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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AE673 it is the complementary color #C5198C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AE673. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AE673 shade: #3FE66E, #50F881, #61FF94, #72FFA7 and #83FFBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AE673. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AE673 shade: #3AE673, #29D460, #18C24D, #07B03A and #009E27

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AE673 shade: #38E572, #38E543, #5CE538, #8BE538 and #BAE538

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AE673 shade: #38E572, #38E5A0, #38E5CF, #38CDE5 and #389EE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AE673 shade matches the following richer shades: #38E572 and #26F76C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AE673 shade: #38E572, #4BD378, #5DC17E, #6FAF84 and #819D8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AE673 shade: #5EE538, #38E541, #38E56F, #38E59D and #38E5CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AE673 shade: #17B44B, #1CD85A, #38E572, #5DEA8C and #81EFA6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AE673 shade: #3AE673, #388CE5 and #E53847

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AE673 shade: #3AE673, #6F38E5 and #E56F38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AE673 shade: #3AE673, #388CE5, #E538AE and #E59238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AE673 shade: #3AE673, #3858E5, #E538AE and #E5C638

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 50 / 10

HEX #3AE673

RGB 58 230 115

HSL 139.88, 0.77%, 0.56%

LAB 81.14, -66.82, 43.71

 

Complementary color

CMYK 0 / 87 / 29 / 23

HEX #C5198C

RGB 197 25 140

HSL 319.88, 0.77%, 0.44%

LAB 44.88, 70.68, -19.3

 

CMYK 73 / 0 / 52 / 10

HEX #3FE66E

RGB 63 230 110

HSL 136.89, 0.77%, 0.57%

LAB 81.17, -66.84, 46.14

 

CMYK 68 / 0 / 48 / 3

HEX #50F881

RGB 80 248 129

HSL 137.5, 0.92%, 0.64%

LAB 87.21, -67.56, 44.68

 

CMYK 62 / 0 / 42 / 0

HEX #61FF94

RGB 97 255 148

HSL 139.37, 1%, 0.69%

LAB 89.95, -64.03, 39.08

 

CMYK 55 / 0 / 35 / 0

HEX #72FFA7

RGB 114 255 167

HSL 142.55, 1%, 0.72%

LAB 90.73, -57.29, 30.78

 

CMYK 49 / 0 / 27 / 0

HEX #83FFBA

RGB 131 255 186

HSL 146.61, 1%, 0.76%

LAB 91.64, -49.87, 22.5

 

CMYK 75 / 0 / 50 / 10

HEX #3AE673

RGB 58 230 115

HSL 139.88, 0.77%, 0.56%

LAB 81.14, -66.82, 43.71

 

CMYK 81 / 0 / 55 / 17

HEX #29D460

RGB 41 212 96

HSL 139.3, 0.68%, 0.5%

LAB 75.08, -65.65, 45.25

 

CMYK 88 / 0 / 60 / 24

HEX #18C24D

RGB 24 194 77

HSL 138.71, 0.78%, 0.43%

LAB 68.98, -63.97, 46.78

 

CMYK 96 / 0 / 67 / 31

HEX #07B03A

RGB 7 176 58

HSL 138.11, 0.92%, 0.36%

LAB 62.84, -61.62, 48.17

 

CMYK 100 / 0 / 75 / 38

HEX #009E27

RGB 0 158 39

HSL 134.81, 1%, 0.31%

LAB 56.68, -58.39, 49.19

 

CMYK 76 / 0 / 50 / 10

HEX #38E572

RGB 56 229 114

HSL 140.12, 0.77%, 0.56%

LAB 80.79, -66.89, 43.75

 

CMYK 76 / 0 / 71 / 10

HEX #38E543

RGB 56 229 67

HSL 123.82, 0.77%, 0.56%

LAB 80.34, -72.33, 63.38

 

CMYK 60 / 0 / 76 / 10

HEX #5CE538

RGB 92 229 56

HSL 107.51, 0.77%, 0.56%

LAB 81.07, -66.47, 68.12

 

CMYK 39 / 0 / 76 / 10

HEX #8BE538

RGB 139 229 56

HSL 91.21, 0.77%, 0.56%

LAB 82.81, -53.17, 70.4

 

CMYK 19 / 0 / 76 / 10

HEX #BAE538

RGB 186 229 56

HSL 74.91, 0.77%, 0.56%

LAB 85.38, -36.13, 73.74

 

CMYK 76 / 0 / 50 / 10

HEX #38E572

RGB 56 229 114

HSL 140.12, 0.77%, 0.56%

LAB 80.79, -66.89, 43.75

 

CMYK 76 / 0 / 30 / 10

HEX #38E5A0

RGB 56 229 160

HSL 156.07, 0.77%, 0.56%

LAB 81.52, -58.6, 21.6

 

CMYK 76 / 0 / 10 / 10

HEX #38E5CF

RGB 56 229 207

HSL 172.37, 0.77%, 0.56%

LAB 82.58, -47.41, -1.58

 

CMYK 76 / 10 / 0 / 10

HEX #38CDE5

RGB 56 205 229

HSL 188.32, 0.77%, 0.56%

LAB 76.17, -30.21, -22.93

 

CMYK 76 / 31 / 0 / 10

HEX #389EE5

RGB 56 158 229

HSL 204.62, 0.77%, 0.56%

LAB 62.47, -5.52, -44.14

 

CMYK 76 / 0 / 50 / 10

HEX #38E572

RGB 56 229 114

HSL 140.12, 0.77%, 0.56%

LAB 80.79, -66.89, 43.75

 

CMYK 85 / 0 / 56 / 3

HEX #26F76C

RGB 38 247 108

HSL 140.1, 0.93%, 0.56%

LAB 86.01, -75.4, 52.8

 

