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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AE9E1 it is the complementary color #C5161E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AE9E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AE9E1 shade: #3FE9DC, #50FBEF, #61FFFF, #72FFFF and #83FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AE9E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AE9E1 shade: #3AE9E1, #29D7CE, #18C5BB, #07B3A8 and #00A195

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AE9E1 shade: #3AE9E1, #3AE9B2, #3AE982, #3AE953 and #4FE93A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AE9E1 shade: #3AE9E1, #3AC2E9, #3A92E9, #3A63E9 and #3A3AE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AE9E1 shade matches the following richer shades: #3AE9E1 and #28FBF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AE9E1 shade: #3AE9E1, #4BD7D1, #5DC6C1, #6FB4B1 and #81A2A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AE9E1 shade: #3AE983, #3AE9B2, #3AE9E0, #3AC3E9 and #3A94E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AE9E1 shade: #15BBB4, #19E0D7, #3AE9E1, #5FEDE7 and #84F1EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AE9E1 shade: #3AE9E1, #543AE9 and #E99A3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AE9E1 shade: #3AE9E1, #E03AE9 and #E9E03A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AE9E1 shade: #3AE9E1, #543AE9, #E93A42 and #CFE93A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AE9E1 shade: #3AE9E1, #893AE9, #E93A42 and #9AE93A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 3 / 9

HEX #3AE9E1

RGB 58 233 225

HSL 177.26, 0.8%, 0.57%

LAB 84.28, -44.08, -8.59

 

Complementary color

CMYK 0 / 89 / 85 / 23

HEX #C5161E

RGB 197 22 30

HSL 357.26, 0.8%, 0.43%

LAB 42.06, 63.78, 43.97

 

CMYK 73 / 0 / 6 / 9

HEX #3FE9DC

RGB 63 233 220

HSL 175.41, 0.79%, 0.58%

LAB 84.23, -44.91, -6.02

 

CMYK 68 / 0 / 5 / 2

HEX #50FBEF

RGB 80 251 239

HSL 175.79, 0.96%, 0.65%

LAB 90.29, -45.61, -6.97

 

CMYK 62 / 0 / 0 / 0

HEX #61FFFF

RGB 97 255 255

HSL 180, 1%, 0.69%

LAB 92.26, -40.73, -12.32

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 75 / 0 / 3 / 9

HEX #3AE9E1

RGB 58 233 225

HSL 177.26, 0.8%, 0.57%

LAB 84.28, -44.08, -8.59

 

CMYK 81 / 0 / 4 / 16

HEX #29D7CE

RGB 41 215 206

HSL 176.9, 0.69%, 0.5%

LAB 78.19, -43.02, -7.56

 

CMYK 88 / 0 / 5 / 23

HEX #18C5BB

RGB 24 197 187

HSL 176.53, 0.78%, 0.43%

LAB 72.04, -41.66, -6.43

 

CMYK 96 / 0 / 6 / 30

HEX #07B3A8

RGB 7 179 168

HSL 176.16, 0.92%, 0.36%

LAB 65.84, -39.92, -5.18

 

CMYK 100 / 0 / 7 / 37

HEX #00A195

RGB 0 161 149

HSL 175.53, 1%, 0.32%

LAB 59.58, -37.74, -3.78

 

CMYK 75 / 0 / 3 / 9

HEX #3AE9E1

RGB 58 233 225

HSL 177.26, 0.8%, 0.57%

LAB 84.28, -44.08, -8.59

 

CMYK 75 / 0 / 24 / 9

HEX #3AE9B2

RGB 58 233 178

HSL 161.14, 0.8%, 0.57%

LAB 83.12, -55.96, 14.46

 

CMYK 75 / 0 / 44 / 9

HEX #3AE982

RGB 58 233 130

HSL 144.69, 0.8%, 0.57%

LAB 82.27, -65.47, 37.83

 

CMYK 75 / 0 / 64 / 9

HEX #3AE953

RGB 58 233 83

HSL 128.57, 0.8%, 0.57%

LAB 81.73, -71.81, 58.7

 

CMYK 66 / 0 / 75 / 9

HEX #4FE93A

RGB 79 233 58

HSL 112.8, 0.8%, 0.57%

LAB 81.97, -70.42, 68.25

 

CMYK 75 / 0 / 3 / 9

HEX #3AE9E1

RGB 58 233 225

HSL 177.26, 0.8%, 0.57%

LAB 84.28, -44.08, -8.59

 

CMYK 75 / 17 / 0 / 9

HEX #3AC2E9

RGB 58 194 233

HSL 193.37, 0.8%, 0.57%

LAB 73.13, -23.29, -29.73

 

CMYK 75 / 37 / 0 / 9

HEX #3A92E9

RGB 58 146 233

HSL 209.83, 0.8%, 0.57%

LAB 59.29, 3.07, -51.38

 

CMYK 75 / 58 / 0 / 9

HEX #3A63E9

RGB 58 99 233

HSL 225.94, 0.8%, 0.57%

LAB 46.59, 32.09, -71.82

 

CMYK 75 / 75 / 0 / 9

HEX #3A3AE9

RGB 58 58 233

HSL 240, 0.8%, 0.57%

LAB 37.5, 56.36, -86.75

 

CMYK 75 / 0 / 3 / 9

HEX #3AE9E1

RGB 58 233 225

HSL 177.26, 0.8%, 0.57%

LAB 84.28, -44.08, -8.59

 

CMYK 84 / 0 / 4 / 2

HEX #28FBF1

RGB 40 251 241

HSL 177.16, 0.96%, 0.57%

LAB 89.76, -48.92, -8.86

 

CMYK 75 / 0 / 3 / 9

HEX #3AE9E1

RGB 58 233 225

HSL 177.26, 0.8%, 0.57%

LAB 84.28, -44.08, -8.59

 

