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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AA929 it is the complementary color #C556D6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AA929. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AA929 shade: #3FA924, #50BB37, #61CD4A, #72DF5D and #83F170

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AA929. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AA929 shade: #3AA929, #299716, #188503, #077300 and #006100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AA929 shade: #3AA829, #5CA829, #7FA829, #A1A829 and #A88D29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AA929 shade: #3AA829, #29A83A, #29A85D, #29A87F and #29A8A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AA929 shade matches the following richer shades: #3AA829, #2DB918 and #21CA07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AA929 shade: #3AA829, #46973A, #53864B, #5F765C and #6B656C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AA929 shade: #7EA829, #5CA829, #3AA829, #29A83A and #29A85C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AA929 shade: #236619, #2E8721, #3AA829, #45CA31 and #61D44F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AA929 shade: #3AA929, #29A0A8 and #A8296D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AA929 shade: #3AA929, #293AA8 and #A8293A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AA929 shade: #3AA929, #29A0A8, #9729A8 and #A83129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AA929 shade: #3AA929, #297AA8, #9729A8 and #A85829

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 76 / 34

HEX #3AA929

RGB 58 169 41

HSL 112.03, 0.61%, 0.41%

LAB 61.16, -54.62, 53.23

 

Complementary color

CMYK 8 / 60 / 0 / 16

HEX #C556D6

RGB 197 86 214

HSL 292.03, 0.61%, 0.59%

LAB 55.46, 61.89, -46.14

 

CMYK 63 / 0 / 79 / 34

HEX #3FA924

RGB 63 169 36

HSL 107.82, 0.65%, 0.4%

LAB 61.27, -53.83, 55.06

 

CMYK 57 / 0 / 71 / 27

HEX #50BB37

RGB 80 187 55

HSL 108.64, 0.55%, 0.47%

LAB 67.67, -54.72, 54.9

 

CMYK 53 / 0 / 64 / 20

HEX #61CD4A

RGB 97 205 74

HSL 109.47, 0.57%, 0.55%

LAB 74, -55.23, 54.18

 

CMYK 49 / 0 / 58 / 13

HEX #72DF5D

RGB 114 223 93

HSL 110.31, 0.67%, 0.62%

LAB 80.26, -55.5, 53.18

 

CMYK 46 / 0 / 54 / 5

HEX #83F170

RGB 131 241 112

HSL 111.16, 0.82%, 0.69%

LAB 86.46, -55.6, 52.06

 

CMYK 66 / 0 / 76 / 34

HEX #3AA929

RGB 58 169 41

HSL 112.03, 0.61%, 0.41%

LAB 61.16, -54.62, 53.23

 

CMYK 73 / 0 / 85 / 41

HEX #299716

RGB 41 151 22

HSL 111.16, 0.75%, 0.34%

LAB 54.72, -53.13, 52.82

 

CMYK 82 / 0 / 98 / 48

HEX #188503

RGB 24 133 3

HSL 110.31, 0.96%, 0.27%

LAB 48.23, -50.82, 51.01

 

CMYK 94 / 0 / 100 / 55

HEX #077300

RGB 7 115 0

HSL 116.35, 1%, 0.23%

LAB 41.7, -47.23, 46.3

 

CMYK 100 / 0 / 100 / 62

HEX #006100

RGB 0 97 0

HSL 120, 1%, 0.19%

LAB 35.1, -42.46, 40.98

 

CMYK 65 / 0 / 76 / 34

HEX #3AA829

RGB 58 168 41

HSL 111.97, 0.61%, 0.41%

LAB 60.84, -54.28, 52.91

 

CMYK 45 / 0 / 76 / 34

HEX #5CA829

RGB 92 168 41

HSL 95.91, 0.61%, 0.41%

LAB 62.03, -44.94, 54.49

 

CMYK 24 / 0 / 76 / 34

HEX #7FA829

RGB 127 168 41

HSL 79.37, 0.61%, 0.41%

LAB 63.9, -32.11, 56.94

 

