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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3ABAB0 it is the complementary color #C5454F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3ABAB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3ABAB0 shade: #3FBAAB, #50CCBE, #61DED1, #72F0E4 and #83FFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3ABAB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3ABAB0 shade: #3ABAB0, #29A89D, #18968A, #078477 and #007264

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3ABAB0 shade: #3BBAB0, #3BBA8E, #3BBA6B, #3BBA49 and #4FBA3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3ABAB0 shade: #3BBAB0, #3BA2BA, #3B7FBA, #3B5DBA and #3B3BBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3ABAB0 shade matches the following richer shades: #3BBAB0, #27CEC1 and #13E2D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3ABAB0 shade: #3BBAB0, #4FA69F, #62928F, #767F7E and #8A6B6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3ABAB0 shade: #3BBA6C, #3BBA8D, #3BBAAF, #3BA3BA and #3B81BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3ABAB0 shade: #277B75, #319B92, #3BBAB0, #55C9C0 and #74D3CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3ABAB0 shade: #3ABAB0, #4A3BBA and #BA7D3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3ABAB0 shade: #3ABAB0, #AF3BBA and #BAAF3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3ABAB0 shade: #3ABAB0, #4A3BBA, #BA3B45 and #ABBA3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3ABAB0 shade: #3ABAB0, #703BBA, #BA3B45 and #85BA3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 5 / 27

HEX #3ABAB0

RGB 58 186 176

HSL 175.31, 0.52%, 0.48%

LAB 68.86, -36.53, -5.05

 

Complementary color

CMYK 0 / 65 / 60 / 23

HEX #C5454F

RGB 197 69 79

HSL 355.31, 0.52%, 0.52%

LAB 47.87, 51.62, 22.3

 

CMYK 66 / 0 / 8 / 27

HEX #3FBAAB

RGB 63 186 171

HSL 172.68, 0.49%, 0.49%

LAB 68.83, -37.15, -2.33

 

CMYK 61 / 0 / 7 / 20

HEX #50CCBE

RGB 80 204 190

HSL 173.23, 0.55%, 0.56%

LAB 75.21, -37.52, -3.27

 

CMYK 56 / 0 / 6 / 13

HEX #61DED1

RGB 97 222 209

HSL 173.76, 0.65%, 0.63%

LAB 81.5, -37.75, -4.13

 

CMYK 53 / 0 / 5 / 6

HEX #72F0E4

RGB 114 240 228

HSL 174.29, 0.81%, 0.69%

LAB 87.73, -37.89, -4.92

 

CMYK 49 / 0 / 3 / 0

HEX #83FFF7

RGB 131 255 247

HSL 176.13, 1%, 0.76%

LAB 93.04, -36.59, -6.9

 

CMYK 69 / 0 / 5 / 27

HEX #3ABAB0

RGB 58 186 176

HSL 175.31, 0.52%, 0.48%

LAB 68.86, -36.53, -5.05

 

CMYK 76 / 0 / 7 / 34

HEX #29A89D

RGB 41 168 157

HSL 174.8, 0.61%, 0.41%

LAB 62.43, -35.79, -4.03

 

CMYK 84 / 0 / 8 / 41

HEX #18968A

RGB 24 150 138

HSL 174.29, 0.72%, 0.34%

LAB 55.93, -34.71, -2.88

 

CMYK 95 / 0 / 10 / 48

HEX #078477

RGB 7 132 119

HSL 173.76, 0.9%, 0.27%

LAB 49.35, -33.18, -1.56

 

CMYK 100 / 0 / 12 / 55

HEX #007264

RGB 0 114 100

HSL 172.63, 1%, 0.22%

LAB 42.69, -31.01, -0.03

 

CMYK 68 / 0 / 5 / 27

HEX #3BBAB0

RGB 59 186 176

HSL 175.28, 0.52%, 0.48%

LAB 68.88, -36.39, -5.02

 

CMYK 68 / 0 / 24 / 27

HEX #3BBA8E

RGB 59 186 142

HSL 159.21, 0.52%, 0.48%

LAB 68.02, -45.06, 12.38

 

