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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A8D54 it is the complementary color #C572AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A8D54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A8D54 shade: #3F8D4F, #509F62, #61B175, #72C388 and #83D59B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A8D54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A8D54 shade: #3A8D54, #297B41, #18692E, #07571B and #004508

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A8D54 shade: #3A8D54, #3A8D3D, #4D8D3A, #638D3A and #7A8D3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A8D54 shade: #3A8D54, #3A8D6A, #3A8D81, #3A838D and #3A6C8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A8D54 shade matches the following richer shades: #3A8D54, #2A9D4E, #19AD48 and #09BD42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A8D54 shade: #3A8D54, #4A7D5A, #5A6D60, #6A5D66 and #7A4D6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A8D54 shade: #4D8D3A, #3A8D3C, #3A8D53, #3A8D69 and #3A8D7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A8D54 shade: #225331, #2E7042, #3A8D54, #46AB65 and #5DBD7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A8D54 shade: #3A8D54, #3A638D and #8D3A42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A8D54 shade: #3A8D54, #533A8D and #8D533A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A8D54 shade: #3A8D54, #3A638D, #8D3A74 and #8D633A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A8D54 shade: #3A8D54, #3A4A8D, #8D3A74 and #8D7D3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 40 / 45

HEX #3A8D54

RGB 58 141 84

HSL 138.8, 0.42%, 0.39%

LAB 52.5, -38.49, 23.06

 

Complementary color

CMYK 0 / 42 / 13 / 23

HEX #C572AB

RGB 197 114 171

HSL 318.8, 0.42%, 0.61%

LAB 58.83, 40.53, -16.33

 

CMYK 55 / 0 / 44 / 45

HEX #3F8D4F

RGB 63 141 79

HSL 132.31, 0.38%, 0.4%

LAB 52.59, -38.11, 25.95

 

CMYK 50 / 0 / 38 / 38

HEX #509F62

RGB 80 159 98

HSL 133.67, 0.33%, 0.47%

LAB 59.33, -38.03, 24.56

 

CMYK 45 / 0 / 34 / 31

HEX #61B175

RGB 97 177 117

HSL 135, 0.34%, 0.54%

LAB 65.96, -37.84, 23.28

 

CMYK 42 / 0 / 30 / 24

HEX #72C388

RGB 114 195 136

HSL 136.3, 0.4%, 0.61%

LAB 72.49, -37.6, 22.09

 

CMYK 38 / 0 / 27 / 16

HEX #83D59B

RGB 131 213 155

HSL 137.56, 0.49%, 0.67%

LAB 78.91, -37.34, 20.98

 

CMYK 59 / 0 / 40 / 45

HEX #3A8D54

RGB 58 141 84

HSL 138.8, 0.42%, 0.39%

LAB 52.5, -38.49, 23.06

 

CMYK 67 / 0 / 47 / 52

HEX #297B41

RGB 41 123 65

HSL 137.56, 0.5%, 0.32%

LAB 45.66, -38.29, 24.59

 

CMYK 77 / 0 / 56 / 59

HEX #18692E

RGB 24 105 46

HSL 136.3, 0.63%, 0.25%

LAB 38.72, -37.63, 26.24

 

CMYK 92 / 0 / 69 / 66

HEX #07571B

RGB 7 87 27

HSL 135, 0.85%, 0.18%

LAB 31.67, -36.12, 27.87

 

CMYK 100 / 0 / 88 / 73

HEX #004508

RGB 0 69 8

HSL 126.96, 1%, 0.14%

LAB 24.56, -32.93, 28.89

 

CMYK 59 / 0 / 40 / 45

HEX #3A8D54

RGB 58 141 84

HSL 138.8, 0.42%, 0.39%

LAB 52.5, -38.49, 23.06

 

CMYK 59 / 0 / 57 / 45

HEX #3A8D3D

RGB 58 141 61

HSL 122.17, 0.42%, 0.39%

LAB 52.16, -42.18, 34.84

 

CMYK 45 / 0 / 59 / 45

HEX #4D8D3A

RGB 77 141 58

HSL 106.27, 0.42%, 0.39%

LAB 52.88, -36.98, 37.36

 

