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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A8EB9 it is the complementary color #C57146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A8EB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A8EB9 shade: #3F8EB4, #50A0C7, #61B2DA, #72C4ED and #83D6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A8EB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A8EB9 shade: #3A8EB9, #297CA6, #186A93, #075880 and #00466D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A8EB9 shade: #3B8FBA, #3B6DBA, #3B4ABA, #4E3BBA and #703BBA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A8EB9 shade: #3B8FBA, #3B6DBA, #3B4ABA and #3B3BBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A8EB9 shade matches the following richer shades: #3B8FBA, #2795CE and #139CE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A8EB9 shade: #3B8FBA, #4F89A6, #628292, #767C7F and #8A756B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A8EB9 shade: #3BBAA1, #3BB2BA, #3B90BA, #3B6EBA and #3B4CBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A8EB9 shade: #275F7B, #31779B, #3B8FBA, #55A2C9 and #74B3D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A8EB9 shade: #3A8EB9, #7F3BBA and #BAB23B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A8EB9 shade: #3A8EB9, #BA3B90 and #90BA3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A8EB9 shade: #3A8EB9, #7F3BBA, #BA653B and #76BA3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A8EB9 shade: #3A8EB9, #A53BBA, #BA653B and #50BA3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 23 / 0 / 27

HEX #3A8EB9

RGB 58 142 185

HSL 200.31, 0.52%, 0.48%

LAB 55.83, -11.37, -29.85

 

Complementary color

CMYK 0 / 43 / 64 / 23

HEX #C57146

RGB 197 113 70

HSL 20.31, 0.52%, 0.52%

LAB 56.21, 29.32, 37.81

 

CMYK 65 / 21 / 0 / 29

HEX #3F8EB4

RGB 63 142 180

HSL 199.49, 0.48%, 0.48%

LAB 55.78, -12.21, -27.06

 

CMYK 60 / 20 / 0 / 22

HEX #50A0C7

RGB 80 160 199

HSL 199.66, 0.52%, 0.55%

LAB 62.48, -12.93, -27.4

 

CMYK 56 / 18 / 0 / 15

HEX #61B2DA

RGB 97 178 218

HSL 199.83, 0.62%, 0.62%

LAB 69.07, -13.48, -27.71

 

CMYK 52 / 17 / 0 / 7

HEX #72C4ED

RGB 114 196 237

HSL 200, 0.77%, 0.69%

LAB 75.56, -13.91, -28.01

 

CMYK 49 / 16 / 0 / 0

HEX #83D6FF

RGB 131 214 255

HSL 199.84, 1%, 0.76%

LAB 81.91, -14.53, -27.83

 

CMYK 69 / 23 / 0 / 27

HEX #3A8EB9

RGB 58 142 185

HSL 200.31, 0.52%, 0.48%

LAB 55.83, -11.37, -29.85

 

CMYK 75 / 25 / 0 / 35

HEX #297CA6

RGB 41 124 166

HSL 200.16, 0.6%, 0.41%

LAB 49.06, -10.18, -29.49

 

CMYK 84 / 28 / 0 / 42

HEX #186A93

RGB 24 106 147

HSL 200, 0.72%, 0.34%

LAB 42.17, -8.57, -29.08

 

CMYK 95 / 31 / 0 / 50

HEX #075880

RGB 7 88 128

HSL 199.83, 0.9%, 0.26%

LAB 35.17, -6.35, -28.57

 

CMYK 100 / 36 / 0 / 57

HEX #00466D

RGB 0 70 109

HSL 201.47, 1%, 0.21%

LAB 28.07, -3.24, -27.91

 

CMYK 68 / 23 / 0 / 27

HEX #3B8FBA

RGB 59 143 186

HSL 200.31, 0.52%, 0.48%

LAB 56.21, -11.44, -29.84

 

CMYK 68 / 41 / 0 / 27

HEX #3B6DBA

RGB 59 109 186

HSL 216.38, 0.52%, 0.48%

LAB 46.19, 8.78, -45.59

 

