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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AF3C5 it is the complementary color #C50C3A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AF3C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AF3C5 shade: #3FF3C0, #50FFD3, #61FFE6, #72FFF9 and #83FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AF3C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AF3C5 shade: #3AF3C5, #29E1B2, #18CF9F, #07BD8C and #00AB79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AF3C5 shade: #39F3C5, #39F393, #39F361, #44F339 and #76F339

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AF3C5 shade: #39F3C5, #39F0F3, #39BDF3, #398BF3 and #3959F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AF3C5 shade matches the following richer shades: #39F3C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AF3C5 shade: #39F3C5, #4AE3BD, #5BD2B4, #6CC1AC and #7DB0A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AF3C5 shade: #39F362, #39F393, #39F3C5, #39F0F3 and #39BFF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AF3C5 shade: #0CCE9E, #12F1BA, #39F3C5, #60F6D1 and #87F8DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AF3C5 shade: #3AF3C5, #3943F3 and #F37B39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AF3C5 shade: #3AF3C5, #C539F3 and #F3C539

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AF3C5 shade: #3AF3C5, #3943F3, #F33968 and #F3EA39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AF3C5 shade: #3AF3C5, #6839F3, #F33968 and #C5F339

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 19 / 5

HEX #3AF3C5

RGB 58 243 197

HSL 165.08, 0.89%, 0.59%

LAB 86.52, -55.48, 9.37

 

Complementary color

CMYK 0 / 94 / 71 / 23

HEX #C50C3A

RGB 197 12 58

HSL 345.08, 0.89%, 0.41%

LAB 41.91, 66.09, 27.54

 

CMYK 74 / 0 / 21 / 5

HEX #3FF3C0

RGB 63 243 192

HSL 163, 0.88%, 0.6%

LAB 86.49, -56.09, 11.93

 

CMYK 69 / 0 / 17 / 0

HEX #50FFD3

RGB 80 255 211

HSL 164.91, 1%, 0.66%

LAB 90.75, -54.28, 8.21

 

CMYK 62 / 0 / 10 / 0

HEX #61FFE6

RGB 97 255 230

HSL 170.51, 1%, 0.69%

LAB 91.58, -47.13, -0.36

 

CMYK 55 / 0 / 2 / 0

HEX #72FFF9

RGB 114 255 249

HSL 177.45, 1%, 0.72%

LAB 92.55, -39.44, -8.73

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 76 / 0 / 19 / 5

HEX #3AF3C5

RGB 58 243 197

HSL 165.08, 0.89%, 0.59%

LAB 86.52, -55.48, 9.37

 

CMYK 82 / 0 / 21 / 12

HEX #29E1B2

RGB 41 225 178

HSL 164.67, 0.75%, 0.52%

LAB 80.48, -54.52, 10.68

 

CMYK 88 / 0 / 23 / 19

HEX #18CF9F

RGB 24 207 159

HSL 164.26, 0.79%, 0.45%

LAB 74.4, -53.23, 12.13

 

CMYK 96 / 0 / 26 / 26

HEX #07BD8C

RGB 7 189 140

HSL 163.85, 0.93%, 0.38%

LAB 68.27, -51.55, 13.72

 

CMYK 100 / 0 / 29 / 33

HEX #00AB79

RGB 0 171 121

HSL 162.46, 1%, 0.34%

LAB 62.09, -49.38, 15.48

 

CMYK 77 / 0 / 19 / 5

HEX #39F3C5

RGB 57 243 197

HSL 165.16, 0.89%, 0.59%

LAB 86.51, -55.58, 9.34

 

CMYK 77 / 0 / 40 / 5

HEX #39F393

RGB 57 243 147

HSL 149.03, 0.89%, 0.59%

LAB 85.54, -66.13, 33.65

 

CMYK 77 / 0 / 60 / 5

HEX #39F361

RGB 57 243 97

HSL 132.9, 0.89%, 0.59%

LAB 84.91, -73.55, 56.41

 

CMYK 72 / 0 / 77 / 5

HEX #44F339

RGB 68 243 57

HSL 116.45, 0.89%, 0.59%

LAB 84.81, -75.53, 71.24

 

CMYK 51 / 0 / 77 / 5

HEX #76F339

RGB 118 243 57

HSL 100.32, 0.89%, 0.59%

LAB 86.13, -64.71, 72.97

 

CMYK 77 / 0 / 19 / 5

HEX #39F3C5

RGB 57 243 197

HSL 165.16, 0.89%, 0.59%

LAB 86.51, -55.58, 9.34

 

CMYK 77 / 1 / 0 / 5

HEX #39F0F3

RGB 57 240 243

HSL 180.97, 0.89%, 0.59%

LAB 86.83, -42.25, -14.26

 

CMYK 77 / 22 / 0 / 5

HEX #39BDF3

RGB 57 189 243

HSL 197.42, 0.89%, 0.59%

LAB 72.05, -17.56, -36.81

 

CMYK 77 / 43 / 0 / 5

HEX #398BF3

RGB 57 139 243

HSL 213.55, 0.89%, 0.59%

LAB 57.85, 10.75, -59.21

 

CMYK 77 / 63 / 0 / 5

HEX #3959F3

RGB 57 89 243

HSL 229.68, 0.89%, 0.59%

LAB 44.92, 41.76, -80.17

 

CMYK 77 / 0 / 19 / 5

HEX #39F3C5

RGB 57 243 197

HSL 165.16, 0.89%, 0.59%

LAB 86.51, -55.58, 9.34

 

CMYK 77 / 0 / 19 / 5

HEX #39F3C5

RGB 57 243 197

HSL 165.16, 0.89%, 0.59%

LAB 86.51, -55.58, 9.34

 

