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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ADE44 it is the complementary color #C521BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ADE44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ADE44 shade: #3FDE3F, #50F052, #61FF65, #72FF78 and #83FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ADE44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ADE44 shade: #3ADE44, #29CC31, #18BA1E, #07A80B and #009600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ADE44 shade: #3BDE45, #5DDE3B, #89DE3B, #B5DE3B and #DEDB3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ADE44 shade: #3BDE45, #3BDE71, #3BDE9D, #3BDEC9 and #3BC7DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ADE44 shade matches the following richer shades: #3BDE45 and #28F034

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ADE44 shade: #3BDE45, #4DCB55, #60B965, #72A676 and #859386

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ADE44 shade: #8ADE3B, #5EDE3B, #3BDE43, #3BDE6E and #3BDE9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ADE44 shade: #1DA925, #23CD2D, #3BDE45, #5EE466 and #81EA88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ADE44 shade: #3ADE44, #3BB5DE and #DE3B74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ADE44 shade: #3ADE44, #433BDE and #DE433B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ADE44 shade: #3ADE44, #3BB5DE, #DE3BD6 and #DE643B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ADE44 shade: #3ADE44, #3B84DE, #DE3BD6 and #DE943B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 69 / 13

HEX #3ADE44

RGB 58 222 68

HSL 123.66, 0.71%, 0.55%

LAB 78.2, -69.8, 60.8

 

Complementary color

CMYK 0 / 83 / 5 / 23

HEX #C521BB

RGB 197 33 187

HSL 303.66, 0.71%, 0.45%

LAB 47.68, 75.28, -42.94

 

CMYK 72 / 0 / 72 / 13

HEX #3FDE3F

RGB 63 222 63

HSL 120, 0.71%, 0.56%

LAB 78.26, -69.43, 62.72

 

CMYK 67 / 0 / 66 / 6

HEX #50F052

RGB 80 240 82

HSL 120.75, 0.84%, 0.63%

LAB 84.3, -70.57, 62.03

 

CMYK 62 / 0 / 60 / 0

HEX #61FF65

RGB 97 255 101

HSL 121.52, 1%, 0.69%

LAB 89.39, -70.33, 60.03

 

CMYK 55 / 0 / 53 / 0

HEX #72FF78

RGB 114 255 120

HSL 122.55, 1%, 0.72%

LAB 90.07, -64.38, 52.6

 

CMYK 49 / 0 / 45 / 0

HEX #83FF8B

RGB 131 255 139

HSL 123.87, 1%, 0.76%

LAB 90.88, -57.63, 44.83

 

CMYK 74 / 0 / 69 / 13

HEX #3ADE44

RGB 58 222 68

HSL 123.66, 0.71%, 0.55%

LAB 78.2, -69.8, 60.8

 

CMYK 80 / 0 / 76 / 20

HEX #29CC31

RGB 41 204 49

HSL 122.94, 0.67%, 0.48%

LAB 72.15, -68.09, 61.27

 

CMYK 87 / 0 / 84 / 27

HEX #18BA1E

RGB 24 186 30

HSL 122.22, 0.77%, 0.41%

LAB 66.06, -65.69, 60.97

 

CMYK 96 / 0 / 93 / 34

HEX #07A80B

RGB 7 168 11

HSL 121.49, 0.92%, 0.34%

LAB 59.96, -62.39, 59.39

 

CMYK 100 / 0 / 100 / 41

HEX #009600

RGB 0 150 0

HSL 120, 1%, 0.29%

LAB 53.83, -58.01, 55.99

 

CMYK 73 / 0 / 69 / 13

HEX #3BDE45

RGB 59 222 69

HSL 123.68, 0.71%, 0.55%

LAB 78.23, -69.56, 60.45

 

CMYK 58 / 0 / 73 / 13

HEX #5DDE3B

RGB 93 222 59

HSL 107.48, 0.71%, 0.55%

LAB 78.98, -63.64, 65.08

 