CMYK 30 / 0 / 59 / 45

HEX #638D3A

RGB 99 141 58

HSL 90.36, 0.42%, 0.39%

LAB 54.04, -29.09, 38.99

 

CMYK 13 / 0 / 59 / 45

HEX #7A8D3A

RGB 122 141 58

HSL 73.73, 0.42%, 0.39%

LAB 55.58, -19.72, 41.16

 

CMYK 59 / 0 / 40 / 45

HEX #3A8D54

RGB 58 141 84

HSL 138.8, 0.42%, 0.39%

LAB 52.5, -38.49, 23.06

 

CMYK 59 / 0 / 25 / 45

HEX #3A8D6A

RGB 58 141 106

HSL 154.7, 0.42%, 0.39%

LAB 52.94, -33.9, 11.26

 

CMYK 59 / 0 / 9 / 45

HEX #3A8D81

RGB 58 141 129

HSL 171.33, 0.42%, 0.39%

LAB 53.53, -28.11, -1.14

 

CMYK 59 / 7 / 0 / 45

HEX #3A838D

RGB 58 131 141

HSL 187.23, 0.42%, 0.39%

LAB 50.75, -19.52, -12.25

 

CMYK 59 / 23 / 0 / 45

HEX #3A6C8D

RGB 58 108 141

HSL 203.86, 0.42%, 0.39%

LAB 43.58, -6.56, -23.22

 

CMYK 59 / 0 / 40 / 45

HEX #3A8D54

RGB 58 141 84

HSL 138.8, 0.42%, 0.39%

LAB 52.5, -38.49, 23.06

 

CMYK 73 / 0 / 50 / 38

HEX #2A9D4E

RGB 42 157 78

HSL 138.78, 0.58%, 0.39%

LAB 57.23, -49.17, 32.25

 

CMYK 86 / 0 / 58 / 32

HEX #19AD48

RGB 25 173 72

HSL 139.05, 0.75%, 0.39%

LAB 62.14, -57.79, 41.12

 

CMYK 95 / 0 / 65 / 26

HEX #09BD42

RGB 9 189 66

HSL 139, 0.91%, 0.39%

LAB 67.16, -64.6, 49.54

 

CMYK 59 / 0 / 40 / 45

HEX #3A8D54

RGB 58 141 84

HSL 138.8, 0.42%, 0.39%

LAB 52.5, -38.49, 23.06

 

CMYK 41 / 0 / 28 / 51

HEX #4A7D5A

RGB 74 125 90

HSL 138.82, 0.26%, 0.39%

LAB 48.08, -25.37, 13.82

 

CMYK 17 / 0 / 12 / 57

HEX #5A6D60

RGB 90 109 96

HSL 138.95, 0.1%, 0.39%

LAB 44.17, -9.94, 4.91

 

CMYK 0 / 12 / 4 / 58

HEX #6A5D66

RGB 106 93 102

HSL 318.46, 0.07%, 0.39%

LAB 40.98, 7, -3.21

 

CMYK 0 / 37 / 11 / 52

HEX #7A4D6C

RGB 122 77 108

HSL 318.67, 0.23%, 0.39%

LAB 38.77, 24.05, -10.02

 

CMYK 45 / 0 / 59 / 45

HEX #4D8D3A

RGB 77 141 58

HSL 106.27, 0.42%, 0.39%

LAB 52.88, -36.98, 37.36

 

CMYK 59 / 0 / 57 / 45

HEX #3A8D3C

RGB 58 141 60

HSL 121.45, 0.42%, 0.39%

LAB 52.15, -42.31, 35.32

 

CMYK 59 / 0 / 41 / 45

HEX #3A8D53

RGB 58 141 83

HSL 138.07, 0.42%, 0.39%

LAB 52.48, -38.68, 23.59

 

CMYK 59 / 0 / 26 / 45

HEX #3A8D69

RGB 58 141 105

HSL 153.98, 0.42%, 0.39%

LAB 52.92, -34.13, 11.8

 

