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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AA5E4 it is the complementary color #C55A1B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AA5E4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AA5E4 shade: #3FA5DF, #50B7F2, #61C9FF, #72DBFF and #83EDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AA5E4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AA5E4 shade: #3AA5E4, #2993D1, #1881BE, #076FAB and #005D98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AA5E4 shade: #3AA5E4, #3A77E4, #3A49E4, #583AE4 and #863AE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AA5E4 shade: #3AA5E4, #3A77E4, #3A49E4 and #3A3AE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AA5E4 shade matches the following richer shades: #3AA5E4 and #27AAF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AA5E4 shade: #3AA5E4, #4CA0D2, #5E9BC0, #7097AE and #82929B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AA5E4 shade: #3AE4C8, #3AD3E4, #3AA6E4, #3A78E4 and #3A4BE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AA5E4 shade: #187AB3, #1D92D7, #3AA5E4, #5EB5E9 and #82C6EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AA5E4 shade: #3AA5E4, #9A3AE4 and #E4DE3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AA5E4 shade: #3AA5E4, #E43AA6 and #A6E43A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AA5E4 shade: #3AA5E4, #9A3AE4, #E4783A and #83E43A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AA5E4 shade: #3AA5E4, #CD3AE4, #E4783A and #50E43A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 28 / 0 / 11

HEX #3AA5E4

RGB 58 165 228

HSL 202.24, 0.76%, 0.56%

LAB 64.49, -9.56, -40.41

 

Complementary color

CMYK 0 / 54 / 86 / 23

HEX #C55A1B

RGB 197 90 27

HSL 22.24, 0.76%, 0.44%

LAB 50.99, 39.44, 52.91

 

CMYK 72 / 26 / 0 / 13

HEX #3FA5DF

RGB 63 165 223

HSL 201.75, 0.71%, 0.56%

LAB 64.4, -10.62, -37.79

 

CMYK 67 / 24 / 0 / 5

HEX #50B7F2

RGB 80 183 242

HSL 201.85, 0.86%, 0.63%

LAB 70.86, -11.73, -38.08

 

CMYK 62 / 21 / 0 / 0

HEX #61C9FF

RGB 97 201 255

HSL 200.51, 1%, 0.69%

LAB 77, -14.47, -35.5

 

CMYK 55 / 14 / 0 / 0

HEX #72DBFF

RGB 114 219 255

HSL 195.32, 1%, 0.72%

LAB 82.63, -20.62, -26.81

 

CMYK 49 / 7 / 0 / 0

HEX #83EDFF

RGB 131 237 255

HSL 188.71, 1%, 0.76%

LAB 88.26, -26.06, -18.19

 

CMYK 75 / 28 / 0 / 11

HEX #3AA5E4

RGB 58 165 228

HSL 202.24, 0.76%, 0.56%

LAB 64.49, -9.56, -40.41

 

CMYK 80 / 30 / 0 / 18

HEX #2993D1

RGB 41 147 209

HSL 202.14, 0.67%, 0.49%

LAB 57.98, -7.96, -40.09

 

CMYK 87 / 32 / 0 / 25

HEX #1881BE

RGB 24 129 190

HSL 202.05, 0.78%, 0.42%

LAB 51.4, -5.94, -39.71

 

CMYK 96 / 35 / 0 / 33

HEX #076FAB

RGB 7 111 171

HSL 201.95, 0.92%, 0.35%

LAB 44.74, -3.37, -39.24

 

CMYK 100 / 39 / 0 / 40

HEX #005D98

RGB 0 93 152

HSL 203.29, 1%, 0.3%

LAB 38.01, -0.11, -38.66

 

CMYK 75 / 28 / 0 / 11

HEX #3AA5E4

RGB 58 165 228

HSL 202.24, 0.76%, 0.56%

LAB 64.49, -9.56, -40.41

 

