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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AB3CF it is the complementary color #C54C30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AB3CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AB3CF shade: #3FB3CA, #50C5DD, #61D7F0, #72E9FF and #83FBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AB3CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AB3CF shade: #3AB3CF, #29A1BC, #188FA9, #077D96 and #006B83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AB3CF shade: #3AB3CF, #3A8BCF, #3A63CF, #3A3ACF and #623ACF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AB3CF shade: #3AB3CF, #3A8BCF, #3A63CF and #3A3ACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AB3CF shade matches the following richer shades: #3AB3CF, #26C0E3 and #12CCF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AB3CF shade: #3AB3CF, #4EA7BB, #629AA8, #758E94 and #898280

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AB3CF shade: #3ACF9B, #3ACFC3, #3AB4CF, #3A8CCF and #3A64CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AB3CF shade: #247E93, #2C9BB4, #3AB3CF, #5BC0D7 and #7CCDDF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AB3CF shade: #3AB3CF, #733ACF and #CFAF3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AB3CF shade: #3AB3CF, #CF3AB4 and #B4CF3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AB3CF shade: #3AB3CF, #733ACF, #CF553A and #96CF3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AB3CF shade: #3AB3CF, #A03ACF, #CF553A and #69CF3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 14 / 0 / 19

HEX #3AB3CF

RGB 58 179 207

HSL 191.28, 0.61%, 0.52%

LAB 67.76, -23.93, -23.79

 

Complementary color

CMYK 0 / 61 / 76 / 23

HEX #C54C30

RGB 197 76 48

HSL 11.28, 0.61%, 0.48%

LAB 48.58, 46.82, 40.94

 

CMYK 69 / 11 / 0 / 21

HEX #3FB3CA

RGB 63 179 202

HSL 189.93, 0.57%, 0.52%

LAB 67.7, -24.81, -21.12

 

CMYK 64 / 11 / 0 / 13

HEX #50C5DD

RGB 80 197 221

HSL 190.21, 0.67%, 0.59%

LAB 74.1, -25.51, -21.71

 

CMYK 60 / 10 / 0 / 6

HEX #61D7F0

RGB 97 215 240

HSL 190.49, 0.83%, 0.66%

LAB 80.42, -26.04, -22.25

 

CMYK 55 / 9 / 0 / 0

HEX #72E9FF

RGB 114 233 255

HSL 189.36, 1%, 0.72%

LAB 86.54, -27.54, -20.85

 

CMYK 49 / 2 / 0 / 0

HEX #83FBFF

RGB 131 251 255

HSL 181.94, 1%, 0.76%

LAB 92.15, -32.75, -12.37

 

CMYK 72 / 14 / 0 / 19

HEX #3AB3CF

RGB 58 179 207

HSL 191.28, 0.61%, 0.52%

LAB 67.76, -23.93, -23.79

 

CMYK 78 / 14 / 0 / 26

HEX #29A1BC

RGB 41 161 188

HSL 191.02, 0.64%, 0.45%

LAB 61.3, -22.81, -23.14

 

CMYK 86 / 15 / 0 / 34

HEX #188FA9

RGB 24 143 169

HSL 190.76, 0.75%, 0.38%

LAB 54.77, -21.33, -22.42

 

CMYK 95 / 17 / 0 / 41

HEX #077D96

RGB 7 125 150

HSL 190.49, 0.91%, 0.31%

LAB 48.15, -19.39, -21.58

 

CMYK 100 / 18 / 0 / 49

HEX #006B83

RGB 0 107 131

HSL 190.99, 1%, 0.26%

LAB 41.46, -16.82, -20.6

 

CMYK 72 / 14 / 0 / 19

HEX #3AB3CF

RGB 58 179 207

HSL 191.28, 0.61%, 0.52%

LAB 67.76, -23.93, -23.79

 

CMYK 72 / 33 / 0 / 19

HEX #3A8BCF

RGB 58 139 207

HSL 207.38, 0.61%, 0.52%

LAB 55.96, -2.05, -42.12

 