CMYK 59 / 0 / 10 / 45

HEX #3A8D7F

RGB 58 141 127

HSL 169.88, 0.42%, 0.39%

LAB 53.47, -28.65, -0.07

 

CMYK 59 / 0 / 41 / 67

HEX #225331

RGB 34 83 49

HSL 138.37, 0.42%, 0.23%

LAB 31.23, -25.3, 15.04

 

CMYK 59 / 0 / 41 / 56

HEX #2E7042

RGB 46 112 66

HSL 138.18, 0.42%, 0.31%

LAB 42.1, -32.17, 19.43

 

CMYK 59 / 0 / 40 / 45

HEX #3A8D54

RGB 58 141 84

HSL 138.8, 0.42%, 0.39%

LAB 52.5, -38.49, 23.06

 

CMYK 59 / 0 / 41 / 33

HEX #46AB65

RGB 70 171 101

HSL 138.42, 0.42%, 0.47%

LAB 62.82, -45.15, 27.48

 

CMYK 51 / 0 / 35 / 26

HEX #5DBD7B

RGB 93 189 123

HSL 138.75, 0.42%, 0.55%

LAB 69.58, -43.11, 24.91

 

CMYK 59 / 0 / 40 / 45

HEX #3A8D54

RGB 58 141 84

HSL 138.8, 0.42%, 0.39%

LAB 52.5, -38.49, 23.06

 

CMYK 59 / 30 / 0 / 45

HEX #3A638D

RGB 58 99 141

HSL 210.36, 0.42%, 0.39%

LAB 40.81, -1.1, -27.53

 

CMYK 0 / 59 / 53 / 45

HEX #8D3A42

RGB 141 58 66

HSL 354.22, 0.42%, 0.39%

LAB 36.14, 36, 12.97

 

CMYK 59 / 0 / 40 / 45

HEX #3A8D54

RGB 58 141 84

HSL 138.8, 0.42%, 0.39%

LAB 52.5, -38.49, 23.06

 

CMYK 41 / 59 / 0 / 45

HEX #533A8D

RGB 83 58 141

HSL 258.07, 0.42%, 0.39%

LAB 31.32, 31.19, -42.48

 

CMYK 0 / 41 / 59 / 45

HEX #8D533A

RGB 141 83 58

HSL 18.07, 0.42%, 0.39%

LAB 41.46, 21.57, 24.84

 

CMYK 59 / 0 / 40 / 45

HEX #3A8D54

RGB 58 141 84

HSL 138.8, 0.42%, 0.39%

LAB 52.5, -38.49, 23.06

 

CMYK 59 / 30 / 0 / 45

HEX #3A638D

RGB 58 99 141

HSL 210.36, 0.42%, 0.39%

LAB 40.81, -1.1, -27.53

 

CMYK 0 / 59 / 18 / 45

HEX #8D3A74

RGB 141 58 116

HSL 318.07, 0.42%, 0.39%

LAB 37.75, 42.36, -16.31

 

CMYK 0 / 30 / 59 / 45

HEX #8D633A

RGB 141 99 58

HSL 29.64, 0.42%, 0.39%

LAB 45.49, 12.26, 29.81

 

CMYK 59 / 0 / 40 / 45

HEX #3A8D54

RGB 58 141 84

HSL 138.8, 0.42%, 0.39%

LAB 52.5, -38.49, 23.06

 

CMYK 59 / 48 / 0 / 45

HEX #3A4A8D

RGB 58 74 141

HSL 228.43, 0.42%, 0.39%

LAB 33.39, 15.01, -39.26

 

CMYK 0 / 59 / 18 / 45

HEX #8D3A74

RGB 141 58 116

HSL 318.07, 0.42%, 0.39%

LAB 37.75, 42.36, -16.31

 

CMYK 0 / 11 / 59 / 45

HEX #8D7D3A

RGB 141 125 58

HSL 48.43, 0.42%, 0.39%

LAB 52.55, -2.69, 38.14

 

Description

Color code: HEX #3A8D54 | qconv.com Color code: HEX #3A8D54 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 141 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 141 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 40 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 40% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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