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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AD3FD it is the complementary color #C52C02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AD3FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AD3FD shade: #3FD3F8, #50E5FF, #61F7FF, #72FFFF and #83FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AD3FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AD3FD shade: #3AD3FD, #29C1EA, #18AFD7, #079DC4 and #008BB1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AD3FD shade: #3AD3FD, #3A9EFD, #3A6AFD, #3F3AFD and #733AFD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AD3FD shade: #3AD3FD, #3A9EFD, #3A6AFD and #3A3AFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AD3FD shade matches the following richer shades: #3AD3FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AD3FD shade: #3AD3FD, #4ACAED, #5AC1DD, #6AB8CD and #7AAEBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AD3FD shade: #3AFDBC, #3AFDF0, #3AD6FD, #3AA2FD and #3A6EFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AD3FD shade: #02B2E2, #11CAFD, #3AD3FD, #63DCFD and #8CE5FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AD3FD shade: #3AD3FD, #883AFD and #FDD63A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AD3FD shade: #3AD3FD, #FD3AD6 and #D6FD3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AD3FD shade: #3AD3FD, #883AFD, #FD613A and #AFFD3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AD3FD shade: #3AD3FD, #C33AFD, #FD613A and #75FD3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 17 / 0 / 1

HEX #3AD3FD

RGB 58 211 253

HSL 192.92, 0.98%, 0.61%

LAB 78.8, -25.47, -31.74

 

Complementary color

CMYK 0 / 78 / 99 / 23

HEX #C52C02

RGB 197 44 2

HSL 12.92, 0.98%, 0.39%

LAB 43.76, 58.15, 55.8

 

CMYK 75 / 15 / 0 / 3

HEX #3FD3F8

RGB 63 211 248

HSL 192, 0.93%, 0.61%

LAB 78.71, -26.52, -29.21

 

CMYK 69 / 10 / 0 / 0

HEX #50E5FF

RGB 80 229 255

HSL 188.91, 1%, 0.66%

LAB 84.47, -31.09, -24.09

 

CMYK 62 / 3 / 0 / 0

HEX #61F7FF

RGB 97 247 255

HSL 183.04, 1%, 0.69%

LAB 89.99, -37.09, -15.71

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 77 / 17 / 0 / 1

HEX #3AD3FD

RGB 58 211 253

HSL 192.92, 0.98%, 0.61%

LAB 78.8, -25.47, -31.74

 

CMYK 82 / 18 / 0 / 8

HEX #29C1EA

RGB 41 193 234

HSL 192.75, 0.82%, 0.54%

LAB 72.6, -24.06, -31.12

 

CMYK 89 / 19 / 0 / 16

HEX #18AFD7

RGB 24 175 215

HSL 192.57, 0.8%, 0.47%

LAB 66.34, -22.32, -30.42

 

CMYK 96 / 20 / 0 / 23

HEX #079DC4

RGB 7 157 196

HSL 192.38, 0.93%, 0.4%

LAB 60.02, -20.17, -29.64

 

CMYK 100 / 21 / 0 / 31

HEX #008BB1

RGB 0 139 177

HSL 192.88, 1%, 0.35%

LAB 53.64, -17.54, -28.76

 

CMYK 77 / 17 / 0 / 1

HEX #3AD3FD

RGB 58 211 253

HSL 192.92, 0.98%, 0.61%

LAB 78.8, -25.47, -31.74

 

CMYK 77 / 38 / 0 / 1

HEX #3A9EFD

RGB 58 158 253

HSL 209.23, 0.98%, 0.61%

LAB 63.71, 3.18, -55.36

 

CMYK 77 / 58 / 0 / 1

HEX #3A6AFD

RGB 58 106 253

HSL 225.23, 0.98%, 0.61%

LAB 49.86, 34.9, -77.67

 

CMYK 75 / 77 / 0 / 1

HEX #3F3AFD

RGB 63 58 253

HSL 241.54, 0.98%, 0.61%

LAB 39.87, 62.84, -94.08

 

CMYK 55 / 77 / 0 / 1

HEX #733AFD

RGB 115 58 253

HSL 257.54, 0.98%, 0.61%

LAB 43.89, 67.72, -87.31

 

CMYK 77 / 17 / 0 / 1

HEX #3AD3FD

RGB 58 211 253

HSL 192.92, 0.98%, 0.61%

LAB 78.8, -25.47, -31.74

 

CMYK 77 / 38 / 0 / 1

HEX #3A9EFD

RGB 58 158 253

HSL 209.23, 0.98%, 0.61%

LAB 63.71, 3.18, -55.36

 

CMYK 77 / 58 / 0 / 1

HEX #3A6AFD

RGB 58 106 253

HSL 225.23, 0.98%, 0.61%

LAB 49.86, 34.9, -77.67

 

CMYK 77 / 77 / 0 / 1

HEX #3A3AFD

RGB 58 58 253

HSL 240, 0.98%, 0.61%

LAB 39.61, 62.51, -94.52

 

CMYK 77 / 17 / 0 / 1

HEX #3AD3FD

RGB 58 211 253

HSL 192.92, 0.98%, 0.61%

LAB 78.8, -25.47, -31.74

 

CMYK 77 / 17 / 0 / 1

HEX #3AD3FD

RGB 58 211 253

HSL 192.92, 0.98%, 0.61%

LAB 78.8, -25.47, -31.74

 

CMYK 69 / 15 / 0 / 7

HEX #4ACAED

RGB 74 202 237

HSL 192.88, 0.82%, 0.61%

LAB 75.95, -24.07, -27.52

 

