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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A8FBB it is the complementary color #C57044. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A8FBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A8FBB shade: #3F8FB6, #50A1C9, #61B3DC, #72C5EF and #83D7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A8FBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A8FBB shade: #3A8FBB, #297DA8, #186B95, #075982 and #00476F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A8FBB shade: #3A8FBB, #3A6CBB, #3A49BB, #4D3ABB and #703ABB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A8FBB shade: #3A8FBB, #3A6CBB, #3A49BB and #3A3ABB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A8FBB shade matches the following richer shades: #3A8FBB, #2695CF and #129CE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A8FBB shade: #3A8FBB, #4D89A7, #618294, #757C80 and #89766C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A8FBB shade: #3ABBA1, #3AB3BB, #3A90BB, #3A6DBB and #3A4BBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A8FBB shade: #265F7C, #30779C, #3A8FBB, #54A2CA and #73B3D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A8FBB shade: #3A8FBB, #7F3ABB and #BBB33A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A8FBB shade: #3A8FBB, #BB3A90 and #90BB3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A8FBB shade: #3A8FBB, #7F3ABB, #BB653A and #76BB3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A8FBB shade: #3A8FBB, #A63ABB, #BB653A and #4FBB3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 24 / 0 / 27

HEX #3A8FBB

RGB 58 143 187

HSL 200.47, 0.53%, 0.48%

LAB 56.22, -11.26, -30.39

 

Complementary color

CMYK 0 / 43 / 65 / 23

HEX #C57044

RGB 197 112 68

HSL 20.47, 0.53%, 0.52%

LAB 55.96, 29.73, 38.59

 

CMYK 65 / 21 / 0 / 29

HEX #3F8FB6

RGB 63 143 182

HSL 199.66, 0.49%, 0.48%

LAB 56.17, -12.11, -27.61

 

CMYK 60 / 20 / 0 / 21

HEX #50A1C9

RGB 80 161 201

HSL 199.83, 0.53%, 0.55%

LAB 62.85, -12.85, -27.94

 

CMYK 56 / 19 / 0 / 14

HEX #61B3DC

RGB 97 179 220

HSL 200, 0.64%, 0.62%

LAB 69.43, -13.42, -28.25

 

CMYK 52 / 18 / 0 / 6

HEX #72C5EF

RGB 114 197 239

HSL 200.16, 0.8%, 0.69%

LAB 75.91, -13.87, -28.55

 

CMYK 49 / 16 / 0 / 0

HEX #83D7FF

RGB 131 215 255

HSL 199.35, 1%, 0.76%

LAB 82.19, -15.05, -27.41

 

CMYK 69 / 24 / 0 / 27

HEX #3A8FBB

RGB 58 143 187

HSL 200.47, 0.53%, 0.48%

LAB 56.22, -11.26, -30.39

 

CMYK 76 / 26 / 0 / 34

HEX #297DA8

RGB 41 125 168

HSL 200.31, 0.61%, 0.41%

LAB 49.45, -10.05, -30.04

 

CMYK 84 / 28 / 0 / 42

HEX #186B95

RGB 24 107 149

HSL 200.16, 0.72%, 0.34%

LAB 42.58, -8.41, -29.63

 

CMYK 95 / 32 / 0 / 49

HEX #075982

RGB 7 89 130

HSL 200, 0.9%, 0.27%

LAB 35.6, -6.16, -29.12

 

CMYK 100 / 36 / 0 / 56

HEX #00476F

RGB 0 71 111

HSL 201.62, 1%, 0.22%

LAB 28.52, -3.04, -28.47

 

CMYK 69 / 24 / 0 / 27

HEX #3A8FBB

RGB 58 143 187

HSL 200.47, 0.53%, 0.48%

LAB 56.22, -11.26, -30.39

 

CMYK 69 / 42 / 0 / 27

HEX #3A6CBB

RGB 58 108 187

HSL 216.74, 0.53%, 0.48%

LAB 45.92, 9.61, -46.61

 