CMYK 75 / 48 / 0 / 11

HEX #3A77E4

RGB 58 119 228

HSL 218.47, 0.76%, 0.56%

LAB 51.49, 17.69, -61.07

 

CMYK 75 / 68 / 0 / 11

HEX #3A49E4

RGB 58 73 228

HSL 234.71, 0.76%, 0.56%

LAB 40.03, 46.34, -79.73

 

CMYK 61 / 75 / 0 / 11

HEX #583AE4

RGB 88 58 228

HSL 250.59, 0.76%, 0.56%

LAB 39.07, 57.71, -81.23

 

CMYK 41 / 75 / 0 / 11

HEX #863AE4

RGB 134 58 228

HSL 266.82, 0.76%, 0.56%

LAB 43.79, 64.11, -73.31

 

CMYK 75 / 28 / 0 / 11

HEX #3AA5E4

RGB 58 165 228

HSL 202.24, 0.76%, 0.56%

LAB 64.49, -9.56, -40.41

 

CMYK 75 / 48 / 0 / 11

HEX #3A77E4

RGB 58 119 228

HSL 218.47, 0.76%, 0.56%

LAB 51.49, 17.69, -61.07

 

CMYK 75 / 68 / 0 / 11

HEX #3A49E4

RGB 58 73 228

HSL 234.71, 0.76%, 0.56%

LAB 40.03, 46.34, -79.73

 

CMYK 75 / 75 / 0 / 11

HEX #3A3AE4

RGB 58 58 228

HSL 240, 0.76%, 0.56%

LAB 36.98, 54.79, -84.76

 

CMYK 75 / 28 / 0 / 11

HEX #3AA5E4

RGB 58 165 228

HSL 202.24, 0.76%, 0.56%

LAB 64.49, -9.56, -40.41

 

CMYK 84 / 31 / 0 / 4

HEX #27AAF6

RGB 39 170 246

HSL 202.03, 0.92%, 0.56%

LAB 66.39, -7.87, -47.31

 

CMYK 75 / 28 / 0 / 11

HEX #3AA5E4

RGB 58 165 228

HSL 202.24, 0.76%, 0.56%

LAB 64.49, -9.56, -40.41

 

CMYK 64 / 24 / 0 / 18

HEX #4CA0D2

RGB 76 160 210

HSL 202.39, 0.6%, 0.56%

LAB 62.79, -10.17, -33.07

 

CMYK 51 / 19 / 0 / 25

HEX #5E9BC0

RGB 94 155 192

HSL 202.65, 0.44%, 0.56%

LAB 61.33, -9.37, -25.2

 

CMYK 36 / 13 / 0 / 32

HEX #7097AE

RGB 112 151 174

HSL 202.26, 0.28%, 0.56%

LAB 60.46, -7.55, -16.3

 

CMYK 16 / 6 / 0 / 39

HEX #82929B

RGB 130 146 155

HSL 201.6, 0.11%, 0.56%

LAB 59.59, -3.75, -6.69

 

CMYK 75 / 0 / 12 / 11

HEX #3AE4C8

RGB 58 228 200

HSL 170.12, 0.76%, 0.56%

LAB 82.14, -48.59, 1.47

 

CMYK 75 / 7 / 0 / 11

HEX #3AD3E4

RGB 58 211 228

HSL 186, 0.76%, 0.56%

LAB 77.93, -33.18, -19.71

 

CMYK 75 / 27 / 0 / 11

HEX #3AA6E4

RGB 58 166 228

HSL 201.88, 0.76%, 0.56%

LAB 64.78, -10.11, -39.96

 

CMYK 75 / 47 / 0 / 11

HEX #3A78E4

RGB 58 120 228

HSL 218.12, 0.76%, 0.56%

LAB 51.76, 17.06, -60.63

 

CMYK 75 / 67 / 0 / 11

HEX #3A4BE4

RGB 58 75 228

HSL 234, 0.76%, 0.56%

LAB 40.46, 45.15, -79.01

 