CMYK 59 / 13 / 0 / 13

HEX #5AC1DD

RGB 90 193 221

HSL 192.82, 0.66%, 0.61%

LAB 73.24, -21.77, -22.98

 

CMYK 48 / 10 / 0 / 20

HEX #6AB8CD

RGB 106 184 205

HSL 192.73, 0.5%, 0.61%

LAB 70.7, -18.41, -18.07

 

CMYK 35 / 8 / 0 / 26

HEX #7AAEBD

RGB 122 174 189

HSL 193.43, 0.34%, 0.61%

LAB 68.08, -13.33, -13.13

 

CMYK 77 / 0 / 26 / 1

HEX #3AFDBC

RGB 58 253 188

HSL 160, 0.98%, 0.61%

LAB 89.29, -61.42, 17.94

 

CMYK 77 / 0 / 5 / 1

HEX #3AFDF0

RGB 58 253 240

HSL 176, 0.98%, 0.61%

LAB 90.52, -48.66, -7.19

 

CMYK 77 / 15 / 0 / 1

HEX #3AD6FD

RGB 58 214 253

HSL 192, 0.98%, 0.61%

LAB 79.66, -26.95, -30.41

 

CMYK 77 / 36 / 0 / 1

HEX #3AA2FD

RGB 58 162 253

HSL 208, 0.98%, 0.61%

LAB 64.83, 0.86, -53.58

 

CMYK 77 / 57 / 0 / 1

HEX #3A6EFD

RGB 58 110 253

HSL 224, 0.98%, 0.61%

LAB 50.85, 32.41, -76.05

 

CMYK 99 / 21 / 0 / 11

HEX #02B2E2

RGB 2 178 226

HSL 192.86, 0.98%, 0.45%

LAB 67.53, -20.87, -34.62

 

CMYK 93 / 20 / 0 / 1

HEX #11CAFD

RGB 17 202 253

HSL 192.97, 0.98%, 0.53%

LAB 75.73, -23.59, -36.52

 

CMYK 77 / 17 / 0 / 1

HEX #3AD3FD

RGB 58 211 253

HSL 192.92, 0.98%, 0.61%

LAB 78.8, -25.47, -31.74

 

CMYK 61 / 13 / 0 / 1

HEX #63DCFD

RGB 99 220 253

HSL 192.86, 0.97%, 0.69%

LAB 82.34, -24.42, -26.23

 

CMYK 45 / 10 / 0 / 0

HEX #8CE5FE

RGB 140 229 254

HSL 193.16, 0.98%, 0.77%

LAB 86.39, -20.37, -20.46

 

CMYK 77 / 17 / 0 / 1

HEX #3AD3FD

RGB 58 211 253

HSL 192.92, 0.98%, 0.61%

LAB 78.8, -25.47, -31.74

 

CMYK 46 / 77 / 0 / 1

HEX #883AFD

RGB 136 58 253

HSL 264, 0.98%, 0.61%

LAB 46.11, 70.4, -83.58

 

CMYK 0 / 15 / 77 / 1

HEX #FDD63A

RGB 253 214 58

HSL 48, 0.98%, 0.61%

LAB 86.64, -1.19, 76.19

 

CMYK 77 / 17 / 0 / 1

HEX #3AD3FD

RGB 58 211 253

HSL 192.92, 0.98%, 0.61%

LAB 78.8, -25.47, -31.74

 

CMYK 0 / 77 / 15 / 1

HEX #FD3AD6

RGB 253 58 214

HSL 312, 0.98%, 0.61%

LAB 60.57, 84.47, -37.51

 

CMYK 15 / 0 / 77 / 1

HEX #D6FD3A

RGB 214 253 58

HSL 72, 0.98%, 0.61%

LAB 93.82, -35.98, 81.59

 

CMYK 77 / 17 / 0 / 1

HEX #3AD3FD

RGB 58 211 253

HSL 192.92, 0.98%, 0.61%

LAB 78.8, -25.47, -31.74

 

CMYK 46 / 77 / 0 / 1

HEX #883AFD

RGB 136 58 253

HSL 264, 0.98%, 0.61%

LAB 46.11, 70.4, -83.58

 

CMYK 0 / 62 / 77 / 1

HEX #FD613A

RGB 253 97 58

HSL 12, 0.98%, 0.61%

LAB 61.43, 57.53, 52.09

 

CMYK 31 / 0 / 77 / 1

HEX #AFFD3A

RGB 175 253 58

HSL 84, 0.98%, 0.61%

LAB 91.54, -50.51, 78.66

 

CMYK 77 / 17 / 0 / 1

HEX #3AD3FD

RGB 58 211 253

HSL 192.92, 0.98%, 0.61%

LAB 78.8, -25.47, -31.74

 

CMYK 23 / 77 / 0 / 1

HEX #C33AFD

RGB 195 58 253

HSL 282.15, 0.98%, 0.61%

LAB 53.73, 79.52, -70.84

 

CMYK 0 / 62 / 77 / 1

HEX #FD613A

RGB 253 97 58

HSL 12, 0.98%, 0.61%

LAB 61.43, 57.53, 52.09

 

CMYK 54 / 0 / 77 / 1

HEX #75FD3A

RGB 117 253 58

HSL 101.85, 0.98%, 0.61%

LAB 89.08, -68.43, 75.47

 

Description

Color code: HEX #3AD3FD | qconv.com Color code: HEX #3AD3FD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 211 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 211 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 17 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 17% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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