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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AC77C it is the complementary color #C53883. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AC77C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AC77C shade: #3FC777, #50D98A, #61EB9D, #72FDB0 and #83FFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AC77C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AC77C shade: #3AC77C, #29B569, #18A356, #079143 and #007F30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AC77C shade: #38C67A, #38C654, #42C638, #68C638 and #8FC638

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AC77C shade: #38C67A, #38C6A1, #38C5C6, #389FC6 and #3878C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AC77C shade matches the following richer shades: #38C67A, #23DB79 and #0EF078

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AC77C shade: #38C67A, #4CB27C, #619D7D, #75897E and #8A7480

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AC77C shade: #41C638, #38C654, #38C67A, #38C6A0 and #38C6C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AC77C shade: #258653, #2FA667, #38C67A, #58CF90 and #78D9A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AC77C shade: #3AC77C, #3867C6 and #C64138

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AC77C shade: #3AC77C, #7A38C6 and #C67A38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AC77C shade: #3AC77C, #3867C6, #C63884 and #C69738

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AC77C shade: #3AC77C, #383CC6, #C63884 and #C6C238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 38 / 22

HEX #3AC77C

RGB 58 199 124

HSL 148.09, 0.56%, 0.5%

LAB 71.69, -54.21, 27.04

 

Complementary color

CMYK 0 / 72 / 34 / 23

HEX #C53883

RGB 197 56 131

HSL 328.09, 0.56%, 0.5%

LAB 47.41, 61.47, -9.99

 

CMYK 68 / 0 / 40 / 22

HEX #3FC777

RGB 63 199 119

HSL 144.71, 0.55%, 0.51%

LAB 71.71, -54.33, 29.69

 

CMYK 63 / 0 / 36 / 15

HEX #50D98A

RGB 80 217 138

HSL 145.4, 0.64%, 0.58%

LAB 77.97, -54.67, 28.25

 

CMYK 59 / 0 / 33 / 8

HEX #61EB9D

RGB 97 235 157

HSL 146.09, 0.78%, 0.65%

LAB 84.17, -54.82, 26.91

 

CMYK 55 / 0 / 30 / 1

HEX #72FDB0

RGB 114 253 176

HSL 146.76, 0.97%, 0.72%

LAB 90.3, -54.85, 25.66

 

CMYK 49 / 0 / 24 / 0

HEX #83FFC3

RGB 131 255 195

HSL 150.97, 1%, 0.76%

LAB 91.81, -48.13, 18.15

 

CMYK 71 / 0 / 38 / 22

HEX #3AC77C

RGB 58 199 124

HSL 148.09, 0.56%, 0.5%

LAB 71.69, -54.21, 27.04

 

CMYK 77 / 0 / 42 / 29

HEX #29B569

RGB 41 181 105

HSL 147.43, 0.63%, 0.44%

LAB 65.39, -53.48, 28.61

 

CMYK 85 / 0 / 47 / 36

HEX #18A356

RGB 24 163 86

HSL 146.76, 0.74%, 0.37%

LAB 59.03, -52.29, 30.31

 

CMYK 95 / 0 / 54 / 43

HEX #079143

RGB 7 145 67

HSL 146.09, 0.91%, 0.3%

LAB 52.62, -50.46, 32.12

 

CMYK 100 / 0 / 62 / 50

HEX #007F30

RGB 0 127 48

HSL 142.68, 1%, 0.25%

LAB 46.17, -47.72, 33.98

 

CMYK 72 / 0 / 38 / 22

HEX #38C67A

RGB 56 198 122

HSL 147.89, 0.56%, 0.5%

LAB 71.31, -54.52, 27.56

 

CMYK 72 / 0 / 58 / 22

HEX #38C654

RGB 56 198 84

HSL 131.83, 0.56%, 0.5%

LAB 70.78, -60.57, 45.79

 

CMYK 67 / 0 / 72 / 22

HEX #42C638

RGB 66 198 56

HSL 115.77, 0.56%, 0.5%

LAB 70.75, -61.67, 57.59

 

