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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AAE98 it is the complementary color #C55167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AAE98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AAE98 shade: #3FAE93, #50C0A6, #61D2B9, #72E4CC and #83F6DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AAE98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AAE98 shade: #3AAE98, #299C85, #188A72, #07785F and #00664C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AAE98 shade: #39AC96, #39AC77, #39AC58, #39AC3A and #58AC39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AAE98 shade: #39AC96, #39A3AC, #3984AC, #3965AC and #3946AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AAE98 shade matches the following richer shades: #39AC96, #27BFA2, #14D1AD and #02E4B9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AAE98 shade: #39AC96, #4C9A8B, #5F877F, #717474 and #846268

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AAE98 shade: #39AC58, #39AC77, #39AC95, #39A4AC and #3986AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AAE98 shade: #256E60, #2F8D7B, #39AC96, #4CC3AD and #6BCEBB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AAE98 shade: #3AAE98, #3939AC and #AC6739

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AAE98 shade: #3AAE98, #9539AC and #AC9539

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AAE98 shade: #3AAE98, #3939AC, #AC3950 and #ACAC39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AAE98 shade: #3AAE98, #5C39AC, #AC3950 and #8AAC39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 13 / 32

HEX #3AAE98

RGB 58 174 152

HSL 168.62, 0.5%, 0.45%

LAB 64.51, -37.52, 1.85

 

Complementary color

CMYK 0 / 59 / 48 / 23

HEX #C55167

RGB 197 81 103

HSL 348.62, 0.5%, 0.55%

LAB 50.38, 48.23, 11.26

 

CMYK 64 / 0 / 16 / 32

HEX #3FAE93

RGB 63 174 147

HSL 165.41, 0.47%, 0.46%

LAB 64.51, -37.95, 4.64

 

CMYK 58 / 0 / 14 / 25

HEX #50C0A6

RGB 80 192 166

HSL 166.07, 0.47%, 0.53%

LAB 70.98, -38.15, 3.59

 

CMYK 54 / 0 / 12 / 18

HEX #61D2B9

RGB 97 210 185

HSL 166.73, 0.56%, 0.6%

LAB 77.36, -38.22, 2.63

 

CMYK 50 / 0 / 11 / 11

HEX #72E4CC

RGB 114 228 204

HSL 167.37, 0.68%, 0.67%

LAB 83.66, -38.22, 1.75

 

CMYK 47 / 0 / 9 / 4

HEX #83F6DF

RGB 131 246 223

HSL 168, 0.86%, 0.74%

LAB 89.89, -38.17, 0.93

 

CMYK 67 / 0 / 13 / 32

HEX #3AAE98

RGB 58 174 152

HSL 168.62, 0.5%, 0.45%

LAB 64.51, -37.52, 1.85

 

CMYK 74 / 0 / 15 / 39

HEX #299C85

RGB 41 156 133

HSL 168, 0.58%, 0.39%

LAB 57.98, -36.97, 3

 

CMYK 83 / 0 / 17 / 46

HEX #188A72

RGB 24 138 114

HSL 167.37, 0.7%, 0.32%

LAB 51.37, -36.08, 4.31

 

CMYK 94 / 0 / 21 / 53

HEX #07785F

RGB 7 120 95

HSL 166.73, 0.89%, 0.25%

LAB 44.67, -34.7, 5.81

 

CMYK 100 / 0 / 25 / 60

HEX #00664C

RGB 0 102 76

HSL 164.71, 1%, 0.2%

LAB 37.89, -32.57, 7.59

 

CMYK 67 / 0 / 13 / 33

HEX #39AC96

RGB 57 172 150

HSL 168.52, 0.5%, 0.45%

LAB 63.82, -37.3, 1.95

 

CMYK 67 / 0 / 31 / 33

HEX #39AC77

RGB 57 172 119

HSL 152.35, 0.5%, 0.45%

LAB 63.1, -44.7, 18.08

 

CMYK 67 / 0 / 49 / 33

HEX #39AC58

RGB 57 172 88

HSL 136.17, 0.5%, 0.45%

LAB 62.57, -50.49, 33.88

 

