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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ABE2D it is the complementary color #C541D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ABE2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ABE2D shade: #3FBE28, #50D03B, #61E24E, #72F461 and #83FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ABE2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ABE2D shade: #3ABE2D, #29AC1A, #189A07, #078800 and #007600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ABE2D shade: #39BE2C, #60BE2C, #88BE2C, #AFBE2C and #BEA52C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ABE2D shade: #39BE2C, #2CBE46, #2CBE6D, #2CBE95 and #2CBEBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ABE2D shade matches the following richer shades: #39BE2C, #2AD119 and #1AE306

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ABE2D shade: #39BE2C, #49AB3F, #589852, #688565 and #777278

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ABE2D shade: #88BE2C, #61BE2C, #3BBE2C, #2CBE44 and #2CBE6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ABE2D shade: #257B1C, #2F9C24, #39BE2C, #4ED241 and #6DDA62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ABE2D shade: #3ABE2D, #2CAFBE and #BE2C75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ABE2D shade: #3ABE2D, #2C3BBE and #BE2C3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ABE2D shade: #3ABE2D, #2CAFBE, #AF2CBE and #BE3B2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ABE2D shade: #3ABE2D, #2C83BE, #AF2CBE and #BE662C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 76 / 25

HEX #3ABE2D

RGB 58 190 45

HSL 114.62, 0.62%, 0.46%

LAB 67.96, -61.4, 58.57

 

Complementary color

CMYK 6 / 69 / 0 / 18

HEX #C541D2

RGB 197 65 210

HSL 294.62, 0.62%, 0.54%

LAB 52.18, 69.72, -49.08

 

CMYK 67 / 0 / 79 / 25

HEX #3FBE28

RGB 63 190 40

HSL 110.8, 0.65%, 0.45%

LAB 68.05, -60.74, 60.28

 

CMYK 62 / 0 / 72 / 18

HEX #50D03B

RGB 80 208 59

HSL 111.54, 0.61%, 0.52%

LAB 74.27, -61.84, 60.21

 

CMYK 57 / 0 / 65 / 11

HEX #61E24E

RGB 97 226 78

HSL 112.3, 0.72%, 0.6%

LAB 80.45, -62.55, 59.59

 

CMYK 53 / 0 / 60 / 4

HEX #72F461

RGB 114 244 97

HSL 113.06, 0.87%, 0.67%

LAB 86.57, -62.97, 58.66

 

CMYK 49 / 0 / 55 / 0

HEX #83FF74

RGB 131 255 116

HSL 113.53, 1%, 0.73%

LAB 90.6, -60.56, 55.18

 

CMYK 69 / 0 / 76 / 25

HEX #3ABE2D

RGB 58 190 45

HSL 114.62, 0.62%, 0.46%

LAB 67.96, -61.4, 58.57

 

CMYK 76 / 0 / 85 / 33

HEX #29AC1A

RGB 41 172 26

HSL 113.84, 0.74%, 0.39%

LAB 61.7, -59.67, 58.1

 

CMYK 84 / 0 / 95 / 40

HEX #189A07

RGB 24 154 7

HSL 113.06, 0.91%, 0.32%

LAB 55.4, -57.14, 56.23

 

CMYK 95 / 0 / 100 / 47

HEX #078800

RGB 7 136 0

HSL 116.91, 1%, 0.27%

LAB 49.07, -53.51, 52.2

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 70 / 0 / 77 / 25

HEX #39BE2C

RGB 57 190 44

HSL 114.66, 0.62%, 0.46%

LAB 67.93, -61.65, 58.86

 

CMYK 49 / 0 / 77 / 25

HEX #60BE2C

RGB 96 190 44

HSL 98.63, 0.62%, 0.46%

LAB 69.11, -52.18, 60.41

 

CMYK 28 / 0 / 77 / 25

HEX #88BE2C

RGB 136 190 44

HSL 82.19, 0.62%, 0.46%

LAB 71.04, -38.47, 62.92

 

