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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AF5B0 it is the complementary color #C50A4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AF5B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AF5B0 shade: #3FF5AB, #50FFBE, #61FFD1, #72FFE4 and #83FFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AF5B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AF5B0 shade: #3AF5B0, #29E39D, #18D18A, #07BF77 and #00AD64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AF5B0 shade: #38F5AF, #38F57C, #38F54A, #5AF538 and #8DF538

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AF5B0 shade: #38F5AF, #38F5E2, #38D4F5, #38A2F5 and #386FF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AF5B0 shade matches the following richer shades: #38F5AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AF5B0 shade: #38F5AF, #49E4AB, #5AD3A6, #6BC2A2 and #7CB19D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AF5B0 shade: #38F548, #38F57A, #38F5AC, #38F5DF and #38D8F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AF5B0 shade: #0BCF87, #11F29F, #38F5AF, #60F7BF and #87F9CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AF5B0 shade: #3AF5B0, #385BF5 and #F56138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AF5B0 shade: #3AF5B0, #AC38F5 and #F5AC38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AF5B0 shade: #3AF5B0, #385BF5, #F53880 and #F5D238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AF5B0 shade: #3AF5B0, #4E38F5, #F53880 and #DFF538

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 28 / 4

HEX #3AF5B0

RGB 58 245 176

HSL 157.86, 0.9%, 0.59%

LAB 86.67, -61.01, 20.46

 

Complementary color

CMYK 0 / 95 / 60 / 23

HEX #C50A4F

RGB 197 10 79

HSL 337.86, 0.9%, 0.41%

LAB 42.23, 67.4, 14.77

 

CMYK 74 / 0 / 30 / 4

HEX #3FF5AB

RGB 63 245 171

HSL 155.6, 0.9%, 0.6%

LAB 86.65, -61.47, 23.01

 

CMYK 69 / 0 / 25 / 0

HEX #50FFBE

RGB 80 255 190

HSL 157.71, 1%, 0.66%

LAB 90.3, -59, 18.38

 

CMYK 62 / 0 / 18 / 0

HEX #61FFD1

RGB 97 255 209

HSL 162.53, 1%, 0.69%

LAB 91.08, -52.1, 9.78

 

CMYK 55 / 0 / 11 / 0

HEX #72FFE4

RGB 114 255 228

HSL 168.51, 1%, 0.72%

LAB 92, -44.59, 1.34

 

CMYK 49 / 0 / 3 / 0

HEX #83FFF7

RGB 131 255 247

HSL 176.13, 1%, 0.76%

LAB 93.04, -36.59, -6.9

 

CMYK 76 / 0 / 28 / 4

HEX #3AF5B0

RGB 58 245 176

HSL 157.86, 0.9%, 0.59%

LAB 86.67, -61.01, 20.46

 

CMYK 82 / 0 / 31 / 11

HEX #29E39D

RGB 41 227 157

HSL 157.42, 0.77%, 0.53%

LAB 80.65, -60.04, 21.93

 

CMYK 89 / 0 / 34 / 18

HEX #18D18A

RGB 24 209 138

HSL 156.97, 0.79%, 0.46%

LAB 74.59, -58.72, 23.53

 

CMYK 96 / 0 / 38 / 25

HEX #07BF77

RGB 7 191 119

HSL 156.52, 0.93%, 0.39%

LAB 68.49, -56.96, 25.28

 

CMYK 100 / 0 / 42 / 32

HEX #00AD64

RGB 0 173 100

HSL 154.68, 1%, 0.34%

LAB 62.34, -54.64, 27.18

 

CMYK 77 / 0 / 29 / 4

HEX #38F5AF

RGB 56 245 175

HSL 157.78, 0.9%, 0.59%

LAB 86.62, -61.44, 20.9

 

CMYK 77 / 0 / 49 / 4

HEX #38F57C

RGB 56 245 124

HSL 141.59, 0.9%, 0.59%

LAB 85.81, -70.73, 45.22

 