CMYK 72 / 52 / 0 / 19

HEX #3A63CF

RGB 58 99 207

HSL 223.49, 0.61%, 0.52%

LAB 44.7, 22.64, -60.11

 

CMYK 72 / 72 / 0 / 19

HEX #3A3ACF

RGB 58 58 207

HSL 240, 0.61%, 0.52%

LAB 34.86, 48.05, -76.17

 

CMYK 53 / 72 / 0 / 19

HEX #623ACF

RGB 98 58 207

HSL 256.11, 0.61%, 0.52%

LAB 38.07, 53.07, -70.79

 

CMYK 72 / 14 / 0 / 19

HEX #3AB3CF

RGB 58 179 207

HSL 191.28, 0.61%, 0.52%

LAB 67.76, -23.93, -23.79

 

CMYK 72 / 33 / 0 / 19

HEX #3A8BCF

RGB 58 139 207

HSL 207.38, 0.61%, 0.52%

LAB 55.96, -2.05, -42.12

 

CMYK 72 / 52 / 0 / 19

HEX #3A63CF

RGB 58 99 207

HSL 223.49, 0.61%, 0.52%

LAB 44.7, 22.64, -60.11

 

CMYK 72 / 72 / 0 / 19

HEX #3A3ACF

RGB 58 58 207

HSL 240, 0.61%, 0.52%

LAB 34.86, 48.05, -76.17

 

CMYK 72 / 14 / 0 / 19

HEX #3AB3CF

RGB 58 179 207

HSL 191.28, 0.61%, 0.52%

LAB 67.76, -23.93, -23.79

 

CMYK 83 / 15 / 0 / 11

HEX #26C0E3

RGB 38 192 227

HSL 191.11, 0.77%, 0.52%

LAB 72, -26.07, -28.25

 

CMYK 93 / 17 / 0 / 3

HEX #12CCF7

RGB 18 204 247

HSL 191.27, 0.93%, 0.52%

LAB 76.09, -26.56, -32.75

 

CMYK 72 / 14 / 0 / 19

HEX #3AB3CF

RGB 58 179 207

HSL 191.28, 0.61%, 0.52%

LAB 67.76, -23.93, -23.79

 

CMYK 58 / 11 / 0 / 27

HEX #4EA7BB

RGB 78 167 187

HSL 191.01, 0.44%, 0.52%

LAB 64.04, -20.69, -18.33

 

CMYK 42 / 8 / 0 / 34

HEX #629AA8

RGB 98 154 168

HSL 192, 0.29%, 0.52%

LAB 60.37, -14.64, -13.11

 

CMYK 21 / 4 / 0 / 42

HEX #758E94

RGB 117 142 148

HSL 191.61, 0.13%, 0.52%

LAB 57.33, -7.46, -6.14

 

CMYK 0 / 5 / 7 / 46

HEX #898280

RGB 137 130 128

HSL 13.33, 0.04%, 0.52%

LAB 54.91, 2.26, 2.02

 

CMYK 72 / 0 / 25 / 19

HEX #3ACF9B

RGB 58 207 155

HSL 159.06, 0.61%, 0.52%

LAB 74.76, -50.86, 14.84

 

CMYK 72 / 0 / 6 / 19

HEX #3ACFC3

RGB 58 207 195

HSL 175.17, 0.61%, 0.52%

LAB 75.74, -40.81, -5.24

 

CMYK 72 / 13 / 0 / 19

HEX #3AB4CF

RGB 58 180 207

HSL 190.87, 0.61%, 0.52%

LAB 68.06, -24.43, -23.33

 

CMYK 72 / 32 / 0 / 19

HEX #3A8CCF

RGB 58 140 207

HSL 206.98, 0.61%, 0.52%

LAB 56.25, -2.64, -41.66

 

CMYK 72 / 52 / 0 / 19

HEX #3A64CF

RGB 58 100 207

HSL 223.09, 0.61%, 0.52%

LAB 44.97, 22, -59.67

 