CMYK 76 / 0 / 50 / 10

HEX #38E572

RGB 56 229 114

HSL 140.12, 0.77%, 0.56%

LAB 80.79, -66.89, 43.75

 

CMYK 64 / 0 / 43 / 17

HEX #4BD378

RGB 75 211 120

HSL 139.85, 0.61%, 0.56%

LAB 75.72, -56.5, 34.46

 

CMYK 52 / 0 / 35 / 24

HEX #5DC17E

RGB 93 193 126

HSL 139.8, 0.45%, 0.56%

LAB 70.85, -44.27, 25.03

 

CMYK 37 / 0 / 25 / 31

HEX #6FAF84

RGB 111 175 132

HSL 139.69, 0.29%, 0.56%

LAB 66.29, -29.93, 15.7

 

CMYK 18 / 0 / 12 / 38

HEX #819D8A

RGB 129 157 138

HSL 139.29, 0.13%, 0.56%

LAB 62.18, -13.68, 6.71

 

CMYK 59 / 0 / 76 / 10

HEX #5EE538

RGB 94 229 56

HSL 106.82, 0.77%, 0.56%

LAB 81.13, -66, 68.19

 

CMYK 76 / 0 / 72 / 10

HEX #38E541

RGB 56 229 65

HSL 123.12, 0.77%, 0.56%

LAB 80.33, -72.5, 64.09

 

CMYK 76 / 0 / 52 / 10

HEX #38E56F

RGB 56 229 111

HSL 139.08, 0.77%, 0.56%

LAB 80.75, -67.33, 45.13

 

CMYK 76 / 0 / 31 / 10

HEX #38E59D

RGB 56 229 157

HSL 155.03, 0.77%, 0.56%

LAB 81.46, -59.23, 23.08

 

CMYK 76 / 0 / 11 / 10

HEX #38E5CB

RGB 56 229 203

HSL 170.98, 0.77%, 0.56%

LAB 82.48, -48.46, 0.38

 

CMYK 87 / 0 / 58 / 29

HEX #17B44B

RGB 23 180 75

HSL 139.87, 0.77%, 0.4%

LAB 64.43, -59.84, 42.4

 

CMYK 87 / 0 / 58 / 15

HEX #1CD85A

RGB 28 216 90

HSL 139.79, 0.77%, 0.48%

LAB 76.13, -68.91, 49.23

 

CMYK 76 / 0 / 50 / 10

HEX #38E572

RGB 56 229 114

HSL 140.12, 0.77%, 0.56%

LAB 80.79, -66.89, 43.75

 

CMYK 60 / 0 / 40 / 8

HEX #5DEA8C

RGB 93 234 140

HSL 140, 0.77%, 0.64%

LAB 83.48, -58.28, 34.58

 

CMYK 46 / 0 / 31 / 6

HEX #81EFA6

RGB 129 239 166

HSL 140.18, 0.77%, 0.72%

LAB 86.58, -47.32, 25.76

 

CMYK 75 / 0 / 50 / 10

HEX #3AE673

RGB 58 230 115

HSL 139.88, 0.77%, 0.56%

LAB 81.14, -66.82, 43.71

 

CMYK 76 / 39 / 0 / 10

HEX #388CE5

RGB 56 140 229

HSL 210.87, 0.77%, 0.56%

LAB 57.32, 4.96, -52.29

 

CMYK 0 / 76 / 69 / 10

HEX #E53847

RGB 229 56 71

HSL 354.8, 0.77%, 0.56%

LAB 51.77, 65.8, 33.17

 

CMYK 75 / 0 / 50 / 10

HEX #3AE673

RGB 58 230 115

HSL 139.88, 0.77%, 0.56%

LAB 81.14, -66.82, 43.71

 

CMYK 52 / 76 / 0 / 10

HEX #6F38E5

RGB 111 56 229

HSL 259.08, 0.77%, 0.56%

LAB 41, 61.82, -78.55

 

CMYK 0 / 52 / 76 / 10

HEX #E56F38

RGB 229 111 56

HSL 19.08, 0.77%, 0.56%

LAB 60.17, 42.31, 50.58

 

CMYK 75 / 0 / 50 / 10

HEX #3AE673

RGB 58 230 115

HSL 139.88, 0.77%, 0.56%

LAB 81.14, -66.82, 43.71

 

CMYK 76 / 39 / 0 / 10

HEX #388CE5

RGB 56 140 229

HSL 210.87, 0.77%, 0.56%

LAB 57.32, 4.96, -52.29

 

CMYK 0 / 76 / 24 / 10

HEX #E538AE

RGB 229 56 174

HSL 319.08, 0.77%, 0.56%

LAB 54.6, 74.62, -24.12

 

CMYK 0 / 36 / 76 / 10

HEX #E59238

RGB 229 146 56

HSL 31.21, 0.77%, 0.56%

LAB 67.65, 24.18, 58.09

 

CMYK 75 / 0 / 50 / 10

HEX #3AE673

RGB 58 230 115

HSL 139.88, 0.77%, 0.56%

LAB 81.14, -66.82, 43.71

 

CMYK 76 / 62 / 0 / 10

HEX #3858E5

RGB 56 88 229

HSL 228.9, 0.77%, 0.56%

LAB 43.47, 37.35, -74.65

 

CMYK 0 / 76 / 24 / 10

HEX #E538AE

RGB 229 56 174

HSL 319.08, 0.77%, 0.56%

LAB 54.6, 74.62, -24.12

 

CMYK 0 / 14 / 76 / 10

HEX #E5C638

RGB 229 198 56

HSL 49.25, 0.77%, 0.56%

LAB 80.37, -3.26, 70.25

 

Description

Color code: HEX #3AE673 | qconv.com Color code: HEX #3AE673 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 230 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 230 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 50 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 50% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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