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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AA57F it is the complementary color #C55A80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AA57F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AA57F shade: #3FA57A, #50B78D, #61C9A0, #72DBB3 and #83EDC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AA57F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AA57F shade: #3AA57F, #29936C, #188159, #076F46 and #005D33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AA57F shade: #3AA680, #3AA663, #3AA646, #4CA63A and #69A63A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AA57F shade: #3AA680, #3AA69D, #3A92A6, #3A75A6 and #3A58A6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AA57F shade matches the following richer shades: #3AA680, #28B885, #16CA8A and #04DD90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AA57F shade: #3AA680, #4C947B, #5F8275, #717070 and #835D6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AA57F shade: #3AA645, #3AA662, #3AA67F, #3AA69B and #3A94A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AA57F shade: #256951, #308868, #3AA680, #4ABF96 and #69CAA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AA57F shade: #3AA57F, #3A4CA6 and #A6533A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AA57F shade: #3AA57F, #7F3AA6 and #A67F3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AA57F shade: #3AA57F, #3A4CA6, #A63A62 and #A6943A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AA57F shade: #3AA57F, #493AA6, #A63A62 and #98A63A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 23 / 35

HEX #3AA57F

RGB 58 165 127

HSL 158.69, 0.48%, 0.44%

LAB 61.08, -39.74, 10.86

 

Complementary color

CMYK 0 / 54 / 35 / 23

HEX #C55A80

RGB 197 90 128

HSL 338.69, 0.48%, 0.56%

LAB 52.67, 46.64, -0.4

 

CMYK 62 / 0 / 26 / 35

HEX #3FA57A

RGB 63 165 122

HSL 154.71, 0.45%, 0.45%

LAB 61.11, -39.92, 13.7

 

CMYK 56 / 0 / 23 / 28

HEX #50B78D

RGB 80 183 141

HSL 155.53, 0.42%, 0.52%

LAB 67.65, -39.98, 12.48

 

CMYK 52 / 0 / 20 / 21

HEX #61C9A0

RGB 97 201 160

HSL 156.35, 0.49%, 0.58%

LAB 74.1, -39.92, 11.38

 

CMYK 48 / 0 / 18 / 14

HEX #72DBB3

RGB 114 219 179

HSL 157.14, 0.59%, 0.65%

LAB 80.46, -39.8, 10.36

 

CMYK 45 / 0 / 16 / 7

HEX #83EDC6

RGB 131 237 198

HSL 157.92, 0.75%, 0.72%

LAB 86.74, -39.64, 9.42

 

CMYK 65 / 0 / 23 / 35

HEX #3AA57F

RGB 58 165 127

HSL 158.69, 0.48%, 0.44%

LAB 61.08, -39.74, 10.86

 

CMYK 72 / 0 / 27 / 42

HEX #29936C

RGB 41 147 108

HSL 157.92, 0.56%, 0.37%

LAB 54.47, -39.35, 12.2

 

CMYK 81 / 0 / 31 / 49

HEX #188159

RGB 24 129 89

HSL 157.14, 0.69%, 0.3%

LAB 47.77, -38.6, 13.72

 

CMYK 94 / 0 / 37 / 56

HEX #076F46

RGB 7 111 70

HSL 156.35, 0.88%, 0.23%

LAB 40.99, -37.28, 15.47

 

CMYK 100 / 0 / 45 / 64

HEX #005D33

RGB 0 93 51

HSL 152.9, 1%, 0.18%

LAB 34.12, -35.01, 17.52

 

CMYK 65 / 0 / 23 / 35

HEX #3AA680

RGB 58 166 128

HSL 158.89, 0.48%, 0.44%

LAB 61.42, -39.94, 10.78

 

CMYK 65 / 0 / 40 / 35

HEX #3AA663

RGB 58 166 99

HSL 142.78, 0.48%, 0.44%

LAB 60.85, -46.06, 25.89

 

CMYK 65 / 0 / 58 / 35

HEX #3AA646

RGB 58 166 70

HSL 126.67, 0.48%, 0.44%

LAB 60.44, -50.63, 40.23

 

