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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ABC79 it is the complementary color #C54386. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ABC79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ABC79 shade: #3FBC74, #50CE87, #61E09A, #72F2AD and #83FFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ABC79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ABC79 shade: #3ABC79, #29AA66, #189853, #078640 and #00742D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ABC79 shade: #3ABB78, #3ABB55, #41BB3A, #64BB3A and #87BB3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ABC79 shade: #3ABB78, #3ABB9B, #3AB8BB, #3A95BB and #3A72BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ABC79 shade matches the following richer shades: #3ABB78, #26CF78 and #12E377

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ABC79 shade: #3ABB78, #4DA779, #61947A, #75807A and #896C7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ABC79 shade: #40BB3A, #3ABB56, #3ABB78, #3ABB9B and #3AB9BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ABC79 shade: #267C50, #309C64, #3ABB78, #54CA8D and #73D4A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ABC79 shade: #3ABC79, #3A63BB and #BB443A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ABC79 shade: #3ABC79, #783ABB and #BB783A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ABC79 shade: #3ABC79, #3A63BB, #BB3A7D and #BB923A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ABC79 shade: #3ABC79, #3A3CBB, #BB3A7D and #BBB93A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 36 / 26

HEX #3ABC79

RGB 58 188 121

HSL 149.08, 0.53%, 0.48%

LAB 68.2, -50.55, 23.94

 

Complementary color

CMYK 0 / 66 / 32 / 23

HEX #C54386

RGB 197 67 134

HSL 329.08, 0.53%, 0.52%

LAB 49.01, 57.67, -9.4

 

CMYK 66 / 0 / 38 / 26

HEX #3FBC74

RGB 63 188 116

HSL 145.44, 0.5%, 0.49%

LAB 68.23, -50.65, 26.65

 

CMYK 61 / 0 / 34 / 19

HEX #50CE87

RGB 80 206 135

HSL 146.19, 0.56%, 0.56%

LAB 74.57, -50.89, 25.24

 

CMYK 57 / 0 / 31 / 12

HEX #61E09A

RGB 97 224 154

HSL 146.93, 0.67%, 0.63%

LAB 80.84, -50.97, 23.93

 

CMYK 53 / 0 / 29 / 5

HEX #72F2AD

RGB 114 242 173

HSL 147.66, 0.83%, 0.7%

LAB 87.05, -50.93, 22.72

 

CMYK 49 / 0 / 25 / 0

HEX #83FFC0

RGB 131 255 192

HSL 149.52, 1%, 0.76%

LAB 91.75, -48.72, 19.6

 

CMYK 69 / 0 / 36 / 26

HEX #3ABC79

RGB 58 188 121

HSL 149.08, 0.53%, 0.48%

LAB 68.2, -50.55, 23.94

 

CMYK 76 / 0 / 40 / 33

HEX #29AA66

RGB 41 170 102

HSL 148.37, 0.61%, 0.41%

LAB 61.81, -49.93, 25.49

 

CMYK 84 / 0 / 45 / 40

HEX #189853

RGB 24 152 83

HSL 147.66, 0.73%, 0.35%

LAB 55.35, -48.85, 27.18

 

CMYK 95 / 0 / 52 / 47

HEX #078640

RGB 7 134 64

HSL 146.93, 0.9%, 0.28%

LAB 48.84, -47.14, 29.02

 

CMYK 100 / 0 / 61 / 55

HEX #00742D

RGB 0 116 45

HSL 143.28, 1%, 0.23%

LAB 42.28, -44.46, 30.94

 

CMYK 69 / 0 / 36 / 27

HEX #3ABB78

RGB 58 187 120

HSL 148.84, 0.53%, 0.48%

LAB 67.87, -50.36, 24.03

 

CMYK 69 / 0 / 55 / 27

HEX #3ABB55

RGB 58 187 85

HSL 132.56, 0.53%, 0.48%

LAB 67.35, -56.25, 41.25

 

