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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A8D7E it is the complementary color #C57281. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A8D7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A8D7E shade: #3F8D79, #509F8C, #61B19F, #72C3B2 and #83D5C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A8D7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A8D7E shade: #3A8D7E, #297B6B, #186958, #075745 and #004532

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A8D7E shade: #3A8D7E, #3A8D68, #3A8D51, #3A8D3B and #4F8D3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A8D7E shade: #3A8D7E, #3A868D, #3A6F8D, #3A598D and #3A428D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A8D7E shade matches the following richer shades: #3A8D7E, #2A9D88, #19AD93 and #09BD9D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A8D7E shade: #3A8D7E, #4A7D74, #5A6D6A, #6A5D5F and #7A4D55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A8D7E shade: #3A8D51, #3A8D68, #3A8D7E, #3A868D and #3A708D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A8D7E shade: #22534A, #2E7064, #3A8D7E, #46AB98 and #5DBDAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A8D7E shade: #3A8D7E, #3B3A8D and #8D5C3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A8D7E shade: #3A8D7E, #7E3A8D and #8D7E3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A8D7E shade: #3A8D7E, #3B3A8D, #8D3A49 and #8C8D3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A8D7E shade: #3A8D7E, #543A8D, #8D3A49 and #738D3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 11 / 45

HEX #3A8D7E

RGB 58 141 126

HSL 169.16, 0.42%, 0.39%

LAB 53.44, -28.91, 0.47

 

Complementary color

CMYK 0 / 42 / 35 / 23

HEX #C57281

RGB 197 114 129

HSL 349.16, 0.42%, 0.61%

LAB 57.55, 34.42, 6.08

 

CMYK 55 / 0 / 14 / 45

HEX #3F8D79

RGB 63 141 121

HSL 164.62, 0.38%, 0.4%

LAB 53.48, -29.12, 3.43

 

CMYK 50 / 0 / 12 / 38

HEX #509F8C

RGB 80 159 140

HSL 165.57, 0.33%, 0.47%

LAB 60.24, -29.08, 2.46

 

CMYK 45 / 0 / 10 / 31

HEX #61B19F

RGB 97 177 159

HSL 166.5, 0.34%, 0.54%

LAB 66.89, -28.97, 1.58

 

CMYK 42 / 0 / 9 / 24

HEX #72C3B2

RGB 114 195 178

HSL 167.41, 0.4%, 0.61%

LAB 73.43, -28.84, 0.77

 

CMYK 38 / 0 / 8 / 16

HEX #83D5C5

RGB 131 213 197

HSL 168.29, 0.49%, 0.67%

LAB 79.87, -28.69, 0.02

 

CMYK 59 / 0 / 11 / 45

HEX #3A8D7E

RGB 58 141 126

HSL 169.16, 0.42%, 0.39%

LAB 53.44, -28.91, 0.47

 

CMYK 67 / 0 / 13 / 52

HEX #297B6B

RGB 41 123 107

HSL 168.29, 0.5%, 0.32%

LAB 46.58, -28.67, 1.53

 

CMYK 77 / 0 / 16 / 59

HEX #186958

RGB 24 105 88

HSL 167.41, 0.63%, 0.25%

LAB 39.58, -28.13, 2.75

 

CMYK 92 / 0 / 21 / 66

HEX #075745

RGB 7 87 69

HSL 166.5, 0.85%, 0.18%

LAB 32.46, -27.07, 4.22

 

CMYK 100 / 0 / 28 / 73

HEX #004532

RGB 0 69 50

HSL 163.48, 1%, 0.14%

LAB 25.22, -25.03, 6.05

 

CMYK 59 / 0 / 11 / 45

HEX #3A8D7E

RGB 58 141 126

HSL 169.16, 0.42%, 0.39%

LAB 53.44, -28.91, 0.47

 

CMYK 59 / 0 / 26 / 45

HEX #3A8D68

RGB 58 141 104

HSL 153.25, 0.42%, 0.39%

LAB 52.89, -34.36, 12.34

 

CMYK 59 / 0 / 43 / 45

HEX #3A8D51

RGB 58 141 81

HSL 136.63, 0.42%, 0.39%

LAB 52.45, -39.04, 24.64

 

