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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A8D1C it is the complementary color #C572E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A8D1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A8D1C shade: #3F8D17, #509F2A, #61B13D, #72C350 and #83D563

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A8D1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A8D1C shade: #3A8D1C, #297B09, #186900, #075700 and #004500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A8D1C shade: #3A8D1C, #588D1C, #778D1C, #8D841C and #8D661C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A8D1C shade: #3A8D1C, #1C8D1C, #1C8D3B, #1C8D59 and #1C8D77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A8D1C shade matches the following richer shades: #3A8D1C, #339A0E and #2DA801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A8D1C shade: #3A8D1C, #407F29, #467137, #4D6445 and #535652

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A8D1C shade: #768D1C, #588D1C, #3A8D1C, #1C8D1C and #1C8D3A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A8D1C shade: #1D480E, #2C6A15, #3A8D1C, #48AF23 and #56D129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A8D1C shade: #3A8D1C, #1C8D85 and #8D1C67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A8D1C shade: #3A8D1C, #1C3A8D and #8D1C3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A8D1C shade: #3A8D1C, #1C8D85, #6E1C8D and #8D1C23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A8D1C shade: #3A8D1C, #1C728D, #6E1C8D and #8D361C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 80 / 45

HEX #3A8D1C

RGB 58 141 28

HSL 104.07, 0.67%, 0.33%

LAB 51.87, -45.41, 48.6

 

Complementary color

CMYK 13 / 50 / 0 / 11

HEX #C572E3

RGB 197 114 227

HSL 284.07, 0.67%, 0.67%

LAB 61.18, 50.9, -44.42

 

CMYK 55 / 0 / 84 / 45

HEX #3F8D17

RGB 63 141 23

HSL 99.66, 0.72%, 0.32%

LAB 52.03, -44.29, 50.33

 

CMYK 50 / 0 / 74 / 38

HEX #509F2A

RGB 80 159 42

HSL 100.51, 0.58%, 0.39%

LAB 58.67, -45.05, 50.62

 

CMYK 45 / 0 / 66 / 31

HEX #61B13D

RGB 97 177 61

HSL 101.38, 0.49%, 0.47%

LAB 65.22, -45.45, 50.08

 

CMYK 42 / 0 / 59 / 24

HEX #72C350

RGB 114 195 80

HSL 102.26, 0.49%, 0.54%

LAB 71.68, -45.63, 49.15

 

CMYK 38 / 0 / 54 / 16

HEX #83D563

RGB 131 213 99

HSL 103.16, 0.58%, 0.61%

LAB 78.06, -45.67, 48.05

 

CMYK 59 / 0 / 80 / 45

HEX #3A8D1C

RGB 58 141 28

HSL 104.07, 0.67%, 0.33%

LAB 51.87, -45.41, 48.6

 

CMYK 67 / 0 / 93 / 52

HEX #297B09

RGB 41 123 9

HSL 103.16, 0.86%, 0.26%

LAB 45.16, -44.08, 47.39

 

CMYK 77 / 0 / 100 / 59

HEX #186900

RGB 24 105 0

HSL 106.29, 1%, 0.21%

LAB 38.37, -41.81, 43.74

 

CMYK 92 / 0 / 100 / 66

HEX #075700

RGB 7 87 0

HSL 115.17, 1%, 0.17%

LAB 31.49, -38.42, 38.12

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 59 / 0 / 80 / 45

HEX #3A8D1C

RGB 58 141 28

HSL 104.07, 0.67%, 0.33%

LAB 51.87, -45.41, 48.6

 

CMYK 38 / 0 / 80 / 45

HEX #588D1C

RGB 88 141 28

HSL 88.14, 0.67%, 0.33%

LAB 53.18, -35.64, 50.29

 

CMYK 16 / 0 / 80 / 45

HEX #778D1C

RGB 119 141 28

HSL 71.68, 0.67%, 0.33%

LAB 55.13, -23, 52.81

 