CMYK 47 / 0 / 72 / 22

HEX #68C638

RGB 104 198 56

HSL 99.72, 0.56%, 0.5%

LAB 71.97, -52.07, 59.22

 

CMYK 28 / 0 / 72 / 22

HEX #8FC638

RGB 143 198 56

HSL 83.24, 0.56%, 0.5%

LAB 73.88, -38.72, 61.76

 

CMYK 72 / 0 / 38 / 22

HEX #38C67A

RGB 56 198 122

HSL 147.89, 0.56%, 0.5%

LAB 71.31, -54.52, 27.56

 

CMYK 72 / 0 / 19 / 22

HEX #38C6A1

RGB 56 198 161

HSL 164.37, 0.56%, 0.5%

LAB 72.1, -46.01, 7.84

 

CMYK 72 / 1 / 0 / 22

HEX #38C5C6

RGB 56 197 198

HSL 180.42, 0.56%, 0.5%

LAB 72.79, -35.66, -11.25

 

CMYK 72 / 20 / 0 / 22

HEX #389FC6

RGB 56 159 198

HSL 196.48, 0.56%, 0.5%

LAB 61.41, -16.65, -28.56

 

CMYK 72 / 39 / 0 / 22

HEX #3878C6

RGB 56 120 198

HSL 212.96, 0.56%, 0.5%

LAB 49.92, 5.84, -46.58

 

CMYK 72 / 0 / 38 / 22

HEX #38C67A

RGB 56 198 122

HSL 147.89, 0.56%, 0.5%

LAB 71.31, -54.52, 27.56

 

CMYK 84 / 0 / 45 / 14

HEX #23DB79

RGB 35 219 121

HSL 148.04, 0.72%, 0.5%

LAB 77.52, -64.66, 36.14

 

CMYK 94 / 0 / 50 / 6

HEX #0EF078

RGB 14 240 120

HSL 148.14, 0.89%, 0.5%

LAB 83.85, -72.91, 44.59

 

CMYK 72 / 0 / 38 / 22

HEX #38C67A

RGB 56 198 122

HSL 147.89, 0.56%, 0.5%

LAB 71.31, -54.52, 27.56

 

CMYK 57 / 0 / 30 / 30

HEX #4CB27C

RGB 76 178 124

HSL 148.24, 0.4%, 0.5%

LAB 65.62, -42.32, 18.9

 

CMYK 38 / 0 / 20 / 38

HEX #619D7D

RGB 97 157 125

HSL 148, 0.24%, 0.5%

LAB 60.01, -26.87, 10.67

 

CMYK 15 / 0 / 8 / 46

HEX #75897E

RGB 117 137 126

HSL 147, 0.08%, 0.5%

LAB 55.26, -9.51, 3.48

 

CMYK 0 / 16 / 7 / 46

HEX #8A7480

RGB 138 116 128

HSL 327.27, 0.09%, 0.5%

LAB 51.21, 10.74, -3.38

 

CMYK 67 / 0 / 72 / 22

HEX #41C638

RGB 65 198 56

HSL 116.2, 0.56%, 0.5%

LAB 70.73, -61.87, 57.55

 

CMYK 72 / 0 / 58 / 22

HEX #38C654

RGB 56 198 84

HSL 131.83, 0.56%, 0.5%

LAB 70.78, -60.57, 45.79

 

CMYK 72 / 0 / 38 / 22

HEX #38C67A

RGB 56 198 122

HSL 147.89, 0.56%, 0.5%

LAB 71.31, -54.52, 27.56

 

CMYK 72 / 0 / 19 / 22

HEX #38C6A0

RGB 56 198 160

HSL 163.94, 0.56%, 0.5%

LAB 72.07, -46.26, 8.35

 

CMYK 72 / 0 / 0 / 22

HEX #38C6C6

RGB 56 198 198

HSL 180, 0.56%, 0.5%

LAB 73.09, -36.12, -10.8

 