CMYK 77 / 0 / 70 / 4

HEX #38F54A

RGB 56 245 74

HSL 125.71, 0.9%, 0.59%

LAB 85.32, -76.59, 66.02

 

CMYK 63 / 0 / 77 / 4

HEX #5AF538

RGB 90 245 56

HSL 109.21, 0.9%, 0.59%

LAB 85.89, -72.18, 72.74

 

CMYK 42 / 0 / 77 / 4

HEX #8DF538

RGB 141 245 56

HSL 93.02, 0.9%, 0.59%

LAB 87.61, -58.77, 74.98

 

CMYK 77 / 0 / 29 / 4

HEX #38F5AF

RGB 56 245 175

HSL 157.78, 0.9%, 0.59%

LAB 86.62, -61.44, 20.9

 

CMYK 77 / 0 / 8 / 4

HEX #38F5E2

RGB 56 245 226

HSL 173.97, 0.9%, 0.59%

LAB 87.79, -49.18, -3.93

 

CMYK 77 / 13 / 0 / 4

HEX #38D4F5

RGB 56 212 245

HSL 190.48, 0.9%, 0.59%

LAB 78.76, -28.67, -27.53

 

CMYK 77 / 34 / 0 / 4

HEX #38A2F5

RGB 56 162 245

HSL 206.35, 0.9%, 0.59%

LAB 64.38, -2.18, -49.92

 

CMYK 77 / 55 / 0 / 4

HEX #386FF5

RGB 56 111 245

HSL 222.54, 0.9%, 0.59%

LAB 50.45, 28.69, -72.25

 

CMYK 77 / 0 / 29 / 4

HEX #38F5AF

RGB 56 245 175

HSL 157.78, 0.9%, 0.59%

LAB 86.62, -61.44, 20.9

 

CMYK 77 / 0 / 29 / 4

HEX #38F5AF

RGB 56 245 175

HSL 157.78, 0.9%, 0.59%

LAB 86.62, -61.44, 20.9

 

CMYK 68 / 0 / 25 / 11

HEX #49E4AB

RGB 73 228 171

HSL 157.94, 0.74%, 0.59%

LAB 81.75, -53.52, 16.24

 

CMYK 57 / 0 / 21 / 17

HEX #5AD3A6

RGB 90 211 166

HSL 157.69, 0.58%, 0.59%

LAB 76.99, -44.52, 12.23

 

CMYK 45 / 0 / 16 / 24

HEX #6BC2A2

RGB 107 194 162

HSL 157.93, 0.42%, 0.59%

LAB 72.44, -33.82, 7.99

 

CMYK 30 / 0 / 11 / 31

HEX #7CB19D

RGB 124 177 157

HSL 157.36, 0.25%, 0.59%

LAB 68.14, -21.79, 4.66

 

CMYK 77 / 0 / 71 / 4

HEX #38F548

RGB 56 245 72

HSL 125.08, 0.9%, 0.59%

LAB 85.31, -76.75, 66.72

 

CMYK 77 / 0 / 50 / 4

HEX #38F57A

RGB 56 245 122

HSL 140.95, 0.9%, 0.59%

LAB 85.78, -71.03, 46.13

 

CMYK 77 / 0 / 30 / 4

HEX #38F5AC

RGB 56 245 172

HSL 156.83, 0.9%, 0.59%

LAB 86.57, -62.07, 22.36

 

CMYK 77 / 0 / 9 / 4

HEX #38F5DF

RGB 56 245 223

HSL 173.02, 0.9%, 0.59%

LAB 87.71, -49.97, -2.48

 

CMYK 77 / 12 / 0 / 4

HEX #38D8F5

RGB 56 216 245

HSL 189.21, 0.9%, 0.59%

LAB 79.92, -30.61, -25.76

 