CMYK 54 / 0 / 65 / 35

HEX #4CA63A

RGB 76 166 58

HSL 110, 0.48%, 0.44%

LAB 60.88, -47.59, 46.39

 

CMYK 37 / 0 / 65 / 35

HEX #69A63A

RGB 105 166 58

HSL 93.89, 0.48%, 0.44%

LAB 62.15, -38.35, 48.14

 

CMYK 65 / 0 / 23 / 35

HEX #3AA680

RGB 58 166 128

HSL 158.89, 0.48%, 0.44%

LAB 61.42, -39.94, 10.78

 

CMYK 65 / 0 / 5 / 35

HEX #3AA69D

RGB 58 166 157

HSL 175, 0.48%, 0.44%

LAB 62.17, -32.46, -4.37

 

CMYK 65 / 12 / 0 / 35

HEX #3A92A6

RGB 58 146 166

HSL 191.11, 0.48%, 0.44%

LAB 56.3, -19.75, -18.29

 

CMYK 65 / 30 / 0 / 35

HEX #3A75A6

RGB 58 117 166

HSL 207.22, 0.48%, 0.44%

LAB 47.46, -3.41, -31.94

 

CMYK 65 / 47 / 0 / 35

HEX #3A58A6

RGB 58 88 166

HSL 223.33, 0.48%, 0.44%

LAB 38.95, 14.78, -45.43

 

CMYK 65 / 0 / 23 / 35

HEX #3AA680

RGB 58 166 128

HSL 158.89, 0.48%, 0.44%

LAB 61.42, -39.94, 10.78

 

CMYK 78 / 0 / 28 / 28

HEX #28B885

RGB 40 184 133

HSL 158.75, 0.64%, 0.44%

LAB 66.84, -48.94, 15.58

 

CMYK 89 / 0 / 32 / 21

HEX #16CA8A

RGB 22 202 138

HSL 158.67, 0.8%, 0.44%

LAB 72.39, -56.27, 20.53

 

CMYK 98 / 0 / 35 / 13

HEX #04DD90

RGB 4 221 144

HSL 158.71, 0.96%, 0.44%

LAB 78.32, -62.59, 25.44

 

CMYK 65 / 0 / 23 / 35

HEX #3AA680

RGB 58 166 128

HSL 158.89, 0.48%, 0.44%

LAB 61.42, -39.94, 10.78

 

CMYK 49 / 0 / 17 / 42

HEX #4C947B

RGB 76 148 123

HSL 159.17, 0.32%, 0.44%

LAB 56.23, -28.84, 6.31

 

CMYK 27 / 0 / 10 / 49

HEX #5F8275

RGB 95 130 117

HSL 157.71, 0.16%, 0.44%

LAB 51.48, -15.27, 3.05

 

CMYK 0 / 1 / 1 / 56

HEX #717070

RGB 113 112 112

HSL 0, 0%, 0.44%

LAB 47.33, 0.39, 0.13

 

CMYK 0 / 29 / 18 / 49

HEX #835D6B

RGB 131 93 107

HSL 337.89, 0.17%, 0.44%

LAB 43.82, 17.81, -1.77

 

CMYK 65 / 0 / 58 / 35

HEX #3AA645

RGB 58 166 69

HSL 126.11, 0.48%, 0.44%

LAB 60.43, -50.76, 40.69

 

CMYK 65 / 0 / 41 / 35

HEX #3AA662

RGB 58 166 98

HSL 142.22, 0.48%, 0.44%

LAB 60.83, -46.25, 26.41

 

CMYK 65 / 0 / 23 / 35

HEX #3AA67F

RGB 58 166 127

HSL 158.33, 0.48%, 0.44%

LAB 61.4, -40.18, 11.31

 

CMYK 65 / 0 / 7 / 35

HEX #3AA69B

RGB 58 166 155

HSL 173.89, 0.48%, 0.44%

LAB 62.12, -33.02, -3.33

 

