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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AE511 it is the complementary color #C51AEE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AE511. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AE511 shade: #3FE50C, #50F71F, #61FF32, #72FF45 and #83FF58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AE511. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AE511 shade: #3AE511, #29D300, #18C100, #07AF00 and #009D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AE511 shade: #3AE411, #73E411, #ABE411, #E4E311 and #E4AA11

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AE511 shade: #3AE411, #11E421, #11E45A, #11E493 and #11E4CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AE511 shade matches the following richer shades: #3AE411

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AE511 shade: #3AE411, #46D025, #52BC39, #5EA84D and #6A9460

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AE511 shade: #ACE411, #73E411, #3BE411, #11E41F and #11E457

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AE511 shade: #26970B, #30BD0E, #3AE411, #54EF2F and #73F255

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AE511 shade: #3AE511, #11E4E4 and #E4118F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AE511 shade: #3AE511, #113BE4 and #E4113B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AE511 shade: #3AE511, #11E4E4, #BA11E4 and #E41111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AE511 shade: #3AE511, #11A5E4, #BA11E4 and #E45011

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 93 / 10

HEX #3AE511

RGB 58 229 17

HSL 108.4, 0.86%, 0.48%

LAB 80.17, -74.59, 75.71

 

Complementary color

CMYK 17 / 89 / 0 / 7

HEX #C51AEE

RGB 197 26 238

HSL 288.4, 0.86%, 0.52%

LAB 50.43, 84.66, -67.77

 

CMYK 72 / 0 / 95 / 10

HEX #3FE50C

RGB 63 229 12

HSL 105.9, 0.9%, 0.47%

LAB 80.25, -73.92, 76.36

 

CMYK 68 / 0 / 87 / 3

HEX #50F71F

RGB 80 247 31

HSL 106.39, 0.93%, 0.55%

LAB 86.17, -75.91, 78.84

 

CMYK 62 / 0 / 80 / 0

HEX #61FF32

RGB 97 255 50

HSL 106.24, 1%, 0.6%

LAB 89.06, -74.24, 77.43

 

CMYK 55 / 0 / 73 / 0

HEX #72FF45

RGB 114 255 69

HSL 105.48, 1%, 0.64%

LAB 89.64, -69.22, 72.57

 

CMYK 49 / 0 / 65 / 0

HEX #83FF58

RGB 131 255 88

HSL 104.55, 1%, 0.67%

LAB 90.34, -63.33, 66.65

 

CMYK 75 / 0 / 93 / 10

HEX #3AE511

RGB 58 229 17

HSL 108.4, 0.86%, 0.48%

LAB 80.17, -74.59, 75.71

 

CMYK 81 / 0 / 100 / 17

HEX #29D300

RGB 41 211 0

HSL 108.34, 1%, 0.41%

LAB 74.23, -71.97, 72.48

 

CMYK 88 / 0 / 100 / 24

HEX #18C100

RGB 24 193 0

HSL 112.54, 1%, 0.38%

LAB 68.27, -68.59, 67.63

 

CMYK 96 / 0 / 100 / 31

HEX #07AF00

RGB 7 175 0

HSL 117.6, 1%, 0.34%

LAB 62.26, -64.63, 62.77

 

CMYK 100 / 0 / 100 / 38

HEX #009D00

RGB 0 157 0

HSL 120, 1%, 0.31%

LAB 56.2, -59.99, 57.89

 

CMYK 75 / 0 / 93 / 11

HEX #3AE411

RGB 58 228 17

HSL 108.34, 0.86%, 0.48%

LAB 79.86, -74.3, 75.45

 

CMYK 50 / 0 / 93 / 11

HEX #73E411

RGB 115 228 17

HSL 92.13, 0.86%, 0.48%

LAB 81.39, -61.68, 77.34

 

CMYK 25 / 0 / 93 / 11

HEX #ABE411

RGB 171 228 17

HSL 76.21, 0.86%, 0.48%

LAB 84.06, -42.65, 80.61

 

CMYK 0 / 0 / 93 / 11

HEX #E4E311

RGB 228 227 17

HSL 59.72, 0.86%, 0.48%

LAB 87.71, -19.16, 85.15

 

CMYK 0 / 25 / 93 / 11

HEX #E4AA11

RGB 228 170 17

HSL 43.51, 0.86%, 0.48%

LAB 73.08, 9.94, 74.15

 

CMYK 75 / 0 / 93 / 11

HEX #3AE411

RGB 58 228 17

HSL 108.34, 0.86%, 0.48%

LAB 79.86, -74.3, 75.45

 

CMYK 93 / 0 / 86 / 11

HEX #11E421

RGB 17 228 33

HSL 124.55, 0.86%, 0.48%

LAB 79.45, -77.75, 72.27

 

CMYK 93 / 0 / 61 / 11

HEX #11E45A

RGB 17 228 90

HSL 140.76, 0.86%, 0.48%

LAB 79.81, -73.22, 53.47

 

CMYK 93 / 0 / 36 / 11

HEX #11E493

RGB 17 228 147

HSL 156.97, 0.86%, 0.48%

LAB 80.58, -64.01, 26.96

 

CMYK 93 / 0 / 11 / 11

HEX #11E4CC

RGB 17 228 204

HSL 173.18, 0.86%, 0.48%

LAB 81.82, -50.49, -1.16

 

CMYK 75 / 0 / 93 / 11

HEX #3AE411

RGB 58 228 17

HSL 108.34, 0.86%, 0.48%

LAB 79.86, -74.3, 75.45

 

CMYK 75 / 0 / 93 / 11

HEX #3AE411

RGB 58 228 17

HSL 108.34, 0.86%, 0.48%

LAB 79.86, -74.3, 75.45

 

