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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ACB4D it is the complementary color #C534B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ACB4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ACB4D shade: #3FCB48, #50DD5B, #61EF6E, #72FF81 and #83FF94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ACB4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ACB4D shade: #3ACB4D, #29B93A, #18A727, #079514 and #008301

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ACB4D shade: #3ACB4D, #4ECB3A, #75CB3A, #9CCB3A and #C3CB3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ACB4D shade: #3ACB4D, #3ACB74, #3ACB9B, #3ACBC2 and #3AACCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ACB4D shade matches the following richer shades: #3ACB4D, #25DF3E and #11F32F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ACB4D shade: #3ACB4D, #4EB65B, #62A26A, #768E79 and #8A7A88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ACB4D shade: #76CB3A, #4FCB3A, #3ACB4A, #3ACB71 and #3ACB98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ACB4D shade: #258C33, #2EAD3F, #3ACB4D, #5AD36A and #7BDC87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ACB4D shade: #3ACB4D, #3A9DCB and #CB3A63

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ACB4D shade: #3ACB4D, #4A3ACB and #CB4A3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ACB4D shade: #3ACB4D, #3A9DCB, #CB3ABA and #CB673A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ACB4D shade: #3ACB4D, #3A71CB, #CB3ABA and #CB933A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 62 / 20

HEX #3ACB4D

RGB 58 203 77

HSL 127.86, 0.58%, 0.51%

LAB 72.33, -62.77, 50.73

 

Complementary color

CMYK 0 / 74 / 10 / 23

HEX #C534B2

RGB 197 52 178

HSL 307.86, 0.58%, 0.49%

LAB 48.93, 68.99, -35.69

 

CMYK 69 / 0 / 65 / 20

HEX #3FCB48

RGB 63 203 72

HSL 123.86, 0.57%, 0.52%

LAB 72.39, -62.44, 52.97

 

CMYK 64 / 0 / 59 / 13

HEX #50DD5B

RGB 80 221 91

HSL 124.68, 0.67%, 0.59%

LAB 78.56, -63.23, 51.83

 

CMYK 59 / 0 / 54 / 6

HEX #61EF6E

RGB 97 239 110

HSL 125.49, 0.82%, 0.66%

LAB 84.69, -63.7, 50.58

 

CMYK 55 / 0 / 49 / 0

HEX #72FF81

RGB 114 255 129

HSL 126.38, 1%, 0.72%

LAB 90.18, -63.21, 48.57

 

CMYK 49 / 0 / 42 / 0

HEX #83FF94

RGB 131 255 148

HSL 128.23, 1%, 0.76%

LAB 91, -56.33, 40.64

 

CMYK 71 / 0 / 62 / 20

HEX #3ACB4D

RGB 58 203 77

HSL 127.86, 0.58%, 0.51%

LAB 72.33, -62.77, 50.73

 

CMYK 78 / 0 / 69 / 27

HEX #29B93A

RGB 41 185 58

HSL 127.08, 0.64%, 0.44%

LAB 66.12, -61.46, 51.81

 

CMYK 86 / 0 / 77 / 35

HEX #18A727

RGB 24 167 39

HSL 126.29, 0.75%, 0.37%

LAB 59.87, -59.48, 52.43

 

CMYK 95 / 0 / 87 / 42

HEX #079514

RGB 7 149 20

HSL 125.49, 0.91%, 0.31%

LAB 53.59, -56.58, 52.13

 

CMYK 100 / 0 / 99 / 49

HEX #008301

RGB 0 131 1

HSL 120.46, 1%, 0.26%

LAB 47.28, -52.53, 50.54

 

CMYK 71 / 0 / 62 / 20

HEX #3ACB4D

RGB 58 203 77

HSL 127.86, 0.58%, 0.51%

LAB 72.33, -62.77, 50.73

 

CMYK 62 / 0 / 71 / 20

HEX #4ECB3A

RGB 78 203 58

HSL 111.72, 0.58%, 0.51%

LAB 72.65, -60.65, 58.9

 

