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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ADE94 it is the complementary color #C5216B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ADE94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ADE94 shade: #3FDE8F, #50F0A2, #61FFB5, #72FFC8 and #83FFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ADE94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ADE94 shade: #3ADE94, #29CC81, #18BA6E, #07A85B and #009648

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ADE94 shade: #3BDE94, #3BDE68, #3BDE3C, #65DE3B and #91DE3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ADE94 shade: #3BDE94, #3BDEC0, #3BCFDE, #3BA3DE and #3B77DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ADE94 shade matches the following richer shades: #3BDE94 and #28F096

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ADE94 shade: #3BDE94, #4DCB92, #60B991, #72A68F and #85938D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ADE94 shade: #3BDE3B, #3BDE66, #3BDE92, #3BDEBD and #3BD3DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ADE94 shade: #1DA96A, #23CD80, #3BDE94, #5EE4A7 and #81EABB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ADE94 shade: #3ADE94, #3B66DE and #DE513B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ADE94 shade: #3ADE94, #923BDE and #DE923B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ADE94 shade: #3ADE94, #3B66DE, #DE3B87 and #DEB23B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ADE94 shade: #3ADE94, #403BDE, #DE3B87 and #D8DE3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 33 / 13

HEX #3ADE94

RGB 58 222 148

HSL 152.93, 0.71%, 0.55%

LAB 79.2, -58.18, 24.66

 

Complementary color

CMYK 0 / 83 / 46 / 23

HEX #C5216B

RGB 197 33 107

HSL 332.93, 0.71%, 0.45%

LAB 44.26, 65.76, 0.07

 

CMYK 72 / 0 / 36 / 13

HEX #3FDE8F

RGB 63 222 143

HSL 150.19, 0.71%, 0.56%

LAB 79.2, -58.48, 27.26

 

CMYK 67 / 0 / 33 / 6

HEX #50F0A2

RGB 80 240 162

HSL 150.75, 0.84%, 0.63%

LAB 85.32, -58.96, 25.84

 

CMYK 62 / 0 / 29 / 0

HEX #61FFB5

RGB 97 255 181

HSL 151.9, 1%, 0.69%

LAB 90.5, -58.07, 23.32

 

CMYK 55 / 0 / 22 / 0

HEX #72FFC8

RGB 114 255 200

HSL 156.6, 1%, 0.72%

LAB 91.36, -50.87, 14.86

 

CMYK 49 / 0 / 14 / 0

HEX #83FFDB

RGB 131 255 219

HSL 162.58, 1%, 0.76%

LAB 92.34, -43.1, 6.55

 

CMYK 74 / 0 / 33 / 13

HEX #3ADE94

RGB 58 222 148

HSL 152.93, 0.71%, 0.55%

LAB 79.2, -58.18, 24.66

 

CMYK 80 / 0 / 37 / 20

HEX #29CC81

RGB 41 204 129

HSL 152.39, 0.67%, 0.48%

LAB 73.05, -57.32, 26.19

 

CMYK 87 / 0 / 41 / 27

HEX #18BA6E

RGB 24 186 110

HSL 151.85, 0.77%, 0.41%

LAB 66.85, -56.06, 27.87

 

CMYK 96 / 0 / 46 / 34

HEX #07A85B

RGB 7 168 91

HSL 151.3, 0.92%, 0.34%

LAB 60.61, -54.26, 29.68

 

CMYK 100 / 0 / 52 / 41

HEX #009648

RGB 0 150 72

HSL 148.8, 1%, 0.29%

LAB 54.32, -51.76, 31.63

 

CMYK 73 / 0 / 33 / 13

HEX #3BDE94

RGB 59 222 148

HSL 152.76, 0.71%, 0.55%

LAB 79.22, -58.05, 24.68

 

CMYK 73 / 0 / 53 / 13

HEX #3BDE68

RGB 59 222 104

HSL 136.56, 0.71%, 0.55%

LAB 78.56, -65.57, 45.77

 