CMYK 67 / 0 / 66 / 33

HEX #39AC3A

RGB 57 172 58

HSL 120.52, 0.5%, 0.45%

LAB 62.24, -54.39, 47.71

 

CMYK 49 / 0 / 67 / 33

HEX #58AC39

RGB 88 172 57

HSL 103.83, 0.5%, 0.45%

LAB 63.24, -46.58, 49.52

 

CMYK 67 / 0 / 13 / 33

HEX #39AC96

RGB 57 172 150

HSL 168.52, 0.5%, 0.45%

LAB 63.82, -37.3, 1.95

 

CMYK 67 / 5 / 0 / 33

HEX #39A3AC

RGB 57 163 172

HSL 184.7, 0.5%, 0.45%

LAB 61.69, -26.81, -13.53

 

CMYK 67 / 23 / 0 / 33

HEX #3984AC

RGB 57 132 172

HSL 200.87, 0.5%, 0.45%

LAB 52.23, -10.28, -28

 

CMYK 67 / 41 / 0 / 33

HEX #3965AC

RGB 57 101 172

HSL 217.04, 0.5%, 0.45%

LAB 43, 8.42, -42.52

 

CMYK 67 / 59 / 0 / 33

HEX #3946AC

RGB 57 70 172

HSL 233.22, 0.5%, 0.45%

LAB 34.45, 28.55, -56.27

 

CMYK 67 / 0 / 13 / 33

HEX #39AC96

RGB 57 172 150

HSL 168.52, 0.5%, 0.45%

LAB 63.82, -37.3, 1.95

 

CMYK 80 / 0 / 15 / 25

HEX #27BFA2

RGB 39 191 162

HSL 168.55, 0.66%, 0.45%

LAB 69.68, -44.8, 3.79

 

CMYK 90 / 0 / 17 / 18

HEX #14D1AD

RGB 20 209 173

HSL 168.57, 0.83%, 0.45%

LAB 75.31, -50.75, 5.92

 

CMYK 99 / 0 / 19 / 11

HEX #02E4B9

RGB 2 228 185

HSL 168.58, 0.98%, 0.45%

LAB 81.29, -55.85, 8.12

 

CMYK 67 / 0 / 13 / 33

HEX #39AC96

RGB 57 172 150

HSL 168.52, 0.5%, 0.45%

LAB 63.82, -37.3, 1.95

 

CMYK 51 / 0 / 10 / 40

HEX #4C9A8B

RGB 76 154 139

HSL 168.46, 0.34%, 0.45%

LAB 58.52, -27.85, 0.5

 

CMYK 30 / 0 / 6 / 47

HEX #5F877F

RGB 95 135 127

HSL 168, 0.17%, 0.45%

LAB 53.27, -15.68, -0.17

 

CMYK 3 / 0 / 0 / 55

HEX #717474

RGB 113 116 116

HSL 180, 0.01%, 0.45%

LAB 48.59, -1.13, -0.4

 

CMYK 0 / 26 / 21 / 48

HEX #846268

RGB 132 98 104

HSL 349.41, 0.15%, 0.45%

LAB 45.14, 14.73, 1.98

 

CMYK 67 / 0 / 49 / 33

HEX #39AC58

RGB 57 172 88

HSL 136.17, 0.5%, 0.45%

LAB 62.57, -50.49, 33.88

 

CMYK 67 / 0 / 31 / 33

HEX #39AC77

RGB 57 172 119

HSL 152.35, 0.5%, 0.45%

LAB 63.1, -44.7, 18.08

 

CMYK 67 / 0 / 13 / 33

HEX #39AC95

RGB 57 172 149

HSL 168, 0.5%, 0.45%

LAB 63.79, -37.56, 2.47

 

CMYK 67 / 5 / 0 / 33

HEX #39A4AC

RGB 57 164 172

HSL 184.17, 0.5%, 0.45%

LAB 62, -27.31, -13.07

 

