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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AC632 it is the complementary color #C539CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AC632. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AC632 shade: #3FC62D, #50D840, #61EA53, #72FC66 and #83FF79

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AC632. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AC632 shade: #3AC632, #29B41F, #18A20C, #079000 and #007E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AC632 shade: #3AC832, #63C832, #8BC832, #B3C832 and #C8B432

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AC632 shade: #3AC832, #32C852, #32C87B, #32C8A3 and #32C4C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AC632 shade matches the following richer shades: #3AC832, #28DC1E and #16F00A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AC632 shade: #3AC832, #4CB446, #5E9F5A, #708B6F and #827783

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AC632 shade: #8CC832, #64C832, #3CC832, #32C850 and #32C878

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AC632 shade: #278621, #30A72A, #3AC832, #57D350 and #77DB71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AC632 shade: #3AC632, #32B4C8 and #C83278

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AC632 shade: #3AC632, #323CC8 and #C8323C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AC632 shade: #3AC632, #32B4C8, #BE32C8 and #C84632

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AC632 shade: #3AC632, #3287C8, #BE32C8 and #C87332

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 75 / 22

HEX #3AC632

RGB 58 198 50

HSL 116.76, 0.6%, 0.49%

LAB 70.54, -63.63, 59.44

 

Complementary color

CMYK 4 / 72 / 0 / 20

HEX #C539CD

RGB 197 57 205

HSL 296.76, 0.6%, 0.51%

LAB 50.93, 71.64, -48.21

 

CMYK 68 / 0 / 77 / 22

HEX #3FC62D

RGB 63 198 45

HSL 112.94, 0.63%, 0.48%

LAB 70.62, -63.06, 61.19

 

CMYK 63 / 0 / 70 / 15

HEX #50D840

RGB 80 216 64

HSL 113.68, 0.66%, 0.55%

LAB 76.79, -64.18, 60.97

 

CMYK 59 / 0 / 65 / 8

HEX #61EA53

RGB 97 234 83

HSL 114.44, 0.78%, 0.62%

LAB 82.92, -64.9, 60.26

 

CMYK 55 / 0 / 60 / 1

HEX #72FC66

RGB 114 252 102

HSL 115.2, 0.96%, 0.69%

LAB 89, -65.35, 59.29

 

CMYK 49 / 0 / 53 / 0

HEX #83FF79

RGB 131 255 121

HSL 115.52, 1%, 0.74%

LAB 90.65, -59.97, 52.98

 

CMYK 71 / 0 / 75 / 22

HEX #3AC632

RGB 58 198 50

HSL 116.76, 0.6%, 0.49%

LAB 70.54, -63.63, 59.44

 

CMYK 77 / 0 / 83 / 29

HEX #29B41F

RGB 41 180 31

HSL 115.97, 0.71%, 0.41%

LAB 64.33, -61.91, 59.21

 

CMYK 85 / 0 / 93 / 36

HEX #18A20C

RGB 24 162 12

HSL 115.2, 0.86%, 0.34%

LAB 58.1, -59.38, 57.72

 

CMYK 95 / 0 / 100 / 44

HEX #079000

RGB 7 144 0

HSL 117.08, 1%, 0.28%

LAB 51.83, -55.84, 54.41

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 71 / 0 / 75 / 22

HEX #3AC832

RGB 58 200 50

HSL 116.8, 0.6%, 0.49%

LAB 71.17, -64.28, 60.07

 

CMYK 51 / 0 / 75 / 22

HEX #63C832

RGB 99 200 50

HSL 100.4, 0.6%, 0.49%

LAB 72.36, -54.72, 61.63

 

CMYK 31 / 0 / 75 / 22

HEX #8BC832

RGB 139 200 50

HSL 84.4, 0.6%, 0.49%

LAB 74.21, -41.43, 64.06

 

CMYK 11 / 0 / 75 / 22

HEX #B3C832

RGB 179 200 50

HSL 68.4, 0.6%, 0.49%

LAB 76.75, -25.67, 67.38

 

CMYK 0 / 10 / 75 / 22

HEX #C8B432

RGB 200 180 50

HSL 52, 0.6%, 0.49%

LAB 72.99, -6.67, 64.46

 

CMYK 71 / 0 / 75 / 22

HEX #3AC832

RGB 58 200 50

HSL 116.8, 0.6%, 0.49%

LAB 71.17, -64.28, 60.07

 

CMYK 75 / 0 / 59 / 22

HEX #32C852

RGB 50 200 82

HSL 132.8, 0.6%, 0.49%

LAB 71.28, -62.42, 47.27

 

CMYK 75 / 0 / 39 / 22

HEX #32C87B

RGB 50 200 123

HSL 149.2, 0.6%, 0.49%

LAB 71.84, -55.94, 27.73

 

CMYK 75 / 0 / 19 / 22

HEX #32C8A3

RGB 50 200 163

HSL 165.2, 0.6%, 0.49%

LAB 72.65, -47.13, 7.53

 

CMYK 75 / 2 / 0 / 22

HEX #32C4C8

RGB 50 196 200

HSL 181.6, 0.6%, 0.49%

LAB 72.45, -35.29, -12.86

 

CMYK 71 / 0 / 75 / 22

HEX #3AC832

RGB 58 200 50

HSL 116.8, 0.6%, 0.49%

LAB 71.17, -64.28, 60.07

 

CMYK 82 / 0 / 86 / 14

HEX #28DC1E

RGB 40 220 30

HSL 116.84, 0.76%, 0.49%

LAB 77.12, -73.91, 70.9

 

CMYK 91 / 0 / 96 / 6

HEX #16F00A

RGB 22 240 10

HSL 116.87, 0.92%, 0.49%

LAB 83.19, -81.34, 78.74

 