CMYK 68 / 60 / 0 / 27

HEX #3B4ABA

RGB 59 74 186

HSL 232.91, 0.52%, 0.48%

LAB 36.69, 31.25, -60.91

 

CMYK 58 / 68 / 0 / 27

HEX #4E3BBA

RGB 78 59 186

HSL 248.98, 0.52%, 0.48%

LAB 34.59, 43.28, -64.3

 

CMYK 40 / 68 / 0 / 27

HEX #703BBA

RGB 112 59 186

HSL 265.04, 0.52%, 0.48%

LAB 38.05, 49.33, -58.5

 

CMYK 68 / 23 / 0 / 27

HEX #3B8FBA

RGB 59 143 186

HSL 200.31, 0.52%, 0.48%

LAB 56.21, -11.44, -29.84

 

CMYK 68 / 41 / 0 / 27

HEX #3B6DBA

RGB 59 109 186

HSL 216.38, 0.52%, 0.48%

LAB 46.19, 8.78, -45.59

 

CMYK 68 / 60 / 0 / 27

HEX #3B4ABA

RGB 59 74 186

HSL 232.91, 0.52%, 0.48%

LAB 36.69, 31.25, -60.91

 

CMYK 68 / 68 / 0 / 27

HEX #3B3BBA

RGB 59 59 186

HSL 240, 0.52%, 0.48%

LAB 33.14, 40.61, -66.72

 

CMYK 68 / 23 / 0 / 27

HEX #3B8FBA

RGB 59 143 186

HSL 200.31, 0.52%, 0.48%

LAB 56.21, -11.44, -29.84

 

CMYK 81 / 28 / 0 / 19

HEX #2795CE

RGB 39 149 206

HSL 200.48, 0.68%, 0.48%

LAB 58.4, -10.35, -37.75

 

CMYK 92 / 31 / 0 / 11

HEX #139CE2

RGB 19 156 226

HSL 200.29, 0.84%, 0.48%

LAB 61.14, -8.4, -44.62

 

CMYK 68 / 23 / 0 / 27

HEX #3B8FBA

RGB 59 143 186

HSL 200.31, 0.52%, 0.48%

LAB 56.21, -11.44, -29.84

 

CMYK 52 / 17 / 0 / 35

HEX #4F89A6

RGB 79 137 166

HSL 200, 0.36%, 0.48%

LAB 54.35, -10.61, -21.2

 

CMYK 33 / 11 / 0 / 43

HEX #628292

RGB 98 130 146

HSL 200, 0.2%, 0.48%

LAB 52.55, -7.24, -12.27

 

CMYK 7 / 2 / 0 / 50

HEX #767C7F

RGB 118 124 127

HSL 200, 0.04%, 0.48%

LAB 51.61, -1.6, -2.41

 

CMYK 0 / 15 / 22 / 46

HEX #8A756B

RGB 138 117 107

HSL 19.35, 0.13%, 0.48%

LAB 50.91, 6.49, 8.54

 

CMYK 68 / 0 / 13 / 27

HEX #3BBAA1

RGB 59 186 161

HSL 168.19, 0.52%, 0.48%

LAB 68.48, -40.4, 2.63

 

CMYK 68 / 4 / 0 / 27

HEX #3BB2BA

RGB 59 178 186

HSL 183.78, 0.52%, 0.48%

LAB 66.76, -29.73, -13.7

 

CMYK 68 / 23 / 0 / 27

HEX #3B90BA

RGB 59 144 186

HSL 199.84, 0.52%, 0.48%

LAB 56.51, -12, -29.37

 

CMYK 68 / 41 / 0 / 27

HEX #3B6EBA

RGB 59 110 186

HSL 215.91, 0.52%, 0.48%

LAB 46.48, 8.15, -45.14

 

CMYK 68 / 59 / 0 / 27

HEX #3B4CBA

RGB 59 76 186

HSL 231.97, 0.52%, 0.48%

LAB 37.2, 29.97, -60.09

 

