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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AAFC2 it is the complementary color #C5503D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AAFC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AAFC2 shade: #3FAFBD, #50C1D0, #61D3E3, #72E5F6 and #83F7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AAFC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AAFC2 shade: #3AAFC2, #299DAF, #188B9C, #077989 and #006776

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AAFC2 shade: #39AEC0, #3989C0, #3965C0, #3940C0 and #5739C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AAFC2 shade: #39AEC0, #3989C0, #3965C0, #3940C0 and #3939C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AAFC2 shade matches the following richer shades: #39AEC0, #25BCD5 and #11CBE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AAFC2 shade: #39AEC0, #4E9FAC, #629098, #768284 and #8A7370

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AAFC2 shade: #39C08A, #39C0AE, #39AEC0, #398AC0 and #3966C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AAFC2 shade: #267481, #3091A1, #39AEC0, #56BCCD and #76C9D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AAFC2 shade: #3AAFC2, #6639C0 and #C09C39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AAFC2 shade: #3AAFC2, #C039AE and #AEC039

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AAFC2 shade: #3AAFC2, #6639C0, #C04B39 and #93C039

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AAFC2 shade: #3AAFC2, #8F39C0, #C04B39 and #6BC039

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 10 / 0 / 24

HEX #3AAFC2

RGB 58 175 194

HSL 188.38, 0.54%, 0.49%

LAB 66.1, -25.96, -19.13

 

Complementary color

CMYK 0 / 59 / 69 / 23

HEX #C5503D

RGB 197 80 61

HSL 8.38, 0.54%, 0.51%

LAB 49.43, 45.59, 34.77

 

CMYK 67 / 7 / 0 / 26

HEX #3FAFBD

RGB 63 175 189

HSL 186.67, 0.5%, 0.49%

LAB 66.05, -26.76, -16.42

 

CMYK 62 / 7 / 0 / 18

HEX #50C1D0

RGB 80 193 208

HSL 187.03, 0.58%, 0.56%

LAB 72.49, -27.33, -17.08

 

CMYK 57 / 7 / 0 / 11

HEX #61D3E3

RGB 97 211 227

HSL 187.38, 0.7%, 0.64%

LAB 78.85, -27.75, -17.68

 

CMYK 54 / 7 / 0 / 4

HEX #72E5F6

RGB 114 229 246

HSL 187.73, 0.88%, 0.71%

LAB 85.13, -28.05, -18.25

 

CMYK 49 / 3 / 0 / 0

HEX #83F7FF

RGB 131 247 255

HSL 183.87, 1%, 0.76%

LAB 91.04, -30.86, -14.03

 

CMYK 70 / 10 / 0 / 24

HEX #3AAFC2

RGB 58 175 194

HSL 188.38, 0.54%, 0.49%

LAB 66.1, -25.96, -19.13

 

CMYK 77 / 10 / 0 / 31

HEX #299DAF

RGB 41 157 175

HSL 188.06, 0.62%, 0.42%

LAB 59.6, -24.99, -18.42

 

CMYK 85 / 11 / 0 / 39

HEX #188B9C

RGB 24 139 156

HSL 187.73, 0.73%, 0.35%

LAB 53.01, -23.66, -17.61

 

CMYK 95 / 12 / 0 / 46

HEX #077989

RGB 7 121 137

HSL 187.38, 0.9%, 0.28%

LAB 46.35, -21.86, -16.68

 

CMYK 100 / 13 / 0 / 54

HEX #006776

RGB 0 103 118

HSL 187.63, 1%, 0.23%

LAB 39.59, -19.42, -15.59

 

CMYK 70 / 9 / 0 / 25

HEX #39AEC0

RGB 57 174 192

HSL 188, 0.54%, 0.49%

LAB 65.71, -26.21, -18.62

 

CMYK 70 / 29 / 0 / 25

HEX #3989C0

RGB 57 137 192

HSL 204.44, 0.54%, 0.49%

LAB 54.62, -6.29, -35.72

 