CMYK 73 / 0 / 73 / 13

HEX #3BDE3C

RGB 59 222 60

HSL 120.37, 0.71%, 0.55%

LAB 78.17, -70.3, 63.66

 

CMYK 55 / 0 / 73 / 13

HEX #65DE3B

RGB 101 222 59

HSL 104.54, 0.71%, 0.55%

LAB 79.23, -61.63, 65.41

 

CMYK 35 / 0 / 73 / 13

HEX #91DE3B

RGB 145 222 59

HSL 88.34, 0.71%, 0.55%

LAB 81.06, -48.13, 67.84

 

CMYK 73 / 0 / 33 / 13

HEX #3BDE94

RGB 59 222 148

HSL 152.76, 0.71%, 0.55%

LAB 79.22, -58.05, 24.68

 

CMYK 73 / 0 / 14 / 13

HEX #3BDEC0

RGB 59 222 192

HSL 168.96, 0.71%, 0.55%

LAB 80.17, -47.99, 2.85

 

CMYK 73 / 7 / 0 / 13

HEX #3BCFDE

RGB 59 207 222

HSL 185.52, 0.71%, 0.55%

LAB 76.58, -32.96, -18.54

 

CMYK 73 / 27 / 0 / 13

HEX #3BA3DE

RGB 59 163 222

HSL 201.72, 0.71%, 0.55%

LAB 63.67, -10.38, -38.38

 

CMYK 73 / 46 / 0 / 13

HEX #3B77DE

RGB 59 119 222

HSL 217.91, 0.71%, 0.55%

LAB 51.15, 15.62, -58.24

 

CMYK 73 / 0 / 33 / 13

HEX #3BDE94

RGB 59 222 148

HSL 152.76, 0.71%, 0.55%

LAB 79.22, -58.05, 24.68

 

CMYK 83 / 0 / 38 / 6

HEX #28F096

RGB 40 240 150

HSL 153, 0.87%, 0.55%

LAB 84.47, -66.21, 30.68

 

CMYK 73 / 0 / 33 / 13

HEX #3BDE94

RGB 59 222 148

HSL 152.76, 0.71%, 0.55%

LAB 79.22, -58.05, 24.68

 

CMYK 62 / 0 / 28 / 20

HEX #4DCB92

RGB 77 203 146

HSL 152.86, 0.55%, 0.55%

LAB 73.78, -48.06, 18.34

 

CMYK 48 / 0 / 22 / 27

HEX #60B991

RGB 96 185 145

HSL 153.03, 0.39%, 0.55%

LAB 68.92, -36.19, 12.17

 

CMYK 31 / 0 / 14 / 35

HEX #72A68F

RGB 114 166 143

HSL 153.46, 0.23%, 0.55%

LAB 64.03, -22.32, 6.43

 

CMYK 10 / 0 / 4 / 42

HEX #85938D

RGB 133 147 141

HSL 154.29, 0.06%, 0.55%

LAB 59.69, -6.24, 1.45

 

CMYK 73 / 0 / 73 / 13

HEX #3BDE3B

RGB 59 222 59

HSL 120, 0.71%, 0.55%

LAB 78.16, -70.37, 64

 

CMYK 73 / 0 / 54 / 13

HEX #3BDE66

RGB 59 222 102

HSL 135.83, 0.71%, 0.55%

LAB 78.54, -65.84, 46.68

 

CMYK 73 / 0 / 34 / 13

HEX #3BDE92

RGB 59 222 146

HSL 152.02, 0.71%, 0.55%

LAB 79.18, -58.45, 25.67

 

CMYK 73 / 0 / 15 / 13

HEX #3BDEBD

RGB 59 222 189

HSL 167.85, 0.71%, 0.55%

LAB 80.09, -48.75, 4.34

 

CMYK 73 / 5 / 0 / 13

HEX #3BD3DE

RGB 59 211 222

HSL 184.05, 0.71%, 0.55%

LAB 77.75, -34.85, -16.76

 