CMYK 65 / 0 / 69 / 27

HEX #41BB3A

RGB 65 187 58

HSL 116.74, 0.53%, 0.48%

LAB 67.25, -57.96, 53.17

 

CMYK 47 / 0 / 69 / 27

HEX #64BB3A

RGB 100 187 58

HSL 100.47, 0.53%, 0.48%

LAB 68.43, -48.81, 54.76

 

CMYK 28 / 0 / 69 / 27

HEX #87BB3A

RGB 135 187 58

HSL 84.19, 0.53%, 0.48%

LAB 70.17, -36.68, 57.12

 

CMYK 69 / 0 / 36 / 27

HEX #3ABB78

RGB 58 187 120

HSL 148.84, 0.53%, 0.48%

LAB 67.87, -50.36, 24.03

 

CMYK 69 / 0 / 17 / 27

HEX #3ABB9B

RGB 58 187 155

HSL 165.12, 0.53%, 0.48%

LAB 68.61, -42.51, 6.11

 

CMYK 69 / 2 / 0 / 27

HEX #3AB8BB

RGB 58 184 187

HSL 181.4, 0.53%, 0.48%

LAB 68.58, -32.46, -11.52

 

CMYK 69 / 20 / 0 / 27

HEX #3A95BB

RGB 58 149 187

HSL 197.67, 0.53%, 0.48%

LAB 58.02, -14.58, -27.6

 

CMYK 69 / 39 / 0 / 27

HEX #3A72BB

RGB 58 114 187

HSL 213.95, 0.53%, 0.48%

LAB 47.65, 5.86, -43.85

 

CMYK 69 / 0 / 36 / 27

HEX #3ABB78

RGB 58 187 120

HSL 148.84, 0.53%, 0.48%

LAB 67.87, -50.36, 24.03

 

CMYK 82 / 0 / 42 / 19

HEX #26CF78

RGB 38 207 120

HSL 149.11, 0.69%, 0.48%

LAB 73.8, -60.42, 31.83

 

CMYK 92 / 0 / 48 / 11

HEX #12E377

RGB 18 227 119

HSL 149, 0.85%, 0.48%

LAB 79.84, -68.75, 40.05

 

CMYK 69 / 0 / 36 / 27

HEX #3ABB78

RGB 58 187 120

HSL 148.84, 0.53%, 0.48%

LAB 67.87, -50.36, 24.03

 

CMYK 54 / 0 / 28 / 35

HEX #4DA779

RGB 77 167 121

HSL 149.33, 0.37%, 0.48%

LAB 62.16, -37.89, 15.79

 

CMYK 34 / 0 / 18 / 42

HEX #61947A

RGB 97 148 122

HSL 149.41, 0.21%, 0.48%

LAB 57.2, -22.99, 8.39

 

CMYK 9 / 0 / 5 / 50

HEX #75807A

RGB 117 128 122

HSL 147.27, 0.04%, 0.48%

LAB 52.54, -5.3, 1.86

 

CMYK 0 / 21 / 10 / 46

HEX #896C7B

RGB 137 108 123

HSL 328.97, 0.12%, 0.48%

LAB 48.85, 14.12, -3.92

 

CMYK 66 / 0 / 69 / 27

HEX #40BB3A

RGB 64 187 58

HSL 117.21, 0.53%, 0.48%

LAB 67.23, -58.17, 53.13

 

CMYK 69 / 0 / 54 / 27

HEX #3ABB56

RGB 58 187 86

HSL 133.02, 0.53%, 0.48%

LAB 67.36, -56.11, 40.78

 

CMYK 69 / 0 / 36 / 27

HEX #3ABB78

RGB 58 187 120

HSL 148.84, 0.53%, 0.48%

LAB 67.87, -50.36, 24.03

 

CMYK 69 / 0 / 17 / 27

HEX #3ABB9B

RGB 58 187 155

HSL 165.12, 0.53%, 0.48%

LAB 68.61, -42.51, 6.11

 

CMYK 69 / 1 / 0 / 27

HEX #3AB9BB

RGB 58 185 187

HSL 180.93, 0.53%, 0.48%

LAB 68.89, -32.94, -11.07

 

