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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AB225 it is the complementary color #C54DDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AB225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AB225 shade: #3FB220, #50C433, #61D646, #72E859 and #83FA6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AB225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AB225 shade: #3AB225, #29A012, #188E00, #077C00 and #006A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AB225 shade: #39B224, #60B224, #86B224, #ACB224 and #B29224

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AB225 shade: #39B224, #24B235, #24B25C, #24B282 and #24B2A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AB225 shade matches the following richer shades: #39B224, #2DC313 and #21D402

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AB225 shade: #39B224, #46A036, #528F47, #5E7E58 and #6A6C6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AB225 shade: #85B224, #5FB224, #3AB224, #24B235 and #24B25B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AB225 shade: #236D16, #2E901D, #39B224, #45D42C and #63DB4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AB225 shade: #3AB225, #24ABB2 and #B22472

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AB225 shade: #3AB225, #243AB2 and #B2243A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AB225 shade: #3AB225, #24ABB2, #9D24B2 and #B22B24

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AB225 shade: #3AB225, #2480B2, #9D24B2 and #B25624

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 79 / 30

HEX #3AB225

RGB 58 178 37

HSL 111.06, 0.66%, 0.42%

LAB 64.06, -57.95, 57.36

 

Complementary color

CMYK 10 / 65 / 0 / 15

HEX #C54DDA

RGB 197 77 218

HSL 291.06, 0.66%, 0.58%

LAB 54.28, 66.49, -50.28

 

CMYK 65 / 0 / 82 / 30

HEX #3FB220

RGB 63 178 32

HSL 107.26, 0.7%, 0.41%

LAB 64.16, -57.17, 58.96

 

CMYK 59 / 0 / 74 / 23

HEX #50C433

RGB 80 196 51

HSL 108, 0.59%, 0.48%

LAB 70.47, -58.26, 59.21

 

CMYK 55 / 0 / 67 / 16

HEX #61D646

RGB 97 214 70

HSL 108.75, 0.64%, 0.56%

LAB 76.73, -58.94, 58.76

 

CMYK 51 / 0 / 62 / 9

HEX #72E859

RGB 114 232 89

HSL 109.51, 0.76%, 0.63%

LAB 82.92, -59.34, 57.93

 

CMYK 48 / 0 / 57 / 2

HEX #83FA6C

RGB 131 250 108

HSL 110.28, 0.93%, 0.7%

LAB 89.05, -59.54, 56.91

 

CMYK 67 / 0 / 79 / 30

HEX #3AB225

RGB 58 178 37

HSL 111.06, 0.66%, 0.42%

LAB 64.06, -57.95, 57.36

 

CMYK 74 / 0 / 89 / 37

HEX #29A012

RGB 41 160 18

HSL 110.28, 0.8%, 0.35%

LAB 57.71, -56.23, 56.39

 

CMYK 83 / 0 / 100 / 44

HEX #188E00

RGB 24 142 0

HSL 109.86, 1%, 0.28%

LAB 51.31, -53.71, 54.07

 

CMYK 94 / 0 / 100 / 51

HEX #077C00

RGB 7 124 0

HSL 116.61, 1%, 0.24%

LAB 44.89, -49.95, 48.85

 

CMYK 100 / 0 / 100 / 58

HEX #006A00

RGB 0 106 0

HSL 120, 1%, 0.21%

LAB 38.39, -45.19, 43.61

 

CMYK 68 / 0 / 80 / 30

HEX #39B224

RGB 57 178 36

HSL 111.13, 0.66%, 0.42%

LAB 64.03, -58.22, 57.62

 

CMYK 46 / 0 / 80 / 30

HEX #60B224

RGB 96 178 36

HSL 94.65, 0.66%, 0.42%

LAB 65.32, -47.95, 59.3

 

CMYK 25 / 0 / 80 / 30

HEX #86B224

RGB 134 178 36

HSL 78.59, 0.66%, 0.42%

LAB 67.3, -34.2, 61.85

 

