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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AB81B it is the complementary color #C547E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AB81B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AB81B shade: #3FB816, #50CA29, #61DC3C, #72EE4F and #83FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AB81B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AB81B shade: #3AB81B, #29A608, #189400, #078200 and #007000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AB81B shade: #3AB61B, #63B61B, #8DB61B, #B6B51B and #B68B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AB81B shade: #3AB61B, #1BB626, #1BB650, #1BB67A and #1BB6A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AB81B shade matches the following richer shades: #3AB61B and #30C70A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AB81B shade: #3AB61B, #44A52C, #4E943D, #58834E and #63725F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AB81B shade: #8DB61B, #63B61B, #3AB61B, #1BB625 and #1BB64F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AB81B shade: #236E10, #2E9216, #3AB61B, #45DA21 and #61E341

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AB81B shade: #3AB81B, #1BB6B6 and #B61B78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AB81B shade: #3AB81B, #1B3AB6 and #B61B3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AB81B shade: #3AB81B, #1BB6B6, #971BB6 and #B61B1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AB81B shade: #3AB81B, #1B87B6, #971BB6 and #B64A1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 85 / 28

HEX #3AB81B

RGB 58 184 27

HSL 108.15, 0.74%, 0.41%

LAB 65.95, -60.45, 61.8

 

Complementary color

CMYK 14 / 69 / 0 / 11

HEX #C547E4

RGB 197 71 228

HSL 288.15, 0.74%, 0.59%

LAB 54, 70.7, -56.38

 

CMYK 66 / 0 / 88 / 28

HEX #3FB816

RGB 63 184 22

HSL 104.81, 0.79%, 0.4%

LAB 66.06, -59.62, 63.02

 

CMYK 60 / 0 / 80 / 21

HEX #50CA29

RGB 80 202 41

HSL 105.47, 0.66%, 0.48%

LAB 72.3, -60.97, 64.15

 

CMYK 56 / 0 / 73 / 14

HEX #61DC3C

RGB 97 220 60

HSL 106.13, 0.7%, 0.55%

LAB 78.49, -61.88, 64.29

 

CMYK 52 / 0 / 67 / 7

HEX #72EE4F

RGB 114 238 79

HSL 106.79, 0.82%, 0.62%

LAB 84.63, -62.46, 63.85

 

CMYK 49 / 0 / 62 / 0

HEX #83FF62

RGB 131 255 98

HSL 107.39, 1%, 0.69%

LAB 90.43, -62.44, 62.74

 

CMYK 68 / 0 / 85 / 28

HEX #3AB81B

RGB 58 184 27

HSL 108.15, 0.74%, 0.41%

LAB 65.95, -60.45, 61.8

 

CMYK 75 / 0 / 95 / 35

HEX #29A608

RGB 41 166 8

HSL 107.47, 0.91%, 0.34%

LAB 59.67, -58.43, 59.72

 

CMYK 84 / 0 / 100 / 42

HEX #189400

RGB 24 148 0

HSL 110.27, 1%, 0.29%

LAB 53.36, -55.53, 55.7

 

CMYK 95 / 0 / 100 / 49

HEX #078200

RGB 7 130 0

HSL 116.77, 1%, 0.25%

LAB 46.99, -51.74, 50.53

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 68 / 0 / 85 / 29

HEX #3AB61B

RGB 58 182 27

HSL 108, 0.74%, 0.41%

LAB 65.31, -59.8, 61.23

 

CMYK 46 / 0 / 85 / 29

HEX #63B61B

RGB 99 182 27

HSL 92.13, 0.74%, 0.41%

LAB 66.66, -48.98, 62.95

 

CMYK 23 / 0 / 85 / 29

HEX #8DB61B

RGB 141 182 27

HSL 75.87, 0.74%, 0.41%

LAB 68.89, -33.59, 65.75

 

CMYK 0 / 1 / 85 / 29

HEX #B6B51B

RGB 182 181 27

HSL 59.61, 0.74%, 0.41%

LAB 71.6, -15.8, 69.23

 

CMYK 0 / 24 / 85 / 29

HEX #B68B1B

RGB 182 139 27

HSL 43.35, 0.74%, 0.41%

LAB 60.33, 6.53, 59.88

 

CMYK 68 / 0 / 85 / 29

HEX #3AB61B

RGB 58 182 27

HSL 108, 0.74%, 0.41%

LAB 65.31, -59.8, 61.23

 

CMYK 85 / 0 / 79 / 29

HEX #1BB626

RGB 27 182 38

HSL 124.26, 0.74%, 0.41%

LAB 64.83, -63.78, 57.59

 

CMYK 85 / 0 / 56 / 29

HEX #1BB650

RGB 27 182 80

HSL 140.52, 0.74%, 0.41%

LAB 65.17, -59.46, 40.92

 

CMYK 85 / 0 / 33 / 29

HEX #1BB67A

RGB 27 182 122

HSL 156.77, 0.74%, 0.41%

LAB 65.82, -51.89, 20.1

 

CMYK 85 / 0 / 10 / 29

HEX #1BB6A4

RGB 27 182 164

HSL 173.03, 0.74%, 0.41%

LAB 66.8, -41.4, -1.53

 

CMYK 68 / 0 / 85 / 29

HEX #3AB61B

RGB 58 182 27

HSL 108, 0.74%, 0.41%

LAB 65.31, -59.8, 61.23

 

CMYK 76 / 0 / 95 / 22

HEX #30C70A

RGB 48 199 10

HSL 107.94, 0.9%, 0.41%

LAB 70.52, -67.36, 68.48

 

CMYK 68 / 0 / 85 / 29

HEX #3AB61B

RGB 58 182 27

HSL 108, 0.74%, 0.41%

LAB 65.31, -59.8, 61.23

 