CMYK 87 / 32 / 0 / 30

HEX #187AB3

RGB 24 122 179

HSL 202.06, 0.76%, 0.4%

LAB 48.72, -5.96, -37.59

 

CMYK 87 / 32 / 0 / 16

HEX #1D92D7

RGB 29 146 215

HSL 202.26, 0.76%, 0.48%

LAB 57.78, -6.19, -43.79

 

CMYK 75 / 28 / 0 / 11

HEX #3AA5E4

RGB 58 165 228

HSL 202.24, 0.76%, 0.56%

LAB 64.49, -9.56, -40.41

 

CMYK 60 / 22 / 0 / 9

HEX #5EB5E9

RGB 94 181 233

HSL 202.45, 0.76%, 0.64%

LAB 70.39, -11.13, -33.87

 

CMYK 45 / 17 / 0 / 7

HEX #82C6EE

RGB 130 198 238

HSL 202.22, 0.76%, 0.72%

LAB 76.86, -11.06, -26.49

 

CMYK 75 / 28 / 0 / 11

HEX #3AA5E4

RGB 58 165 228

HSL 202.24, 0.76%, 0.56%

LAB 64.49, -9.56, -40.41

 

CMYK 32 / 75 / 0 / 11

HEX #9A3AE4

RGB 154 58 228

HSL 273.88, 0.76%, 0.56%

LAB 46.31, 67.43, -69.1

 

CMYK 0 / 3 / 75 / 11

HEX #E4DE3A

RGB 228 222 58

HSL 57.88, 0.76%, 0.56%

LAB 86.52, -15.69, 75.28

 

CMYK 75 / 28 / 0 / 11

HEX #3AA5E4

RGB 58 165 228

HSL 202.24, 0.76%, 0.56%

LAB 64.49, -9.56, -40.41

 

CMYK 0 / 75 / 27 / 11

HEX #E43AA6

RGB 228 58 166

HSL 321.88, 0.76%, 0.56%

LAB 54.32, 72.83, -19.88

 

CMYK 27 / 0 / 75 / 11

HEX #A6E43A

RGB 166 228 58

HSL 81.88, 0.76%, 0.56%

LAB 83.91, -43.19, 71.31

 

CMYK 75 / 28 / 0 / 11

HEX #3AA5E4

RGB 58 165 228

HSL 202.24, 0.76%, 0.56%

LAB 64.49, -9.56, -40.41

 

CMYK 32 / 75 / 0 / 11

HEX #9A3AE4

RGB 154 58 228

HSL 273.88, 0.76%, 0.56%

LAB 46.31, 67.43, -69.1

 

CMYK 0 / 47 / 75 / 11

HEX #E4783A

RGB 228 120 58

HSL 21.88, 0.76%, 0.56%

LAB 61.85, 37.47, 51.32

 

CMYK 43 / 0 / 75 / 11

HEX #83E43A

RGB 131 228 58

HSL 94.24, 0.76%, 0.56%

LAB 82.17, -55.25, 69.03

 

CMYK 75 / 28 / 0 / 11

HEX #3AA5E4

RGB 58 165 228

HSL 202.24, 0.76%, 0.56%

LAB 64.49, -9.56, -40.41

 

CMYK 10 / 75 / 0 / 11

HEX #CD3AE4

RGB 205 58 228

HSL 291.88, 0.76%, 0.56%

LAB 53.61, 76.82, -56.95

 

CMYK 0 / 47 / 75 / 11

HEX #E4783A

RGB 228 120 58

HSL 21.88, 0.76%, 0.56%

LAB 61.85, 37.47, 51.32

 

CMYK 65 / 0 / 75 / 11

HEX #50E43A

RGB 80 228 58

HSL 112.24, 0.76%, 0.56%

LAB 80.46, -68.61, 66.77

 

Description

Color code: HEX #3AA5E4 | qconv.com Color code: HEX #3AA5E4 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 165 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 165 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 28 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 28% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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