CMYK 4 / 0 / 76 / 34

HEX #A1A829

RGB 161 168 41

HSL 63.31, 0.61%, 0.41%

LAB 66.32, -17.84, 60.09

 

CMYK 0 / 16 / 76 / 34

HEX #A88D29

RGB 168 141 41

HSL 47.24, 0.61%, 0.41%

LAB 59.47, -0.4, 53.84

 

CMYK 65 / 0 / 76 / 34

HEX #3AA829

RGB 58 168 41

HSL 111.97, 0.61%, 0.41%

LAB 60.84, -54.28, 52.91

 

CMYK 76 / 0 / 65 / 34

HEX #29A83A

RGB 41 168 58

HSL 128.03, 0.61%, 0.41%

LAB 60.59, -55.9, 45.8

 

CMYK 76 / 0 / 45 / 34

HEX #29A85D

RGB 41 168 93

HSL 144.57, 0.61%, 0.41%

LAB 61.02, -50.85, 29.23

 

CMYK 76 / 0 / 24 / 34

HEX #29A87F

RGB 41 168 127

HSL 160.63, 0.61%, 0.41%

LAB 61.66, -43.7, 11.62

 

CMYK 76 / 0 / 4 / 34

HEX #29A8A1

RGB 41 168 161

HSL 176.69, 0.61%, 0.41%

LAB 62.55, -34.63, -6.1

 

CMYK 65 / 0 / 76 / 34

HEX #3AA829

RGB 58 168 41

HSL 111.97, 0.61%, 0.41%

LAB 60.84, -54.28, 52.91

 

CMYK 76 / 0 / 87 / 27

HEX #2DB918

RGB 45 185 24

HSL 112.17, 0.77%, 0.41%

LAB 66, -63.17, 62.41

 

CMYK 84 / 0 / 97 / 21

HEX #21CA07

RGB 33 202 7

HSL 112, 0.93%, 0.41%

LAB 71.27, -70.16, 69.32

 

CMYK 65 / 0 / 76 / 34

HEX #3AA829

RGB 58 168 41

HSL 111.97, 0.61%, 0.41%

LAB 60.84, -54.28, 52.91

 

CMYK 54 / 0 / 62 / 41

HEX #46973A

RGB 70 151 58

HSL 112.26, 0.44%, 0.41%

LAB 55.83, -43.32, 40.68

 

CMYK 38 / 0 / 44 / 47

HEX #53864B

RGB 83 134 75

HSL 111.86, 0.28%, 0.41%

LAB 51.15, -29.45, 26.46

 

CMYK 19 / 0 / 22 / 54

HEX #5F765C

RGB 95 118 92

HSL 113.08, 0.12%, 0.41%

LAB 47.19, -13.89, 11.6

 

CMYK 1 / 6 / 0 / 58

HEX #6B656C

RGB 107 101 108

HSL 291.43, 0.03%, 0.41%

LAB 43.53, 3.79, -3.1

 

CMYK 25 / 0 / 76 / 34

HEX #7EA829

RGB 126 168 41

HSL 79.84, 0.61%, 0.41%

LAB 63.84, -32.51, 56.86

 

CMYK 45 / 0 / 76 / 34

HEX #5CA829

RGB 92 168 41

HSL 95.91, 0.61%, 0.41%

LAB 62.03, -44.94, 54.49

 

CMYK 65 / 0 / 76 / 34

HEX #3AA829

RGB 58 168 41

HSL 111.97, 0.61%, 0.41%

LAB 60.84, -54.28, 52.91

 

CMYK 76 / 0 / 65 / 34

HEX #29A83A

RGB 41 168 58

HSL 128.03, 0.61%, 0.41%

LAB 60.59, -55.9, 45.8

 

CMYK 76 / 0 / 45 / 34

HEX #29A85C

RGB 41 168 92

HSL 144.09, 0.61%, 0.41%

LAB 61, -51.03, 29.74

 

