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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A9F5E it is the complementary color #C560A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A9F5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A9F5E shade: #3F9F59, #50B16C, #61C37F, #72D592 and #83E7A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A9F5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A9F5E shade: #3A9F5E, #298D4B, #187B38, #076925 and #005712

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A9F5E shade: #3AA15F, #3AA143, #4DA13A, #69A13A and #85A13A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A9F5E shade: #3AA15F, #3AA17B, #3AA196, #3A90A1 and #3A74A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A9F5E shade matches the following richer shades: #3AA15F, #28B35A, #17C555 and #05D650

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A9F5E shade: #3AA15F, #4C8F64, #5E7E69, #6F6C6E and #815A73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A9F5E shade: #4DA13A, #3AA143, #3AA15E, #3AA17A and #3AA195

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A9F5E shade: #24653B, #2F834D, #3AA15F, #48BD71 and #66C889

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A9F5E shade: #3A9F5E, #3A68A1 and #A13A3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A9F5E shade: #3A9F5E, #5E3AA1 and #A15E3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A9F5E shade: #3A9F5E, #3A68A1, #A13A7D and #A1733A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A9F5E shade: #3A9F5E, #3A4AA1, #A13A7D and #A1923A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 41 / 38

HEX #3A9F5E

RGB 58 159 94

HSL 141.39, 0.47%, 0.43%

LAB 58.51, -44.16, 25.51

 

Complementary color

CMYK 0 / 51 / 18 / 23

HEX #C560A1

RGB 197 96 161

HSL 321.39, 0.47%, 0.57%

LAB 54.88, 48.19, -16.54

 

CMYK 60 / 0 / 44 / 38

HEX #3F9F59

RGB 63 159 89

HSL 136.25, 0.43%, 0.44%

LAB 58.58, -43.94, 28.31

 

CMYK 55 / 0 / 39 / 31

HEX #50B16C

RGB 80 177 108

HSL 137.32, 0.38%, 0.5%

LAB 65.15, -44, 26.89

 

CMYK 50 / 0 / 35 / 24

HEX #61C37F

RGB 97 195 127

HSL 138.37, 0.45%, 0.57%

LAB 71.63, -43.92, 25.57

 

CMYK 46 / 0 / 31 / 16

HEX #72D592

RGB 114 213 146

HSL 139.39, 0.54%, 0.64%

LAB 78.02, -43.74, 24.35

 

CMYK 43 / 0 / 29 / 9

HEX #83E7A5

RGB 131 231 165

HSL 140.4, 0.68%, 0.71%

LAB 84.33, -43.53, 23.2

 

CMYK 64 / 0 / 41 / 38

HEX #3A9F5E

RGB 58 159 94

HSL 141.39, 0.47%, 0.43%

LAB 58.51, -44.16, 25.51

 

CMYK 71 / 0 / 47 / 45

HEX #298D4B

RGB 41 141 75

HSL 140.4, 0.55%, 0.36%

LAB 51.87, -43.75, 27.07

 

CMYK 80 / 0 / 54 / 52

HEX #187B38

RGB 24 123 56

HSL 139.39, 0.67%, 0.29%

LAB 45.14, -42.86, 28.74

 

CMYK 93 / 0 / 65 / 59

HEX #076925

RGB 7 105 37

HSL 138.37, 0.88%, 0.22%

LAB 38.34, -41.16, 30.43

 

CMYK 100 / 0 / 79 / 66

HEX #005712

RGB 0 87 18

HSL 132.41, 1%, 0.17%

LAB 31.49, -38.06, 31.78

 

CMYK 64 / 0 / 41 / 37

HEX #3AA15F

RGB 58 161 95

HSL 141.55, 0.47%, 0.43%

LAB 59.17, -44.79, 25.84

 

CMYK 64 / 0 / 58 / 37

HEX #3AA143

RGB 58 161 67

HSL 125.24, 0.47%, 0.43%

LAB 58.78, -49.16, 39.72

 

CMYK 52 / 0 / 64 / 37

HEX #4DA13A

RGB 77 161 58

HSL 108.93, 0.47%, 0.43%

LAB 59.32, -45.33, 44.67

 