CMYK 67 / 0 / 17 / 11

HEX #4AE3BD

RGB 74 227 189

HSL 165.1, 0.73%, 0.59%

LAB 81.88, -48.82, 6.94

 

CMYK 57 / 0 / 14 / 18

HEX #5BD2B4

RGB 91 210 180

HSL 164.87, 0.57%, 0.59%

LAB 77.05, -40.66, 4.84

 

CMYK 44 / 0 / 11 / 24

HEX #6CC1AC

RGB 108 193 172

HSL 165.18, 0.41%, 0.59%

LAB 72.43, -30.82, 2.55

 

CMYK 29 / 0 / 7 / 31

HEX #7DB0A3

RGB 125 176 163

HSL 164.71, 0.24%, 0.59%

LAB 68.06, -19.67, 1.24

 

CMYK 77 / 0 / 60 / 5

HEX #39F362

RGB 57 243 98

HSL 133.23, 0.89%, 0.59%

LAB 84.92, -73.43, 55.99

 

CMYK 77 / 0 / 40 / 5

HEX #39F393

RGB 57 243 147

HSL 149.03, 0.89%, 0.59%

LAB 85.54, -66.13, 33.65

 

CMYK 77 / 0 / 19 / 5

HEX #39F3C5

RGB 57 243 197

HSL 165.16, 0.89%, 0.59%

LAB 86.51, -55.58, 9.34

 

CMYK 77 / 1 / 0 / 5

HEX #39F0F3

RGB 57 240 243

HSL 180.97, 0.89%, 0.59%

LAB 86.83, -42.25, -14.26

 

CMYK 77 / 21 / 0 / 5

HEX #39BFF3

RGB 57 191 243

HSL 196.77, 0.89%, 0.59%

LAB 72.63, -18.61, -35.91

 

CMYK 94 / 0 / 23 / 19

HEX #0CCE9E

RGB 12 206 158

HSL 165.15, 0.89%, 0.43%

LAB 73.99, -53.64, 12.08

 

CMYK 93 / 0 / 23 / 5

HEX #12F1BA

RGB 18 241 186

HSL 165.2, 0.89%, 0.51%

LAB 85.29, -60.15, 13.3

 

CMYK 77 / 0 / 19 / 5

HEX #39F3C5

RGB 57 243 197

HSL 165.16, 0.89%, 0.59%

LAB 86.51, -55.58, 9.34

 

CMYK 61 / 0 / 15 / 4

HEX #60F6D1

RGB 96 246 209

HSL 165.2, 0.89%, 0.67%

LAB 88.45, -48.51, 5.99

 

CMYK 46 / 0 / 11 / 3

HEX #87F8DC

RGB 135 248 220

HSL 165.13, 0.89%, 0.75%

LAB 90.53, -38.83, 3.44

 

CMYK 76 / 0 / 19 / 5

HEX #3AF3C5

RGB 58 243 197

HSL 165.08, 0.89%, 0.59%

LAB 86.52, -55.48, 9.37

 

CMYK 77 / 72 / 0 / 5

HEX #3943F3

RGB 57 67 243

HSL 236.77, 0.89%, 0.59%

LAB 40.17, 54.64, -87.98

 

CMYK 0 / 49 / 77 / 5

HEX #F37B39

RGB 243 123 57

HSL 21.29, 0.89%, 0.59%

LAB 64.58, 41.76, 55.23

 

CMYK 76 / 0 / 19 / 5

HEX #3AF3C5

RGB 58 243 197

HSL 165.08, 0.89%, 0.59%

LAB 86.52, -55.48, 9.37

 

CMYK 19 / 77 / 0 / 5

HEX #C539F3

RGB 197 57 243

HSL 285.16, 0.89%, 0.59%

LAB 53.24, 78.31, -66.03

 

CMYK 0 / 19 / 77 / 5

HEX #F3C539

RGB 243 197 57

HSL 45.16, 0.89%, 0.59%

LAB 81.45, 3.26, 71.4

 

CMYK 76 / 0 / 19 / 5

HEX #3AF3C5

RGB 58 243 197

HSL 165.08, 0.89%, 0.59%

LAB 86.52, -55.48, 9.37

 

CMYK 77 / 72 / 0 / 5

HEX #3943F3

RGB 57 67 243

HSL 236.77, 0.89%, 0.59%

LAB 40.17, 54.64, -87.98

 

CMYK 0 / 77 / 57 / 5

HEX #F33968

RGB 243 57 104

HSL 344.84, 0.89%, 0.59%

LAB 55.05, 71.3, 18.36

 

CMYK 0 / 4 / 77 / 5

HEX #F3EA39

RGB 243 234 57

HSL 57.1, 0.89%, 0.59%

LAB 90.87, -15.38, 79.99

 

CMYK 76 / 0 / 19 / 5

HEX #3AF3C5

RGB 58 243 197

HSL 165.08, 0.89%, 0.59%

LAB 86.52, -55.48, 9.37

 

CMYK 57 / 77 / 0 / 5

HEX #6839F3

RGB 104 57 243

HSL 255.16, 0.89%, 0.59%

LAB 41.75, 64.22, -85.26

 

CMYK 0 / 77 / 57 / 5

HEX #F33968

RGB 243 57 104

HSL 344.84, 0.89%, 0.59%

LAB 55.05, 71.3, 18.36

 

CMYK 19 / 0 / 77 / 5

HEX #C5F339

RGB 197 243 57

HSL 74.84, 0.89%, 0.59%

LAB 89.98, -38.12, 77.96

 

Description

Color code: HEX #3AF3C5 | qconv.com Color code: HEX #3AF3C5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 243 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 243 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 19 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 19% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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