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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AF042 it is the complementary color #C50FBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AF042. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AF042 shade: #3FF03D, #50FF50, #61FF63, #72FF76 and #83FF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AF042. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AF042 shade: #3AF042, #29DE2F, #18CC1C, #07BA09 and #00A800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AF042 shade: #38F040, #61F038, #93F038, #C5F038 and #F0EA38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AF042 shade: #38F040, #38F072, #38F0A3, #38F0D5 and #38D9F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AF042 shade matches the following richer shades: #38F040

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AF042 shade: #38F040, #49DF50, #5ACD60, #6CBC6F and #7DAB7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AF042 shade: #94F038, #63F038, #38F03E, #38F06F and #38F0A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AF042 shade: #0FC617, #12ED1B, #38F040, #5EF365 and #85F68A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AF042 shade: #3AF042, #38C5F0 and #F0387B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AF042 shade: #3AF042, #3E38F0 and #F03E38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AF042 shade: #3AF042, #38C5F0, #F038EA and #F06338

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AF042 shade: #3AF042, #388EF0, #F038EA and #F09A38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 73 / 6

HEX #3AF042

RGB 58 240 66

HSL 122.64, 0.86%, 0.58%

LAB 83.76, -75.47, 67.25

 

Complementary color

CMYK 0 / 92 / 4 / 23

HEX #C50FBD

RGB 197 15 189

HSL 302.64, 0.86%, 0.42%

LAB 46.82, 78.42, -45.47

 

CMYK 74 / 0 / 75 / 6

HEX #3FF03D

RGB 63 240 61

HSL 119.33, 0.86%, 0.59%

LAB 83.82, -75.13, 68.99

 

CMYK 69 / 0 / 69 / 0

HEX #50FF50

RGB 80 255 80

HSL 120, 1%, 0.66%

LAB 88.83, -75.55, 67.62

 

CMYK 62 / 0 / 61 / 0

HEX #61FF63

RGB 97 255 99

HSL 120.76, 1%, 0.69%

LAB 89.38, -70.54, 60.85

 

CMYK 55 / 0 / 54 / 0

HEX #72FF76

RGB 114 255 118

HSL 121.7, 1%, 0.72%

LAB 90.05, -64.62, 53.48

 

CMYK 49 / 0 / 46 / 0

HEX #83FF89

RGB 131 255 137

HSL 122.9, 1%, 0.76%

LAB 90.85, -57.91, 45.75

 

CMYK 76 / 0 / 73 / 6

HEX #3AF042

RGB 58 240 66

HSL 122.64, 0.86%, 0.58%

LAB 83.76, -75.47, 67.25

 

CMYK 82 / 0 / 79 / 13

HEX #29DE2F

RGB 41 222 47

HSL 121.99, 0.73%, 0.52%

LAB 77.83, -73.53, 67.36

 

CMYK 88 / 0 / 86 / 20

HEX #18CC1C

RGB 24 204 28

HSL 121.33, 0.79%, 0.45%

LAB 71.87, -70.92, 66.63

 

CMYK 96 / 0 / 95 / 27

HEX #07BA09

RGB 7 186 9

HSL 120.67, 0.93%, 0.38%

LAB 65.89, -67.47, 64.59

 

CMYK 100 / 0 / 100 / 34

HEX #00A800

RGB 0 168 0

HSL 120, 1%, 0.33%

LAB 59.89, -63.05, 60.85

 

CMYK 77 / 0 / 73 / 6

HEX #38F040

RGB 56 240 64

HSL 122.61, 0.86%, 0.58%

LAB 83.72, -75.89, 67.87

 

CMYK 60 / 0 / 77 / 6

HEX #61F038

RGB 97 240 56

HSL 106.63, 0.86%, 0.58%

LAB 84.56, -69.01, 71.54

 

CMYK 39 / 0 / 77 / 6

HEX #93F038

RGB 147 240 56

HSL 90.33, 0.86%, 0.58%

LAB 86.41, -54.9, 73.95

 

CMYK 18 / 0 / 77 / 6

HEX #C5F038

RGB 197 240 56

HSL 74.02, 0.86%, 0.58%

LAB 89.15, -36.82, 77.48

 

CMYK 0 / 3 / 77 / 6

HEX #F0EA38

RGB 240 234 56

HSL 58.04, 0.86%, 0.58%

LAB 90.62, -16.66, 79.97

 

CMYK 77 / 0 / 73 / 6

HEX #38F040

RGB 56 240 64

HSL 122.61, 0.86%, 0.58%

LAB 83.72, -75.89, 67.87

 

CMYK 77 / 0 / 53 / 6

HEX #38F072

RGB 56 240 114

HSL 138.91, 0.86%, 0.58%

LAB 84.16, -70.54, 47.89

 

CMYK 77 / 0 / 32 / 6

HEX #38F0A3

RGB 56 240 163

HSL 154.89, 0.86%, 0.58%

LAB 84.9, -62.08, 24.68

 

CMYK 77 / 0 / 11 / 6

HEX #38F0D5

RGB 56 240 213

HSL 171.2, 0.86%, 0.58%

LAB 85.99, -50.48, 0.23

 

CMYK 77 / 10 / 0 / 6

HEX #38D9F0

RGB 56 217 240

HSL 187.5, 0.86%, 0.58%

LAB 80.04, -32.62, -22.92

 

CMYK 77 / 0 / 73 / 6

HEX #38F040

RGB 56 240 64

HSL 122.61, 0.86%, 0.58%

LAB 83.72, -75.89, 67.87

 

CMYK 77 / 0 / 73 / 6

HEX #38F040

RGB 56 240 64

HSL 122.61, 0.86%, 0.58%

LAB 83.72, -75.89, 67.87

 