CMYK 35 / 0 / 64 / 37

HEX #69A13A

RGB 105 161 58

HSL 92.62, 0.47%, 0.43%

LAB 60.6, -36.13, 46.46

 

CMYK 17 / 0 / 64 / 37

HEX #85A13A

RGB 133 161 58

HSL 76.31, 0.47%, 0.43%

LAB 62.32, -25.2, 48.82

 

CMYK 64 / 0 / 41 / 37

HEX #3AA15F

RGB 58 161 95

HSL 141.55, 0.47%, 0.43%

LAB 59.17, -44.79, 25.84

 

CMYK 64 / 0 / 24 / 37

HEX #3AA17B

RGB 58 161 123

HSL 157.86, 0.47%, 0.43%

LAB 59.73, -38.92, 11.18

 

CMYK 64 / 0 / 7 / 37

HEX #3AA196

RGB 58 161 150

HSL 173.59, 0.47%, 0.43%

LAB 60.42, -32.02, -3.02

 

CMYK 64 / 11 / 0 / 37

HEX #3A90A1

RGB 58 144 161

HSL 189.9, 0.47%, 0.43%

LAB 55.5, -20.26, -16.64

 

CMYK 64 / 28 / 0 / 37

HEX #3A74A1

RGB 58 116 161

HSL 206.21, 0.47%, 0.43%

LAB 46.93, -4.54, -29.85

 

CMYK 64 / 0 / 41 / 37

HEX #3AA15F

RGB 58 161 95

HSL 141.55, 0.47%, 0.43%

LAB 59.17, -44.79, 25.84

 

CMYK 78 / 0 / 50 / 30

HEX #28B35A

RGB 40 179 90

HSL 141.58, 0.63%, 0.43%

LAB 64.51, -55.48, 35.21

 

CMYK 88 / 0 / 57 / 23

HEX #17C555

RGB 23 197 85

HSL 141.38, 0.79%, 0.43%

LAB 70.01, -63.95, 44.31

 

CMYK 98 / 0 / 63 / 16

HEX #05D650

RGB 5 214 80

HSL 141.53, 0.95%, 0.43%

LAB 75.27, -70.67, 52.61

 

CMYK 64 / 0 / 41 / 37

HEX #3AA15F

RGB 58 161 95

HSL 141.55, 0.47%, 0.43%

LAB 59.17, -44.79, 25.84

 

CMYK 47 / 0 / 30 / 44

HEX #4C8F64

RGB 76 143 100

HSL 141.49, 0.31%, 0.43%

LAB 54.13, -31.48, 16.43

 

CMYK 25 / 0 / 17 / 51

HEX #5E7E69

RGB 94 126 105

HSL 140.63, 0.15%, 0.43%

LAB 49.88, -16.04, 7.77

 

CMYK 0 / 3 / 1 / 56

HEX #6F6C6E

RGB 111 108 110

HSL 320, 0.01%, 0.43%

LAB 45.95, 1.57, -0.71

 

CMYK 0 / 30 / 11 / 49

HEX #815A73

RGB 129 90 115

HSL 321.54, 0.18%, 0.43%

LAB 43.09, 20.25, -7.76

 

CMYK 52 / 0 / 64 / 37

HEX #4DA13A

RGB 77 161 58

HSL 108.93, 0.47%, 0.43%

LAB 59.32, -45.33, 44.67

 

CMYK 64 / 0 / 58 / 37

HEX #3AA143

RGB 58 161 67

HSL 125.24, 0.47%, 0.43%

LAB 58.78, -49.16, 39.72

 

CMYK 64 / 0 / 42 / 37

HEX #3AA15E

RGB 58 161 94

HSL 140.97, 0.47%, 0.43%

LAB 59.16, -44.97, 26.36

 

CMYK 64 / 0 / 24 / 37

HEX #3AA17A

RGB 58 161 122

HSL 157.28, 0.47%, 0.43%

LAB 59.7, -39.16, 11.71

 