CMYK 69 / 61 / 0 / 27

HEX #3A49BB

RGB 58 73 187

HSL 233.02, 0.53%, 0.48%

LAB 36.47, 32.11, -61.87

 

CMYK 59 / 69 / 0 / 27

HEX #4D3ABB

RGB 77 58 187

HSL 248.84, 0.53%, 0.48%

LAB 34.38, 44, -65.23

 

CMYK 40 / 69 / 0 / 27

HEX #703ABB

RGB 112 58 187

HSL 265.12, 0.53%, 0.48%

LAB 37.95, 50.09, -59.26

 

CMYK 69 / 24 / 0 / 27

HEX #3A8FBB

RGB 58 143 187

HSL 200.47, 0.53%, 0.48%

LAB 56.22, -11.26, -30.39

 

CMYK 69 / 42 / 0 / 27

HEX #3A6CBB

RGB 58 108 187

HSL 216.74, 0.53%, 0.48%

LAB 45.92, 9.61, -46.61

 

CMYK 69 / 61 / 0 / 27

HEX #3A49BB

RGB 58 73 187

HSL 233.02, 0.53%, 0.48%

LAB 36.47, 32.11, -61.87

 

CMYK 69 / 69 / 0 / 27

HEX #3A3ABB

RGB 58 58 187

HSL 240, 0.53%, 0.48%

LAB 32.95, 41.42, -67.63

 

CMYK 69 / 24 / 0 / 27

HEX #3A8FBB

RGB 58 143 187

HSL 200.47, 0.53%, 0.48%

LAB 56.22, -11.26, -30.39

 

CMYK 82 / 28 / 0 / 19

HEX #2695CF

RGB 38 149 207

HSL 200.59, 0.69%, 0.48%

LAB 58.43, -10.09, -38.27

 

CMYK 92 / 31 / 0 / 11

HEX #129CE3

RGB 18 156 227

HSL 200.38, 0.85%, 0.48%

LAB 61.18, -8.08, -45.11

 

CMYK 69 / 24 / 0 / 27

HEX #3A8FBB

RGB 58 143 187

HSL 200.47, 0.53%, 0.48%

LAB 56.22, -11.26, -30.39

 

CMYK 54 / 18 / 0 / 35

HEX #4D89A7

RGB 77 137 167

HSL 200, 0.37%, 0.48%

LAB 54.3, -10.76, -21.86

 

CMYK 34 / 12 / 0 / 42

HEX #618294

RGB 97 130 148

HSL 201.18, 0.21%, 0.48%

LAB 52.56, -7.02, -13.42

 

CMYK 9 / 3 / 0 / 50

HEX #757C80

RGB 117 124 128

HSL 201.82, 0.04%, 0.48%

LAB 51.56, -1.75, -3.08

 

CMYK 0 / 14 / 21 / 46

HEX #89766C

RGB 137 118 108

HSL 20.69, 0.12%, 0.48%

LAB 51.1, 5.67, 8.22

 

CMYK 69 / 0 / 14 / 27

HEX #3ABBA1

RGB 58 187 161

HSL 167.91, 0.53%, 0.48%

LAB 68.76, -40.99, 3.04

 

CMYK 69 / 4 / 0 / 27

HEX #3AB3BB

RGB 58 179 187

HSL 183.72, 0.53%, 0.48%

LAB 67.07, -30.06, -13.79

 

CMYK 69 / 23 / 0 / 27

HEX #3A90BB

RGB 58 144 187

HSL 200, 0.53%, 0.48%

LAB 56.52, -11.82, -29.92

 

CMYK 69 / 42 / 0 / 27

HEX #3A6DBB

RGB 58 109 187

HSL 216.28, 0.53%, 0.48%

LAB 46.21, 8.98, -46.15

 

CMYK 69 / 60 / 0 / 27

HEX #3A4BBB

RGB 58 75 187

HSL 232.09, 0.53%, 0.48%

LAB 36.97, 30.83, -61.06

 

