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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AB73D it is the complementary color #C548C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AB73D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AB73D shade: #3FB738, #50C94B, #61DB5E, #72ED71 and #83FF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AB73D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AB73D shade: #3AB73D, #29A52A, #189317, #078104 and #006F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AB73D shade: #3AB63D, #58B63A, #7AB63A, #9BB63A and #B6AF3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AB73D shade: #3AB63D, #3AB65E, #3AB680, #3AB6A1 and #3AA9B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AB73D shade matches the following richer shades: #3AB63D, #26CA2A and #13DD18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AB73D shade: #3AB63D, #4DA34F, #608F61, #747C74 and #876986

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AB73D shade: #7AB63A, #59B63A, #3AB63C, #3AB65D and #3AB67E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AB73D shade: #267728, #309732, #3AB63D, #51C854 and #70D273

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AB73D shade: #3AB73D, #3A9BB6 and #B63A69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AB73D shade: #3AB73D, #3C3AB6 and #B63C3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AB73D shade: #3AB73D, #3A9BB6, #B63AB4 and #B6553A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AB73D shade: #3AB73D, #3A76B6, #B63AB4 and #B67A3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 67 / 28

HEX #3AB73D

RGB 58 183 61

HSL 121.44, 0.52%, 0.47%

LAB 65.83, -57.71, 50.37

 

Complementary color

CMYK 0 / 63 / 2 / 23

HEX #C548C2

RGB 197 72 194

HSL 301.44, 0.52%, 0.53%

LAB 52.29, 64.32, -39.72

 

CMYK 66 / 0 / 69 / 28

HEX #3FB738

RGB 63 183 56

HSL 116.69, 0.53%, 0.47%

LAB 65.91, -57.18, 52.52

 

CMYK 60 / 0 / 63 / 21

HEX #50C94B

RGB 80 201 75

HSL 117.62, 0.54%, 0.54%

LAB 72.22, -57.92, 51.63

 

CMYK 56 / 0 / 57 / 14

HEX #61DB5E

RGB 97 219 94

HSL 118.56, 0.63%, 0.61%

LAB 78.47, -58.34, 50.5

 

CMYK 52 / 0 / 52 / 7

HEX #72ED71

RGB 114 237 113

HSL 119.52, 0.78%, 0.69%

LAB 84.66, -58.54, 49.28

 

CMYK 49 / 0 / 48 / 0

HEX #83FF84

RGB 131 255 132

HSL 120.48, 1%, 0.76%

LAB 90.79, -58.59, 48.04

 

CMYK 68 / 0 / 67 / 28

HEX #3AB73D

RGB 58 183 61

HSL 121.44, 0.52%, 0.47%

LAB 65.83, -57.71, 50.37

 

CMYK 75 / 0 / 75 / 35

HEX #29A52A

RGB 41 165 42

HSL 120.48, 0.6%, 0.4%

LAB 59.48, -56.42, 51.07

 

CMYK 84 / 0 / 84 / 42

HEX #189317

RGB 24 147 23

HSL 119.52, 0.73%, 0.33%

LAB 53.08, -54.37, 50.95

 

CMYK 95 / 0 / 97 / 49

HEX #078104

RGB 7 129 4

HSL 118.56, 0.94%, 0.26%

LAB 46.65, -51.29, 49.44

 

CMYK 100 / 0 / 100 / 56

HEX #006F00

RGB 0 111 0

HSL 120, 1%, 0.22%

LAB 40.19, -46.69, 45.06

 

CMYK 68 / 0 / 66 / 29

HEX #3AB63D

RGB 58 182 61

HSL 121.45, 0.52%, 0.47%

LAB 65.51, -57.37, 50.02

 

CMYK 52 / 0 / 68 / 29

HEX #58B63A

RGB 88 182 58

HSL 105.48, 0.52%, 0.47%

LAB 66.39, -50.42, 52.47

 