CMYK 70 / 47 / 0 / 25

HEX #3965C0

RGB 57 101 192

HSL 220.44, 0.54%, 0.49%

LAB 44.21, 15.72, -52.25

 

CMYK 70 / 67 / 0 / 25

HEX #3940C0

RGB 57 64 192

HSL 236.89, 0.54%, 0.49%

LAB 34.69, 39.37, -67.72

 

CMYK 55 / 70 / 0 / 25

HEX #5739C0

RGB 87 57 192

HSL 253.33, 0.54%, 0.49%

LAB 35.51, 47.6, -66.27

 

CMYK 70 / 9 / 0 / 25

HEX #39AEC0

RGB 57 174 192

HSL 188, 0.54%, 0.49%

LAB 65.71, -26.21, -18.62

 

CMYK 70 / 29 / 0 / 25

HEX #3989C0

RGB 57 137 192

HSL 204.44, 0.54%, 0.49%

LAB 54.62, -6.29, -35.72

 

CMYK 70 / 47 / 0 / 25

HEX #3965C0

RGB 57 101 192

HSL 220.44, 0.54%, 0.49%

LAB 44.21, 15.72, -52.25

 

CMYK 70 / 67 / 0 / 25

HEX #3940C0

RGB 57 64 192

HSL 236.89, 0.54%, 0.49%

LAB 34.69, 39.37, -67.72

 

CMYK 70 / 70 / 0 / 25

HEX #3939C0

RGB 57 57 192

HSL 240, 0.54%, 0.49%

LAB 33.14, 43.57, -70.26

 

CMYK 70 / 9 / 0 / 25

HEX #39AEC0

RGB 57 174 192

HSL 188, 0.54%, 0.49%

LAB 65.71, -26.21, -18.62

 

CMYK 83 / 12 / 0 / 16

HEX #25BCD5

RGB 37 188 213

HSL 188.52, 0.7%, 0.49%

LAB 70.29, -28.67, -23.24

 

CMYK 93 / 13 / 0 / 9

HEX #11CBE9

RGB 17 203 233

HSL 188.33, 0.86%, 0.49%

LAB 75.27, -30.67, -26.48

 

CMYK 70 / 9 / 0 / 25

HEX #39AEC0

RGB 57 174 192

HSL 188, 0.54%, 0.49%

LAB 65.71, -26.21, -18.62

 

CMYK 55 / 8 / 0 / 33

HEX #4E9FAC

RGB 78 159 172

HSL 188.3, 0.38%, 0.49%

LAB 61.13, -20.93, -14.31

 

CMYK 36 / 5 / 0 / 40

HEX #629098

RGB 98 144 152

HSL 188.89, 0.22%, 0.49%

LAB 56.89, -13.46, -9.22

 

CMYK 11 / 2 / 0 / 48

HEX #768284

RGB 118 130 132

HSL 188.57, 0.06%, 0.49%

LAB 53.47, -3.96, -2.59

 

CMYK 0 / 17 / 19 / 46

HEX #8A7370

RGB 138 115 112

HSL 6.92, 0.1%, 0.49%

LAB 50.49, 8.47, 5.01

 

CMYK 70 / 0 / 28 / 25

HEX #39C08A

RGB 57 192 138

HSL 156, 0.54%, 0.49%

LAB 69.76, -48.75, 16.97

 

CMYK 70 / 0 / 9 / 25

HEX #39C0AE

RGB 57 192 174

HSL 172, 0.54%, 0.49%

LAB 70.61, -39.93, -1.38

 

CMYK 70 / 9 / 0 / 25

HEX #39AEC0

RGB 57 174 192

HSL 188, 0.54%, 0.49%

LAB 65.71, -26.21, -18.62

 

CMYK 70 / 28 / 0 / 25

HEX #398AC0

RGB 57 138 192

HSL 204, 0.54%, 0.49%

LAB 54.92, -6.86, -35.26

 

