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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AE92C it is the complementary color #C516D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AE92C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AE92C shade: #3FE927, #50FB3A, #61FF4D, #72FF60 and #83FF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AE92C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AE92C shade: #3AE92C, #29D719, #18C506, #07B300 and #00A100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AE92C shade: #39E92B, #6CE92B, #9FE92B, #D2E92B and #E9CC2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AE92C shade: #39E92B, #2BE950, #2BE983, #2BE9B6 and #2BE8E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AE92C shade matches the following richer shades: #39E92B and #29FC18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AE92C shade: #39E92B, #49D63E, #59C351, #69B064 and #799D77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AE92C shade: #A0E92B, #6DE92B, #3BE92B, #2BE94E and #2BE980

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AE92C shade: #1EAF12, #24D416, #39E92B, #5CED50 and #7EF175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AE92C shade: #3AE92C, #2BD3E9 and #E92B87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AE92C shade: #3AE92C, #2B3BE9 and #E92B3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AE92C shade: #3AE92C, #2BD3E9, #D92BE9 and #E9412B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AE92C shade: #3AE92C, #2B9AE9, #D92BE9 and #E97A2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 81 / 9

HEX #3AE92C

RGB 58 233 44

HSL 115.56, 0.81%, 0.54%

LAB 81.49, -74.79, 71.69

 

Complementary color

CMYK 7 / 90 / 0 / 17

HEX #C516D3

RGB 197 22 211

HSL 295.56, 0.81%, 0.46%

LAB 48.45, 80.84, -55.62

 

CMYK 73 / 0 / 83 / 9

HEX #3FE927

RGB 63 233 39

HSL 112.58, 0.82%, 0.53%

LAB 81.56, -74.28, 73.01

 

CMYK 68 / 0 / 77 / 2

HEX #50FB3A

RGB 80 251 58

HSL 113.16, 0.96%, 0.61%

LAB 87.49, -75.89, 73.61

 

CMYK 62 / 0 / 70 / 0

HEX #61FF4D

RGB 97 255 77

HSL 113.26, 1%, 0.65%

LAB 89.2, -72.54, 69.22

 

CMYK 55 / 0 / 62 / 0

HEX #72FF60

RGB 114 255 96

HSL 113.21, 1%, 0.69%

LAB 89.83, -67.02, 62.74

 

CMYK 49 / 0 / 55 / 0

HEX #83FF73

RGB 131 255 115

HSL 113.14, 1%, 0.73%

LAB 90.59, -60.67, 55.61

 

CMYK 75 / 0 / 81 / 9

HEX #3AE92C

RGB 58 233 44

HSL 115.56, 0.81%, 0.54%

LAB 81.49, -74.79, 71.69

 

CMYK 81 / 0 / 88 / 16

HEX #29D719

RGB 41 215 25

HSL 114.95, 0.79%, 0.47%

LAB 75.54, -72.55, 70.49

 

CMYK 88 / 0 / 97 / 23

HEX #18C506

RGB 24 197 6

HSL 114.35, 0.94%, 0.4%

LAB 69.57, -69.59, 68

 

CMYK 96 / 0 / 100 / 30

HEX #07B300

RGB 7 179 0

HSL 117.65, 1%, 0.35%

LAB 63.58, -65.74, 63.82

 

CMYK 100 / 0 / 100 / 37

HEX #00A100

RGB 0 161 0

HSL 120, 1%, 0.32%

LAB 57.55, -61.1, 58.98

 

CMYK 76 / 0 / 82 / 9

HEX #39E92B

RGB 57 233 43

HSL 115.58, 0.81%, 0.54%

LAB 81.47, -74.98, 71.93

 

CMYK 54 / 0 / 82 / 9

HEX #6CE92B

RGB 108 233 43

HSL 99.47, 0.81%, 0.54%

LAB 82.72, -64.57, 73.53

 

