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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AE5E2 it is the complementary color #C51A1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AE5E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AE5E2 shade: #3FE5DD, #50F7F0, #61FFFF, #72FFFF and #83FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AE5E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AE5E2 shade: #3AE5E2, #29D3CF, #18C1BC, #07AFA9 and #009D96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AE5E2 shade: #38E5E2, #38E5B3, #38E584, #38E556 and #49E538

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AE5E2 shade: #38E5E2, #38B9E5, #388BE5, #385CE5 and #3838E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AE5E2 shade matches the following richer shades: #38E5E2 and #26F7F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AE5E2 shade: #38E5E2, #4AD3D0, #5CC0BF, #6EAEAD and #819C9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AE5E2 shade: #38E583, #38E5B1, #38E5DF, #38BCE5 and #388EE5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AE5E2 shade: #17B3B0, #1CD8D4, #38E5E2, #5CE9E7 and #81EEEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AE5E2 shade: #3AE5E2, #5538E5 and #E59A38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AE5E2 shade: #3AE5E2, #DF38E5 and #E5DF38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AE5E2 shade: #3AE5E2, #5538E5, #E5383E and #C8E538

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AE5E2 shade: #3AE5E2, #8938E5, #E5383E and #94E538

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 1 / 10

HEX #3AE5E2

RGB 58 229 226

HSL 178.95, 0.77%, 0.56%

LAB 83.14, -42.04, -10.81

 

Complementary color

CMYK 0 / 87 / 85 / 23

HEX #C51A1D

RGB 197 26 29

HSL 358.95, 0.77%, 0.44%

LAB 42.3, 63.03, 44.69

 

CMYK 72 / 0 / 3 / 10

HEX #3FE5DD

RGB 63 229 221

HSL 177.11, 0.76%, 0.57%

LAB 83.08, -42.88, -8.25

 

CMYK 68 / 0 / 3 / 3

HEX #50F7F0

RGB 80 247 240

HSL 177.49, 0.91%, 0.64%

LAB 89.17, -43.59, -9.16

 

CMYK 62 / 0 / 0 / 0

HEX #61FFFF

RGB 97 255 255

HSL 180, 1%, 0.69%

LAB 92.26, -40.73, -12.32

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 75 / 0 / 1 / 10

HEX #3AE5E2

RGB 58 229 226

HSL 178.95, 0.77%, 0.56%

LAB 83.14, -42.04, -10.81

 

CMYK 81 / 0 / 2 / 17

HEX #29D3CF

RGB 41 211 207

HSL 178.59, 0.67%, 0.49%

LAB 77.02, -40.96, -9.83

 

CMYK 88 / 0 / 3 / 24

HEX #18C1BC

RGB 24 193 188

HSL 178.22, 0.78%, 0.43%

LAB 70.85, -39.59, -8.74

 

CMYK 96 / 0 / 3 / 31

HEX #07AFA9

RGB 7 175 169

HSL 177.86, 0.92%, 0.36%

LAB 64.62, -37.83, -7.54

 

CMYK 100 / 0 / 4 / 38

HEX #009D96

RGB 0 157 150

HSL 177.32, 1%, 0.31%

LAB 58.34, -35.63, -6.19

 

CMYK 76 / 0 / 1 / 10

HEX #38E5E2

RGB 56 229 226

HSL 178.96, 0.77%, 0.56%

LAB 83.11, -42.24, -10.86

 

CMYK 76 / 0 / 22 / 10

HEX #38E5B3

RGB 56 229 179

HSL 162.66, 0.77%, 0.56%

LAB 81.91, -54.38, 12.22

 

CMYK 76 / 0 / 42 / 10

HEX #38E584

RGB 56 229 132

HSL 146.36, 0.77%, 0.56%

LAB 81.04, -63.99, 35.25

 

CMYK 76 / 0 / 62 / 10

HEX #38E556

RGB 56 229 86

HSL 130.4, 0.77%, 0.56%

LAB 80.49, -70.51, 56.07

 

CMYK 68 / 0 / 76 / 10

HEX #49E538

RGB 73 229 56

HSL 114.1, 0.77%, 0.56%

LAB 80.59, -70.41, 67.49

 

CMYK 76 / 0 / 1 / 10

HEX #38E5E2

RGB 56 229 226

HSL 178.96, 0.77%, 0.56%

LAB 83.11, -42.24, -10.86

 

CMYK 76 / 19 / 0 / 10

HEX #38B9E5

RGB 56 185 229

HSL 195.26, 0.77%, 0.56%

LAB 70.31, -20.18, -31.91

 

CMYK 76 / 39 / 0 / 10

HEX #388BE5

RGB 56 139 229

HSL 211.21, 0.77%, 0.56%

LAB 57.04, 5.56, -52.74

 

CMYK 76 / 60 / 0 / 10

HEX #385CE5

RGB 56 92 229

HSL 227.51, 0.77%, 0.56%

LAB 44.45, 34.84, -73.05

 

CMYK 76 / 76 / 0 / 10

HEX #3838E5

RGB 56 56 229

HSL 240, 0.77%, 0.56%

LAB 36.6, 56, -85.95

 

CMYK 76 / 0 / 1 / 10

HEX #38E5E2

RGB 56 229 226

HSL 178.96, 0.77%, 0.56%

LAB 83.11, -42.24, -10.86

 

CMYK 85 / 0 / 2 / 3

HEX #26F7F3

RGB 38 247 243

HSL 178.85, 0.93%, 0.56%

LAB 88.64, -46.77, -11.57

 

CMYK 76 / 0 / 1 / 10

HEX #38E5E2

RGB 56 229 226

HSL 178.96, 0.77%, 0.56%

LAB 83.11, -42.24, -10.86

 

