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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AED13 it is the complementary color #C512EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AED13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AED13 shade: #3FED0E, #50FF21, #61FF34, #72FF47 and #83FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AED13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AED13 shade: #3AED13, #29DB00, #18C900, #07B700 and #00A500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AED13 shade: #39ED12, #74ED12, #AFED12, #EAED12 and #EDB512

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AED13 shade: #39ED12, #12ED26, #12ED61, #12ED9C and #12EDD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AED13 shade matches the following richer shades: #39ED12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AED13 shade: #39ED12, #46D926, #54C43B, #61AF50 and #6E9B64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AED13 shade: #AFED12, #75ED12, #3AED12, #12ED24 and #12ED5F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AED13 shade: #27A00C, #30C70F, #39ED12, #59F038 and #79F35F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AED13 shade: #3AED13, #12E9ED and #ED1292

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AED13 shade: #3AED13, #123AED and #ED123A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AED13 shade: #3AED13, #12E9ED, #C512ED and #ED1612

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AED13 shade: #3AED13, #12A8ED, #C512ED and #ED5712

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 92 / 7

HEX #3AED13

RGB 58 237 19

HSL 109.27, 0.86%, 0.5%

LAB 82.65, -76.87, 77.53

 

Complementary color

CMYK 17 / 92 / 0 / 7

HEX #C512EC

RGB 197 18 236

HSL 289.27, 0.86%, 0.5%

LAB 49.93, 85.4, -67.46

 

CMYK 73 / 0 / 94 / 7

HEX #3FED0E

RGB 63 237 14

HSL 106.82, 0.89%, 0.49%

LAB 82.73, -76.24, 78.2

 

CMYK 69 / 0 / 87 / 0

HEX #50FF21

RGB 80 255 33

HSL 107.3, 1%, 0.56%

LAB 88.61, -78.26, 80.58

 

CMYK 62 / 0 / 80 / 0

HEX #61FF34

RGB 97 255 52

HSL 106.7, 1%, 0.6%

LAB 89.07, -74.14, 76.92

 

CMYK 55 / 0 / 72 / 0

HEX #72FF47

RGB 114 255 71

HSL 105.98, 1%, 0.64%

LAB 89.65, -69.08, 71.92

 

CMYK 49 / 0 / 65 / 0

HEX #83FF5A

RGB 131 255 90

HSL 105.09, 1%, 0.68%

LAB 90.36, -63.16, 65.88

 

CMYK 76 / 0 / 92 / 7

HEX #3AED13

RGB 58 237 19

HSL 109.27, 0.86%, 0.5%

LAB 82.65, -76.87, 77.53

 

CMYK 81 / 0 / 100 / 14

HEX #29DB00

RGB 41 219 0

HSL 108.77, 1%, 0.43%

LAB 76.76, -74.23, 74.5

 

CMYK 88 / 0 / 100 / 21

HEX #18C900

RGB 24 201 0

HSL 112.84, 1%, 0.39%

LAB 70.85, -70.82, 69.7

 

CMYK 96 / 0 / 100 / 28

HEX #07B700

RGB 7 183 0

HSL 117.7, 1%, 0.36%

LAB 64.89, -66.85, 64.88

 

CMYK 100 / 0 / 100 / 35

HEX #00A500

RGB 0 165 0

HSL 120, 1%, 0.32%

LAB 58.89, -62.22, 60.05

 

CMYK 76 / 0 / 92 / 7

HEX #39ED12

RGB 57 237 18

HSL 109.32, 0.86%, 0.5%

LAB 82.64, -77.03, 77.63

 

CMYK 51 / 0 / 92 / 7

HEX #74ED12

RGB 116 237 18

HSL 93.15, 0.86%, 0.5%

LAB 84.13, -64.58, 79.48

 

CMYK 26 / 0 / 92 / 7

HEX #AFED12

RGB 175 237 18

HSL 76.99, 0.86%, 0.5%

LAB 86.86, -45, 82.82

 

CMYK 1 / 0 / 92 / 7

HEX #EAED12

RGB 234 237 18

HSL 60.82, 0.86%, 0.5%

LAB 90.83, -21.48, 87.61

 

CMYK 0 / 24 / 92 / 7

HEX #EDB512

RGB 237 181 18

HSL 44.66, 0.86%, 0.5%

LAB 76.74, 8.05, 77.12

 

CMYK 76 / 0 / 92 / 7

HEX #39ED12

RGB 57 237 18

HSL 109.32, 0.86%, 0.5%

LAB 82.64, -77.03, 77.63

 

CMYK 92 / 0 / 84 / 7

HEX #12ED26

RGB 18 237 38

HSL 125.48, 0.86%, 0.5%

LAB 82.29, -79.93, 73.71

 

CMYK 92 / 0 / 59 / 7

HEX #12ED61

RGB 18 237 97

HSL 141.64, 0.86%, 0.5%

LAB 82.68, -75.02, 53.73

 

CMYK 92 / 0 / 34 / 7

HEX #12ED9C

RGB 18 237 156

HSL 157.81, 0.86%, 0.5%

LAB 83.49, -65.31, 26.29

 

CMYK 92 / 0 / 9 / 7

HEX #12EDD7

RGB 18 237 215

HSL 173.97, 0.86%, 0.5%

LAB 84.79, -51.22, -2.61

 

CMYK 76 / 0 / 92 / 7

HEX #39ED12

RGB 57 237 18

HSL 109.32, 0.86%, 0.5%

LAB 82.64, -77.03, 77.63

 

CMYK 76 / 0 / 92 / 7

HEX #39ED12

RGB 57 237 18

HSL 109.32, 0.86%, 0.5%

LAB 82.64, -77.03, 77.63

 

