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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AC3F0 it is the complementary color #C53C0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AC3F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AC3F0 shade: #3FC3EB, #50D5FE, #61E7FF, #72F9FF and #83FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AC3F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AC3F0 shade: #3AC3F0, #29B1DD, #189FCA, #078DB7 and #007BA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AC3F0 shade: #37C2F0, #3790F0, #375FF0, #4237F0 and #7337F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AC3F0 shade: #37C2F0, #3790F0, #375FF0 and #3737F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AC3F0 shade matches the following richer shades: #37C2F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AC3F0 shade: #37C2F0, #49B9DE, #5AB0CD, #6BA8BC and #7D9FAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AC3F0 shade: #37F0B8, #37F0E9, #37C5F0, #3793F0 and #3762F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AC3F0 shade: #0E98C6, #11B6EC, #37C2F0, #5ECEF2 and #84D9F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AC3F0 shade: #3AC3F0, #8737F0 and #F0D137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AC3F0 shade: #3AC3F0, #F037C5 and #C5F037

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AC3F0 shade: #3AC3F0, #8737F0, #F06237 and #A0F037

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AC3F0 shade: #3AC3F0, #BE37F0, #F06237 and #68F037

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 19 / 0 / 6

HEX #3AC3F0

RGB 58 195 240

HSL 194.84, 0.86%, 0.58%

LAB 73.69, -21.55, -32.65

 

Complementary color

CMYK 0 / 70 / 92 / 23

HEX #C53C0F

RGB 197 60 15

HSL 14.84, 0.86%, 0.42%

LAB 45.82, 52.73, 53.21

 

CMYK 73 / 17 / 0 / 8

HEX #3FC3EB

RGB 63 195 235

HSL 193.95, 0.81%, 0.58%

LAB 73.6, -22.58, -30.08

 

CMYK 69 / 16 / 0 / 0

HEX #50D5FE

RGB 80 213 254

HSL 194.14, 0.99%, 0.65%

LAB 79.87, -23.55, -30.59

 

CMYK 62 / 9 / 0 / 0

HEX #61E7FF

RGB 97 231 255

HSL 189.11, 1%, 0.69%

LAB 85.46, -29.56, -22.54

 

CMYK 55 / 2 / 0 / 0

HEX #72F9FF

RGB 114 249 255

HSL 182.55, 1%, 0.72%

LAB 91.03, -35.14, -14.1

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 76 / 19 / 0 / 6

HEX #3AC3F0

RGB 58 195 240

HSL 194.84, 0.86%, 0.58%

LAB 73.69, -21.55, -32.65

 

CMYK 81 / 20 / 0 / 13

HEX #29B1DD

RGB 41 177 221

HSL 194.67, 0.73%, 0.51%

LAB 67.38, -20.15, -32.09

 

CMYK 88 / 21 / 0 / 21

HEX #189FCA

RGB 24 159 202

HSL 194.49, 0.79%, 0.44%

LAB 61.01, -18.39, -31.46

 

CMYK 96 / 23 / 0 / 28

HEX #078DB7

RGB 7 141 183

HSL 194.32, 0.93%, 0.37%

LAB 54.57, -16.19, -30.74

 

CMYK 100 / 25 / 0 / 36

HEX #007BA4

RGB 0 123 164

HSL 195, 1%, 0.32%

LAB 48.07, -13.45, -29.92

 

CMYK 77 / 19 / 0 / 6

HEX #37C2F0

RGB 55 194 240

HSL 194.92, 0.86%, 0.58%

LAB 73.34, -21.35, -33.19

 

CMYK 77 / 40 / 0 / 6

HEX #3790F0

RGB 55 144 240

HSL 211.14, 0.86%, 0.58%

LAB 59.02, 6.44, -55.69

 

CMYK 77 / 60 / 0 / 6

HEX #375FF0

RGB 55 95 240

HSL 227.03, 0.86%, 0.58%

LAB 46.03, 36.81, -76.68

 

CMYK 73 / 77 / 0 / 6

HEX #4237F0

RGB 66 55 240

HSL 243.57, 0.86%, 0.58%

LAB 38.17, 60.61, -89.59

 

CMYK 52 / 77 / 0 / 6

HEX #7337F0

RGB 115 55 240

HSL 259.46, 0.86%, 0.58%

LAB 42.26, 65.63, -82.7

 

CMYK 77 / 19 / 0 / 6

HEX #37C2F0

RGB 55 194 240

HSL 194.92, 0.86%, 0.58%

LAB 73.34, -21.35, -33.19

 

CMYK 77 / 40 / 0 / 6

HEX #3790F0

RGB 55 144 240

HSL 211.14, 0.86%, 0.58%

LAB 59.02, 6.44, -55.69

 

CMYK 77 / 60 / 0 / 6

HEX #375FF0

RGB 55 95 240

HSL 227.03, 0.86%, 0.58%

LAB 46.03, 36.81, -76.68

 

CMYK 77 / 77 / 0 / 6

HEX #3737F0

RGB 55 55 240

HSL 240, 0.86%, 0.58%

LAB 37.55, 59.85, -90.64

 

CMYK 77 / 19 / 0 / 6

HEX #37C2F0

RGB 55 194 240

HSL 194.92, 0.86%, 0.58%

LAB 73.34, -21.35, -33.19

 

CMYK 77 / 19 / 0 / 6

HEX #37C2F0

RGB 55 194 240

HSL 194.92, 0.86%, 0.58%

LAB 73.34, -21.35, -33.19

 