CMYK 33 / 0 / 68 / 29

HEX #7AB63A

RGB 122 182 58

HSL 89.03, 0.52%, 0.47%

LAB 67.95, -39.28, 54.58

 

CMYK 15 / 0 / 68 / 29

HEX #9BB63A

RGB 155 182 58

HSL 73.06, 0.52%, 0.47%

LAB 69.99, -26.42, 57.33

 

CMYK 0 / 4 / 68 / 29

HEX #B6AF3A

RGB 182 175 58

HSL 56.61, 0.52%, 0.47%

LAB 70.11, -11.49, 58.13

 

CMYK 68 / 0 / 66 / 29

HEX #3AB63D

RGB 58 182 61

HSL 121.45, 0.52%, 0.47%

LAB 65.51, -57.37, 50.02

 

CMYK 68 / 0 / 48 / 29

HEX #3AB65E

RGB 58 182 94

HSL 137.42, 0.52%, 0.47%

LAB 65.88, -53.09, 34.98

 

CMYK 68 / 0 / 30 / 29

HEX #3AB680

RGB 58 182 128

HSL 153.87, 0.52%, 0.47%

LAB 66.45, -46.7, 17.8

 

CMYK 68 / 0 / 12 / 29

HEX #3AB6A1

RGB 58 182 161

HSL 169.84, 0.52%, 0.47%

LAB 67.22, -38.77, 0.81

 

CMYK 68 / 7 / 0 / 29

HEX #3AA9B6

RGB 58 169 182

HSL 186.29, 0.52%, 0.47%

LAB 63.88, -26.63, -15.83

 

CMYK 68 / 0 / 66 / 29

HEX #3AB63D

RGB 58 182 61

HSL 121.45, 0.52%, 0.47%

LAB 65.51, -57.37, 50.02

 

CMYK 81 / 0 / 79 / 21

HEX #26CA2A

RGB 38 202 42

HSL 121.46, 0.68%, 0.47%

LAB 71.43, -68.31, 62.74

 

CMYK 91 / 0 / 89 / 13

HEX #13DD18

RGB 19 221 24

HSL 121.49, 0.84%, 0.47%

LAB 77.23, -76.08, 72.04

 

CMYK 68 / 0 / 66 / 29

HEX #3AB63D

RGB 58 182 61

HSL 121.45, 0.52%, 0.47%

LAB 65.51, -57.37, 50.02

 

CMYK 53 / 0 / 52 / 36

HEX #4DA34F

RGB 77 163 79

HSL 121.4, 0.36%, 0.47%

LAB 60.19, -43.59, 35.63

 

CMYK 33 / 0 / 32 / 44

HEX #608F61

RGB 96 143 97

HSL 121.28, 0.2%, 0.47%

LAB 55.07, -25.7, 19.55

 

CMYK 6 / 0 / 6 / 51

HEX #747C74

RGB 116 124 116

HSL 120, 0.03%, 0.47%

LAB 51.14, -4.61, 3.33

 

CMYK 0 / 22 / 1 / 47

HEX #876986

RGB 135 105 134

HSL 302, 0.13%, 0.47%

LAB 48.23, 17.27, -11.42

 

CMYK 33 / 0 / 68 / 29

HEX #7AB63A

RGB 122 182 58

HSL 89.03, 0.52%, 0.47%

LAB 67.95, -39.28, 54.58

 

CMYK 51 / 0 / 68 / 29

HEX #59B63A

RGB 89 182 58

HSL 105, 0.52%, 0.47%

LAB 66.43, -50.13, 52.52

 

CMYK 68 / 0 / 67 / 29

HEX #3AB63C

RGB 58 182 60

HSL 120.97, 0.52%, 0.47%

LAB 65.5, -57.47, 50.42

 

CMYK 68 / 0 / 49 / 29

HEX #3AB65D

RGB 58 182 93

HSL 136.94, 0.52%, 0.47%

LAB 65.86, -53.25, 35.47

 

CMYK 68 / 0 / 31 / 29

HEX #3AB67E

RGB 58 182 126

HSL 152.9, 0.52%, 0.47%

LAB 66.41, -47.13, 18.83

 