CMYK 42 / 0 / 71 / 20

HEX #75CB3A

RGB 117 203 58

HSL 95.59, 0.58%, 0.51%

LAB 74.06, -49.83, 60.78

 

CMYK 23 / 0 / 71 / 20

HEX #9CCB3A

RGB 156 203 58

HSL 79.45, 0.58%, 0.51%

LAB 76.12, -35.88, 63.53

 

CMYK 4 / 0 / 71 / 20

HEX #C3CB3A

RGB 195 203 58

HSL 63.31, 0.58%, 0.51%

LAB 78.82, -20.1, 67.08

 

CMYK 71 / 0 / 62 / 20

HEX #3ACB4D

RGB 58 203 77

HSL 127.86, 0.58%, 0.51%

LAB 72.33, -62.77, 50.73

 

CMYK 71 / 0 / 43 / 20

HEX #3ACB74

RGB 58 203 116

HSL 144, 0.58%, 0.51%

LAB 72.81, -57.17, 32.64

 

CMYK 71 / 0 / 24 / 20

HEX #3ACB9B

RGB 58 203 155

HSL 160.14, 0.58%, 0.51%

LAB 73.53, -49.24, 13.11

 

CMYK 71 / 0 / 4 / 20

HEX #3ACBC2

RGB 58 203 194

HSL 176.28, 0.58%, 0.51%

LAB 74.51, -39.29, -6.51

 

CMYK 71 / 15 / 0 / 20

HEX #3AACCB

RGB 58 172 203

HSL 192.83, 0.58%, 0.51%

LAB 65.53, -21.61, -24.99

 

CMYK 71 / 0 / 62 / 20

HEX #3ACB4D

RGB 58 203 77

HSL 127.86, 0.58%, 0.51%

LAB 72.33, -62.77, 50.73

 

CMYK 83 / 0 / 72 / 13

HEX #25DF3E

RGB 37 223 62

HSL 128.06, 0.74%, 0.51%

LAB 78.18, -73.17, 62.87

 

CMYK 93 / 0 / 81 / 5

HEX #11F32F

RGB 17 243 47

HSL 127.96, 0.9%, 0.51%

LAB 84.19, -81.15, 73.26

 

CMYK 71 / 0 / 62 / 20

HEX #3ACB4D

RGB 58 203 77

HSL 127.86, 0.58%, 0.51%

LAB 72.33, -62.77, 50.73

 

CMYK 57 / 0 / 50 / 29

HEX #4EB65B

RGB 78 182 91

HSL 127.5, 0.42%, 0.51%

LAB 66.39, -49.27, 37.25

 

CMYK 40 / 0 / 35 / 36

HEX #62A26A

RGB 98 162 106

HSL 127.5, 0.26%, 0.51%

LAB 61.2, -32.62, 22.85

 

CMYK 17 / 0 / 15 / 44

HEX #768E79

RGB 118 142 121

HSL 127.5, 0.1%, 0.51%

LAB 56.66, -12.88, 8.37

 

CMYK 0 / 12 / 1 / 46

HEX #8A7A88

RGB 138 122 136

HSL 307.5, 0.06%, 0.51%

LAB 53.06, 8.79, -5.35

 

CMYK 42 / 0 / 71 / 20

HEX #76CB3A

RGB 118 203 58

HSL 95.17, 0.58%, 0.51%

LAB 74.11, -49.51, 60.84

 

CMYK 61 / 0 / 71 / 20

HEX #4FCB3A

RGB 79 203 58

HSL 111.31, 0.58%, 0.51%

LAB 72.68, -60.42, 58.93

 

CMYK 71 / 0 / 64 / 20

HEX #3ACB4A

RGB 58 203 74

HSL 126.62, 0.58%, 0.51%

LAB 72.3, -63.1, 52

 

CMYK 71 / 0 / 44 / 20

HEX #3ACB71

RGB 58 203 113

HSL 142.76, 0.58%, 0.51%

LAB 72.76, -57.68, 34.11

 

