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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AD244 it is the complementary color #C52DBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AD244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AD244 shade: #3FD23F, #50E452, #61F665, #72FF78 and #83FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AD244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AD244 shade: #3AD244, #29C031, #18AE1E, #079C0B and #008A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AD244 shade: #3CD346, #5AD33C, #83D33C, #ACD33C and #D3D13C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AD244 shade: #3CD346, #3CD36E, #3CD397, #3CD3C0 and #3CBDD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AD244 shade matches the following richer shades: #3CD346, #28E635 and #15F924

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AD244 shade: #3CD346, #4FBF56, #62AC67, #769878 and #898589

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AD244 shade: #85D33C, #5CD33C, #3CD343, #3CD36B and #3CD394

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AD244 shade: #23992B, #2ABB34, #3CD346, #5DDA66 and #7FE285

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AD244 shade: #3AD244, #3CADD3 and #D33C70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AD244 shade: #3AD244, #433CD3 and #D3433C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AD244 shade: #3AD244, #3CADD3, #D33CCB and #D3613C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AD244 shade: #3AD244, #3C80D3, #D33CCB and #D38F3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 68 / 18

HEX #3AD244

RGB 58 210 68

HSL 123.95, 0.63%, 0.53%

LAB 74.45, -65.99, 56.82

 

Complementary color

CMYK 0 / 77 / 5 / 23

HEX #C52DBB

RGB 197 45 187

HSL 303.95, 0.63%, 0.47%

LAB 48.68, 72.4, -41.36

 

CMYK 70 / 0 / 70 / 18

HEX #3FD23F

RGB 63 210 63

HSL 120, 0.62%, 0.54%

LAB 74.51, -65.6, 58.85

 

CMYK 65 / 0 / 64 / 11

HEX #50E452

RGB 80 228 82

HSL 120.81, 0.73%, 0.6%

LAB 80.63, -66.6, 58.02

 

CMYK 61 / 0 / 59 / 4

HEX #61F665

RGB 97 246 101

HSL 121.61, 0.89%, 0.67%

LAB 86.7, -67.24, 56.95

 

CMYK 55 / 0 / 53 / 0

HEX #72FF78

RGB 114 255 120

HSL 122.55, 1%, 0.72%

LAB 90.07, -64.38, 52.6

 

CMYK 49 / 0 / 45 / 0

HEX #83FF8B

RGB 131 255 139

HSL 123.87, 1%, 0.76%

LAB 90.88, -57.63, 44.83

 

CMYK 72 / 0 / 68 / 18

HEX #3AD244

RGB 58 210 68

HSL 123.95, 0.63%, 0.53%

LAB 74.45, -65.99, 56.82

 

CMYK 79 / 0 / 74 / 25

HEX #29C031

RGB 41 192 49

HSL 123.18, 0.65%, 0.46%

LAB 68.31, -64.43, 57.45

 

CMYK 86 / 0 / 83 / 32

HEX #18AE1E

RGB 24 174 30

HSL 122.4, 0.76%, 0.39%

LAB 62.13, -62.17, 57.37

 

CMYK 96 / 0 / 93 / 39

HEX #079C0B

RGB 7 156 11

HSL 121.61, 0.91%, 0.32%

LAB 55.93, -58.97, 55.99

 

CMYK 100 / 0 / 100 / 46

HEX #008A00

RGB 0 138 0

HSL 120, 1%, 0.27%

LAB 49.71, -54.59, 52.69

 

CMYK 72 / 0 / 67 / 17

HEX #3CD346

RGB 60 211 70

HSL 123.97, 0.63%, 0.53%

LAB 74.82, -65.8, 56.43

 

CMYK 57 / 0 / 72 / 17

HEX #5AD33C

RGB 90 211 60

HSL 108.08, 0.63%, 0.53%

LAB 75.51, -60.44, 61.2

 

CMYK 38 / 0 / 72 / 17

HEX #83D33C

RGB 131 211 60

HSL 91.79, 0.63%, 0.53%

LAB 77.13, -48.32, 63.36

 