CMYK 69 / 23 / 0 / 51

HEX #265F7C

RGB 38 95 124

HSL 200.23, 0.53%, 0.32%

LAB 37.94, -8.62, -21.75

 

CMYK 69 / 24 / 0 / 39

HEX #30779C

RGB 48 119 156

HSL 200.56, 0.53%, 0.4%

LAB 47.26, -9.79, -26.42

 

CMYK 69 / 24 / 0 / 27

HEX #3A8FBB

RGB 58 143 187

HSL 200.47, 0.53%, 0.48%

LAB 56.22, -11.26, -30.39

 

CMYK 58 / 20 / 0 / 21

HEX #54A2CA

RGB 84 162 202

HSL 200.34, 0.53%, 0.56%

LAB 63.33, -12.32, -27.74

 

CMYK 46 / 16 / 0 / 17

HEX #73B3D4

RGB 115 179 212

HSL 200.41, 0.53%, 0.64%

LAB 69.92, -11.72, -23.05

 

CMYK 69 / 24 / 0 / 27

HEX #3A8FBB

RGB 58 143 187

HSL 200.47, 0.53%, 0.48%

LAB 56.22, -11.26, -30.39

 

CMYK 32 / 69 / 0 / 27

HEX #7F3ABB

RGB 127 58 187

HSL 272.09, 0.53%, 0.48%

LAB 39.79, 53.07, -56.18

 

CMYK 0 / 4 / 69 / 27

HEX #BBB33A

RGB 187 179 58

HSL 56.28, 0.53%, 0.48%

LAB 71.63, -11.4, 59.8

 

CMYK 69 / 24 / 0 / 27

HEX #3A8FBB

RGB 58 143 187

HSL 200.47, 0.53%, 0.48%

LAB 56.22, -11.26, -30.39

 

CMYK 0 / 69 / 23 / 27

HEX #BB3A90

RGB 187 58 144

HSL 320, 0.53%, 0.48%

LAB 46.45, 59.66, -19.47

 

CMYK 23 / 0 / 69 / 27

HEX #90BB3A

RGB 144 187 58

HSL 80, 0.53%, 0.48%

LAB 70.72, -33.21, 57.84

 

CMYK 69 / 24 / 0 / 27

HEX #3A8FBB

RGB 58 143 187

HSL 200.47, 0.53%, 0.48%

LAB 56.22, -11.26, -30.39

 

CMYK 32 / 69 / 0 / 27

HEX #7F3ABB

RGB 127 58 187

HSL 272.09, 0.53%, 0.48%

LAB 39.79, 53.07, -56.18

 

CMYK 0 / 46 / 69 / 27

HEX #BB653A

RGB 187 101 58

HSL 20, 0.53%, 0.48%

LAB 52.04, 30.94, 39.01

 

CMYK 37 / 0 / 69 / 27

HEX #76BB3A

RGB 118 187 58

HSL 92.09, 0.53%, 0.48%

LAB 69.25, -42.88, 55.88

 

CMYK 69 / 24 / 0 / 27

HEX #3A8FBB

RGB 58 143 187

HSL 200.47, 0.53%, 0.48%

LAB 56.22, -11.26, -30.39

 

CMYK 11 / 69 / 0 / 27

HEX #A63ABB

RGB 166 58 187

HSL 290.23, 0.53%, 0.48%

LAB 45.25, 61.43, -47.11

 

CMYK 0 / 46 / 69 / 27

HEX #BB653A

RGB 187 101 58

HSL 20, 0.53%, 0.48%

LAB 52.04, 30.94, 39.01

 

CMYK 58 / 0 / 69 / 27

HEX #4FBB3A

RGB 79 187 58

HSL 110.23, 0.53%, 0.48%

LAB 67.66, -54.72, 53.71

 

Description

Color code: HEX #3A8FBB | qconv.com Color code: HEX #3A8FBB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 143 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 143 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 24 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 24% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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