CMYK 95 / 0 / 35 / 19

HEX #0BCF87

RGB 11 207 135

HSL 157.96, 0.9%, 0.43%

LAB 73.83, -59.25, 24.06

 

CMYK 93 / 0 / 34 / 5

HEX #11F29F

RGB 17 242 159

HSL 157.87, 0.9%, 0.51%

LAB 85.06, -66.49, 26.89

 

CMYK 77 / 0 / 29 / 4

HEX #38F5AF

RGB 56 245 175

HSL 157.78, 0.9%, 0.59%

LAB 86.62, -61.44, 20.9

 

CMYK 61 / 0 / 23 / 3

HEX #60F7BF

RGB 96 247 191

HSL 157.75, 0.9%, 0.67%

LAB 88.34, -52.98, 15.17

 

CMYK 46 / 0 / 17 / 2

HEX #87F9CF

RGB 135 249 207

HSL 157.89, 0.9%, 0.75%

LAB 90.51, -42.11, 10.15

 

CMYK 76 / 0 / 28 / 4

HEX #3AF5B0

RGB 58 245 176

HSL 157.86, 0.9%, 0.59%

LAB 86.67, -61.01, 20.46

 

CMYK 77 / 63 / 0 / 4

HEX #385BF5

RGB 56 91 245

HSL 228.89, 0.9%, 0.59%

LAB 45.52, 41.15, -80.31

 

CMYK 0 / 60 / 77 / 4

HEX #F56138

RGB 245 97 56

HSL 13.02, 0.9%, 0.59%

LAB 60.11, 54.71, 51.31

 

CMYK 76 / 0 / 28 / 4

HEX #3AF5B0

RGB 58 245 176

HSL 157.86, 0.9%, 0.59%

LAB 86.67, -61.01, 20.46

 

CMYK 30 / 77 / 0 / 4

HEX #AC38F5

RGB 172 56 245

HSL 276.83, 0.9%, 0.59%

LAB 49.73, 74.76, -73.01

 

CMYK 0 / 30 / 77 / 4

HEX #F5AC38

RGB 245 172 56

HSL 36.83, 0.9%, 0.59%

LAB 75.58, 17.13, 66.36

 

CMYK 76 / 0 / 28 / 4

HEX #3AF5B0

RGB 58 245 176

HSL 157.86, 0.9%, 0.59%

LAB 86.67, -61.01, 20.46

 

CMYK 77 / 63 / 0 / 4

HEX #385BF5

RGB 56 91 245

HSL 228.89, 0.9%, 0.59%

LAB 45.52, 41.15, -80.31

 

CMYK 0 / 77 / 48 / 4

HEX #F53880

RGB 245 56 128

HSL 337.14, 0.9%, 0.59%

LAB 55.89, 73.88, 5.26

 

CMYK 0 / 14 / 77 / 4

HEX #F5D238

RGB 245 210 56

HSL 48.89, 0.9%, 0.59%

LAB 84.89, -2.6, 74.95

 

CMYK 76 / 0 / 28 / 4

HEX #3AF5B0

RGB 58 245 176

HSL 157.86, 0.9%, 0.59%

LAB 86.67, -61.01, 20.46

 

CMYK 68 / 77 / 0 / 4

HEX #4E38F5

RGB 78 56 245

HSL 246.98, 0.9%, 0.59%

LAB 39.65, 62.59, -89.93

 

CMYK 0 / 77 / 48 / 4

HEX #F53880

RGB 245 56 128

HSL 337.14, 0.9%, 0.59%

LAB 55.89, 73.88, 5.26

 

CMYK 9 / 0 / 77 / 4

HEX #DFF538

RGB 223 245 56

HSL 66.98, 0.9%, 0.59%

LAB 92.26, -28.84, 80.96

 

Description

Color code: HEX #3AF5B0 | qconv.com Color code: HEX #3AF5B0 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 245 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 245 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 28 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 28% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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