CMYK 18 / 0 / 72 / 17

HEX #ACD33C

RGB 172 211 60

HSL 75.5, 0.63%, 0.53%

LAB 79.43, -33.19, 66.43

 

CMYK 0 / 1 / 72 / 17

HEX #D3D13C

RGB 211 209 60

HSL 59.21, 0.63%, 0.53%

LAB 81.72, -16.28, 69.61

 

CMYK 72 / 0 / 67 / 17

HEX #3CD346

RGB 60 211 70

HSL 123.97, 0.63%, 0.53%

LAB 74.82, -65.8, 56.43

 

CMYK 72 / 0 / 48 / 17

HEX #3CD36E

RGB 60 211 110

HSL 139.87, 0.63%, 0.53%

LAB 75.25, -60.73, 38.78

 

CMYK 72 / 0 / 28 / 17

HEX #3CD397

RGB 60 211 151

HSL 156.16, 0.63%, 0.53%

LAB 75.94, -53.05, 18.61

 

CMYK 72 / 0 / 9 / 17

HEX #3CD3C0

RGB 60 211 192

HSL 172.45, 0.63%, 0.53%

LAB 76.89, -43.14, -1.92

 

CMYK 72 / 10 / 0 / 17

HEX #3CBDD3

RGB 60 189 211

HSL 188.74, 0.63%, 0.53%

LAB 70.91, -27.44, -21.16

 

CMYK 72 / 0 / 67 / 17

HEX #3CD346

RGB 60 211 70

HSL 123.97, 0.63%, 0.53%

LAB 74.82, -65.8, 56.43

 

CMYK 83 / 0 / 77 / 10

HEX #28E635

RGB 40 230 53

HSL 124.11, 0.79%, 0.53%

LAB 80.35, -75.57, 68

 

CMYK 92 / 0 / 86 / 2

HEX #15F924

RGB 21 249 36

HSL 123.95, 0.95%, 0.53%

LAB 86.03, -83.09, 77.47

 

CMYK 72 / 0 / 67 / 17

HEX #3CD346

RGB 60 211 70

HSL 123.97, 0.63%, 0.53%

LAB 74.82, -65.8, 56.43

 

CMYK 59 / 0 / 55 / 25

HEX #4FBF56

RGB 79 191 86

HSL 123.75, 0.47%, 0.53%

LAB 69.18, -53.18, 43.1

 

CMYK 43 / 0 / 40 / 33

HEX #62AC67

RGB 98 172 103

HSL 124.05, 0.31%, 0.53%

LAB 64.23, -37.71, 28.46

 

CMYK 22 / 0 / 21 / 40

HEX #769878

RGB 118 152 120

HSL 123.53, 0.14%, 0.53%

LAB 59.58, -18.38, 13.06

 

CMYK 0 / 3 / 0 / 46

HEX #898589

RGB 137 133 137

HSL 300, 0.02%, 0.53%

LAB 55.99, 2.28, -1.62

 

CMYK 37 / 0 / 72 / 17

HEX #85D33C

RGB 133 211 60

HSL 90.99, 0.63%, 0.53%

LAB 77.22, -47.64, 63.49

 

CMYK 56 / 0 / 72 / 17

HEX #5CD33C

RGB 92 211 60

HSL 107.28, 0.63%, 0.53%

LAB 75.57, -59.94, 61.28

 

CMYK 72 / 0 / 68 / 17

HEX #3CD343

RGB 60 211 67

HSL 122.78, 0.63%, 0.53%

LAB 74.8, -66.08, 57.59

 

CMYK 72 / 0 / 49 / 17

HEX #3CD36B

RGB 60 211 107

HSL 138.68, 0.63%, 0.53%

LAB 75.21, -61.2, 40.21

 

CMYK 72 / 0 / 30 / 17

HEX #3CD394

RGB 60 211 148

HSL 154.97, 0.63%, 0.53%

LAB 75.88, -53.7, 20.11

 

