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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ADE10 it is the complementary color #C521EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ADE10. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ADE10 shade: #3FDE0B, #50F01E, #61FF31, #72FF44 and #83FF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ADE10. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ADE10 shade: #3ADE10, #29CC00, #18BA00, #07A800 and #009600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ADE10 shade: #3AE010, #72E010, #ABE010, #E0DD10 and #E0A510

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ADE10 shade: #3AE010, #10E01D, #10E056, #10E08E and #10E0C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ADE10 shade matches the following richer shades: #3AE010

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ADE10 shade: #3AE010, #46CD23, #51B936, #5DA64A and #68935D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ADE10 shade: #ACE010, #74E010, #3DE010, #10E01A and #10E052

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ADE10 shade: #26930A, #30BA0D, #3AE010, #51F029 and #71F34F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ADE10 shade: #3ADE10, #10E0DD and #E01090

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ADE10 shade: #3ADE10, #103DE0 and #E0103D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ADE10 shade: #3ADE10, #10E0DD, #B310E0 and #E01013

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ADE10 shade: #3ADE10, #10A5E0, #B310E0 and #E04B10

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 93 / 13

HEX #3ADE10

RGB 58 222 16

HSL 107.77, 0.87%, 0.47%

LAB 77.98, -72.56, 74.02

 

Complementary color

CMYK 18 / 86 / 0 / 6

HEX #C521EF

RGB 197 33 239

HSL 287.77, 0.87%, 0.53%

LAB 50.91, 83.62, -67.56

 

CMYK 72 / 0 / 95 / 13

HEX #3FDE0B

RGB 63 222 11

HSL 105.21, 0.91%, 0.46%

LAB 78.07, -71.85, 74.67

 

CMYK 67 / 0 / 88 / 6

HEX #50F01E

RGB 80 240 30

HSL 105.71, 0.88%, 0.53%

LAB 84.03, -73.79, 77.17

 

CMYK 62 / 0 / 81 / 0

HEX #61FF31

RGB 97 255 49

HSL 106.02, 1%, 0.6%

LAB 89.06, -74.29, 77.68

 

CMYK 55 / 0 / 73 / 0

HEX #72FF44

RGB 114 255 68

HSL 105.24, 1%, 0.63%

LAB 89.63, -69.28, 72.89

 

CMYK 49 / 0 / 66 / 0

HEX #83FF57

RGB 131 255 87

HSL 104.29, 1%, 0.67%

LAB 90.34, -63.41, 67.03

 

CMYK 74 / 0 / 93 / 13

HEX #3ADE10

RGB 58 222 16

HSL 107.77, 0.87%, 0.47%

LAB 77.98, -72.56, 74.02

 

CMYK 80 / 0 / 100 / 20

HEX #29CC00

RGB 41 204 0

HSL 107.94, 1%, 0.4%

LAB 72, -69.97, 70.69

 

CMYK 87 / 0 / 100 / 27

HEX #18BA00

RGB 24 186 0

HSL 112.26, 1%, 0.36%

LAB 65.99, -66.62, 65.81

 

CMYK 96 / 0 / 100 / 34

HEX #07A800

RGB 7 168 0

HSL 117.5, 1%, 0.33%

LAB 59.93, -62.68, 60.9

 

CMYK 100 / 0 / 100 / 41

HEX #009600

RGB 0 150 0

HSL 120, 1%, 0.29%

LAB 53.83, -58.01, 55.99

 

CMYK 74 / 0 / 93 / 12

HEX #3AE010

RGB 58 224 16

HSL 107.88, 0.87%, 0.47%

LAB 78.61, -73.15, 74.54

 

CMYK 49 / 0 / 93 / 12

HEX #72E010

RGB 114 224 16

HSL 91.73, 0.87%, 0.47%

LAB 80.14, -60.54, 76.42

 

CMYK 24 / 0 / 93 / 12

HEX #ABE010

RGB 171 224 16

HSL 75.29, 0.87%, 0.47%

LAB 82.92, -40.92, 79.82

 

CMYK 0 / 1 / 93 / 12

HEX #E0DD10

RGB 224 221 16

HSL 59.13, 0.87%, 0.47%

LAB 85.8, -17.93, 83.67

 

CMYK 0 / 26 / 93 / 12

HEX #E0A510

RGB 224 165 16

HSL 42.98, 0.87%, 0.47%

LAB 71.42, 10.84, 72.89

 

CMYK 74 / 0 / 93 / 12

HEX #3AE010

RGB 58 224 16

HSL 107.88, 0.87%, 0.47%

LAB 78.61, -73.15, 74.54

 

CMYK 93 / 0 / 87 / 12

HEX #10E01D

RGB 16 224 29

HSL 123.75, 0.87%, 0.47%

LAB 78.18, -76.87, 71.95

 

CMYK 93 / 0 / 62 / 12

HEX #10E056

RGB 16 224 86

HSL 140.19, 0.87%, 0.47%

LAB 78.52, -72.54, 53.72

 

CMYK 93 / 0 / 37 / 12

HEX #10E08E

RGB 16 224 142

HSL 156.35, 0.87%, 0.47%

LAB 79.26, -63.65, 27.75

 

CMYK 93 / 0 / 12 / 12

HEX #10E0C6

RGB 16 224 198

HSL 172.5, 0.87%, 0.47%

LAB 80.46, -50.49, 0.03

 

CMYK 74 / 0 / 93 / 12

HEX #3AE010

RGB 58 224 16

HSL 107.88, 0.87%, 0.47%

LAB 78.61, -73.15, 74.54

 

CMYK 74 / 0 / 93 / 12

HEX #3AE010

RGB 58 224 16

HSL 107.88, 0.87%, 0.47%

LAB 78.61, -73.15, 74.54

 