CMYK 71 / 0 / 25 / 20

HEX #3ACB98

RGB 58 203 152

HSL 158.9, 0.58%, 0.51%

LAB 73.47, -49.92, 14.63

 

CMYK 74 / 0 / 64 / 45

HEX #258C33

RGB 37 140 51

HSL 128.16, 0.58%, 0.35%

LAB 51.14, -47.67, 38.37

 

CMYK 73 / 0 / 64 / 32

HEX #2EAD3F

RGB 46 173 63

HSL 128.03, 0.58%, 0.43%

LAB 62.36, -56.23, 45.6

 

CMYK 71 / 0 / 62 / 20

HEX #3ACB4D

RGB 58 203 77

HSL 127.86, 0.58%, 0.51%

LAB 72.33, -62.77, 50.73

 

CMYK 57 / 0 / 50 / 17

HEX #5AD36A

RGB 90 211 106

HSL 127.93, 0.58%, 0.59%

LAB 75.95, -55.47, 41.78

 

CMYK 44 / 0 / 39 / 14

HEX #7BDC87

RGB 123 220 135

HSL 127.42, 0.58%, 0.67%

LAB 80.26, -46.15, 33.08

 

CMYK 71 / 0 / 62 / 20

HEX #3ACB4D

RGB 58 203 77

HSL 127.86, 0.58%, 0.51%

LAB 72.33, -62.77, 50.73

 

CMYK 71 / 23 / 0 / 20

HEX #3A9DCB

RGB 58 157 203

HSL 199.03, 0.58%, 0.51%

LAB 61.07, -13.63, -31.88

 

CMYK 0 / 71 / 51 / 20

HEX #CB3A63

RGB 203 58 99

HSL 343.03, 0.58%, 0.51%

LAB 47.78, 59.32, 10.2

 

CMYK 71 / 0 / 62 / 20

HEX #3ACB4D

RGB 58 203 77

HSL 127.86, 0.58%, 0.51%

LAB 72.33, -62.77, 50.73

 

CMYK 64 / 71 / 0 / 20

HEX #4A3ACB

RGB 74 58 203

HSL 246.62, 0.58%, 0.51%

LAB 35.58, 48.55, -72.63

 

CMYK 0 / 64 / 71 / 20

HEX #CB4A3A

RGB 203 74 58

HSL 6.62, 0.58%, 0.51%

LAB 49.37, 50.28, 36.65

 

CMYK 71 / 0 / 62 / 20

HEX #3ACB4D

RGB 58 203 77

HSL 127.86, 0.58%, 0.51%

LAB 72.33, -62.77, 50.73

 

CMYK 71 / 23 / 0 / 20

HEX #3A9DCB

RGB 58 157 203

HSL 199.03, 0.58%, 0.51%

LAB 61.07, -13.63, -31.88

 

CMYK 0 / 71 / 8 / 20

HEX #CB3ABA

RGB 203 58 186

HSL 307.03, 0.58%, 0.51%

LAB 51, 69.61, -37.05

 

CMYK 0 / 49 / 71 / 20

HEX #CB673A

RGB 203 103 58

HSL 18.62, 0.58%, 0.51%

LAB 54.76, 36.33, 42.69

 

CMYK 71 / 0 / 62 / 20

HEX #3ACB4D

RGB 58 203 77

HSL 127.86, 0.58%, 0.51%

LAB 72.33, -62.77, 50.73

 

CMYK 71 / 44 / 0 / 20

HEX #3A71CB

RGB 58 113 203

HSL 217.24, 0.58%, 0.51%

LAB 48.29, 12.3, -52.04

 

CMYK 0 / 71 / 8 / 20

HEX #CB3ABA

RGB 203 58 186

HSL 307.03, 0.58%, 0.51%

LAB 51, 69.61, -37.05

 

CMYK 0 / 28 / 71 / 20

HEX #CB933A

RGB 203 147 58

HSL 36.83, 0.58%, 0.51%

LAB 64.86, 12.65, 53.43

 

Description

Color code: HEX #3ACB4D | qconv.com Color code: HEX #3ACB4D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 203 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 203 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 62 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 62% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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