CMYK 77 / 0 / 72 / 40

HEX #23992B

RGB 35 153 43

HSL 124.07, 0.63%, 0.37%

LAB 55.39, -53.33, 46.46

 

CMYK 78 / 0 / 72 / 27

HEX #2ABB34

RGB 42 187 52

HSL 124.14, 0.63%, 0.45%

LAB 66.73, -62.5, 54.78

 

CMYK 72 / 0 / 67 / 17

HEX #3CD346

RGB 60 211 70

HSL 123.97, 0.63%, 0.53%

LAB 74.82, -65.8, 56.43

 

CMYK 57 / 0 / 53 / 15

HEX #5DDA66

RGB 93 218 102

HSL 124.32, 0.63%, 0.61%

LAB 78.13, -57.95, 46.37

 

CMYK 44 / 0 / 41 / 11

HEX #7FE285

RGB 127 226 133

HSL 123.64, 0.63%, 0.69%

LAB 82.16, -47.85, 36.59

 

CMYK 72 / 0 / 68 / 18

HEX #3AD244

RGB 58 210 68

HSL 123.95, 0.63%, 0.53%

LAB 74.45, -65.99, 56.82

 

CMYK 72 / 18 / 0 / 17

HEX #3CADD3

RGB 60 173 211

HSL 195.1, 0.63%, 0.53%

LAB 66.18, -19.29, -28.42

 

CMYK 0 / 72 / 47 / 17

HEX #D33C70

RGB 211 60 112

HSL 339.34, 0.63%, 0.53%

LAB 49.8, 62.05, 5.34

 

CMYK 72 / 0 / 68 / 18

HEX #3AD244

RGB 58 210 68

HSL 123.95, 0.63%, 0.53%

LAB 74.45, -65.99, 56.82

 

CMYK 68 / 72 / 0 / 17

HEX #433CD3

RGB 67 60 211

HSL 242.78, 0.63%, 0.53%

LAB 36.23, 49.14, -76.22

 

CMYK 0 / 68 / 72 / 17

HEX #D3433C

RGB 211 67 60

HSL 2.78, 0.63%, 0.53%

LAB 49.73, 55.95, 36.29

 

CMYK 72 / 0 / 68 / 18

HEX #3AD244

RGB 58 210 68

HSL 123.95, 0.63%, 0.53%

LAB 74.45, -65.99, 56.82

 

CMYK 72 / 18 / 0 / 17

HEX #3CADD3

RGB 60 173 211

HSL 195.1, 0.63%, 0.53%

LAB 66.18, -19.29, -28.42

 

CMYK 0 / 72 / 4 / 17

HEX #D33CCB

RGB 211 60 203

HSL 303.18, 0.63%, 0.53%

LAB 53.38, 73.33, -43.03

 

CMYK 0 / 54 / 72 / 17

HEX #D3613C

RGB 211 97 60

HSL 14.7, 0.63%, 0.53%

LAB 54.79, 42.55, 42.01

 

CMYK 72 / 0 / 68 / 18

HEX #3AD244

RGB 58 210 68

HSL 123.95, 0.63%, 0.53%

LAB 74.45, -65.99, 56.82

 

CMYK 72 / 39 / 0 / 17

HEX #3C80D3

RGB 60 128 211

HSL 212.98, 0.63%, 0.53%

LAB 53.06, 6.22, -48.96

 

CMYK 0 / 72 / 4 / 17

HEX #D33CCB

RGB 211 60 203

HSL 303.18, 0.63%, 0.53%

LAB 53.38, 73.33, -43.03

 

CMYK 0 / 32 / 72 / 17

HEX #D38F3C

RGB 211 143 60

HSL 32.98, 0.63%, 0.53%

LAB 64.82, 18.37, 52.79

 

Description

Color code: HEX #3AD244 | qconv.com Color code: HEX #3AD244 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 210 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 210 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 68 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 68% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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