CMYK 68 / 0 / 42 / 27

HEX #3BBA6B

RGB 59 186 107

HSL 142.68, 0.52%, 0.48%

LAB 67.36, -52.23, 30.2

 

CMYK 68 / 0 / 61 / 27

HEX #3BBA49

RGB 59 186 73

HSL 126.61, 0.52%, 0.48%

LAB 66.92, -57.25, 46.37

 

CMYK 58 / 0 / 68 / 27

HEX #4FBA3B

RGB 79 186 59

HSL 110.55, 0.52%, 0.48%

LAB 67.35, -54.27, 52.99

 

CMYK 68 / 0 / 5 / 27

HEX #3BBAB0

RGB 59 186 176

HSL 175.28, 0.52%, 0.48%

LAB 68.88, -36.39, -5.02

 

CMYK 68 / 13 / 0 / 27

HEX #3BA2BA

RGB 59 162 186

HSL 191.34, 0.52%, 0.48%

LAB 61.93, -21.68, -21.03

 

CMYK 68 / 32 / 0 / 27

HEX #3B7FBA

RGB 59 127 186

HSL 207.87, 0.52%, 0.48%

LAB 51.44, -2.22, -37.28

 

CMYK 68 / 50 / 0 / 27

HEX #3B5DBA

RGB 59 93 186

HSL 223.94, 0.52%, 0.48%

LAB 41.69, 18.98, -52.81

 

CMYK 68 / 68 / 0 / 27

HEX #3B3BBA

RGB 59 59 186

HSL 240, 0.52%, 0.48%

LAB 33.14, 40.61, -66.72

 

CMYK 68 / 0 / 5 / 27

HEX #3BBAB0

RGB 59 186 176

HSL 175.28, 0.52%, 0.48%

LAB 68.88, -36.39, -5.02

 

CMYK 81 / 0 / 6 / 19

HEX #27CEC1

RGB 39 206 193

HSL 175.33, 0.68%, 0.48%

LAB 75.09, -42.88, -5.15

 

CMYK 92 / 0 / 7 / 11

HEX #13E2D2

RGB 19 226 210

HSL 175.36, 0.84%, 0.48%

LAB 81.39, -47.94, -4.97

 

CMYK 68 / 0 / 5 / 27

HEX #3BBAB0

RGB 59 186 176

HSL 175.28, 0.52%, 0.48%

LAB 68.88, -36.39, -5.02

 

CMYK 52 / 0 / 4 / 35

HEX #4FA69F

RGB 79 166 159

HSL 175.17, 0.36%, 0.48%

LAB 62.88, -27.87, -4.39

 

CMYK 33 / 0 / 2 / 43

HEX #62928F

RGB 98 146 143

HSL 176.25, 0.2%, 0.48%

LAB 57.21, -16.81, -3.59

 

CMYK 7 / 0 / 1 / 50

HEX #767F7E

RGB 118 127 126

HSL 173.33, 0.04%, 0.48%

LAB 52.44, -3.53, -0.61

 

CMYK 0 / 22 / 21 / 46

HEX #8A6B6D

RGB 138 107 109

HSL 356.13, 0.13%, 0.48%

LAB 48.29, 12.66, 3.62

 

CMYK 68 / 0 / 42 / 27

HEX #3BBA6C

RGB 59 186 108

HSL 143.15, 0.52%, 0.48%

LAB 67.37, -52.06, 29.7

 

CMYK 68 / 0 / 24 / 27

HEX #3BBA8D

RGB 59 186 141

HSL 158.74, 0.52%, 0.48%

LAB 68, -45.29, 12.89

 

CMYK 68 / 0 / 6 / 27

HEX #3BBAAF

RGB 59 186 175

HSL 174.8, 0.52%, 0.48%

LAB 68.85, -36.66, -4.51

 

CMYK 68 / 12 / 0 / 27

HEX #3BA3BA

RGB 59 163 186

HSL 190.87, 0.52%, 0.48%

LAB 62.23, -22.2, -20.57

 