CMYK 67 / 22 / 0 / 33

HEX #3986AC

RGB 57 134 172

HSL 199.83, 0.5%, 0.45%

LAB 52.84, -11.41, -27.05

 

CMYK 66 / 0 / 13 / 57

HEX #256E60

RGB 37 110 96

HSL 168.49, 0.5%, 0.29%

LAB 41.83, -26.1, 1.19

 

CMYK 67 / 0 / 13 / 45

HEX #2F8D7B

RGB 47 141 123

HSL 168.51, 0.5%, 0.37%

LAB 53.04, -31.83, 1.58

 

CMYK 67 / 0 / 13 / 33

HEX #39AC96

RGB 57 172 150

HSL 168.52, 0.5%, 0.45%

LAB 63.82, -37.3, 1.95

 

CMYK 61 / 0 / 11 / 24

HEX #4CC3AD

RGB 76 195 173

HSL 168.91, 0.5%, 0.53%

LAB 71.95, -38.51, 1.17

 

CMYK 48 / 0 / 9 / 19

HEX #6BCEBB

RGB 107 206 187

HSL 168.48, 0.5%, 0.61%

LAB 76.59, -33.68, 0.48

 

CMYK 67 / 0 / 13 / 32

HEX #3AAE98

RGB 58 174 152

HSL 168.62, 0.5%, 0.45%

LAB 64.51, -37.52, 1.85

 

CMYK 67 / 67 / 0 / 33

HEX #3939AC

RGB 57 57 172

HSL 240, 0.5%, 0.45%

LAB 31.29, 36.82, -61.44

 

CMYK 0 / 40 / 67 / 33

HEX #AC6739

RGB 172 103 57

HSL 24, 0.5%, 0.45%

LAB 50.41, 23.51, 37.14

 

CMYK 67 / 0 / 13 / 32

HEX #3AAE98

RGB 58 174 152

HSL 168.62, 0.5%, 0.45%

LAB 64.51, -37.52, 1.85

 

CMYK 13 / 67 / 0 / 33

HEX #9539AC

RGB 149 57 172

HSL 288, 0.5%, 0.45%

LAB 41.68, 55.1, -44.12

 

CMYK 0 / 13 / 67 / 33

HEX #AC9539

RGB 172 149 57

HSL 48, 0.5%, 0.45%

LAB 62.14, -2.13, 50.02

 

CMYK 67 / 0 / 13 / 32

HEX #3AAE98

RGB 58 174 152

HSL 168.62, 0.5%, 0.45%

LAB 64.51, -37.52, 1.85

 

CMYK 67 / 67 / 0 / 33

HEX #3939AC

RGB 57 57 172

HSL 240, 0.5%, 0.45%

LAB 31.29, 36.82, -61.44

 

CMYK 0 / 67 / 53 / 33

HEX #AC3950

RGB 172 57 80

HSL 348, 0.5%, 0.45%

LAB 41.65, 48.52, 12.57

 

CMYK 0 / 0 / 67 / 33

HEX #ACAC39

RGB 172 172 57

HSL 60, 0.5%, 0.45%

LAB 68.44, -14.31, 56.56

 

CMYK 67 / 0 / 13 / 32

HEX #3AAE98

RGB 58 174 152

HSL 168.62, 0.5%, 0.45%

LAB 64.51, -37.52, 1.85

 

CMYK 47 / 67 / 0 / 33

HEX #5C39AC

RGB 92 57 172

HSL 258.26, 0.5%, 0.45%

LAB 34.36, 42.68, -56.31

 

CMYK 0 / 67 / 53 / 33

HEX #AC3950

RGB 172 57 80

HSL 348, 0.5%, 0.45%

LAB 41.65, 48.52, 12.57

 

CMYK 20 / 0 / 67 / 33

HEX #8AAC39

RGB 138 172 57

HSL 77.74, 0.5%, 0.45%

LAB 65.91, -28.59, 53.15

 

Description

Color code: HEX #3AAE98 | qconv.com Color code: HEX #3AAE98 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 174 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 174 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 13 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 13% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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