CMYK 68 / 0 / 66 / 53

HEX #267728

RGB 38 119 40

HSL 121.48, 0.52%, 0.31%

LAB 43.89, -41.04, 35.39

 

CMYK 68 / 0 / 67 / 41

HEX #309732

RGB 48 151 50

HSL 121.17, 0.52%, 0.39%

LAB 55.06, -49.61, 43.26

 

CMYK 68 / 0 / 66 / 29

HEX #3AB63D

RGB 58 182 61

HSL 121.45, 0.52%, 0.47%

LAB 65.51, -57.37, 50.02

 

CMYK 60 / 0 / 58 / 22

HEX #51C854

RGB 81 200 84

HSL 121.51, 0.52%, 0.55%

LAB 72.03, -56.32, 47.41

 

CMYK 47 / 0 / 45 / 18

HEX #70D273

RGB 112 210 115

HSL 121.84, 0.52%, 0.63%

LAB 76.54, -48.1, 38.26

 

CMYK 68 / 0 / 67 / 28

HEX #3AB73D

RGB 58 183 61

HSL 121.44, 0.52%, 0.47%

LAB 65.83, -57.71, 50.37

 

CMYK 68 / 15 / 0 / 29

HEX #3A9BB6

RGB 58 155 182

HSL 193.06, 0.52%, 0.47%

LAB 59.63, -19.44, -22.29

 

CMYK 0 / 68 / 42 / 29

HEX #B63A69

RGB 182 58 105

HSL 337.26, 0.52%, 0.47%

LAB 44.22, 53.6, 0.92

 

CMYK 68 / 0 / 67 / 28

HEX #3AB73D

RGB 58 183 61

HSL 121.44, 0.52%, 0.47%

LAB 65.83, -57.71, 50.37

 

CMYK 67 / 68 / 0 / 29

HEX #3C3AB6

RGB 60 58 182

HSL 240.97, 0.52%, 0.47%

LAB 32.62, 40, -65.2

 

CMYK 0 / 67 / 68 / 29

HEX #B63C3A

RGB 182 60 58

HSL 0.97, 0.52%, 0.47%

LAB 43.48, 49.07, 28.79

 

CMYK 68 / 0 / 67 / 28

HEX #3AB73D

RGB 58 183 61

HSL 121.44, 0.52%, 0.47%

LAB 65.83, -57.71, 50.37

 

CMYK 68 / 15 / 0 / 29

HEX #3A9BB6

RGB 58 155 182

HSL 193.06, 0.52%, 0.47%

LAB 59.63, -19.44, -22.29

 

CMYK 0 / 68 / 1 / 29

HEX #B63AB4

RGB 182 58 180

HSL 300.97, 0.52%, 0.47%

LAB 47.32, 63.83, -39.57

 

CMYK 0 / 53 / 68 / 29

HEX #B6553A

RGB 182 85 58

HSL 13.06, 0.52%, 0.47%

LAB 47.94, 37.34, 34.1

 

CMYK 68 / 0 / 67 / 28

HEX #3AB73D

RGB 58 183 61

HSL 121.44, 0.52%, 0.47%

LAB 65.83, -57.71, 50.37

 

CMYK 68 / 35 / 0 / 29

HEX #3A76B6

RGB 58 118 182

HSL 210.97, 0.52%, 0.47%

LAB 48.55, 1.61, -39.53

 

CMYK 0 / 68 / 1 / 29

HEX #B63AB4

RGB 182 58 180

HSL 300.97, 0.52%, 0.47%

LAB 47.32, 63.83, -39.57

 

CMYK 0 / 33 / 68 / 29

HEX #B67A3A

RGB 182 122 58

HSL 30.97, 0.52%, 0.47%

LAB 56.26, 17.29, 43.54

 

Description

Color code: HEX #3AB73D | qconv.com Color code: HEX #3AB73D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 183 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 183 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 67 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 67% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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