CMYK 65 / 11 / 0 / 35

HEX #3A94A6

RGB 58 148 166

HSL 190, 0.48%, 0.44%

LAB 56.91, -20.81, -17.36

 

CMYK 65 / 0 / 23 / 59

HEX #256951

RGB 37 105 81

HSL 158.82, 0.48%, 0.28%

LAB 39.73, -27.69, 7.26

 

CMYK 65 / 0 / 24 / 47

HEX #308868

RGB 48 136 104

HSL 158.18, 0.48%, 0.36%

LAB 50.96, -34.21, 9.58

 

CMYK 65 / 0 / 23 / 35

HEX #3AA680

RGB 58 166 128

HSL 158.89, 0.48%, 0.44%

LAB 61.42, -39.94, 10.78

 

CMYK 61 / 0 / 21 / 25

HEX #4ABF96

RGB 74 191 150

HSL 158.97, 0.48%, 0.52%

LAB 70.12, -42.68, 11.05

 

CMYK 48 / 0 / 17 / 21

HEX #69CAA8

RGB 105 202 168

HSL 158.97, 0.48%, 0.6%

LAB 74.87, -36.7, 8.22

 

CMYK 65 / 0 / 23 / 35

HEX #3AA57F

RGB 58 165 127

HSL 158.69, 0.48%, 0.44%

LAB 61.08, -39.74, 10.86

 

CMYK 65 / 54 / 0 / 35

HEX #3A4CA6

RGB 58 76 166

HSL 230, 0.48%, 0.44%

LAB 35.64, 22.64, -50.77

 

CMYK 0 / 50 / 65 / 35

HEX #A6533A

RGB 166 83 58

HSL 13.89, 0.48%, 0.44%

LAB 45.08, 32.04, 30.11

 

CMYK 65 / 0 / 23 / 35

HEX #3AA57F

RGB 58 165 127

HSL 158.69, 0.48%, 0.44%

LAB 61.08, -39.74, 10.86

 

CMYK 23 / 65 / 0 / 35

HEX #7F3AA6

RGB 127 58 166

HSL 278.33, 0.48%, 0.44%

LAB 38.36, 48.22, -46.04

 

CMYK 0 / 23 / 65 / 35

HEX #A67F3A

RGB 166 127 58

HSL 38.33, 0.48%, 0.44%

LAB 55.68, 7.43, 42.38

 

CMYK 65 / 0 / 23 / 35

HEX #3AA57F

RGB 58 165 127

HSL 158.69, 0.48%, 0.44%

LAB 61.08, -39.74, 10.86

 

CMYK 65 / 54 / 0 / 35

HEX #3A4CA6

RGB 58 76 166

HSL 230, 0.48%, 0.44%

LAB 35.64, 22.64, -50.77

 

CMYK 0 / 65 / 41 / 35

HEX #A63A62

RGB 166 58 98

HSL 337.78, 0.48%, 0.44%

LAB 41.24, 47.89, 0.59

 

CMYK 0 / 11 / 65 / 35

HEX #A6943A

RGB 166 148 58

HSL 50, 0.48%, 0.44%

LAB 61.3, -4.19, 48.52

 

CMYK 65 / 0 / 23 / 35

HEX #3AA57F

RGB 58 165 127

HSL 158.69, 0.48%, 0.44%

LAB 61.08, -39.74, 10.86

 

CMYK 56 / 65 / 0 / 35

HEX #493AA6

RGB 73 58 166

HSL 248.33, 0.48%, 0.44%

LAB 32.25, 36.75, -56.22

 

CMYK 0 / 65 / 41 / 35

HEX #A63A62

RGB 166 58 98

HSL 337.78, 0.48%, 0.44%

LAB 41.24, 47.89, 0.59

 

CMYK 8 / 0 / 65 / 35

HEX #98A63A

RGB 152 166 58

HSL 67.78, 0.48%, 0.44%

LAB 65.16, -19.75, 52.26

 

Description

Color code: HEX #3AA57F | qconv.com Color code: HEX #3AA57F | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 165 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 165 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 23 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 23% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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