CMYK 66 / 0 / 83 / 20

HEX #46CD23

RGB 70 205 35

HSL 107.65, 0.71%, 0.47%

LAB 72.95, -64.5, 66.26

 

CMYK 56 / 0 / 71 / 27

HEX #51B936

RGB 81 185 54

HSL 107.63, 0.55%, 0.47%

LAB 67.06, -53.81, 54.67

 

CMYK 44 / 0 / 55 / 35

HEX #5DA64A

RGB 93 166 74

HSL 107.61, 0.38%, 0.47%

LAB 61.74, -40.74, 40.13

 

CMYK 29 / 0 / 37 / 42

HEX #68935D

RGB 104 147 93

HSL 107.78, 0.23%, 0.47%

LAB 56.68, -25.53, 24.01

 

CMYK 23 / 0 / 93 / 12

HEX #ACE010

RGB 172 224 16

HSL 75, 0.87%, 0.47%

LAB 82.98, -40.53, 79.89

 

CMYK 48 / 0 / 93 / 12

HEX #74E010

RGB 116 224 16

HSL 91.15, 0.87%, 0.47%

LAB 80.21, -59.95, 76.52

 

CMYK 73 / 0 / 93 / 12

HEX #3DE010

RGB 61 224 16

HSL 107.02, 0.87%, 0.47%

LAB 78.66, -72.68, 74.6

 

CMYK 93 / 0 / 88 / 12

HEX #10E01A

RGB 16 224 26

HSL 122.88, 0.87%, 0.47%

LAB 78.17, -76.98, 72.49

 

CMYK 93 / 0 / 63 / 12

HEX #10E052

RGB 16 224 82

HSL 139.04, 0.87%, 0.47%

LAB 78.48, -73, 55.38

 

CMYK 74 / 0 / 93 / 42

HEX #26930A

RGB 38 147 10

HSL 107.74, 0.87%, 0.31%

LAB 53.28, -52.84, 54.06

 

CMYK 74 / 0 / 93 / 27

HEX #30BA0D

RGB 48 186 13

HSL 107.86, 0.87%, 0.39%

LAB 66.35, -63.36, 64.65

 

CMYK 74 / 0 / 93 / 12

HEX #3AE010

RGB 58 224 16

HSL 107.88, 0.87%, 0.47%

LAB 78.61, -73.15, 74.54

 

CMYK 66 / 0 / 83 / 6

HEX #51F029

RGB 81 240 41

HSL 107.94, 0.87%, 0.55%

LAB 84.09, -73.18, 74.96

 

CMYK 53 / 0 / 67 / 5

HEX #71F34F

RGB 113 243 79

HSL 107.56, 0.87%, 0.63%

LAB 86.09, -64.52, 65.38

 

CMYK 74 / 0 / 93 / 13

HEX #3ADE10

RGB 58 222 16

HSL 107.77, 0.87%, 0.47%

LAB 77.98, -72.56, 74.02

 

CMYK 93 / 0 / 1 / 12

HEX #10E0DD

RGB 16 224 221

HSL 179.13, 0.87%, 0.47%

LAB 81.09, -44.06, -11.26

 

CMYK 0 / 93 / 36 / 12

HEX #E01090

RGB 224 16 144

HSL 323.08, 0.87%, 0.47%

LAB 49.78, 78.11, -13.79

 

CMYK 74 / 0 / 93 / 13

HEX #3ADE10

RGB 58 222 16

HSL 107.77, 0.87%, 0.47%

LAB 77.98, -72.56, 74.02

 

CMYK 93 / 73 / 0 / 12

HEX #103DE0

RGB 16 61 224

HSL 227.02, 0.87%, 0.47%

LAB 35.65, 49.56, -84.71

 

CMYK 0 / 93 / 73 / 12

HEX #E0103D

RGB 224 16 61

HSL 347.02, 0.87%, 0.47%

LAB 47.69, 72.45, 33.98

 

CMYK 74 / 0 / 93 / 13

HEX #3ADE10

RGB 58 222 16

HSL 107.77, 0.87%, 0.47%

LAB 77.98, -72.56, 74.02

 

CMYK 93 / 0 / 1 / 12

HEX #10E0DD

RGB 16 224 221

HSL 179.13, 0.87%, 0.47%

LAB 81.09, -44.06, -11.26

 

CMYK 20 / 93 / 0 / 12

HEX #B310E0

RGB 179 16 224

HSL 287.02, 0.87%, 0.47%

LAB 46.09, 81.03, -67.01

 

CMYK 0 / 93 / 92 / 12

HEX #E01013

RGB 224 16 19

HSL 359.13, 0.87%, 0.47%

LAB 47.32, 71.4, 55.37

 

CMYK 74 / 0 / 93 / 13

HEX #3ADE10

RGB 58 222 16

HSL 107.77, 0.87%, 0.47%

LAB 77.98, -72.56, 74.02

 

CMYK 93 / 26 / 0 / 12

HEX #10A5E0

RGB 16 165 224

HSL 197.02, 0.87%, 0.47%

LAB 63.67, -14.24, -39.53

 

CMYK 20 / 93 / 0 / 12

HEX #B310E0

RGB 179 16 224

HSL 287.02, 0.87%, 0.47%

LAB 46.09, 81.03, -67.01

 

CMYK 0 / 67 / 93 / 12

HEX #E04B10

RGB 224 75 16

HSL 17.02, 0.87%, 0.47%

LAB 52.86, 55.86, 59.9

 

Description

Color code: HEX #3ADE10 | qconv.com Color code: HEX #3ADE10 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 222 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 222 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 93 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 93% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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