CMYK 72 / 0 / 38 / 47

HEX #258653

RGB 37 134 83

HSL 148.45, 0.57%, 0.34%

LAB 49.58, -40.12, 19.64

 

CMYK 72 / 0 / 38 / 35

HEX #2FA667

RGB 47 166 103

HSL 148.24, 0.56%, 0.42%

LAB 60.65, -47.28, 23.44

 

CMYK 72 / 0 / 38 / 22

HEX #38C67A

RGB 56 198 122

HSL 147.89, 0.56%, 0.5%

LAB 71.31, -54.52, 27.56

 

CMYK 57 / 0 / 30 / 19

HEX #58CF90

RGB 88 207 144

HSL 148.24, 0.55%, 0.58%

LAB 75.27, -47.88, 21.5

 

CMYK 45 / 0 / 24 / 15

HEX #78D9A5

RGB 120 217 165

HSL 147.84, 0.56%, 0.66%

LAB 79.8, -40.3, 16.87

 

CMYK 71 / 0 / 38 / 22

HEX #3AC77C

RGB 58 199 124

HSL 148.09, 0.56%, 0.5%

LAB 71.69, -54.21, 27.04

 

CMYK 72 / 48 / 0 / 22

HEX #3867C6

RGB 56 103 198

HSL 220.14, 0.56%, 0.5%

LAB 45.11, 16.51, -54.28

 

CMYK 0 / 67 / 72 / 22

HEX #C64138

RGB 198 65 56

HSL 3.8, 0.56%, 0.5%

LAB 47.07, 52.28, 34.9

 

CMYK 71 / 0 / 38 / 22

HEX #3AC77C

RGB 58 199 124

HSL 148.09, 0.56%, 0.5%

LAB 71.69, -54.21, 27.04

 

CMYK 38 / 72 / 0 / 22

HEX #7A38C6

RGB 122 56 198

HSL 267.89, 0.56%, 0.5%

LAB 39.65, 55.68, -62.87

 

CMYK 0 / 38 / 72 / 22

HEX #C67A38

RGB 198 122 56

HSL 27.89, 0.56%, 0.5%

LAB 58.24, 24.05, 47.23

 

CMYK 71 / 0 / 38 / 22

HEX #3AC77C

RGB 58 199 124

HSL 148.09, 0.56%, 0.5%

LAB 71.69, -54.21, 27.04

 

CMYK 72 / 48 / 0 / 22

HEX #3867C6

RGB 56 103 198

HSL 220.14, 0.56%, 0.5%

LAB 45.11, 16.51, -54.28

 

CMYK 0 / 72 / 33 / 22

HEX #C63884

RGB 198 56 132

HSL 327.89, 0.56%, 0.5%

LAB 47.62, 61.85, -10.26

 

CMYK 0 / 24 / 72 / 22

HEX #C69738

RGB 198 151 56

HSL 40.14, 0.56%, 0.5%

LAB 65.3, 8.2, 54.57

 

CMYK 71 / 0 / 38 / 22

HEX #3AC77C

RGB 58 199 124

HSL 148.09, 0.56%, 0.5%

LAB 71.69, -54.21, 27.04

 

CMYK 72 / 70 / 0 / 22

HEX #383CC6

RGB 56 60 198

HSL 238.31, 0.56%, 0.5%

LAB 34.29, 43.71, -71.88

 

CMYK 0 / 72 / 33 / 22

HEX #C63884

RGB 198 56 132

HSL 327.89, 0.56%, 0.5%

LAB 47.62, 61.85, -10.26

 

CMYK 0 / 2 / 72 / 22

HEX #C6C238

RGB 198 194 56

HSL 58.31, 0.56%, 0.5%

LAB 76.6, -14.44, 65.73

 

Description

Color code: HEX #3AC77C | qconv.com Color code: HEX #3AC77C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 199 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 199 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 38 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 38% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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