CMYK 59 / 0 / 73 / 35

HEX #44A52C

RGB 68 165 44

HSL 108.1, 0.58%, 0.41%

LAB 60.18, -50.6, 51.26

 

CMYK 47 / 0 / 59 / 42

HEX #4E943D

RGB 78 148 61

HSL 108.28, 0.42%, 0.41%

LAB 55.21, -39.33, 38.62

 

CMYK 33 / 0 / 40 / 49

HEX #58834E

RGB 88 131 78

HSL 108.68, 0.25%, 0.41%

LAB 50.52, -25.74, 24.05

 

CMYK 13 / 0 / 17 / 55

HEX #63725F

RGB 99 114 95

HSL 107.37, 0.09%, 0.41%

LAB 46.33, -9.55, 8.67

 

CMYK 23 / 0 / 85 / 29

HEX #8DB61B

RGB 141 182 27

HSL 75.87, 0.74%, 0.41%

LAB 68.89, -33.59, 65.75

 

CMYK 46 / 0 / 85 / 29

HEX #63B61B

RGB 99 182 27

HSL 92.13, 0.74%, 0.41%

LAB 66.66, -48.98, 62.95

 

CMYK 68 / 0 / 85 / 29

HEX #3AB61B

RGB 58 182 27

HSL 108, 0.74%, 0.41%

LAB 65.31, -59.8, 61.23

 

CMYK 85 / 0 / 80 / 29

HEX #1BB625

RGB 27 182 37

HSL 123.87, 0.74%, 0.41%

LAB 64.82, -63.84, 57.89

 

CMYK 85 / 0 / 57 / 29

HEX #1BB64F

RGB 27 182 79

HSL 140.13, 0.74%, 0.41%

LAB 65.16, -59.6, 41.38

 

CMYK 68 / 0 / 85 / 57

HEX #236E10

RGB 35 110 16

HSL 107.87, 0.75%, 0.25%

LAB 40.49, -40.46, 41.44

 

CMYK 68 / 0 / 85 / 43

HEX #2E9216

RGB 46 146 22

HSL 108.39, 0.74%, 0.33%

LAB 53.16, -50.46, 51.45

 

CMYK 68 / 0 / 85 / 29

HEX #3AB61B

RGB 58 182 27

HSL 108, 0.74%, 0.41%

LAB 65.31, -59.8, 61.23

 

CMYK 68 / 0 / 85 / 15

HEX #45DA21

RGB 69 218 33

HSL 108.32, 0.74%, 0.49%

LAB 76.99, -68.93, 70.34

 

CMYK 57 / 0 / 71 / 11

HEX #61E341

RGB 97 227 65

HSL 108.15, 0.74%, 0.57%

LAB 80.66, -63.97, 64.73

 

CMYK 68 / 0 / 85 / 28

HEX #3AB81B

RGB 58 184 27

HSL 108.15, 0.74%, 0.41%

LAB 65.95, -60.45, 61.8

 

CMYK 85 / 0 / 0 / 29

HEX #1BB6B6

RGB 27 182 182

HSL 180, 0.74%, 0.41%

LAB 67.33, -36.17, -10.7

 

CMYK 0 / 85 / 34 / 29

HEX #B61B78

RGB 182 27 120

HSL 324, 0.74%, 0.41%

LAB 41.35, 64.71, -12.66

 

CMYK 68 / 0 / 85 / 28

HEX #3AB81B

RGB 58 184 27

HSL 108.15, 0.74%, 0.41%

LAB 65.95, -60.45, 61.8

 

CMYK 85 / 68 / 0 / 29

HEX #1B3AB6

RGB 27 58 182

HSL 228, 0.74%, 0.41%

LAB 30.96, 36.78, -67.99

 

CMYK 0 / 85 / 68 / 29

HEX #B61B3A

RGB 182 27 58

HSL 348, 0.74%, 0.41%

LAB 39.64, 59.77, 24.05

 

CMYK 68 / 0 / 85 / 28

HEX #3AB81B

RGB 58 184 27

HSL 108.15, 0.74%, 0.41%

LAB 65.95, -60.45, 61.8

 

CMYK 85 / 0 / 0 / 29

HEX #1BB6B6

RGB 27 182 182

HSL 180, 0.74%, 0.41%

LAB 67.33, -36.17, -10.7

 

CMYK 17 / 85 / 0 / 29

HEX #971BB6

RGB 151 27 182

HSL 288, 0.74%, 0.41%

LAB 39.14, 67.44, -54.12

 

CMYK 0 / 85 / 85 / 29

HEX #B61B1B

RGB 182 27 27

HSL 0, 0.74%, 0.41%

LAB 39.26, 58.64, 41.84

 

CMYK 68 / 0 / 85 / 28

HEX #3AB81B

RGB 58 184 27

HSL 108.15, 0.74%, 0.41%

LAB 65.95, -60.45, 61.8

 

CMYK 85 / 26 / 0 / 29

HEX #1B87B6

RGB 27 135 182

HSL 198.19, 0.74%, 0.41%

LAB 52.88, -12.13, -32.79

 

CMYK 17 / 85 / 0 / 29

HEX #971BB6

RGB 151 27 182

HSL 288, 0.74%, 0.41%

LAB 39.14, 67.44, -54.12

 

CMYK 0 / 59 / 85 / 29

HEX #B64A1B

RGB 182 74 27

HSL 18.19, 0.74%, 0.41%

LAB 45.53, 41.5, 47.32

 

Description

Color code: HEX #3AB81B | qconv.com Color code: HEX #3AB81B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 184 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 184 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 85 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 85% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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