CMYK 38 / 0 / 73 / 13

HEX #89DE3B

RGB 137 222 59

HSL 91.29, 0.71%, 0.55%

LAB 80.67, -50.85, 67.32

 

CMYK 18 / 0 / 73 / 13

HEX #B5DE3B

RGB 181 222 59

HSL 75.09, 0.71%, 0.55%

LAB 83.12, -34.76, 70.53

 

CMYK 0 / 1 / 73 / 13

HEX #DEDB3B

RGB 222 219 59

HSL 58.9, 0.71%, 0.55%

LAB 85.26, -16.67, 73.61

 

CMYK 73 / 0 / 69 / 13

HEX #3BDE45

RGB 59 222 69

HSL 123.68, 0.71%, 0.55%

LAB 78.23, -69.56, 60.45

 

CMYK 73 / 0 / 49 / 13

HEX #3BDE71

RGB 59 222 113

HSL 139.88, 0.71%, 0.55%

LAB 78.67, -64.25, 41.61

 

CMYK 73 / 0 / 29 / 13

HEX #3BDE9D

RGB 59 222 157

HSL 156.07, 0.71%, 0.55%

LAB 79.39, -56.19, 20.23

 

CMYK 73 / 0 / 9 / 13

HEX #3BDEC9

RGB 59 222 201

HSL 172.27, 0.71%, 0.55%

LAB 80.4, -45.66, -1.6

 

CMYK 73 / 10 / 0 / 13

HEX #3BC7DE

RGB 59 199 222

HSL 188.47, 0.71%, 0.55%

LAB 74.22, -29.11, -22.11

 

CMYK 73 / 0 / 69 / 13

HEX #3BDE45

RGB 59 222 69

HSL 123.68, 0.71%, 0.55%

LAB 78.23, -69.56, 60.45

 

CMYK 83 / 0 / 78 / 6

HEX #28F034

RGB 40 240 52

HSL 123.6, 0.87%, 0.55%

LAB 83.45, -78.48, 71.27

 

CMYK 73 / 0 / 69 / 13

HEX #3BDE45

RGB 59 222 69

HSL 123.68, 0.71%, 0.55%

LAB 78.23, -69.56, 60.45

 

CMYK 62 / 0 / 58 / 20

HEX #4DCB55

RGB 77 203 85

HSL 123.81, 0.55%, 0.55%

LAB 72.86, -58.19, 47.89

 

CMYK 48 / 0 / 45 / 27

HEX #60B965

RGB 96 185 101

HSL 123.37, 0.39%, 0.55%

LAB 68.11, -44.25, 34.49

 

CMYK 31 / 0 / 29 / 35

HEX #72A676

RGB 114 166 118

HSL 124.62, 0.23%, 0.55%

LAB 63.47, -27.21, 19.5

 

CMYK 10 / 0 / 9 / 42

HEX #859386

RGB 133 147 134

HSL 124.29, 0.06%, 0.55%

LAB 59.5, -7.63, 5.17

 

CMYK 38 / 0 / 73 / 13

HEX #8ADE3B

RGB 138 222 59

HSL 90.92, 0.71%, 0.55%

LAB 80.72, -50.52, 67.38

 

CMYK 58 / 0 / 73 / 13

HEX #5EDE3B

RGB 94 222 59

HSL 107.12, 0.71%, 0.55%

LAB 79.01, -63.39, 65.12

 

CMYK 73 / 0 / 70 / 13

HEX #3BDE43

RGB 59 222 67

HSL 122.94, 0.71%, 0.55%

LAB 78.21, -69.73, 61.19

 

CMYK 73 / 0 / 50 / 13

HEX #3BDE6E

RGB 59 222 110

HSL 138.77, 0.71%, 0.55%

LAB 78.64, -64.7, 43.01

 

CMYK 73 / 0 / 31 / 13

HEX #3BDE9A

RGB 59 222 154

HSL 154.97, 0.71%, 0.55%

LAB 79.33, -56.82, 21.72

 