CMYK 0 / 6 / 80 / 45

HEX #8D841C

RGB 141 132 28

HSL 55.22, 0.67%, 0.33%

LAB 54.29, -8.36, 52.72

 

CMYK 0 / 28 / 80 / 45

HEX #8D661C

RGB 141 102 28

HSL 39.29, 0.67%, 0.33%

LAB 45.97, 8.63, 45.12

 

CMYK 59 / 0 / 80 / 45

HEX #3A8D1C

RGB 58 141 28

HSL 104.07, 0.67%, 0.33%

LAB 51.87, -45.41, 48.6

 

CMYK 80 / 0 / 80 / 45

HEX #1C8D1C

RGB 28 141 28

HSL 120, 0.67%, 0.33%

LAB 51.13, -51.64, 47.63

 

CMYK 80 / 0 / 58 / 45

HEX #1C8D3B

RGB 28 141 59

HSL 136.46, 0.67%, 0.33%

LAB 51.4, -48.38, 34.75

 

CMYK 80 / 0 / 37 / 45

HEX #1C8D59

RGB 28 141 89

HSL 152.39, 0.67%, 0.33%

LAB 51.86, -43.01, 19.3

 

CMYK 80 / 0 / 16 / 45

HEX #1C8D77

RGB 28 141 119

HSL 168.32, 0.67%, 0.33%

LAB 52.54, -35.63, 3.11

 

CMYK 59 / 0 / 80 / 45

HEX #3A8D1C

RGB 58 141 28

HSL 104.07, 0.67%, 0.33%

LAB 51.87, -45.41, 48.6

 

CMYK 67 / 0 / 91 / 40

HEX #339A0E

RGB 51 154 14

HSL 104.14, 0.83%, 0.33%

LAB 55.93, -52.44, 55.74

 

CMYK 73 / 0 / 99 / 34

HEX #2DA801

RGB 45 168 1

HSL 104.19, 0.99%, 0.33%

LAB 60.4, -58.55, 61.33

 

CMYK 59 / 0 / 80 / 45

HEX #3A8D1C

RGB 58 141 28

HSL 104.07, 0.67%, 0.33%

LAB 51.87, -45.41, 48.6

 

CMYK 50 / 0 / 68 / 50

HEX #407F29

RGB 64 127 41

HSL 103.95, 0.51%, 0.33%

LAB 47.53, -36.99, 39.2

 

CMYK 38 / 0 / 51 / 56

HEX #467137

RGB 70 113 55

HSL 104.48, 0.35%, 0.33%

LAB 43.34, -26.88, 27.42

 

CMYK 23 / 0 / 31 / 61

HEX #4D6445

RGB 77 100 69

HSL 104.52, 0.18%, 0.33%

LAB 39.78, -15.19, 14.86

 

CMYK 3 / 0 / 5 / 66

HEX #535652

RGB 83 86 82

HSL 105, 0.02%, 0.33%

LAB 36.18, -2.05, 1.9

 

CMYK 16 / 0 / 80 / 45

HEX #768D1C

RGB 118 141 28

HSL 72.21, 0.67%, 0.33%

LAB 55.06, -23.44, 52.71

 

CMYK 38 / 0 / 80 / 45

HEX #588D1C

RGB 88 141 28

HSL 88.14, 0.67%, 0.33%

LAB 53.18, -35.64, 50.29

 

CMYK 59 / 0 / 80 / 45

HEX #3A8D1C

RGB 58 141 28

HSL 104.07, 0.67%, 0.33%

LAB 51.87, -45.41, 48.6

 

CMYK 80 / 0 / 80 / 45

HEX #1C8D1C

RGB 28 141 28

HSL 120, 0.67%, 0.33%

LAB 51.13, -51.64, 47.63

 

CMYK 80 / 0 / 59 / 45

HEX #1C8D3A

RGB 28 141 58

HSL 135.93, 0.67%, 0.33%

LAB 51.38, -48.52, 35.23

 