CMYK 68 / 0 / 82 / 15

HEX #46D926

RGB 70 217 38

HSL 109.27, 0.7%, 0.5%

LAB 76.72, -68.2, 68.94

 

CMYK 57 / 0 / 70 / 23

HEX #54C43B

RGB 84 196 59

HSL 109.05, 0.54%, 0.5%

LAB 70.65, -56.65, 56.51

 

CMYK 45 / 0 / 54 / 31

HEX #61AF50

RGB 97 175 80

HSL 109.26, 0.37%, 0.5%

LAB 64.79, -42.59, 40.89

 

CMYK 29 / 0 / 35 / 39

HEX #6E9B64

RGB 110 155 100

HSL 109.09, 0.22%, 0.5%

LAB 59.6, -26.23, 24.1

 

CMYK 26 / 0 / 92 / 7

HEX #AFED12

RGB 175 237 18

HSL 76.99, 0.86%, 0.5%

LAB 86.86, -45, 82.82

 

CMYK 51 / 0 / 92 / 7

HEX #75ED12

RGB 117 237 18

HSL 92.88, 0.86%, 0.5%

LAB 84.17, -64.3, 79.52

 

CMYK 76 / 0 / 92 / 7

HEX #3AED12

RGB 58 237 18

HSL 109.04, 0.86%, 0.5%

LAB 82.65, -76.89, 77.65

 

CMYK 92 / 0 / 85 / 7

HEX #12ED24

RGB 18 237 36

HSL 124.93, 0.86%, 0.5%

LAB 82.28, -80.01, 74.15

 

CMYK 92 / 0 / 60 / 7

HEX #12ED5F

RGB 18 237 95

HSL 141.1, 0.86%, 0.5%

LAB 82.66, -75.26, 54.58

 

CMYK 76 / 0 / 93 / 37

HEX #27A00C

RGB 39 160 12

HSL 109.05, 0.86%, 0.34%

LAB 57.65, -56.77, 57.44

 

CMYK 76 / 0 / 92 / 22

HEX #30C70F

RGB 48 199 15

HSL 109.24, 0.86%, 0.42%

LAB 70.53, -67.25, 67.87

 

CMYK 76 / 0 / 92 / 7

HEX #39ED12

RGB 57 237 18

HSL 109.32, 0.86%, 0.5%

LAB 82.64, -77.03, 77.63

 

CMYK 63 / 0 / 77 / 6

HEX #59F038

RGB 89 240 56

HSL 109.24, 0.86%, 0.58%

LAB 84.34, -70.78, 71.26

 

CMYK 50 / 0 / 61 / 5

HEX #79F35F

RGB 121 243 95

HSL 109.46, 0.86%, 0.66%

LAB 86.5, -60.97, 59.49

 

CMYK 76 / 0 / 92 / 7

HEX #3AED13

RGB 58 237 19

HSL 109.27, 0.86%, 0.5%

LAB 82.65, -76.87, 77.53

 

CMYK 92 / 2 / 0 / 7

HEX #12E9ED

RGB 18 233 237

HSL 181.1, 0.86%, 0.5%

LAB 84.24, -43.3, -15.03

 

CMYK 0 / 92 / 38 / 7

HEX #ED1292

RGB 237 18 146

HSL 324.93, 0.86%, 0.5%

LAB 52.41, 80.84, -10.77

 

CMYK 76 / 0 / 92 / 7

HEX #3AED13

RGB 58 237 19

HSL 109.27, 0.86%, 0.5%

LAB 82.65, -76.87, 77.53

 

CMYK 92 / 76 / 0 / 7

HEX #123AED

RGB 18 58 237

HSL 229.04, 0.86%, 0.5%

LAB 36.5, 55.7, -90.72

 

CMYK 0 / 92 / 76 / 7

HEX #ED123A

RGB 237 18 58

HSL 349.04, 0.86%, 0.5%

LAB 50.38, 75.3, 39.52

 

CMYK 76 / 0 / 92 / 7

HEX #3AED13

RGB 58 237 19

HSL 109.27, 0.86%, 0.5%

LAB 82.65, -76.87, 77.53

 

CMYK 92 / 2 / 0 / 7

HEX #12E9ED

RGB 18 233 237

HSL 181.1, 0.86%, 0.5%

LAB 84.24, -43.3, -15.03

 

CMYK 17 / 92 / 0 / 7

HEX #C512ED

RGB 197 18 237

HSL 289.04, 0.86%, 0.5%

LAB 50, 85.57, -67.91

 

CMYK 0 / 91 / 92 / 7

HEX #ED1612

RGB 237 22 18

HSL 1.1, 0.86%, 0.5%

LAB 50.24, 73.95, 58.88

 

CMYK 76 / 0 / 92 / 7

HEX #3AED13

RGB 58 237 19

HSL 109.27, 0.86%, 0.5%

LAB 82.65, -76.87, 77.53

 

CMYK 92 / 29 / 0 / 7

HEX #12A8ED

RGB 18 168 237

HSL 198.9, 0.86%, 0.5%

LAB 65.16, -11.15, -44.35

 

CMYK 17 / 92 / 0 / 7

HEX #C512ED

RGB 197 18 237

HSL 289.04, 0.86%, 0.5%

LAB 50, 85.57, -67.91

 

CMYK 0 / 63 / 92 / 7

HEX #ED5712

RGB 237 87 18

HSL 18.9, 0.86%, 0.5%

LAB 56.94, 55.36, 63.12

 

Description

Color code: HEX #3AED13 | qconv.com Color code: HEX #3AED13 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 237 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 237 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 92 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 92% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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