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Color name
HEX #3A8C0F

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A8C0F it is the complementary color #C573F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A8C0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A8C0F shade: #3F8C0A, #509E1D, #61B030, #72C243 and #83D456

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A8C0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A8C0F shade: #3A8C0F, #297A00, #186800, #075600 and #004400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A8C0F shade: #398A0F, #5B8A0F, #7C8A0F, #8A780F and #8A560F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A8C0F shade: #398A0F, #188A0F, #0F8A27, #0F8A48 and #0F8A6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A8C0F shade matches the following richer shades: #398A0F and #359702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A8C0F shade: #398A0F, #3D7E1B, #417227, #456534 and #495940

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A8C0F shade: #7C8A0F, #5B8A0F, #3A8A0F, #198A0F and #0F8A25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A8C0F shade: #1A4007, #2A650B, #398A0F, #49B012 and #58D516

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A8C0F shade: #3A8C0F, #0F8A78 and #8A0F6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A8C0F shade: #3A8C0F, #0F3A8A and #8A0F3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A8C0F shade: #3A8C0F, #0F8A78, #5F0F8A and #8A0F21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A8C0F shade: #3A8C0F, #0F788A, #5F0F8A and #8A210F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 89 / 45

HEX #3A8C0F

RGB 58 140 15

HSL 99.36, 0.81%, 0.3%

LAB 51.49, -45.69, 51.8

 

Complementary color

CMYK 18 / 52 / 0 / 6

HEX #C573F0

RGB 197 115 240

HSL 279.36, 0.81%, 0.7%

LAB 62.02, 53.08, -50.32

 

CMYK 55 / 0 / 93 / 45

HEX #3F8C0A

RGB 63 140 10

HSL 95.54, 0.87%, 0.29%

LAB 51.65, -44.42, 52.98

 

CMYK 49 / 0 / 82 / 38

HEX #509E1D

RGB 80 158 29

HSL 96.28, 0.69%, 0.37%

LAB 58.27, -45.46, 54.58

 

CMYK 45 / 0 / 73 / 31

HEX #61B030

RGB 97 176 48

HSL 97.03, 0.57%, 0.44%

LAB 64.81, -46.09, 54.81

 

CMYK 41 / 0 / 65 / 24

HEX #72C243

RGB 114 194 67

HSL 97.8, 0.51%, 0.51%

LAB 71.26, -46.45, 54.32

 

CMYK 38 / 0 / 59 / 17

HEX #83D456

RGB 131 212 86

HSL 98.57, 0.59%, 0.58%

LAB 77.63, -46.62, 53.46

 

CMYK 59 / 0 / 89 / 45

HEX #3A8C0F

RGB 58 140 15

HSL 99.36, 0.81%, 0.3%

LAB 51.49, -45.69, 51.8

 

CMYK 66 / 0 / 100 / 52

HEX #297A00

RGB 41 122 0

HSL 99.84, 1%, 0.24%

LAB 44.79, -44.05, 49.02

 

CMYK 77 / 0 / 100 / 59

HEX #186800

RGB 24 104 0

HSL 106.15, 1%, 0.2%

LAB 38.01, -41.47, 43.46

 

CMYK 92 / 0 / 100 / 66

HEX #075600

RGB 7 86 0

HSL 115.12, 1%, 0.17%

LAB 31.12, -38.09, 37.82

 

CMYK 100 / 0 / 100 / 73

HEX #004400

RGB 0 68 0

HSL 120, 1%, 0.13%

LAB 24.11, -33.32, 31.71

 

CMYK 59 / 0 / 89 / 46

HEX #398A0F

RGB 57 138 15

HSL 99.51, 0.8%, 0.3%

LAB 50.78, -45.22, 51.17

 

CMYK 34 / 0 / 89 / 46

HEX #5B8A0F

RGB 91 138 15

HSL 82.93, 0.8%, 0.3%

LAB 52.33, -33.7, 53.11

 

CMYK 10 / 0 / 89 / 46

HEX #7C8A0F

RGB 124 138 15

HSL 66.83, 0.8%, 0.3%

LAB 54.55, -19.72, 55.87

 

CMYK 0 / 13 / 89 / 46

HEX #8A780F

RGB 138 120 15

HSL 51.22, 0.8%, 0.3%

LAB 50.54, -3.52, 53.1

 

CMYK 0 / 38 / 89 / 46

HEX #8A560F

RGB 138 86 15

HSL 34.63, 0.8%, 0.3%

LAB 41.36, 16.14, 45.66

 

CMYK 59 / 0 / 89 / 46

HEX #398A0F

RGB 57 138 15

HSL 99.51, 0.8%, 0.3%

LAB 50.78, -45.22, 51.17

 