CMYK 69 / 0 / 35 / 51

HEX #267C50

RGB 38 124 80

HSL 149.3, 0.53%, 0.32%

LAB 46.19, -36.37, 16.79

 

CMYK 69 / 0 / 36 / 39

HEX #309C64

RGB 48 156 100

HSL 148.89, 0.53%, 0.4%

LAB 57.39, -43.71, 20.71

 

CMYK 69 / 0 / 36 / 27

HEX #3ABB78

RGB 58 187 120

HSL 148.84, 0.53%, 0.48%

LAB 67.87, -50.36, 24.03

 

CMYK 58 / 0 / 30 / 21

HEX #54CA8D

RGB 84 202 141

HSL 148.98, 0.53%, 0.56%

LAB 73.58, -47.26, 20.74

 

CMYK 46 / 0 / 24 / 17

HEX #73D4A2

RGB 115 212 162

HSL 149.07, 0.53%, 0.64%

LAB 78.08, -39.97, 16.01

 

CMYK 69 / 0 / 36 / 26

HEX #3ABC79

RGB 58 188 121

HSL 149.08, 0.53%, 0.48%

LAB 68.2, -50.55, 23.94

 

CMYK 69 / 47 / 0 / 27

HEX #3A63BB

RGB 58 99 187

HSL 220.93, 0.53%, 0.48%

LAB 43.38, 15.32, -50.69

 

CMYK 0 / 64 / 69 / 27

HEX #BB443A

RGB 187 68 58

HSL 4.65, 0.53%, 0.48%

LAB 45.64, 47.34, 31.59

 

CMYK 69 / 0 / 36 / 26

HEX #3ABC79

RGB 58 188 121

HSL 149.08, 0.53%, 0.48%

LAB 68.2, -50.55, 23.94

 

CMYK 36 / 69 / 0 / 27

HEX #783ABB

RGB 120 58 187

HSL 268.84, 0.53%, 0.48%

LAB 38.91, 51.66, -57.65

 

CMYK 0 / 36 / 69 / 27

HEX #BB783A

RGB 187 120 58

HSL 28.84, 0.53%, 0.48%

LAB 56.39, 20.56, 43.86

 

CMYK 69 / 0 / 36 / 26

HEX #3ABC79

RGB 58 188 121

HSL 149.08, 0.53%, 0.48%

LAB 68.2, -50.55, 23.94

 

CMYK 69 / 47 / 0 / 27

HEX #3A63BB

RGB 58 99 187

HSL 220.93, 0.53%, 0.48%

LAB 43.38, 15.32, -50.69

 

CMYK 0 / 69 / 33 / 27

HEX #BB3A7D

RGB 187 58 125

HSL 328.84, 0.53%, 0.48%

LAB 45.73, 57.27, -9.04

 

CMYK 0 / 22 / 69 / 27

HEX #BB923A

RGB 187 146 58

HSL 40.93, 0.53%, 0.48%

LAB 62.87, 6.2, 50.81

 

CMYK 69 / 0 / 36 / 26

HEX #3ABC79

RGB 58 188 121

HSL 149.08, 0.53%, 0.48%

LAB 68.2, -50.55, 23.94

 

CMYK 69 / 68 / 0 / 27

HEX #3A3CBB

RGB 58 60 187

HSL 239.07, 0.53%, 0.48%

LAB 33.39, 40.22, -66.9

 

CMYK 0 / 69 / 33 / 27

HEX #BB3A7D

RGB 187 58 125

HSL 328.84, 0.53%, 0.48%

LAB 45.73, 57.27, -9.04

 

CMYK 0 / 1 / 69 / 27

HEX #BBB93A

RGB 187 185 58

HSL 59.07, 0.53%, 0.48%

LAB 73.26, -14.47, 61.43

 

Description

Color code: HEX #3ABC79 | qconv.com Color code: HEX #3ABC79 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 188 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 188 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 36 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 36% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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