CMYK 8 / 0 / 77 / 25

HEX #AFBE2C

RGB 175 190 44

HSL 66.16, 0.62%, 0.46%

LAB 73.63, -22.73, 66.26

 

CMYK 0 / 13 / 77 / 25

HEX #BEA52C

RGB 190 165 44

HSL 49.73, 0.62%, 0.46%

LAB 68.05, -3.41, 61.59

 

CMYK 70 / 0 / 77 / 25

HEX #39BE2C

RGB 57 190 44

HSL 114.66, 0.62%, 0.46%

LAB 67.93, -61.65, 58.86

 

CMYK 77 / 0 / 63 / 25

HEX #2CBE46

RGB 44 190 70

HSL 130.68, 0.62%, 0.46%

LAB 67.88, -61.4, 48.7

 

CMYK 77 / 0 / 43 / 25

HEX #2CBE6D

RGB 44 190 109

HSL 146.71, 0.62%, 0.46%

LAB 68.36, -55.65, 30.41

 

CMYK 77 / 0 / 22 / 25

HEX #2CBE95

RGB 44 190 149

HSL 163.15, 0.62%, 0.46%

LAB 69.14, -47.13, 10.1

 

CMYK 77 / 0 / 1 / 25

HEX #2CBEBC

RGB 44 190 188

HSL 179.18, 0.62%, 0.46%

LAB 70.17, -36.65, -9.72

 

CMYK 70 / 0 / 77 / 25

HEX #39BE2C

RGB 57 190 44

HSL 114.66, 0.62%, 0.46%

LAB 67.93, -61.65, 58.86

 

CMYK 80 / 0 / 88 / 18

HEX #2AD119

RGB 42 209 25

HSL 114.46, 0.79%, 0.46%

LAB 73.65, -70.7, 68.86

 

CMYK 89 / 0 / 97 / 11

HEX #1AE306

RGB 26 227 6

HSL 114.57, 0.95%, 0.46%

LAB 79.14, -77.68, 75.8

 

CMYK 70 / 0 / 77 / 25

HEX #39BE2C

RGB 57 190 44

HSL 114.66, 0.62%, 0.46%

LAB 67.93, -61.65, 58.86

 

CMYK 57 / 0 / 63 / 33

HEX #49AB3F

RGB 73 171 63

HSL 114.44, 0.46%, 0.46%

LAB 62.42, -49.8, 45.87

 

CMYK 42 / 0 / 46 / 40

HEX #589852

RGB 88 152 82

HSL 114.86, 0.3%, 0.46%

LAB 57.21, -35.1, 30.47

 

CMYK 22 / 0 / 24 / 48

HEX #688565

RGB 104 133 101

HSL 114.38, 0.14%, 0.46%

LAB 52.57, -16.96, 13.95

 

CMYK 1 / 5 / 0 / 53

HEX #777278

RGB 119 114 120

HSL 290, 0.03%, 0.46%

LAB 48.65, 3.13, -2.63

 

CMYK 28 / 0 / 77 / 25

HEX #88BE2C

RGB 136 190 44

HSL 82.19, 0.62%, 0.46%

LAB 71.04, -38.47, 62.92

 

CMYK 49 / 0 / 77 / 25

HEX #61BE2C

RGB 97 190 44

HSL 98.22, 0.62%, 0.46%

LAB 69.15, -51.88, 60.46

 

CMYK 69 / 0 / 77 / 25

HEX #3BBE2C

RGB 59 190 44

HSL 113.84, 0.62%, 0.46%

LAB 67.98, -61.27, 58.92

 

CMYK 77 / 0 / 64 / 25

HEX #2CBE44

RGB 44 190 68

HSL 129.86, 0.62%, 0.46%

LAB 67.86, -61.63, 49.55

 

CMYK 77 / 0 / 44 / 25

HEX #2CBE6B

RGB 44 190 107

HSL 145.89, 0.62%, 0.46%

LAB 68.33, -56.01, 31.41

 