CMYK 32 / 0 / 82 / 9

HEX #9FE92B

RGB 159 233 43

HSL 83.37, 0.81%, 0.54%

LAB 84.91, -48.52, 76.31

 

CMYK 10 / 0 / 82 / 9

HEX #D2E92B

RGB 210 233 43

HSL 67.26, 0.81%, 0.54%

LAB 88.04, -28.91, 80.27

 

CMYK 0 / 12 / 82 / 9

HEX #E9CC2B

RGB 233 204 43

HSL 50.84, 0.81%, 0.54%

LAB 82.21, -5.06, 75.99

 

CMYK 76 / 0 / 82 / 9

HEX #39E92B

RGB 57 233 43

HSL 115.58, 0.81%, 0.54%

LAB 81.47, -74.98, 71.93

 

CMYK 82 / 0 / 66 / 9

HEX #2BE950

RGB 43 233 80

HSL 131.68, 0.81%, 0.54%

LAB 81.49, -73.92, 59.59

 

CMYK 82 / 0 / 44 / 9

HEX #2BE983

RGB 43 233 131

HSL 147.79, 0.81%, 0.54%

LAB 82.07, -66.98, 37.05

 

CMYK 82 / 0 / 22 / 9

HEX #2BE9B6

RGB 43 233 182

HSL 163.89, 0.81%, 0.54%

LAB 83, -56.53, 12.17

 

CMYK 82 / 0 / 0 / 9

HEX #2BE8E9

RGB 43 232 233

HSL 180.32, 0.81%, 0.54%

LAB 84.02, -42.71, -13.22

 

CMYK 76 / 0 / 82 / 9

HEX #39E92B

RGB 57 233 43

HSL 115.58, 0.81%, 0.54%

LAB 81.47, -74.98, 71.93

 

CMYK 84 / 0 / 90 / 1

HEX #29FC18

RGB 41 252 24

HSL 115.53, 0.97%, 0.54%

LAB 87.07, -82.89, 80.47

 

CMYK 76 / 0 / 82 / 9

HEX #39E92B

RGB 57 233 43

HSL 115.58, 0.81%, 0.54%

LAB 81.47, -74.98, 71.93

 

CMYK 66 / 0 / 71 / 16

HEX #49D63E

RGB 73 214 62

HSL 115.66, 0.65%, 0.54%

LAB 75.98, -65.12, 60.81

 

CMYK 54 / 0 / 58 / 24

HEX #59C351

RGB 89 195 81

HSL 115.79, 0.49%, 0.54%

LAB 70.7, -52.82, 47.3

 

CMYK 40 / 0 / 43 / 31

HEX #69B064

RGB 105 176 100

HSL 116.05, 0.32%, 0.54%

LAB 65.73, -37.79, 32.05

 

CMYK 23 / 0 / 24 / 38

HEX #799D77

RGB 121 157 119

HSL 116.84, 0.16%, 0.54%

LAB 61.23, -20.09, 15.93

 

CMYK 31 / 0 / 82 / 9

HEX #A0E92B

RGB 160 233 43

HSL 83.05, 0.81%, 0.54%

LAB 84.96, -48.17, 76.38

 

CMYK 53 / 0 / 82 / 9

HEX #6DE92B

RGB 109 233 43

HSL 99.16, 0.81%, 0.54%

LAB 82.76, -64.3, 73.57

 

CMYK 75 / 0 / 82 / 9

HEX #3BE92B

RGB 59 233 43

HSL 114.95, 0.81%, 0.54%

LAB 81.5, -74.69, 71.97

 

CMYK 82 / 0 / 67 / 9

HEX #2BE94E

RGB 43 233 78

HSL 131.05, 0.81%, 0.54%

LAB 81.48, -74.12, 60.37

 

CMYK 82 / 0 / 45 / 9

HEX #2BE980

RGB 43 233 128

HSL 146.84, 0.81%, 0.54%

LAB 82.03, -67.49, 38.47

 