CMYK 59 / 0 / 58 / 45

HEX #3A8D3B

RGB 58 141 59

HSL 120.72, 0.42%, 0.39%

LAB 52.14, -42.44, 35.81

 

CMYK 44 / 0 / 59 / 45

HEX #4F8D3A

RGB 79 141 58

HSL 104.82, 0.42%, 0.39%

LAB 52.97, -36.32, 37.49

 

CMYK 59 / 0 / 11 / 45

HEX #3A8D7E

RGB 58 141 126

HSL 169.16, 0.42%, 0.39%

LAB 53.44, -28.91, 0.47

 

CMYK 59 / 5 / 0 / 45

HEX #3A868D

RGB 58 134 141

HSL 185.06, 0.42%, 0.39%

LAB 51.69, -21.11, -10.83

 

CMYK 59 / 21 / 0 / 45

HEX #3A6F8D

RGB 58 111 141

HSL 201.69, 0.42%, 0.39%

LAB 44.51, -8.33, -21.78

 

CMYK 59 / 37 / 0 / 45

HEX #3A598D

RGB 58 89 141

HSL 217.59, 0.42%, 0.39%

LAB 37.78, 5.2, -32.28

 

CMYK 59 / 53 / 0 / 45

HEX #3A428D

RGB 58 66 141

HSL 234.22, 0.42%, 0.39%

LAB 31.16, 20.33, -42.85

 

CMYK 59 / 0 / 11 / 45

HEX #3A8D7E

RGB 58 141 126

HSL 169.16, 0.42%, 0.39%

LAB 53.44, -28.91, 0.47

 

CMYK 73 / 0 / 13 / 38

HEX #2A9D88

RGB 42 157 136

HSL 169.04, 0.58%, 0.39%

LAB 58.4, -36.48, 1.91

 

CMYK 86 / 0 / 15 / 32

HEX #19AD93

RGB 25 173 147

HSL 169.46, 0.75%, 0.39%

LAB 63.51, -42.31, 3.1

 

CMYK 95 / 0 / 17 / 26

HEX #09BD9D

RGB 9 189 157

HSL 169.33, 0.91%, 0.39%

LAB 68.67, -47.2, 5.02

 

CMYK 59 / 0 / 11 / 45

HEX #3A8D7E

RGB 58 141 126

HSL 169.16, 0.42%, 0.39%

LAB 53.44, -28.91, 0.47

 

CMYK 41 / 0 / 7 / 51

HEX #4A7D74

RGB 74 125 116

HSL 169.41, 0.26%, 0.39%

LAB 48.74, -19.41, -0.49

 

CMYK 17 / 0 / 3 / 57

HEX #5A6D6A

RGB 90 109 106

HSL 170.53, 0.1%, 0.39%

LAB 44.45, -7.74, -0.7

 

CMYK 0 / 12 / 10 / 58

HEX #6A5D5F

RGB 106 93 95

HSL 350.77, 0.07%, 0.39%

LAB 40.77, 5.62, 0.77

 

CMYK 0 / 37 / 30 / 52

HEX #7A4D55

RGB 122 77 85

HSL 349.33, 0.23%, 0.39%

LAB 38.02, 20.18, 3.23

 

CMYK 59 / 0 / 43 / 45

HEX #3A8D51

RGB 58 141 81

HSL 136.63, 0.42%, 0.39%

LAB 52.45, -39.04, 24.64

 

CMYK 59 / 0 / 26 / 45

HEX #3A8D68

RGB 58 141 104

HSL 153.25, 0.42%, 0.39%

LAB 52.89, -34.36, 12.34

 

CMYK 59 / 0 / 11 / 45

HEX #3A8D7E

RGB 58 141 126

HSL 169.16, 0.42%, 0.39%

LAB 53.44, -28.91, 0.47

 

CMYK 59 / 5 / 0 / 45

HEX #3A868D

RGB 58 134 141

HSL 185.06, 0.42%, 0.39%

LAB 51.69, -21.11, -10.83

 