CMYK 70 / 0 / 77 / 52

HEX #257B1C

RGB 37 123 28

HSL 114.32, 0.63%, 0.3%

LAB 45.14, -43.91, 41.82

 

CMYK 70 / 0 / 77 / 39

HEX #2F9C24

RGB 47 156 36

HSL 114.5, 0.63%, 0.38%

LAB 56.59, -52.81, 50.37

 

CMYK 70 / 0 / 77 / 25

HEX #39BE2C

RGB 57 190 44

HSL 114.66, 0.62%, 0.46%

LAB 67.93, -61.65, 58.86

 

CMYK 63 / 0 / 69 / 18

HEX #4ED241

RGB 78 210 65

HSL 114.62, 0.62%, 0.54%

LAB 74.88, -62.48, 58.59

 

CMYK 50 / 0 / 55 / 15

HEX #6DDA62

RGB 109 218 98

HSL 114.5, 0.62%, 0.62%

LAB 78.62, -54.38, 48.96

 

CMYK 69 / 0 / 76 / 25

HEX #3ABE2D

RGB 58 190 45

HSL 114.62, 0.62%, 0.46%

LAB 67.96, -61.4, 58.57

 

CMYK 77 / 8 / 0 / 25

HEX #2CAFBE

RGB 44 175 190

HSL 186.16, 0.62%, 0.46%

LAB 65.68, -28.91, -17.58

 

CMYK 0 / 77 / 38 / 25

HEX #BE2C75

RGB 190 44 117

HSL 330, 0.62%, 0.46%

LAB 44.28, 62.01, -6.24

 

CMYK 69 / 0 / 76 / 25

HEX #3ABE2D

RGB 58 190 45

HSL 114.62, 0.62%, 0.46%

LAB 67.96, -61.4, 58.57

 

CMYK 77 / 69 / 0 / 25

HEX #2C3BBE

RGB 44 59 190

HSL 233.84, 0.62%, 0.46%

LAB 32.66, 40.37, -69.9

 

CMYK 0 / 77 / 69 / 25

HEX #BE2C3B

RGB 190 44 59

HSL 353.84, 0.62%, 0.46%

LAB 42.86, 57.53, 27.77

 

CMYK 69 / 0 / 76 / 25

HEX #3ABE2D

RGB 58 190 45

HSL 114.62, 0.62%, 0.46%

LAB 67.96, -61.4, 58.57

 

CMYK 77 / 8 / 0 / 25

HEX #2CAFBE

RGB 44 175 190

HSL 186.16, 0.62%, 0.46%

LAB 65.68, -28.91, -17.58

 

CMYK 8 / 77 / 0 / 25

HEX #AF2CBE

RGB 175 44 190

HSL 293.84, 0.62%, 0.46%

LAB 45.13, 68.71, -48.98

 

CMYK 0 / 69 / 77 / 25

HEX #BE3B2C

RGB 190 59 44

HSL 6.16, 0.62%, 0.46%

LAB 44.6, 51.52, 38.5

 

CMYK 69 / 0 / 76 / 25

HEX #3ABE2D

RGB 58 190 45

HSL 114.62, 0.62%, 0.46%

LAB 67.96, -61.4, 58.57

 

CMYK 77 / 31 / 0 / 25

HEX #2C83BE

RGB 44 131 190

HSL 204.25, 0.62%, 0.46%

LAB 52.38, -5.25, -38.13

 

CMYK 8 / 77 / 0 / 25

HEX #AF2CBE

RGB 175 44 190

HSL 293.84, 0.62%, 0.46%

LAB 45.13, 68.71, -48.98

 

CMYK 0 / 46 / 77 / 25

HEX #BE662C

RGB 190 102 44

HSL 23.84, 0.62%, 0.46%

LAB 52.54, 30.95, 46.7

 

Description

Color code: HEX #3ABE2D | qconv.com Color code: HEX #3ABE2D | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 190 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 190 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 76 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 76% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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