CMYK 66 / 0 / 75 / 60

HEX #236619

RGB 35 102 25

HSL 112.21, 0.61%, 0.25%

LAB 37.72, -36.75, 35.47

 

CMYK 66 / 0 / 76 / 47

HEX #2E8721

RGB 46 135 33

HSL 112.35, 0.61%, 0.33%

LAB 49.52, -45.85, 44.4

 

CMYK 65 / 0 / 76 / 34

HEX #3AA829

RGB 58 168 41

HSL 111.97, 0.61%, 0.41%

LAB 60.84, -54.28, 52.91

 

CMYK 66 / 0 / 76 / 21

HEX #45CA31

RGB 69 202 49

HSL 112.16, 0.61%, 0.49%

LAB 72.05, -62.91, 61.35

 

CMYK 54 / 0 / 63 / 17

HEX #61D44F

RGB 97 212 79

HSL 111.88, 0.61%, 0.57%

LAB 76.19, -57.36, 54.49

 

CMYK 66 / 0 / 76 / 34

HEX #3AA929

RGB 58 169 41

HSL 112.03, 0.61%, 0.41%

LAB 61.16, -54.62, 53.23

 

CMYK 76 / 5 / 0 / 34

HEX #29A0A8

RGB 41 160 168

HSL 183.78, 0.61%, 0.41%

LAB 60.28, -28.7, -13.43

 

CMYK 0 / 76 / 35 / 34

HEX #A8296D

RGB 168 41 109

HSL 327.87, 0.61%, 0.41%

LAB 39.61, 56.23, -8.68

 

CMYK 66 / 0 / 76 / 34

HEX #3AA929

RGB 58 169 41

HSL 112.03, 0.61%, 0.41%

LAB 61.16, -54.62, 53.23

 

CMYK 76 / 65 / 0 / 34

HEX #293AA8

RGB 41 58 168

HSL 231.97, 0.61%, 0.41%

LAB 30.22, 32.79, -60.84

 

CMYK 0 / 76 / 65 / 34

HEX #A8293A

RGB 168 41 58

HSL 351.97, 0.61%, 0.41%

LAB 38.23, 51.82, 21.68

 

CMYK 66 / 0 / 76 / 34

HEX #3AA929

RGB 58 169 41

HSL 112.03, 0.61%, 0.41%

LAB 61.16, -54.62, 53.23

 

CMYK 76 / 5 / 0 / 34

HEX #29A0A8

RGB 41 160 168

HSL 183.78, 0.61%, 0.41%

LAB 60.28, -28.7, -13.43

 

CMYK 10 / 76 / 0 / 34

HEX #9729A8

RGB 151 41 168

HSL 291.97, 0.61%, 0.41%

LAB 39.57, 60.94, -45.1

 

CMYK 0 / 71 / 76 / 34

HEX #A83129

RGB 168 49 41

HSL 3.78, 0.61%, 0.41%

LAB 39.04, 48.01, 32.99

 

CMYK 66 / 0 / 76 / 34

HEX #3AA929

RGB 58 169 41

HSL 112.03, 0.61%, 0.41%

LAB 61.16, -54.62, 53.23

 

CMYK 76 / 27 / 0 / 34

HEX #297AA8

RGB 41 122 168

HSL 201.73, 0.61%, 0.41%

LAB 48.53, -8.31, -31.47

 

CMYK 10 / 76 / 0 / 34

HEX #9729A8

RGB 151 41 168

HSL 291.97, 0.61%, 0.41%

LAB 39.57, 60.94, -45.1

 

CMYK 0 / 48 / 76 / 34

HEX #A85829

RGB 168 88 41

HSL 22.2, 0.61%, 0.41%

LAB 46.26, 29.21, 40.72

 

Description

Color code: HEX #3AA929 | qconv.com Color code: HEX #3AA929 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 169 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 169 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 76 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 76% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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