CMYK 60 / 0 / 81 / 72

HEX #1D480E

RGB 29 72 14

HSL 104.48, 0.67%, 0.17%

LAB 26.53, -27.01, 28.65

 

CMYK 58 / 0 / 80 / 58

HEX #2C6A15

RGB 44 106 21

HSL 103.76, 0.67%, 0.25%

LAB 39.41, -36.18, 38.84

 

CMYK 59 / 0 / 80 / 45

HEX #3A8D1C

RGB 58 141 28

HSL 104.07, 0.67%, 0.33%

LAB 51.87, -45.41, 48.6

 

CMYK 59 / 0 / 80 / 31

HEX #48AF23

RGB 72 175 35

HSL 104.14, 0.67%, 0.41%

LAB 63.47, -53.81, 57.55

 

CMYK 59 / 0 / 80 / 18

HEX #56D129

RGB 86 209 41

HSL 103.93, 0.67%, 0.49%

LAB 74.66, -61.94, 66.42

 

CMYK 59 / 0 / 80 / 45

HEX #3A8D1C

RGB 58 141 28

HSL 104.07, 0.67%, 0.33%

LAB 51.87, -45.41, 48.6

 

CMYK 80 / 0 / 6 / 45

HEX #1C8D85

RGB 28 141 133

HSL 175.75, 0.67%, 0.33%

LAB 52.94, -31.61, -4.41

 

CMYK 0 / 80 / 27 / 45

HEX #8D1C67

RGB 141 28 103

HSL 320.18, 0.67%, 0.33%

LAB 32.86, 52.5, -15.6

 

CMYK 59 / 0 / 80 / 45

HEX #3A8D1C

RGB 58 141 28

HSL 104.07, 0.67%, 0.33%

LAB 51.87, -45.41, 48.6

 

CMYK 80 / 59 / 0 / 45

HEX #1C3A8D

RGB 28 58 141

HSL 224.07, 0.67%, 0.33%

LAB 27.29, 20.99, -49.2

 

CMYK 0 / 80 / 59 / 45

HEX #8D1C3A

RGB 141 28 58

HSL 344.07, 0.67%, 0.33%

LAB 31.34, 47.9, 11.6

 

CMYK 59 / 0 / 80 / 45

HEX #3A8D1C

RGB 58 141 28

HSL 104.07, 0.67%, 0.33%

LAB 51.87, -45.41, 48.6

 

CMYK 80 / 0 / 6 / 45

HEX #1C8D85

RGB 28 141 133

HSL 175.75, 0.67%, 0.33%

LAB 52.94, -31.61, -4.41

 

CMYK 22 / 80 / 0 / 45

HEX #6E1C8D

RGB 110 28 141

HSL 283.54, 0.67%, 0.33%

LAB 29.58, 51.91, -45.1

 

CMYK 0 / 80 / 75 / 45

HEX #8D1C23

RGB 141 28 35

HSL 356.28, 0.67%, 0.33%

LAB 30.91, 46.54, 26

 

CMYK 59 / 0 / 80 / 45

HEX #3A8D1C

RGB 58 141 28

HSL 104.07, 0.67%, 0.33%

LAB 51.87, -45.41, 48.6

 

CMYK 80 / 19 / 0 / 45

HEX #1C728D

RGB 28 114 141

HSL 194.34, 0.67%, 0.33%

LAB 44.52, -15, -21.83

 

CMYK 22 / 80 / 0 / 45

HEX #6E1C8D

RGB 110 28 141

HSL 283.54, 0.67%, 0.33%

LAB 29.58, 51.91, -45.1

 

CMYK 0 / 62 / 80 / 45

HEX #8D361C

RGB 141 54 28

HSL 13.81, 0.67%, 0.33%

LAB 34.77, 35.51, 34.27

 

Description

Color code: HEX #3A8D1C | qconv.com Color code: HEX #3A8D1C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 141 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 141 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 80 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 80% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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