGB 59 15 203

HSL 254.04, 0.86%, 0.43%

LAB 28.34, 64.88, -84.66

 

CMYK 69 / 90 / 0 / 7

HEX #4917ED

RGB 73 23 237

HSL 254.02, 0.86%, 0.51%

LAB 34.28, 72.2, -94.32

 

CMYK 57 / 75 / 0 / 6

HEX #673DF0

RGB 103 61 240

HSL 254.08, 0.86%, 0.59%

LAB 42.02, 61.45, -83.14

 

CMYK 71 / 93 / 0 / 20

HEX #3B0FCB

RGB 59 15 203

HSL 254.04, 0.86%, 0.43%

LAB 28.34, 64.88, -84.66

 

CMYK 0 / 93 / 40 / 20

HEX #CB0F7A

RGB 203 15 122

HSL 325.85, 0.86%, 0.43%

LAB 44.86, 71.59, -8.2

 

CMYK 77 / 0 / 93 / 20

HEX #2ECB0F

RGB 46 203 15

HSL 110.11, 0.86%, 0.43%

LAB 71.78, -68.73, 68.9

 

CMYK 71 / 93 / 0 / 20

HEX #3B0FCB

RGB 59 15 203

HSL 254.04, 0.86%, 0.43%

LAB 28.34, 64.88, -84.66

 

CMYK 0 / 71 / 93 / 20

HEX #CB3B0F

RGB 203 59 15

HSL 14.04, 0.86%, 0.43%

LAB 46.79, 55.09, 54.38

 

CMYK 93 / 0 / 71 / 20

HEX #0FCB3B

RGB 15 203 59

HSL 134.04, 0.86%, 0.43%

LAB 71.64, -69.19, 57.16

 

CMYK 71 / 93 / 0 / 20

HEX #3B0FCB

RGB 59 15 203

HSL 254.04, 0.86%, 0.43%

LAB 28.34, 64.88, -84.66

 

CMYK 0 / 93 / 40 / 20

HEX #CB0F7A

RGB 203 15 122

HSL 325.85, 0.86%, 0.43%

LAB 44.86, 71.59, -8.2

 

CMYK 22 / 0 / 93 / 20

HEX #9FCB0F

RGB 159 203 15

HSL 74.04, 0.86%, 0.43%

LAB 76.14, -36.27, 74.26

 

CMYK 93 / 0 / 52 / 20

HEX #0FCB61

RGB 15 203 97

HSL 146.17, 0.86%, 0.43%

LAB 72.01, -64.61, 40.99

 

CMYK 71 / 93 / 0 / 20

HEX #3B0FCB

RGB 59 15 203

HSL 254.04, 0.86%, 0.43%

LAB 28.34, 64.88, -84.66

 

CMYK 0 / 93 / 68 / 20

HEX #CB0F41

RGB 203 15 65

HSL 344.04, 0.86%, 0.43%

LAB 43.39, 67.56, 25.31

 

CMYK 22 / 0 / 93 / 20

HEX #9FCB0F

RGB 159 203 15

HSL 74.04, 0.86%, 0.43%

LAB 76.14, -36.27, 74.26

 

CMYK 93 / 0 / 25 / 20

HEX #0FCB99

RGB 15 203 153

HSL 164.04, 0.86%, 0.43%

LAB 72.97, -53.57, 13.32

 

Description

Color code: HEX #3B0FCB | qconv.com Color code: HEX #3B0FCB | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 15 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 15 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 93 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 93% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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