CMYK 65 / 0 / 1 / 17

HEX #4AD3D0

RGB 74 211 208

HSL 178.69, 0.61%, 0.56%

LAB 77.64, -36.88, -9.39

 

CMYK 52 / 0 / 1 / 25

HEX #5CC0BF

RGB 92 192 191

HSL 179.4, 0.44%, 0.56%

LAB 72.05, -29.3, -8.44

 

CMYK 37 / 0 / 1 / 32

HEX #6EAEAD

RGB 110 174 173

HSL 179.06, 0.28%, 0.56%

LAB 66.98, -20.64, -5.98

 

CMYK 17 / 0 / 0 / 39

HEX #819C9C

RGB 129 156 156

HSL 180, 0.12%, 0.56%

LAB 62.38, -9.38, -3.15

 

CMYK 76 / 0 / 43 / 10

HEX #38E583

RGB 56 229 131

HSL 146.01, 0.77%, 0.56%

LAB 81.03, -64.16, 35.73

 

CMYK 76 / 0 / 23 / 10

HEX #38E5B1

RGB 56 229 177

HSL 161.97, 0.77%, 0.56%

LAB 81.87, -54.84, 13.21

 

CMYK 76 / 0 / 3 / 10

HEX #38E5DF

RGB 56 229 223

HSL 177.92, 0.77%, 0.56%

LAB 83.02, -43.08, -9.4

 

CMYK 76 / 18 / 0 / 10

HEX #38BCE5

RGB 56 188 229

HSL 194.22, 0.77%, 0.56%

LAB 71.19, -21.73, -30.55

 

CMYK 76 / 38 / 0 / 10

HEX #388EE5

RGB 56 142 229

HSL 210.17, 0.77%, 0.56%

LAB 57.89, 3.77, -51.39

 

CMYK 87 / 0 / 2 / 30

HEX #17B3B0

RGB 23 179 176

HSL 178.85, 0.77%, 0.4%

LAB 66.18, -36.84, -9.09

 

CMYK 87 / 0 / 2 / 15

HEX #1CD8D4

RGB 28 216 212

HSL 178.72, 0.77%, 0.48%

LAB 78.53, -42.63, -10.28

 

CMYK 76 / 0 / 1 / 10

HEX #38E5E2

RGB 56 229 226

HSL 178.96, 0.77%, 0.56%

LAB 83.11, -42.24, -10.86

 

CMYK 61 / 0 / 1 / 9

HEX #5CE9E7

RGB 92 233 231

HSL 179.15, 0.76%, 0.64%

LAB 85.16, -37.93, -10.37

 

CMYK 46 / 0 / 1 / 7

HEX #81EEEC

RGB 129 238 236

HSL 178.9, 0.76%, 0.72%

LAB 87.91, -31.81, -8.79

 

CMYK 75 / 0 / 1 / 10

HEX #3AE5E2

RGB 58 229 226

HSL 178.95, 0.77%, 0.56%

LAB 83.14, -42.04, -10.81

 

CMYK 63 / 76 / 0 / 10

HEX #5538E5

RGB 85 56 229

HSL 250.06, 0.77%, 0.56%

LAB 38.58, 58.64, -82.62

 

CMYK 0 / 33 / 76 / 10

HEX #E59A38

RGB 229 154 56

HSL 33.99, 0.77%, 0.56%

LAB 69.51, 19.92, 59.91

 

CMYK 75 / 0 / 1 / 10

HEX #3AE5E2

RGB 58 229 226

HSL 178.95, 0.77%, 0.56%

LAB 83.14, -42.04, -10.81

 

CMYK 3 / 76 / 0 / 10

HEX #DF38E5

RGB 223 56 229

HSL 297.92, 0.77%, 0.56%

LAB 56.26, 81.06, -53.11

 

CMYK 0 / 3 / 76 / 10

HEX #E5DF38

RGB 229 223 56

HSL 57.92, 0.77%, 0.56%

LAB 86.86, -15.84, 76.24

 

CMYK 75 / 0 / 1 / 10

HEX #3AE5E2

RGB 58 229 226

HSL 178.95, 0.77%, 0.56%

LAB 83.14, -42.04, -10.81

 

CMYK 63 / 76 / 0 / 10

HEX #5538E5

RGB 85 56 229

HSL 250.06, 0.77%, 0.56%

LAB 38.58, 58.64, -82.62

 

CMYK 0 / 76 / 73 / 10

HEX #E5383E

RGB 229 56 62

HSL 357.92, 0.77%, 0.56%

LAB 51.65, 65.41, 38.22

 

CMYK 13 / 0 / 76 / 10

HEX #C8E538

RGB 200 229 56

HSL 70.06, 0.77%, 0.56%

LAB 86.31, -30.6, 74.94

 

CMYK 75 / 0 / 1 / 10

HEX #3AE5E2

RGB 58 229 226

HSL 178.95, 0.77%, 0.56%

LAB 83.14, -42.04, -10.81

 

CMYK 40 / 76 / 0 / 10

HEX #8938E5

RGB 137 56 229

HSL 268.09, 0.77%, 0.56%

LAB 43.95, 65.64, -73.6

 

CMYK 0 / 76 / 73 / 10

HEX #E5383E

RGB 229 56 62

HSL 357.92, 0.77%, 0.56%

LAB 51.65, 65.41, 38.22

 

CMYK 35 / 0 / 76 / 10

HEX #94E538

RGB 148 229 56

HSL 88.09, 0.77%, 0.56%

LAB 83.24, -50.14, 70.96

 

Description

Color code: HEX #3AE5E2 | qconv.com Color code: HEX #3AE5E2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 229 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 229 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 1 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 1% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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