CMYK 83 / 0 / 37 / 34

HEX #1DA96A

RGB 29 169 106

HSL 153, 0.71%, 0.39%

LAB 61.38, -50.17, 22.73

 

CMYK 83 / 0 / 38 / 20

HEX #23CD80

RGB 35 205 128

HSL 152.82, 0.71%, 0.47%

LAB 73.27, -58.47, 27

 

CMYK 73 / 0 / 33 / 13

HEX #3BDE94

RGB 59 222 148

HSL 152.76, 0.71%, 0.55%

LAB 79.22, -58.05, 24.68

 

CMYK 59 / 0 / 27 / 11

HEX #5EE4A7

RGB 94 228 167

HSL 152.69, 0.71%, 0.63%

LAB 82.19, -50.64, 19.02

 

CMYK 45 / 0 / 20 / 8

HEX #81EABB

RGB 129 234 187

HSL 153.14, 0.71%, 0.71%

LAB 85.55, -41.1, 13.47

 

CMYK 74 / 0 / 33 / 13

HEX #3ADE94

RGB 58 222 148

HSL 152.93, 0.71%, 0.55%

LAB 79.2, -58.18, 24.66

 

CMYK 73 / 54 / 0 / 13

HEX #3B66DE

RGB 59 102 222

HSL 224.17, 0.71%, 0.55%

LAB 46.59, 26.33, -65.6

 

CMYK 0 / 64 / 73 / 13

HEX #DE513B

RGB 222 81 59

HSL 8.1, 0.71%, 0.55%

LAB 53.74, 53.83, 41.88

 

CMYK 74 / 0 / 33 / 13

HEX #3ADE94

RGB 58 222 148

HSL 152.93, 0.71%, 0.55%

LAB 79.2, -58.18, 24.66

 

CMYK 34 / 73 / 0 / 13

HEX #923BDE

RGB 146 59 222

HSL 272.02, 0.71%, 0.55%

LAB 44.96, 64.31, -67.93

 

CMYK 0 / 34 / 73 / 13

HEX #DE923B

RGB 222 146 59

HSL 32.02, 0.71%, 0.55%

LAB 66.83, 21.37, 55.71

 

CMYK 74 / 0 / 33 / 13

HEX #3ADE94

RGB 58 222 148

HSL 152.93, 0.71%, 0.55%

LAB 79.2, -58.18, 24.66

 

CMYK 73 / 54 / 0 / 13

HEX #3B66DE

RGB 59 102 222

HSL 224.17, 0.71%, 0.55%

LAB 46.59, 26.33, -65.6

 

CMYK 0 / 73 / 39 / 13

HEX #DE3B87

RGB 222 59 135

HSL 332.02, 0.71%, 0.55%

LAB 52.29, 67.6, -4.65

 

CMYK 0 / 20 / 73 / 13

HEX #DEB23B

RGB 222 178 59

HSL 43.8, 0.71%, 0.55%

LAB 74.63, 4.29, 63.46

 

CMYK 74 / 0 / 33 / 13

HEX #3ADE94

RGB 58 222 148

HSL 152.93, 0.71%, 0.55%

LAB 79.2, -58.18, 24.66

 

CMYK 71 / 73 / 0 / 13

HEX #403BDE

RGB 64 59 222

HSL 241.84, 0.71%, 0.55%

LAB 36.91, 52.88, -81.42

 

CMYK 0 / 73 / 39 / 13

HEX #DE3B87

RGB 222 59 135

HSL 332.02, 0.71%, 0.55%

LAB 52.29, 67.6, -4.65

 

CMYK 3 / 0 / 73 / 13

HEX #D8DE3B

RGB 216 222 59

HSL 62.21, 0.71%, 0.55%

LAB 85.58, -20.62, 73.75

 

Description

Color code: HEX #3ADE94 | qconv.com Color code: HEX #3ADE94 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 222 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 222 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 33 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 33% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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