CMYK 83 / 0 / 90 / 31

HEX #1EAF12

RGB 30 175 18

HSL 115.41, 0.81%, 0.38%

LAB 62.49, -62.39, 60.47

 

CMYK 83 / 0 / 90 / 17

HEX #24D416

RGB 36 212 22

HSL 115.58, 0.81%, 0.46%

LAB 74.52, -72.33, 70.11

 

CMYK 76 / 0 / 82 / 9

HEX #39E92B

RGB 57 233 43

HSL 115.58, 0.81%, 0.54%

LAB 81.47, -74.98, 71.93

 

CMYK 61 / 0 / 66 / 7

HEX #5CED50

RGB 92 237 80

HSL 115.41, 0.81%, 0.62%

LAB 83.66, -67.34, 62.22

 

CMYK 48 / 0 / 51 / 5

HEX #7EF175

RGB 126 241 117

HSL 115.65, 0.82%, 0.7%

LAB 86.32, -56.4, 49.54

 

CMYK 75 / 0 / 81 / 9

HEX #3AE92C

RGB 58 233 44

HSL 115.56, 0.81%, 0.54%

LAB 81.49, -74.79, 71.69

 

CMYK 82 / 9 / 0 / 9

HEX #2BD3E9

RGB 43 211 233

HSL 186.95, 0.81%, 0.54%

LAB 77.87, -33.06, -22.51

 

CMYK 0 / 82 / 42 / 9

HEX #E92B87

RGB 233 43 135

HSL 330.95, 0.81%, 0.54%

LAB 52.73, 74.79, -3.79

 

CMYK 75 / 0 / 81 / 9

HEX #3AE92C

RGB 58 233 44

HSL 115.56, 0.81%, 0.54%

LAB 81.49, -74.79, 71.69

 

CMYK 82 / 75 / 0 / 9

HEX #2B3BE9

RGB 43 59 233

HSL 234.95, 0.81%, 0.54%

LAB 36.98, 54.84, -87.63

 

CMYK 0 / 82 / 75 / 9

HEX #E92B3B

RGB 233 43 59

HSL 354.95, 0.81%, 0.54%

LAB 51.11, 69.97, 39.53

 

CMYK 75 / 0 / 81 / 9

HEX #3AE92C

RGB 58 233 44

HSL 115.56, 0.81%, 0.54%

LAB 81.49, -74.79, 71.69

 

CMYK 82 / 9 / 0 / 9

HEX #2BD3E9

RGB 43 211 233

HSL 186.95, 0.81%, 0.54%

LAB 77.87, -33.06, -22.51

 

CMYK 7 / 82 / 0 / 9

HEX #D92BE9

RGB 217 43 233

HSL 294.95, 0.81%, 0.54%

LAB 54.41, 83.85, -58.38

 

CMYK 0 / 72 / 82 / 9

HEX #E9412B

RGB 233 65 43

HSL 6.95, 0.81%, 0.54%

LAB 53.25, 63.03, 50.26

 

CMYK 75 / 0 / 81 / 9

HEX #3AE92C

RGB 58 233 44

HSL 115.56, 0.81%, 0.54%

LAB 81.49, -74.79, 71.69

 

CMYK 82 / 34 / 0 / 9

HEX #2B9AE9

RGB 43 154 233

HSL 204.95, 0.81%, 0.54%

LAB 61.23, -3.14, -48.33

 

CMYK 7 / 82 / 0 / 9

HEX #D92BE9

RGB 217 43 233

HSL 294.95, 0.81%, 0.54%

LAB 54.41, 83.85, -58.38

 

CMYK 0 / 48 / 82 / 9

HEX #E97A2B

RGB 233 122 43

HSL 24.95, 0.81%, 0.54%

LAB 62.86, 37.88, 59.07

 

Description

Color code: HEX #3AE92C | qconv.com Color code: HEX #3AE92C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 233 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 233 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 81 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 81% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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