CMYK 68 / 23 / 0 / 52

HEX #275F7B

RGB 39 95 123

HSL 200, 0.52%, 0.32%

LAB 37.92, -8.8, -21.15

 

CMYK 68 / 23 / 0 / 39

HEX #31779B

RGB 49 119 155

HSL 200.38, 0.52%, 0.4%

LAB 47.25, -9.98, -25.84

 

CMYK 68 / 23 / 0 / 27

HEX #3B8FBA

RGB 59 143 186

HSL 200.31, 0.52%, 0.48%

LAB 56.21, -11.44, -29.84

 

CMYK 58 / 19 / 0 / 21

HEX #55A2C9

RGB 85 162 201

HSL 200.17, 0.52%, 0.56%

LAB 63.33, -12.43, -27.18

 

CMYK 45 / 15 / 0 / 17

HEX #74B3D3

RGB 116 179 211

HSL 200.21, 0.52%, 0.64%

LAB 69.93, -11.75, -22.48

 

CMYK 69 / 23 / 0 / 27

HEX #3A8EB9

RGB 58 142 185

HSL 200.31, 0.52%, 0.48%

LAB 55.83, -11.37, -29.85

 

CMYK 32 / 68 / 0 / 27

HEX #7F3BBA

RGB 127 59 186

HSL 272.13, 0.52%, 0.48%

LAB 39.89, 52.36, -55.43

 

CMYK 0 / 4 / 68 / 27

HEX #BAB23B

RGB 186 178 59

HSL 56.22, 0.52%, 0.48%

LAB 71.28, -11.26, 59.03

 

CMYK 69 / 23 / 0 / 27

HEX #3A8EB9

RGB 58 142 185

HSL 200.31, 0.52%, 0.48%

LAB 55.83, -11.37, -29.85

 

CMYK 0 / 68 / 23 / 27

HEX #BA3B90

RGB 186 59 144

HSL 319.84, 0.52%, 0.48%

LAB 46.42, 59.02, -19.53

 

CMYK 23 / 0 / 68 / 27

HEX #90BA3B

RGB 144 186 59

HSL 79.84, 0.52%, 0.48%

LAB 70.43, -32.68, 57.16

 

CMYK 69 / 23 / 0 / 27

HEX #3A8EB9

RGB 58 142 185

HSL 200.31, 0.52%, 0.48%

LAB 55.83, -11.37, -29.85

 

CMYK 32 / 68 / 0 / 27

HEX #7F3BBA

RGB 127 59 186

HSL 272.13, 0.52%, 0.48%

LAB 39.89, 52.36, -55.43

 

CMYK 0 / 46 / 68 / 27

HEX #BA653B

RGB 186 101 59

HSL 19.84, 0.52%, 0.48%

LAB 51.91, 30.59, 38.3

 

CMYK 37 / 0 / 68 / 27

HEX #76BA3B

RGB 118 186 59

HSL 92.13, 0.52%, 0.48%

LAB 68.96, -42.37, 55.17

 

CMYK 69 / 23 / 0 / 27

HEX #3A8EB9

RGB 58 142 185

HSL 200.31, 0.52%, 0.48%

LAB 55.83, -11.37, -29.85

 

CMYK 11 / 68 / 0 / 27

HEX #A53BBA

RGB 165 59 186

HSL 290.08, 0.52%, 0.48%

LAB 45.18, 60.62, -46.64

 

CMYK 0 / 46 / 68 / 27

HEX #BA653B

RGB 186 101 59

HSL 19.84, 0.52%, 0.48%

LAB 51.91, 30.59, 38.3

 

CMYK 57 / 0 / 68 / 27

HEX #50BA3B

RGB 80 186 59

HSL 110.08, 0.52%, 0.48%

LAB 67.38, -54.01, 53.03

 

Description

Color code: HEX #3A8EB9 | qconv.com Color code: HEX #3A8EB9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 142 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 142 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 23 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 23% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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