CMYK 71 / 0 / 75 / 22

HEX #3AC832

RGB 58 200 50

HSL 116.8, 0.6%, 0.49%

LAB 71.17, -64.28, 60.07

 

CMYK 58 / 0 / 61 / 29

HEX #4CB446

RGB 76 180 70

HSL 116.73, 0.44%, 0.49%

LAB 65.45, -51.69, 46.17

 

CMYK 41 / 0 / 43 / 38

HEX #5E9F5A

RGB 94 159 90

HSL 116.52, 0.28%, 0.49%

LAB 59.81, -35.14, 29.6

 

CMYK 19 / 0 / 20 / 45

HEX #708B6F

RGB 112 139 111

HSL 117.86, 0.11%, 0.49%

LAB 55.13, -15.36, 11.87

 

CMYK 1 / 9 / 0 / 49

HEX #827783

RGB 130 119 131

HSL 295, 0.05%, 0.49%

LAB 51.36, 6.56, -5.02

 

CMYK 30 / 0 / 75 / 22

HEX #8CC832

RGB 140 200 50

HSL 84, 0.6%, 0.49%

LAB 74.26, -41.06, 64.14

 

CMYK 50 / 0 / 75 / 22

HEX #64C832

RGB 100 200 50

HSL 100, 0.6%, 0.49%

LAB 72.39, -54.43, 61.68

 

CMYK 70 / 0 / 75 / 22

HEX #3CC832

RGB 60 200 50

HSL 116, 0.6%, 0.49%

LAB 71.21, -63.92, 60.12

 

CMYK 75 / 0 / 60 / 22

HEX #32C850

RGB 50 200 80

HSL 132, 0.6%, 0.49%

LAB 71.26, -62.67, 48.15

 

CMYK 75 / 0 / 40 / 22

HEX #32C878

RGB 50 200 120

HSL 148, 0.6%, 0.49%

LAB 71.79, -56.5, 29.22

 

CMYK 71 / 0 / 75 / 47

HEX #278621

RGB 39 134 33

HSL 116.44, 0.6%, 0.33%

LAB 49, -47.01, 43.82

 

CMYK 71 / 0 / 75 / 35

HEX #30A72A

RGB 48 167 42

HSL 117.12, 0.6%, 0.41%

LAB 60.28, -55.87, 51.92

 

CMYK 71 / 0 / 75 / 22

HEX #3AC832

RGB 58 200 50

HSL 116.8, 0.6%, 0.49%

LAB 71.17, -64.28, 60.07

 

CMYK 59 / 0 / 62 / 17

HEX #57D350

RGB 87 211 80

HSL 116.79, 0.6%, 0.57%

LAB 75.57, -59.37, 53.29

 

CMYK 46 / 0 / 48 / 14

HEX #77DB71

RGB 119 219 113

HSL 116.6, 0.6%, 0.65%

LAB 79.49, -50.09, 42.99

 

CMYK 71 / 0 / 75 / 22

HEX #3AC632

RGB 58 198 50

HSL 116.76, 0.6%, 0.49%

LAB 70.54, -63.63, 59.44

 

CMYK 75 / 10 / 0 / 22

HEX #32B4C8

RGB 50 180 200

HSL 188, 0.6%, 0.49%

LAB 67.64, -27.59, -20.12

 

CMYK 0 / 75 / 40 / 22

HEX #C83278

RGB 200 50 120

HSL 332, 0.6%, 0.49%

LAB 46.86, 63.1, -4.05

 

CMYK 71 / 0 / 75 / 22

HEX #3AC632

RGB 58 198 50

HSL 116.76, 0.6%, 0.49%

LAB 70.54, -63.63, 59.44

 

CMYK 75 / 70 / 0 / 22

HEX #323CC8

RGB 50 60 200

HSL 236, 0.6%, 0.49%

LAB 34.15, 43.79, -73.3

 

CMYK 0 / 75 / 70 / 22

HEX #C8323C

RGB 200 50 60

HSL 356, 0.6%, 0.49%

LAB 45.48, 58.64, 30.79

 

CMYK 71 / 0 / 75 / 22

HEX #3AC632

RGB 58 198 50

HSL 116.76, 0.6%, 0.49%

LAB 70.54, -63.63, 59.44

 

CMYK 75 / 10 / 0 / 22

HEX #32B4C8

RGB 50 180 200

HSL 188, 0.6%, 0.49%

LAB 67.64, -27.59, -20.12

 

CMYK 5 / 75 / 0 / 22

HEX #BE32C8

RGB 190 50 200

HSL 296, 0.6%, 0.49%

LAB 48.76, 71.58, -48.85

 

CMYK 0 / 65 / 75 / 22

HEX #C84632

RGB 200 70 50

HSL 8, 0.6%, 0.49%

LAB 48.12, 50.61, 39.53

 

CMYK 71 / 0 / 75 / 22

HEX #3AC632

RGB 58 198 50

HSL 116.76, 0.6%, 0.49%

LAB 70.54, -63.63, 59.44

 

CMYK 75 / 33 / 0 / 22

HEX #3287C8

RGB 50 135 200

HSL 206, 0.6%, 0.49%

LAB 54.21, -3.26, -40.93

 

CMYK 5 / 75 / 0 / 22

HEX #BE32C8

RGB 190 50 200

HSL 296, 0.6%, 0.49%

LAB 48.76, 71.58, -48.85

 

CMYK 0 / 43 / 75 / 22

HEX #C87332

RGB 200 115 50

HSL 26, 0.6%, 0.49%

LAB 56.85, 28.39, 48.7

 

Description

Color code: HEX #3AC632 | qconv.com Color code: HEX #3AC632 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 198 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 198 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 75 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 75% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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