CMYK 65 / 0 / 3 / 16

HEX #4BD7D1

RGB 75 215 209

HSL 177.43, 0.64%, 0.57%

LAB 78.87, -38.29, -8.09

 

CMYK 53 / 0 / 3 / 22

HEX #5DC6C1

RGB 93 198 193

HSL 177.14, 0.48%, 0.57%

LAB 73.91, -31.45, -6.76

 

CMYK 38 / 0 / 2 / 29

HEX #6FB4B1

RGB 111 180 177

HSL 177.39, 0.32%, 0.57%

LAB 68.89, -22.44, -5.36

 

CMYK 20 / 0 / 1 / 36

HEX #81A2A1

RGB 129 162 161

HSL 178.18, 0.15%, 0.57%

LAB 64.23, -11.51, -3.23

 

CMYK 75 / 0 / 44 / 9

HEX #3AE983

RGB 58 233 131

HSL 145.03, 0.8%, 0.57%

LAB 82.28, -65.3, 37.36

 

CMYK 75 / 0 / 24 / 9

HEX #3AE9B2

RGB 58 233 178

HSL 161.14, 0.8%, 0.57%

LAB 83.12, -55.96, 14.46

 

CMYK 75 / 0 / 4 / 9

HEX #3AE9E0

RGB 58 233 224

HSL 176.91, 0.8%, 0.57%

LAB 84.26, -44.36, -8.1

 

CMYK 75 / 16 / 0 / 9

HEX #3AC3E9

RGB 58 195 233

HSL 193.03, 0.8%, 0.57%

LAB 73.42, -23.79, -29.28

 

CMYK 75 / 36 / 0 / 9

HEX #3A94E9

RGB 58 148 233

HSL 209.14, 0.8%, 0.57%

LAB 59.85, 1.9, -50.48

 

CMYK 89 / 0 / 4 / 27

HEX #15BBB4

RGB 21 187 180

HSL 177.47, 0.8%, 0.41%

LAB 68.75, -39.4, -7.48

 

CMYK 89 / 0 / 4 / 12

HEX #19E0D7

RGB 25 224 215

HSL 177.29, 0.8%, 0.49%

LAB 80.97, -45.43, -8.24

 

CMYK 75 / 0 / 3 / 9

HEX #3AE9E1

RGB 58 233 225

HSL 177.26, 0.8%, 0.57%

LAB 84.28, -44.08, -8.59

 

CMYK 60 / 0 / 3 / 7

HEX #5FEDE7

RGB 95 237 231

HSL 177.46, 0.8%, 0.65%

LAB 86.39, -39.26, -8.53

 

CMYK 45 / 0 / 2 / 5

HEX #84F1EC

RGB 132 241 236

HSL 177.25, 0.8%, 0.73%

LAB 88.86, -32.55, -7.36

 

CMYK 75 / 0 / 3 / 9

HEX #3AE9E1

RGB 58 233 225

HSL 177.26, 0.8%, 0.57%

LAB 84.28, -44.08, -8.59

 

CMYK 64 / 75 / 0 / 9

HEX #543AE9

RGB 84 58 233

HSL 248.91, 0.8%, 0.57%

LAB 39.23, 58.72, -83.82

 

CMYK 0 / 34 / 75 / 9

HEX #E99A3A

RGB 233 154 58

HSL 32.91, 0.8%, 0.57%

LAB 69.99, 21.68, 59.73

 

CMYK 75 / 0 / 3 / 9

HEX #3AE9E1

RGB 58 233 225

HSL 177.26, 0.8%, 0.57%

LAB 84.28, -44.08, -8.59

 

CMYK 4 / 75 / 0 / 9

HEX #E03AE9

RGB 224 58 233

HSL 296.91, 0.8%, 0.57%

LAB 56.84, 81.33, -54.43

 

CMYK 0 / 4 / 75 / 9

HEX #E9E03A

RGB 233 224 58

HSL 56.91, 0.8%, 0.57%

LAB 87.46, -14.59, 76.29

 

CMYK 75 / 0 / 3 / 9

HEX #3AE9E1

RGB 58 233 225

HSL 177.26, 0.8%, 0.57%

LAB 84.28, -44.08, -8.59

 

CMYK 64 / 75 / 0 / 9

HEX #543AE9

RGB 84 58 233

HSL 248.91, 0.8%, 0.57%

LAB 39.23, 58.72, -83.82

 

CMYK 0 / 75 / 72 / 9

HEX #E93A42

RGB 233 58 66

HSL 357.26, 0.8%, 0.57%

LAB 52.67, 66.12, 37.31

 

CMYK 11 / 0 / 75 / 9

HEX #CFE93A

RGB 207 233 58

HSL 68.91, 0.8%, 0.57%

LAB 87.9, -29.57, 75.98

 

CMYK 75 / 0 / 3 / 9

HEX #3AE9E1

RGB 58 233 225

HSL 177.26, 0.8%, 0.57%

LAB 84.28, -44.08, -8.59

 

CMYK 41 / 75 / 0 / 9

HEX #893AE9

RGB 137 58 233

HSL 267.09, 0.8%, 0.57%

LAB 44.56, 65.77, -74.88

 

CMYK 0 / 75 / 72 / 9

HEX #E93A42

RGB 233 58 66

HSL 357.26, 0.8%, 0.57%

LAB 52.67, 66.12, 37.31

 

CMYK 34 / 0 / 75 / 9

HEX #9AE93A

RGB 154 233 58

HSL 87.09, 0.8%, 0.57%

LAB 84.72, -49.61, 71.85

 

Description

Color code: HEX #3AE9E1 | qconv.com Color code: HEX #3AE9E1 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 233 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 233 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 3 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 3% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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