CMYK 68 / 31 / 0 / 27

HEX #3B81BA

RGB 59 129 186

HSL 206.93, 0.52%, 0.48%

LAB 52.04, -3.4, -36.35

 

CMYK 68 / 0 / 5 / 52

HEX #277B75

RGB 39 123 117

HSL 175.71, 0.52%, 0.32%

LAB 46.82, -26.15, -4.06

 

CMYK 68 / 0 / 6 / 39

HEX #319B92

RGB 49 155 146

HSL 174.91, 0.52%, 0.4%

LAB 58.2, -31.76, -4.05

 

CMYK 68 / 0 / 5 / 27

HEX #3BBAB0

RGB 59 186 176

HSL 175.28, 0.52%, 0.48%

LAB 68.88, -36.39, -5.02

 

CMYK 58 / 0 / 4 / 21

HEX #55C9C0

RGB 85 201 192

HSL 175.34, 0.52%, 0.56%

LAB 74.52, -34.7, -5.35

 

CMYK 45 / 0 / 3 / 17

HEX #74D3CC

RGB 116 211 204

HSL 175.58, 0.52%, 0.64%

LAB 78.85, -29.81, -5.3

 

CMYK 69 / 0 / 5 / 27

HEX #3ABAB0

RGB 58 186 176

HSL 175.31, 0.52%, 0.48%

LAB 68.86, -36.53, -5.05

 

CMYK 60 / 68 / 0 / 27

HEX #4A3BBA

RGB 74 59 186

HSL 247.09, 0.52%, 0.48%

LAB 34.25, 42.67, -64.86

 

CMYK 0 / 33 / 68 / 27

HEX #BA7D3B

RGB 186 125 59

HSL 31.18, 0.52%, 0.48%

LAB 57.48, 17.42, 44.53

 

CMYK 69 / 0 / 5 / 27

HEX #3ABAB0

RGB 58 186 176

HSL 175.31, 0.52%, 0.48%

LAB 68.86, -36.53, -5.05

 

CMYK 6 / 68 / 0 / 27

HEX #AF3BBA

RGB 175 59 186

HSL 294.8, 0.52%, 0.48%

LAB 46.69, 62.88, -44.14

 

CMYK 0 / 6 / 68 / 27

HEX #BAAF3B

RGB 186 175 59

HSL 54.8, 0.52%, 0.48%

LAB 70.47, -9.7, 58.2

 

CMYK 69 / 0 / 5 / 27

HEX #3ABAB0

RGB 58 186 176

HSL 175.31, 0.52%, 0.48%

LAB 68.86, -36.53, -5.05

 

CMYK 60 / 68 / 0 / 27

HEX #4A3BBA

RGB 74 59 186

HSL 247.09, 0.52%, 0.48%

LAB 34.25, 42.67, -64.86

 

CMYK 0 / 68 / 63 / 27

HEX #BA3B45

RGB 186 59 69

HSL 355.28, 0.52%, 0.48%

LAB 44.23, 51.47, 23.25

 

CMYK 8 / 0 / 68 / 27

HEX #ABBA3B

RGB 171 186 59

HSL 67.09, 0.52%, 0.48%

LAB 72.29, -21.69, 59.65

 

CMYK 69 / 0 / 5 / 27

HEX #3ABAB0

RGB 58 186 176

HSL 175.31, 0.52%, 0.48%

LAB 68.86, -36.53, -5.05

 

CMYK 40 / 68 / 0 / 27

HEX #703BBA

RGB 112 59 186

HSL 265.04, 0.52%, 0.48%

LAB 38.05, 49.33, -58.5

 

CMYK 0 / 68 / 63 / 27

HEX #BA3B45

RGB 186 59 69

HSL 355.28, 0.52%, 0.48%

LAB 44.23, 51.47, 23.25

 

CMYK 28 / 0 / 68 / 27

HEX #85BA3B

RGB 133 186 59

HSL 85.04, 0.52%, 0.48%

LAB 69.77, -36.91, 56.27

 

Description

Color code: HEX #3ABAB0 | qconv.com Color code: HEX #3ABAB0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 186 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 186 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 5 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 5% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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