CMYK 70 / 47 / 0 / 25

HEX #3966C0

RGB 57 102 192

HSL 220, 0.54%, 0.49%

LAB 44.49, 15.08, -51.81

 

CMYK 71 / 10 / 0 / 49

HEX #267481

RGB 38 116 129

HSL 188.57, 0.54%, 0.33%

LAB 44.92, -18.89, -14.04

 

CMYK 70 / 10 / 0 / 37

HEX #3091A1

RGB 48 145 161

HSL 188.5, 0.54%, 0.41%

LAB 55.54, -22.4, -16.61

 

CMYK 70 / 9 / 0 / 25

HEX #39AEC0

RGB 57 174 192

HSL 188, 0.54%, 0.49%

LAB 65.71, -26.21, -18.62

 

CMYK 58 / 8 / 0 / 20

HEX #56BCCD

RGB 86 188 205

HSL 188.57, 0.54%, 0.57%

LAB 71.11, -24.63, -17.51

 

CMYK 45 / 6 / 0 / 16

HEX #76C9D6

RGB 118 201 214

HSL 188.13, 0.54%, 0.65%

LAB 76.36, -21.88, -14.37

 

CMYK 70 / 10 / 0 / 24

HEX #3AAFC2

RGB 58 175 194

HSL 188.38, 0.54%, 0.49%

LAB 66.1, -25.96, -19.13

 

CMYK 47 / 70 / 0 / 25

HEX #6639C0

RGB 102 57 192

HSL 260, 0.54%, 0.49%

LAB 37.03, 50.08, -63.73

 

CMYK 0 / 19 / 70 / 25

HEX #C09C39

RGB 192 156 57

HSL 44, 0.54%, 0.49%

LAB 65.97, 2.9, 54.62

 

CMYK 70 / 10 / 0 / 24

HEX #3AAFC2

RGB 58 175 194

HSL 188.38, 0.54%, 0.49%

LAB 66.1, -25.96, -19.13

 

CMYK 0 / 70 / 9 / 25

HEX #C039AE

RGB 192 57 174

HSL 308, 0.54%, 0.49%

LAB 48.5, 65.58, -34.08

 

CMYK 9 / 0 / 70 / 25

HEX #AEC039

RGB 174 192 57

HSL 68, 0.54%, 0.49%

LAB 74.19, -23.5, 62.37

 

CMYK 70 / 10 / 0 / 24

HEX #3AAFC2

RGB 58 175 194

HSL 188.38, 0.54%, 0.49%

LAB 66.1, -25.96, -19.13

 

CMYK 47 / 70 / 0 / 25

HEX #6639C0

RGB 102 57 192

HSL 260, 0.54%, 0.49%

LAB 37.03, 50.08, -63.73

 

CMYK 0 / 61 / 70 / 25

HEX #C04B39

RGB 192 75 57

HSL 8, 0.54%, 0.49%

LAB 47.67, 45.9, 34.76

 

CMYK 23 / 0 / 70 / 25

HEX #93C039

RGB 147 192 57

HSL 80, 0.54%, 0.49%

LAB 72.36, -34.41, 59.95

 

CMYK 70 / 10 / 0 / 24

HEX #3AAFC2

RGB 58 175 194

HSL 188.38, 0.54%, 0.49%

LAB 66.1, -25.96, -19.13

 

CMYK 26 / 70 / 0 / 25

HEX #8F39C0

RGB 143 57 192

HSL 278.22, 0.54%, 0.49%

LAB 42.11, 57.93, -55.25

 

CMYK 0 / 61 / 70 / 25

HEX #C04B39

RGB 192 75 57

HSL 8, 0.54%, 0.49%

LAB 47.67, 45.9, 34.76

 

CMYK 44 / 0 / 70 / 25

HEX #6BC039

RGB 107 192 57

HSL 97.78, 0.54%, 0.49%

LAB 70.26, -48.69, 57.14

 

Description

Color code: HEX #3AAFC2 | qconv.com Color code: HEX #3AAFC2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 175 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 175 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 10 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 10% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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