CMYK 3 / 0 / 80 / 30

HEX #ACB224

RGB 172 178 36

HSL 62.54, 0.66%, 0.42%

LAB 69.99, -18.34, 65.27

 

CMYK 0 / 18 / 80 / 30

HEX #B29224

RGB 178 146 36

HSL 46.48, 0.66%, 0.42%

LAB 61.78, 1.17, 58.16

 

CMYK 68 / 0 / 80 / 30

HEX #39B224

RGB 57 178 36

HSL 111.13, 0.66%, 0.42%

LAB 64.03, -58.22, 57.62

 

CMYK 80 / 0 / 70 / 30

HEX #24B235

RGB 36 178 53

HSL 127.18, 0.66%, 0.42%

LAB 63.73, -60.36, 51.24

 

CMYK 80 / 0 / 48 / 30

HEX #24B25C

RGB 36 178 92

HSL 143.66, 0.66%, 0.42%

LAB 64.15, -55.3, 33.73

 

CMYK 80 / 0 / 27 / 30

HEX #24B282

RGB 36 178 130

HSL 159.72, 0.66%, 0.42%

LAB 64.83, -47.67, 14.39

 

CMYK 80 / 0 / 6 / 30

HEX #24B2A8

RGB 36 178 168

HSL 175.77, 0.66%, 0.42%

LAB 65.78, -37.73, -5.23

 

CMYK 68 / 0 / 80 / 30

HEX #39B224

RGB 57 178 36

HSL 111.13, 0.66%, 0.42%

LAB 64.03, -58.22, 57.62

 

CMYK 77 / 0 / 90 / 24

HEX #2DC313

RGB 45 195 19

HSL 111.14, 0.82%, 0.42%

LAB 69.21, -66.38, 66.13

 

CMYK 84 / 0 / 99 / 17

HEX #21D402

RGB 33 212 2

HSL 111.14, 0.98%, 0.42%

LAB 74.45, -73.06, 72.42

 

CMYK 68 / 0 / 80 / 30

HEX #39B224

RGB 57 178 36

HSL 111.13, 0.66%, 0.42%

LAB 64.03, -58.22, 57.62

 

CMYK 56 / 0 / 66 / 37

HEX #46A036

RGB 70 160 54

HSL 110.94, 0.5%, 0.42%

LAB 58.7, -47.3, 45.69

 

CMYK 43 / 0 / 50 / 44

HEX #528F47

RGB 82 143 71

HSL 110.83, 0.34%, 0.42%

LAB 53.91, -34.56, 32.07

 

CMYK 25 / 0 / 30 / 51

HEX #5E7E58

RGB 94 126 88

HSL 110.53, 0.18%, 0.42%

LAB 49.5, -19.3, 17.1

 

CMYK 2 / 0 / 2 / 58

HEX #6A6C6A

RGB 106 108 106

HSL 120, 0.01%, 0.42%

LAB 45.4, -1.18, 0.84

 

CMYK 25 / 0 / 80 / 30

HEX #85B224

RGB 133 178 36

HSL 79.01, 0.66%, 0.42%

LAB 67.24, -34.6, 61.77

 

CMYK 47 / 0 / 80 / 30

HEX #5FB224

RGB 95 178 36

HSL 95.07, 0.66%, 0.42%

LAB 65.28, -48.27, 59.24

 

CMYK 67 / 0 / 80 / 30

HEX #3AB224

RGB 58 178 36

HSL 110.7, 0.66%, 0.42%

LAB 64.05, -58.01, 57.65

 

CMYK 80 / 0 / 70 / 30

HEX #24B235

RGB 36 178 53

HSL 127.18, 0.66%, 0.42%

LAB 63.73, -60.36, 51.24

 

CMYK 80 / 0 / 49 / 30

HEX #24B25B

RGB 36 178 91

HSL 143.24, 0.66%, 0.42%

LAB 64.14, -55.47, 34.23

 