CMYK 59 / 21 / 0 / 45

HEX #3A708D

RGB 58 112 141

HSL 200.96, 0.42%, 0.39%

LAB 44.82, -8.91, -21.3

 

CMYK 59 / 0 / 11 / 67

HEX #22534A

RGB 34 83 74

HSL 168.98, 0.42%, 0.23%

LAB 31.85, -19.06, 0.27

 

CMYK 59 / 0 / 11 / 56

HEX #2E7064

RGB 46 112 100

HSL 169.09, 0.42%, 0.31%

LAB 42.9, -24.12, 0.37

 

CMYK 59 / 0 / 11 / 45

HEX #3A8D7E

RGB 58 141 126

HSL 169.16, 0.42%, 0.39%

LAB 53.44, -28.91, 0.47

 

CMYK 59 / 0 / 11 / 33

HEX #46AB98

RGB 70 171 152

HSL 168.71, 0.42%, 0.47%

LAB 63.91, -33.98, 1.02

 

CMYK 51 / 0 / 10 / 26

HEX #5DBDAB

RGB 93 189 171

HSL 168.75, 0.42%, 0.55%

LAB 70.64, -32.77, 0.42

 

CMYK 59 / 0 / 11 / 45

HEX #3A8D7E

RGB 58 141 126

HSL 169.16, 0.42%, 0.39%

LAB 53.44, -28.91, 0.47

 

CMYK 58 / 59 / 0 / 45

HEX #3B3A8D

RGB 59 58 141

HSL 240.72, 0.42%, 0.39%

LAB 29.11, 25.83, -46.16

 

CMYK 0 / 35 / 59 / 45

HEX #8D5C3A

RGB 141 92 58

HSL 24.58, 0.42%, 0.39%

LAB 43.69, 16.34, 27.61

 

CMYK 59 / 0 / 11 / 45

HEX #3A8D7E

RGB 58 141 126

HSL 169.16, 0.42%, 0.39%

LAB 53.44, -28.91, 0.47

 

CMYK 11 / 59 / 0 / 45

HEX #7E3A8D

RGB 126 58 141

HSL 289.16, 0.42%, 0.39%

LAB 36.71, 42.53, -33.55

 

CMYK 0 / 11 / 59 / 45

HEX #8D7E3A

RGB 141 126 58

HSL 49.16, 0.42%, 0.39%

LAB 52.83, -3.25, 38.46

 

CMYK 59 / 0 / 11 / 45

HEX #3A8D7E

RGB 58 141 126

HSL 169.16, 0.42%, 0.39%

LAB 53.44, -28.91, 0.47

 

CMYK 58 / 59 / 0 / 45

HEX #3B3A8D

RGB 59 58 141

HSL 240.72, 0.42%, 0.39%

LAB 29.11, 25.83, -46.16

 

CMYK 0 / 59 / 48 / 45

HEX #8D3A49

RGB 141 58 73

HSL 349.16, 0.42%, 0.39%

LAB 36.31, 36.69, 8.75

 

CMYK 1 / 0 / 59 / 45

HEX #8C8D3A

RGB 140 141 58

HSL 60.72, 0.42%, 0.39%

LAB 57.01, -11.92, 43.16

 

CMYK 59 / 0 / 11 / 45

HEX #3A8D7E

RGB 58 141 126

HSL 169.16, 0.42%, 0.39%

LAB 53.44, -28.91, 0.47

 

CMYK 40 / 59 / 0 / 45

HEX #543A8D

RGB 84 58 141

HSL 258.8, 0.42%, 0.39%

LAB 31.43, 31.44, -42.3

 

CMYK 0 / 59 / 48 / 45

HEX #8D3A49

RGB 141 58 73

HSL 349.16, 0.42%, 0.39%

LAB 36.31, 36.69, 8.75

 

CMYK 18 / 0 / 59 / 45

HEX #738D3A

RGB 115 141 58

HSL 78.8, 0.42%, 0.39%

LAB 55.07, -22.67, 40.45

 

Description

Color code: HEX #3A8D7E | qconv.com Color code: HEX #3A8D7E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 141 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 141 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 11 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 11% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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