CMYK 76 / 14 / 0 / 42

HEX #247E93

RGB 36 126 147

HSL 191.35, 0.61%, 0.36%

LAB 48.76, -18.57, -18.85

 

CMYK 76 / 14 / 0 / 29

HEX #2C9BB4

RGB 44 155 180

HSL 191.03, 0.61%, 0.44%

LAB 59.23, -21.99, -21.81

 

CMYK 72 / 14 / 0 / 19

HEX #3AB3CF

RGB 58 179 207

HSL 191.28, 0.61%, 0.52%

LAB 67.76, -23.93, -23.79

 

CMYK 58 / 11 / 0 / 16

HEX #5BC0D7

RGB 91 192 215

HSL 191.13, 0.61%, 0.6%

LAB 72.78, -22.83, -20.43

 

CMYK 44 / 8 / 0 / 13

HEX #7CCDDF

RGB 124 205 223

HSL 190.91, 0.61%, 0.68%

LAB 78.04, -20.12, -16.67

 

CMYK 72 / 14 / 0 / 19

HEX #3AB3CF

RGB 58 179 207

HSL 191.28, 0.61%, 0.52%

LAB 67.76, -23.93, -23.79

 

CMYK 44 / 72 / 0 / 19

HEX #733ACF

RGB 115 58 207

HSL 262.95, 0.61%, 0.52%

LAB 39.88, 55.79, -67.76

 

CMYK 0 / 15 / 72 / 19

HEX #CFAF3A

RGB 207 175 58

HSL 47.11, 0.61%, 0.52%

LAB 72.38, -0.65, 61.15

 

CMYK 72 / 14 / 0 / 19

HEX #3AB3CF

RGB 58 179 207

HSL 191.28, 0.61%, 0.52%

LAB 67.76, -23.93, -23.79

 

CMYK 0 / 72 / 13 / 19

HEX #CF3AB4

RGB 207 58 180

HSL 310.87, 0.61%, 0.52%

LAB 51.37, 69.65, -32.93

 

CMYK 13 / 0 / 72 / 19

HEX #B4CF3A

RGB 180 207 58

HSL 70.87, 0.61%, 0.52%

LAB 78.83, -28.22, 66.71

 

CMYK 72 / 14 / 0 / 19

HEX #3AB3CF

RGB 58 179 207

HSL 191.28, 0.61%, 0.52%

LAB 67.76, -23.93, -23.79

 

CMYK 44 / 72 / 0 / 19

HEX #733ACF

RGB 115 58 207

HSL 262.95, 0.61%, 0.52%

LAB 39.88, 55.79, -67.76

 

CMYK 0 / 59 / 72 / 19

HEX #CF553A

RGB 207 85 58

HSL 10.87, 0.61%, 0.52%

LAB 51.91, 46.73, 39.7

 

CMYK 28 / 0 / 72 / 19

HEX #96CF3A

RGB 150 207 58

HSL 82.95, 0.61%, 0.52%

LAB 76.93, -39.96, 64.21

 

CMYK 72 / 14 / 0 / 19

HEX #3AB3CF

RGB 58 179 207

HSL 191.28, 0.61%, 0.52%

LAB 67.76, -23.93, -23.79

 

CMYK 23 / 72 / 0 / 19

HEX #A03ACF

RGB 160 58 207

HSL 281.07, 0.61%, 0.52%

LAB 45.64, 64.09, -58.14

 

CMYK 0 / 59 / 72 / 19

HEX #CF553A

RGB 207 85 58

HSL 10.87, 0.61%, 0.52%

LAB 51.91, 46.73, 39.7

 

CMYK 49 / 0 / 72 / 19

HEX #69CF3A

RGB 105 207 58

HSL 101.07, 0.61%, 0.52%

LAB 74.78, -55.08, 61.35

 

Description

Color code: HEX #3AB3CF | qconv.com Color code: HEX #3AB3CF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 179 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 179 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 14 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 14% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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