CMYK 64 / 0 / 7 / 37

HEX #3AA195

RGB 58 161 149

HSL 173.01, 0.47%, 0.43%

LAB 60.39, -32.3, -2.49

 

CMYK 64 / 0 / 42 / 60

HEX #24653B

RGB 36 101 59

HSL 141.23, 0.47%, 0.27%

LAB 37.84, -31.11, 17.82

 

CMYK 64 / 0 / 41 / 49

HEX #2F834D

RGB 47 131 77

HSL 141.43, 0.47%, 0.35%

LAB 48.73, -38.11, 21.92

 

CMYK 64 / 0 / 41 / 37

HEX #3AA15F

RGB 58 161 95

HSL 141.55, 0.47%, 0.43%

LAB 59.17, -44.79, 25.84

 

CMYK 62 / 0 / 40 / 26

HEX #48BD71

RGB 72 189 113

HSL 141.03, 0.47%, 0.51%

LAB 68.73, -49.83, 28.92

 

CMYK 49 / 0 / 32 / 22

HEX #66C889

RGB 102 200 137

HSL 141.43, 0.47%, 0.59%

LAB 73.51, -42.93, 22.86

 

CMYK 64 / 0 / 41 / 38

HEX #3A9F5E

RGB 58 159 94

HSL 141.39, 0.47%, 0.43%

LAB 58.51, -44.16, 25.51

 

CMYK 64 / 35 / 0 / 37

HEX #3A68A1

RGB 58 104 161

HSL 213.2, 0.47%, 0.43%

LAB 43.32, 2.77, -35.52

 

CMYK 0 / 64 / 61 / 37

HEX #A13A3F

RGB 161 58 63

HSL 357.09, 0.47%, 0.43%

LAB 39.52, 43.01, 19.96

 

CMYK 64 / 0 / 41 / 38

HEX #3A9F5E

RGB 58 159 94

HSL 141.39, 0.47%, 0.43%

LAB 58.51, -44.16, 25.51

 

CMYK 42 / 64 / 0 / 37

HEX #5E3AA1

RGB 94 58 161

HSL 260.97, 0.47%, 0.43%

LAB 33.94, 39.44, -50.37

 

CMYK 0 / 42 / 64 / 37

HEX #A15E3A

RGB 161 94 58

HSL 20.97, 0.47%, 0.43%

LAB 46.83, 23.91, 32.03

 

CMYK 64 / 0 / 41 / 38

HEX #3A9F5E

RGB 58 159 94

HSL 141.39, 0.47%, 0.43%

LAB 58.51, -44.16, 25.51

 

CMYK 64 / 35 / 0 / 37

HEX #3A68A1

RGB 58 104 161

HSL 213.2, 0.47%, 0.43%

LAB 43.32, 2.77, -35.52

 

CMYK 0 / 64 / 22 / 37

HEX #A13A7D

RGB 161 58 125

HSL 320.97, 0.47%, 0.43%

LAB 41.35, 49.77, -16.09

 

CMYK 0 / 29 / 64 / 37

HEX #A1733A

RGB 161 115 58

HSL 33.2, 0.47%, 0.43%

LAB 52, 11.99, 38.07

 

CMYK 64 / 0 / 41 / 38

HEX #3A9F5E

RGB 58 159 94

HSL 141.39, 0.47%, 0.43%

LAB 58.51, -44.16, 25.51

 

CMYK 64 / 54 / 0 / 37

HEX #3A4AA1

RGB 58 74 161

HSL 230.68, 0.47%, 0.43%

LAB 34.74, 22.16, -49.22

 

CMYK 0 / 64 / 22 / 37

HEX #A13A7D

RGB 161 58 125

HSL 320.97, 0.47%, 0.43%

LAB 41.35, 49.77, -16.09

 

CMYK 0 / 9 / 64 / 37

HEX #A1923A

RGB 161 146 58

HSL 51.26, 0.47%, 0.43%

LAB 60.28, -5.32, 47.29

 

Description

Color code: HEX #3A9F5E | qconv.com Color code: HEX #3A9F5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 159 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 159 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 41 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 41% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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