CMYK 83 / 0 / 78 / 34

HEX #1DA925

RGB 29 169 37

HSL 123.43, 0.71%, 0.39%

LAB 60.58, -59.71, 53.82

 

CMYK 83 / 0 / 78 / 20

HEX #23CD2D

RGB 35 205 45

HSL 123.53, 0.71%, 0.47%

LAB 72.37, -69.33, 62.72

 

CMYK 73 / 0 / 69 / 13

HEX #3BDE45

RGB 59 222 69

HSL 123.68, 0.71%, 0.55%

LAB 78.23, -69.56, 60.45

 

CMYK 59 / 0 / 55 / 11

HEX #5EE466

RGB 94 228 102

HSL 123.58, 0.71%, 0.63%

LAB 81.2, -61.39, 50.05

 

CMYK 45 / 0 / 42 / 8

HEX #81EA88

RGB 129 234 136

HSL 124, 0.71%, 0.71%

LAB 84.63, -50.16, 38.31

 

CMYK 74 / 0 / 69 / 13

HEX #3ADE44

RGB 58 222 68

HSL 123.66, 0.71%, 0.55%

LAB 78.2, -69.8, 60.8

 

CMYK 73 / 18 / 0 / 13

HEX #3BB5DE

RGB 59 181 222

HSL 195.09, 0.71%, 0.55%

LAB 68.93, -20.03, -30.21

 

CMYK 0 / 73 / 48 / 13

HEX #DE3B74

RGB 222 59 116

HSL 339.02, 0.71%, 0.55%

LAB 51.74, 65.83, 5.97

 

CMYK 74 / 0 / 69 / 13

HEX #3ADE44

RGB 58 222 68

HSL 123.66, 0.71%, 0.55%

LAB 78.2, -69.8, 60.8

 

CMYK 70 / 73 / 0 / 13

HEX #433BDE

RGB 67 59 222

HSL 242.94, 0.71%, 0.55%

LAB 37.11, 53.16, -81.1

 

CMYK 0 / 70 / 73 / 13

HEX #DE433B

RGB 222 67 59

HSL 2.94, 0.71%, 0.55%

LAB 51.68, 59.42, 39.59

 

CMYK 74 / 0 / 69 / 13

HEX #3ADE44

RGB 58 222 68

HSL 123.66, 0.71%, 0.55%

LAB 78.2, -69.8, 60.8

 

CMYK 73 / 18 / 0 / 13

HEX #3BB5DE

RGB 59 181 222

HSL 195.09, 0.71%, 0.55%

LAB 68.93, -20.03, -30.21

 

CMYK 0 / 73 / 4 / 13

HEX #DE3BD6

RGB 222 59 214

HSL 302.94, 0.71%, 0.55%

LAB 55.6, 77.67, -45.69

 

CMYK 0 / 55 / 73 / 13

HEX #DE643B

RGB 222 100 59

HSL 15.09, 0.71%, 0.55%

LAB 57.04, 45.17, 45.48

 

CMYK 74 / 0 / 69 / 13

HEX #3ADE44

RGB 58 222 68

HSL 123.66, 0.71%, 0.55%

LAB 78.2, -69.8, 60.8

 

CMYK 73 / 41 / 0 / 13

HEX #3B84DE

RGB 59 132 222

HSL 213.13, 0.71%, 0.55%

LAB 54.77, 7.62, -52.44

 

CMYK 0 / 73 / 4 / 13

HEX #DE3BD6

RGB 222 59 214

HSL 302.94, 0.71%, 0.55%

LAB 55.6, 77.67, -45.69

 

CMYK 0 / 33 / 73 / 13

HEX #DE943B

RGB 222 148 59

HSL 32.76, 0.71%, 0.55%

LAB 67.3, 20.3, 56.18

 

Description

Color code: HEX #3ADE44 | qconv.com Color code: HEX #3ADE44 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 222 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 222 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 69 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 69% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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