CMYK 66 / 0 / 82 / 18

HEX #46D025

RGB 70 208 37

HSL 108.42, 0.7%, 0.48%

LAB 73.9, -65.37, 66.62

 

CMYK 56 / 0 / 70 / 26

HEX #52BC39

RGB 82 188 57

HSL 108.55, 0.53%, 0.48%

LAB 68.06, -54.41, 54.56

 

CMYK 44 / 0 / 54 / 34

HEX #5EA84D

RGB 94 168 77

HSL 108.79, 0.37%, 0.48%

LAB 62.44, -40.92, 39.52

 

CMYK 28 / 0 / 35 / 42

HEX #6A9460

RGB 106 148 96

HSL 108.46, 0.21%, 0.48%

LAB 57.16, -24.83, 23.02

 

CMYK 25 / 0 / 93 / 11

HEX #ACE411

RGB 172 228 17

HSL 75.92, 0.86%, 0.48%

LAB 84.12, -42.27, 80.68

 

CMYK 50 / 0 / 93 / 11

HEX #73E411

RGB 115 228 17

HSL 92.13, 0.86%, 0.48%

LAB 81.39, -61.68, 77.34

 

CMYK 74 / 0 / 93 / 11

HEX #3BE411

RGB 59 228 17

HSL 108.06, 0.86%, 0.48%

LAB 79.87, -74.15, 75.47

 

CMYK 93 / 0 / 86 / 11

HEX #11E41F

RGB 17 228 31

HSL 123.98, 0.86%, 0.48%

LAB 79.45, -77.83, 72.67

 

CMYK 93 / 0 / 62 / 11

HEX #11E457

RGB 17 228 87

HSL 139.91, 0.86%, 0.48%

LAB 79.78, -73.57, 54.73

 

CMYK 75 / 0 / 93 / 41

HEX #26970B

RGB 38 151 11

HSL 108.43, 0.86%, 0.32%

LAB 54.63, -54.1, 55.04

 

CMYK 75 / 0 / 93 / 26

HEX #30BD0E

RGB 48 189 14

HSL 108.34, 0.86%, 0.4%

LAB 67.32, -64.26, 65.33

 

CMYK 75 / 0 / 93 / 11

HEX #3AE411

RGB 58 228 17

HSL 108.34, 0.86%, 0.48%

LAB 79.86, -74.3, 75.45

 

CMYK 65 / 0 / 80 / 6

HEX #54EF2F

RGB 84 239 47

HSL 108.44, 0.86%, 0.56%

LAB 83.87, -71.99, 73.31

 

CMYK 52 / 0 / 65 / 5

HEX #73F255

RGB 115 242 85

HSL 108.54, 0.86%, 0.64%

LAB 85.91, -63.13, 62.88

 

CMYK 75 / 0 / 93 / 10

HEX #3AE511

RGB 58 229 17

HSL 108.4, 0.86%, 0.48%

LAB 80.17, -74.59, 75.71

 

CMYK 93 / 0 / 0 / 11

HEX #11E4E4

RGB 17 228 228

HSL 180, 0.86%, 0.48%

LAB 82.49, -43.75, -12.89

 

CMYK 0 / 93 / 37 / 11

HEX #E4118F

RGB 228 17 143

HSL 324.17, 0.86%, 0.48%

LAB 50.54, 78.76, -11.95

 

CMYK 75 / 0 / 93 / 10

HEX #3AE511

RGB 58 229 17

HSL 108.4, 0.86%, 0.48%

LAB 80.17, -74.59, 75.71

 

CMYK 93 / 74 / 0 / 11

HEX #113BE4

RGB 17 59 228

HSL 228.06, 0.86%, 0.48%

LAB 35.69, 52.11, -86.94

 

CMYK 0 / 93 / 74 / 11

HEX #E4113B

RGB 228 17 59

HSL 348.06, 0.86%, 0.48%

LAB 48.52, 73.25, 36.34

 

CMYK 75 / 0 / 93 / 10

HEX #3AE511

RGB 58 229 17

HSL 108.4, 0.86%, 0.48%

LAB 80.17, -74.59, 75.71

 

CMYK 93 / 0 / 0 / 11

HEX #11E4E4

RGB 17 228 228

HSL 180, 0.86%, 0.48%

LAB 82.49, -43.75, -12.89

 

CMYK 18 / 93 / 0 / 11

HEX #BA11E4

RGB 186 17 228

HSL 288.06, 0.86%, 0.48%

LAB 47.55, 82.59, -66.87

 

CMYK 0 / 93 / 93 / 11

HEX #E41111

RGB 228 17 17

HSL 0, 0.86%, 0.48%

LAB 48.18, 72.28, 57.04

 

CMYK 75 / 0 / 93 / 10

HEX #3AE511

RGB 58 229 17

HSL 108.4, 0.86%, 0.48%

LAB 80.17, -74.59, 75.71

 

CMYK 93 / 28 / 0 / 11

HEX #11A5E4

RGB 17 165 228

HSL 197.91, 0.86%, 0.48%

LAB 63.86, -12.77, -41.44

 

CMYK 18 / 93 / 0 / 11

HEX #BA11E4

RGB 186 17 228

HSL 288.06, 0.86%, 0.48%

LAB 47.55, 82.59, -66.87

 

CMYK 0 / 65 / 93 / 11

HEX #E45011

RGB 228 80 17

HSL 17.91, 0.86%, 0.48%

LAB 54.31, 55.18, 60.92

 

Description

Color code: HEX #3AE511 | qconv.com Color code: HEX #3AE511 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 229 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 229 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 93 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 93% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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