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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AFBC0 it is the complementary color #C5043F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AFBC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AFBC0 shade: #3FFBBB, #50FFCE, #61FFE1, #72FFF4 and #83FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AFBC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AFBC0 shade: #3AFBC0, #29E9AD, #18D79A, #07C587 and #00B374

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AFBC0 shade: #3CFBC1, #3CFB8D, #3CFB5A, #52FB3C and #85FB3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AFBC0 shade: #3CFBC1, #3CFBF4, #3CCEFB, #3C9BFB and #3C67FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AFBC0 shade matches the following richer shades: #3CFBC1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AFBC0 shade: #3CFBC1, #4CEBBA, #5CDBB4, #6CCBAE and #7CBBA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AFBC0 shade: #3CFB59, #3CFB8C, #3CFBBF, #3CFBF1 and #3CD2FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AFBC0 shade: #05E09D, #14FAB4, #3CFBC1, #65FCCE and #8DFDDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AFBC0 shade: #3AFBC0, #3C52FB and #FB723C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AFBC0 shade: #3AFBC0, #BF3CFB and #FBBF3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AFBC0 shade: #3AFBC0, #3C52FB, #FB3C79 and #FBE53C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AFBC0 shade: #3AFBC0, #5F3CFB, #FB3C79 and #D8FB3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 24 / 2

HEX #3AFBC0

RGB 58 251 192

HSL 161.66, 0.96%, 0.61%

LAB 88.78, -59.77, 15.17

 

Complementary color

CMYK 0 / 98 / 68 / 23

HEX #C5043F

RGB 197 4 63

HSL 341.66, 0.96%, 0.39%

LAB 41.71, 67.12, 24.18

 

CMYK 75 / 0 / 25 / 2

HEX #3FFBBB

RGB 63 251 187

HSL 159.57, 0.96%, 0.62%

LAB 88.75, -60.33, 17.71

 

CMYK 69 / 0 / 19 / 0

HEX #50FFCE

RGB 80 255 206

HSL 163.2, 1%, 0.66%

LAB 90.63, -55.44, 10.63

 

CMYK 62 / 0 / 12 / 0

HEX #61FFE1

RGB 97 255 225

HSL 168.61, 1%, 0.69%

LAB 91.46, -48.35, 2.05

 

CMYK 55 / 0 / 4 / 0

HEX #72FFF4

RGB 114 255 244

HSL 175.32, 1%, 0.72%

LAB 92.41, -40.7, -6.34

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 77 / 0 / 24 / 2

HEX #3AFBC0

RGB 58 251 192

HSL 161.66, 0.96%, 0.61%

LAB 88.78, -59.77, 15.17

 

CMYK 82 / 0 / 26 / 9

HEX #29E9AD

RGB 41 233 173

HSL 161.25, 0.81%, 0.54%

LAB 82.79, -58.78, 16.57

 

CMYK 89 / 0 / 28 / 16

HEX #18D79A

RGB 24 215 154

HSL 160.84, 0.8%, 0.47%

LAB 76.76, -57.46, 18.09

 

CMYK 96 / 0 / 31 / 23

HEX #07C587

RGB 7 197 135

HSL 160.42, 0.93%, 0.4%

LAB 70.68, -55.74, 19.76

 

CMYK 100 / 0 / 35 / 30

HEX #00B374

RGB 0 179 116

HSL 158.88, 1%, 0.35%

LAB 64.56, -53.52, 21.59

 

CMYK 76 / 0 / 23 / 2

HEX #3CFBC1

RGB 60 251 193

HSL 161.78, 0.96%, 0.61%

LAB 88.83, -59.33, 14.73

 

CMYK 76 / 0 / 44 / 2

HEX #3CFB8D

RGB 60 251 141

HSL 145.45, 0.96%, 0.61%

LAB 87.91, -69.58, 39.71

 

CMYK 76 / 0 / 64 / 2

HEX #3CFB5A

RGB 60 251 90

HSL 129.42, 0.96%, 0.61%

LAB 87.34, -76.41, 62.06

 

CMYK 67 / 0 / 76 / 2

HEX #52FB3C

RGB 82 251 60

HSL 113.09, 0.96%, 0.61%

LAB 87.54, -75.41, 73.07

 

CMYK 47 / 0 / 76 / 2

HEX #85FB3C

RGB 133 251 60

HSL 97.07, 0.96%, 0.61%

LAB 89.07, -63.22, 75.07

 

CMYK 76 / 0 / 23 / 2

HEX #3CFBC1

RGB 60 251 193

HSL 161.78, 0.96%, 0.61%

LAB 88.83, -59.33, 14.73

 

CMYK 76 / 0 / 3 / 2

HEX #3CFBF4

RGB 60 251 244

HSL 177.8, 0.96%, 0.61%

LAB 90.08, -46.52, -9.92

 

CMYK 76 / 18 / 0 / 2

HEX #3CCEFB

RGB 60 206 251

HSL 194.14, 0.96%, 0.61%

LAB 77.32, -23.39, -32.95

 

CMYK 76 / 38 / 0 / 2

HEX #3C9BFB

RGB 60 155 251

HSL 210.16, 0.96%, 0.61%

LAB 62.82, 4.43, -55.68

 

CMYK 76 / 59 / 0 / 2

HEX #3C67FB

RGB 60 103 251

HSL 226.49, 0.96%, 0.61%

LAB 49.04, 36.24, -77.89

 

CMYK 76 / 0 / 23 / 2

HEX #3CFBC1

RGB 60 251 193

HSL 161.78, 0.96%, 0.61%

LAB 88.83, -59.33, 14.73

 

CMYK 76 / 0 / 23 / 2

HEX #3CFBC1

RGB 60 251 193

HSL 161.78, 0.96%, 0.61%

LAB 88.83, -59.33, 14.73

 