CMYK 67 / 17 / 0 / 13

HEX #49B9DE

RGB 73 185 222

HSL 194.9, 0.69%, 0.58%

LAB 70.45, -20.2, -27.85

 

CMYK 56 / 14 / 0 / 20

HEX #5AB0CD

RGB 90 176 205

HSL 195.13, 0.53%, 0.58%

LAB 67.75, -17.7, -22.61

 

CMYK 43 / 11 / 0 / 26

HEX #6BA8BC

RGB 107 168 188

HSL 194.81, 0.38%, 0.58%

LAB 65.56, -14.4, -16.45

 

CMYK 26 / 6 / 0 / 33

HEX #7D9FAA

RGB 125 159 170

HSL 194.67, 0.21%, 0.58%

LAB 63.39, -9.07, -9.55

 

CMYK 77 / 0 / 23 / 6

HEX #37F0B8

RGB 55 240 184

HSL 161.84, 0.86%, 0.58%

LAB 85.3, -57.65, 14.39

 

CMYK 77 / 0 / 3 / 6

HEX #37F0E9

RGB 55 240 233

HSL 177.73, 0.86%, 0.58%

LAB 86.51, -45.23, -9.49

 

CMYK 77 / 18 / 0 / 6

HEX #37C5F0

RGB 55 197 240

HSL 193.95, 0.86%, 0.58%

LAB 74.21, -22.88, -31.85

 

CMYK 77 / 39 / 0 / 6

HEX #3793F0

RGB 55 147 240

HSL 210.16, 0.86%, 0.58%

LAB 59.86, 4.66, -54.35

 

CMYK 77 / 59 / 0 / 6

HEX #3762F0

RGB 55 98 240

HSL 226.05, 0.86%, 0.58%

LAB 46.76, 34.93, -75.48

 

CMYK 93 / 23 / 0 / 22

HEX #0E98C6

RGB 14 152 198

HSL 195, 0.87%, 0.42%

LAB 58.63, -16.54, -32.92

 

CMYK 93 / 23 / 0 / 7

HEX #11B6EC

RGB 17 182 236

HSL 194.79, 0.87%, 0.5%

LAB 69.21, -19.07, -37.47

 

CMYK 77 / 19 / 0 / 6

HEX #37C2F0

RGB 55 194 240

HSL 194.92, 0.86%, 0.58%

LAB 73.34, -21.35, -33.19

 

CMYK 61 / 15 / 0 / 5

HEX #5ECEF2

RGB 94 206 242

HSL 194.59, 0.85%, 0.66%

LAB 77.84, -21.48, -27.27

 

CMYK 46 / 11 / 0 / 4

HEX #84D9F5

RGB 132 217 245

HSL 194.87, 0.85%, 0.74%

LAB 82.45, -18.54, -21.72

 

CMYK 76 / 19 / 0 / 6

HEX #3AC3F0

RGB 58 195 240

HSL 194.84, 0.86%, 0.58%

LAB 73.69, -21.55, -32.65

 

CMYK 44 / 77 / 0 / 6

HEX #8737F0

RGB 135 55 240

HSL 265.95, 0.86%, 0.58%

LAB 44.48, 68.33, -78.97

 

CMYK 0 / 13 / 77 / 6

HEX #F0D137

RGB 240 209 55

HSL 49.95, 0.86%, 0.58%

LAB 84.17, -4.24, 74.45

 

CMYK 76 / 19 / 0 / 6

HEX #3AC3F0

RGB 58 195 240

HSL 194.84, 0.86%, 0.58%

LAB 73.69, -21.55, -32.65

 

CMYK 0 / 77 / 18 / 6

HEX #F037C5

RGB 240 55 197

HSL 313.95, 0.86%, 0.58%

LAB 57.36, 80.26, -33.01

 

CMYK 18 / 0 / 77 / 6

HEX #C5F037

RGB 197 240 55

HSL 73.95, 0.86%, 0.58%

LAB 89.14, -36.86, 77.77

 

CMYK 76 / 19 / 0 / 6

HEX #3AC3F0

RGB 58 195 240

HSL 194.84, 0.86%, 0.58%

LAB 73.69, -21.55, -32.65

 

CMYK 44 / 77 / 0 / 6

HEX #8737F0

RGB 135 55 240

HSL 265.95, 0.86%, 0.58%

LAB 44.48, 68.33, -78.97

 

CMYK 0 / 59 / 77 / 6

HEX #F06237

RGB 240 98 55

HSL 13.95, 0.86%, 0.58%

LAB 59.47, 52.48, 50.89

 

CMYK 33 / 0 / 77 / 6

HEX #A0F037

RGB 160 240 55

HSL 85.95, 0.86%, 0.58%

LAB 87.03, -50.55, 75.05

 

CMYK 76 / 19 / 0 / 6

HEX #3AC3F0

RGB 58 195 240

HSL 194.84, 0.86%, 0.58%

LAB 73.69, -21.55, -32.65

 

CMYK 21 / 77 / 0 / 6

HEX #BE37F0

RGB 190 55 240

HSL 283.78, 0.86%, 0.58%

LAB 51.8, 77.14, -66.72

 

CMYK 0 / 59 / 77 / 6

HEX #F06237

RGB 240 98 55

HSL 13.95, 0.86%, 0.58%

LAB 59.47, 52.48, 50.89

 

CMYK 57 / 0 / 77 / 6

HEX #68F037

RGB 104 240 55

HSL 104.11, 0.86%, 0.58%

LAB 84.76, -67.4, 72.1

 

Description

Color code: HEX #3AC3F0 | qconv.com Color code: HEX #3AC3F0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 195 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 195 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 19 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 19% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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