CMYK 68 / 0 / 80 / 57

HEX #236D16

RGB 35 109 22

HSL 111.03, 0.66%, 0.26%

LAB 40.17, -39.68, 39.12

 

CMYK 68 / 0 / 80 / 44

HEX #2E901D

RGB 46 144 29

HSL 111.13, 0.66%, 0.34%

LAB 52.53, -49.36, 48.77

 

CMYK 68 / 0 / 80 / 30

HEX #39B224

RGB 57 178 36

HSL 111.13, 0.66%, 0.42%

LAB 64.03, -58.22, 57.62

 

CMYK 67 / 0 / 79 / 17

HEX #45D42C

RGB 69 212 44

HSL 111.07, 0.66%, 0.5%

LAB 75.16, -66.49, 65.88

 

CMYK 55 / 0 / 64 / 14

HEX #63DB4E

RGB 99 219 78

HSL 111.06, 0.66%, 0.58%

LAB 78.38, -59.53, 57.35

 

CMYK 67 / 0 / 79 / 30

HEX #3AB225

RGB 58 178 37

HSL 111.06, 0.66%, 0.42%

LAB 64.06, -57.95, 57.36

 

CMYK 80 / 4 / 0 / 30

HEX #24ABB2

RGB 36 171 178

HSL 182.96, 0.66%, 0.42%

LAB 63.93, -31.48, -13.56

 

CMYK 0 / 80 / 36 / 30

HEX #B22472

RGB 178 36 114

HSL 327.04, 0.66%, 0.42%

LAB 41.12, 60.91, -9.34

 

CMYK 67 / 0 / 79 / 30

HEX #3AB225

RGB 58 178 37

HSL 111.06, 0.66%, 0.42%

LAB 64.06, -57.95, 57.36

 

CMYK 80 / 67 / 0 / 30

HEX #243AB2

RGB 36 58 178

HSL 230.7, 0.66%, 0.42%

LAB 30.92, 35.98, -65.68

 

CMYK 0 / 80 / 67 / 30

HEX #B2243A

RGB 178 36 58

HSL 350.7, 0.66%, 0.42%

LAB 39.63, 56.37, 23.87

 

CMYK 67 / 0 / 79 / 30

HEX #3AB225

RGB 58 178 37

HSL 111.06, 0.66%, 0.42%

LAB 64.06, -57.95, 57.36

 

CMYK 80 / 4 / 0 / 30

HEX #24ABB2

RGB 36 171 178

HSL 182.96, 0.66%, 0.42%

LAB 63.93, -31.48, -13.56

 

CMYK 12 / 80 / 0 / 30

HEX #9D24B2

RGB 157 36 178

HSL 291.13, 0.66%, 0.42%

LAB 40.64, 65.47, -49.27

 

CMYK 0 / 76 / 80 / 30

HEX #B22B24

RGB 178 43 36

HSL 2.96, 0.66%, 0.42%

LAB 40.11, 53.24, 37.55

 

CMYK 67 / 0 / 79 / 30

HEX #3AB225

RGB 58 178 37

HSL 111.06, 0.66%, 0.42%

LAB 64.06, -57.95, 57.36

 

CMYK 80 / 28 / 0 / 30

HEX #2480B2

RGB 36 128 178

HSL 201.13, 0.66%, 0.42%

LAB 50.72, -8.76, -33.86

 

CMYK 12 / 80 / 0 / 30

HEX #9D24B2

RGB 157 36 178

HSL 291.13, 0.66%, 0.42%

LAB 40.64, 65.47, -49.27

 

CMYK 0 / 52 / 80 / 30

HEX #B25624

RGB 178 86 36

HSL 21.13, 0.66%, 0.42%

LAB 47.3, 34.19, 44.67

 

Description

Color code: HEX #3AB225 | qconv.com Color code: HEX #3AB225 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 178 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 178 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 79 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 79% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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