CMYK 67 / 0 / 64 / 13

HEX #49DF50

RGB 73 223 80

HSL 122.8, 0.7%, 0.58%

LAB 78.91, -66.47, 56.9

 

CMYK 56 / 0 / 53 / 20

HEX #5ACD60

RGB 90 205 96

HSL 123.13, 0.53%, 0.58%

LAB 73.99, -54.55, 44.19

 

CMYK 43 / 0 / 41 / 26

HEX #6CBC6F

RGB 108 188 111

HSL 122.25, 0.37%, 0.58%

LAB 69.68, -40.5, 31.46

 

CMYK 27 / 0 / 26 / 33

HEX #7DAB7F

RGB 125 171 127

HSL 122.61, 0.21%, 0.58%

LAB 65.76, -24.35, 17.82

 

CMYK 38 / 0 / 77 / 6

HEX #94F038

RGB 148 240 56

HSL 90, 0.86%, 0.58%

LAB 86.46, -54.57, 74.01

 

CMYK 59 / 0 / 77 / 6

HEX #63F038

RGB 99 240 56

HSL 105.98, 0.86%, 0.58%

LAB 84.62, -68.55, 71.61

 

CMYK 77 / 0 / 74 / 6

HEX #38F03E

RGB 56 240 62

HSL 121.96, 0.86%, 0.58%

LAB 83.71, -76.03, 68.52

 

CMYK 77 / 0 / 54 / 6

HEX #38F06F

RGB 56 240 111

HSL 137.93, 0.86%, 0.58%

LAB 84.13, -70.96, 49.24

 

CMYK 77 / 0 / 33 / 6

HEX #38F0A0

RGB 56 240 160

HSL 153.91, 0.86%, 0.58%

LAB 84.84, -62.69, 26.14

 

CMYK 92 / 0 / 88 / 22

HEX #0FC617

RGB 15 198 23

HSL 122.62, 0.86%, 0.42%

LAB 69.86, -70.01, 65.85

 

CMYK 92 / 0 / 89 / 7

HEX #12ED1B

RGB 18 237 27

HSL 122.47, 0.86%, 0.5%

LAB 82.26, -80.35, 75.85

 

CMYK 77 / 0 / 73 / 6

HEX #38F040

RGB 56 240 64

HSL 122.61, 0.86%, 0.58%

LAB 83.72, -75.89, 67.87

 

CMYK 61 / 0 / 58 / 5

HEX #5EF365

RGB 94 243 101

HSL 122.82, 0.86%, 0.66%

LAB 85.72, -66.84, 55.8

 

CMYK 46 / 0 / 44 / 4

HEX #85F68A

RGB 133 246 138

HSL 122.65, 0.86%, 0.74%

LAB 88.32, -53.66, 42.09

 

CMYK 76 / 0 / 73 / 6

HEX #3AF042

RGB 58 240 66

HSL 122.64, 0.86%, 0.58%

LAB 83.76, -75.47, 67.25

 

CMYK 77 / 18 / 0 / 6

HEX #38C5F0

RGB 56 197 240

HSL 194.02, 0.86%, 0.58%

LAB 74.23, -22.78, -31.82

 

CMYK 0 / 77 / 49 / 6

HEX #F0387B

RGB 240 56 123

HSL 338.15, 0.86%, 0.58%

LAB 54.85, 72.18, 6.64

 

CMYK 76 / 0 / 73 / 6

HEX #3AF042

RGB 58 240 66

HSL 122.64, 0.86%, 0.58%

LAB 83.76, -75.47, 67.25

 

CMYK 74 / 77 / 0 / 6

HEX #3E38F0

RGB 62 56 240

HSL 241.96, 0.86%, 0.58%

LAB 38.1, 59.83, -89.71

 

CMYK 0 / 74 / 77 / 6

HEX #F03E38

RGB 240 62 56

HSL 1.96, 0.86%, 0.58%

LAB 54.3, 66.53, 45.03

 

CMYK 76 / 0 / 73 / 6

HEX #3AF042

RGB 58 240 66

HSL 122.64, 0.86%, 0.58%

LAB 83.76, -75.47, 67.25

 

CMYK 77 / 18 / 0 / 6

HEX #38C5F0

RGB 56 197 240

HSL 194.02, 0.86%, 0.58%

LAB 74.23, -22.78, -31.82

 

CMYK 0 / 77 / 3 / 6

HEX #F038EA

RGB 240 56 234

HSL 301.96, 0.86%, 0.58%

LAB 59.25, 85.13, -51.01

 

CMYK 0 / 59 / 77 / 6

HEX #F06338

RGB 240 99 56

HSL 14.02, 0.86%, 0.58%

LAB 59.65, 52.06, 50.58

 

CMYK 76 / 0 / 73 / 6

HEX #3AF042

RGB 58 240 66

HSL 122.64, 0.86%, 0.58%

LAB 83.76, -75.47, 67.25

 

CMYK 77 / 41 / 0 / 6

HEX #388EF0

RGB 56 142 240

HSL 211.96, 0.86%, 0.58%

LAB 58.49, 7.74, -56.54

 

CMYK 0 / 77 / 3 / 6

HEX #F038EA

RGB 240 56 234

HSL 301.96, 0.86%, 0.58%

LAB 59.25, 85.13, -51.01

 

CMYK 0 / 36 / 77 / 6

HEX #F09A38

RGB 240 154 56

HSL 31.96, 0.86%, 0.58%

LAB 70.82, 24.53, 61.63

 

Description

Color code: HEX #3AF042 | qconv.com Color code: HEX #3AF042 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 240 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 240 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 73 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 73% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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