CMYK 68 / 0 / 21 / 8

HEX #4CEBBA

RGB 76 235 186

HSL 161.51, 0.8%, 0.61%

LAB 84.22, -52.52, 11.88

 

CMYK 58 / 0 / 18 / 14

HEX #5CDBB4

RGB 92 219 180

HSL 161.57, 0.64%, 0.61%

LAB 79.75, -44.41, 8.72

 

CMYK 47 / 0 / 14 / 20

HEX #6CCBAE

RGB 108 203 174

HSL 161.68, 0.48%, 0.61%

LAB 75.42, -35.07, 5.79

 

CMYK 34 / 0 / 10 / 27

HEX #7CBBA8

RGB 124 187 168

HSL 161.9, 0.32%, 0.61%

LAB 71.32, -24.42, 3.21

 

CMYK 76 / 0 / 65 / 2

HEX #3CFB59

RGB 60 251 89

HSL 129.11, 0.96%, 0.61%

LAB 87.33, -76.51, 62.45

 

CMYK 76 / 0 / 44 / 2

HEX #3CFB8C

RGB 60 251 140

HSL 145.13, 0.96%, 0.61%

LAB 87.9, -69.75, 40.18

 

CMYK 76 / 0 / 24 / 2

HEX #3CFBBF

RGB 60 251 191

HSL 161.15, 0.96%, 0.61%

LAB 88.79, -59.78, 15.7

 

CMYK 76 / 0 / 4 / 2

HEX #3CFBF1

RGB 60 251 241

HSL 176.86, 0.96%, 0.61%

LAB 90, -47.34, -8.48

 

CMYK 76 / 16 / 0 / 2

HEX #3CD2FB

RGB 60 210 251

HSL 192.88, 0.96%, 0.61%

LAB 78.47, -25.4, -31.17

 

CMYK 98 / 0 / 30 / 12

HEX #05E09D

RGB 5 224 157

HSL 161.64, 0.96%, 0.45%

LAB 79.49, -60.86, 20.29

 

CMYK 92 / 0 / 28 / 2

HEX #14FAB4

RGB 20 250 180

HSL 161.74, 0.96%, 0.53%

LAB 87.88, -64.78, 20.02

 

CMYK 76 / 0 / 23 / 2

HEX #3CFBC1

RGB 60 251 193

HSL 161.78, 0.96%, 0.61%

LAB 88.83, -59.33, 14.73

 

CMYK 60 / 0 / 18 / 1

HEX #65FCCE

RGB 101 252 206

HSL 161.72, 0.96%, 0.69%

LAB 90.25, -50.83, 10.15

 

CMYK 44 / 0 / 13 / 1

HEX #8DFDDB

RGB 141 253 219

HSL 161.79, 0.97%, 0.77%

LAB 92.14, -39.87, 6.32

 

CMYK 77 / 0 / 24 / 2

HEX #3AFBC0

RGB 58 251 192

HSL 161.66, 0.96%, 0.61%

LAB 88.78, -59.77, 15.17

 

CMYK 76 / 67 / 0 / 2

HEX #3C52FB

RGB 60 82 251

HSL 233.09, 0.96%, 0.61%

LAB 44.18, 48.97, -85.86

 

CMYK 0 / 55 / 76 / 2

HEX #FB723C

RGB 251 114 60

HSL 16.96, 0.96%, 0.61%

LAB 64.06, 49.24, 53.7

 

CMYK 77 / 0 / 24 / 2

HEX #3AFBC0

RGB 58 251 192

HSL 161.66, 0.96%, 0.61%

LAB 88.78, -59.77, 15.17

 

CMYK 24 / 76 / 0 / 2

HEX #BF3CFB

RGB 191 60 251

HSL 281.15, 0.96%, 0.61%

LAB 53.25, 77.81, -70.53

 

CMYK 0 / 24 / 76 / 2

HEX #FBBF3C

RGB 251 191 60

HSL 41.15, 0.96%, 0.61%

LAB 80.79, 9.87, 70.03

 

CMYK 77 / 0 / 24 / 2

HEX #3AFBC0

RGB 58 251 192

HSL 161.66, 0.96%, 0.61%

LAB 88.78, -59.77, 15.17

 

CMYK 76 / 67 / 0 / 2

HEX #3C52FB

RGB 60 82 251

HSL 233.09, 0.96%, 0.61%

LAB 44.18, 48.97, -85.86

 

CMYK 0 / 76 / 52 / 2

HEX #FB3C79

RGB 251 60 121

HSL 340.84, 0.96%, 0.61%

LAB 57.19, 73.78, 11.43

 

CMYK 0 / 9 / 76 / 2

HEX #FBE53C

RGB 251 229 60

HSL 53.09, 0.96%, 0.61%

LAB 90.26, -9.49, 78.79

 

CMYK 77 / 0 / 24 / 2

HEX #3AFBC0

RGB 58 251 192

HSL 161.66, 0.96%, 0.61%

LAB 88.78, -59.77, 15.17

 

CMYK 62 / 76 / 0 / 2

HEX #5F3CFB

RGB 95 60 251

HSL 250.99, 0.96%, 0.61%

LAB 42.2, 64.06, -89.04

 

CMYK 0 / 76 / 52 / 2

HEX #FB3C79

RGB 251 60 121

HSL 340.84, 0.96%, 0.61%

LAB 57.19, 73.78, 11.43

 

CMYK 14 / 0 / 76 / 2

HEX #D8FB3C

RGB 216 251 60

HSL 70.99, 0.96%, 0.61%

LAB 93.42, -34.22, 80.7

 

Description

Color code: HEX #3AFBC0 | qconv.com Color code: HEX #3AFBC0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 251 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 251 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 24 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 24% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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