CMYK 83 / 0 / 89 / 46

HEX #188A0F

RGB 24 138 15

HSL 115.61, 0.8%, 0.3%

LAB 49.98, -51.96, 50.17

 

CMYK 89 / 0 / 72 / 46

HEX #0F8A27

RGB 15 138 39

HSL 131.71, 0.8%, 0.3%

LAB 50.01, -51.25, 42.34

 

CMYK 89 / 0 / 48 / 46

HEX #0F8A48

RGB 15 138 72

HSL 147.8, 0.8%, 0.3%

LAB 50.39, -46.59, 26.71

 

CMYK 89 / 0 / 23 / 46

HEX #0F8A6A

RGB 15 138 106

HSL 164.39, 0.8%, 0.3%

LAB 51.06, -39, 8.48

 

CMYK 59 / 0 / 89 / 46

HEX #398A0F

RGB 57 138 15

HSL 99.51, 0.8%, 0.3%

LAB 50.78, -45.22, 51.17

 

CMYK 65 / 0 / 99 / 41

HEX #359702

RGB 53 151 2

HSL 99.46, 0.97%, 0.3%

LAB 54.96, -51.3, 56.9

 

CMYK 59 / 0 / 89 / 46

HEX #398A0F

RGB 57 138 15

HSL 99.51, 0.8%, 0.3%

LAB 50.78, -45.22, 51.17

 

CMYK 52 / 0 / 79 / 51

HEX #3D7E1B

RGB 61 126 27

HSL 99.39, 0.65%, 0.3%

LAB 46.97, -38.69, 44.26

 

CMYK 43 / 0 / 66 / 55

HEX #417227

RGB 65 114 39

HSL 99.2, 0.49%, 0.3%

LAB 43.22, -31.1, 35.42

 

CMYK 32 / 0 / 49 / 60

HEX #456534

RGB 69 101 52

HSL 99.18, 0.32%, 0.3%

LAB 39.28, -21.65, 24.02

 

CMYK 18 / 0 / 28 / 65

HEX #495940

RGB 73 89 64

HSL 98.4, 0.16%, 0.3%

LAB 35.85, -11.49, 12.49

 

CMYK 10 / 0 / 89 / 46

HEX #7C8A0F

RGB 124 138 15

HSL 66.83, 0.8%, 0.3%

LAB 54.55, -19.72, 55.87

 

CMYK 34 / 0 / 89 / 46

HEX #5B8A0F

RGB 91 138 15

HSL 82.93, 0.8%, 0.3%

LAB 52.33, -33.7, 53.11

 

CMYK 58 / 0 / 89 / 46

HEX #3A8A0F

RGB 58 138 15

HSL 99.02, 0.8%, 0.3%

LAB 50.82, -44.94, 51.22

 

CMYK 82 / 0 / 89 / 46

HEX #198A0F

RGB 25 138 15

HSL 115.12, 0.8%, 0.3%

LAB 50, -51.82, 50.19

 

CMYK 89 / 0 / 73 / 46

HEX #0F8A25

RGB 15 138 37

HSL 130.73, 0.8%, 0.3%

LAB 49.99, -51.44, 43.14

 

CMYK 59 / 0 / 89 / 75

HEX #1A4007

RGB 26 64 7

HSL 100, 0.8%, 0.14%

LAB 23.34, -25.01, 28.33

 

CMYK 58 / 0 / 89 / 60

HEX #2A650B

RGB 42 101 11

HSL 99.33, 0.8%, 0.22%

LAB 37.52, -35.35, 40.28

 

CMYK 59 / 0 / 89 / 46

HEX #398A0F

RGB 57 138 15

HSL 99.51, 0.8%, 0.3%

LAB 50.78, -45.22, 51.17

 

CMYK 59 / 0 / 90 / 31

HEX #49B012

RGB 73 176 18

HSL 99.11, 0.81%, 0.38%

LAB 63.76, -54.66, 61.93

 

CMYK 59 / 0 / 90 / 16

HEX #58D516

RGB 88 213 22

HSL 99.27, 0.81%, 0.46%

LAB 75.9, -63.56, 71.7

 

CMYK 59 / 0 / 89 / 45

HEX #3A8C0F

RGB 58 140 15

HSL 99.36, 0.81%, 0.3%

LAB 51.49, -45.69, 51.8

 

CMYK 89 / 0 / 13 / 46

HEX #0F8A78

RGB 15 138 120

HSL 171.22, 0.8%, 0.3%

LAB 51.42, -35.16, 0.89

 

CMYK 0 / 89 / 22 / 46

HEX #8A0F6B

RGB 138 15 107

HSL 315.12, 0.8%, 0.3%

LAB 31.36, 55.47, -20.53

 

CMYK 59 / 0 / 89 / 45

HEX #3A8C0F

RGB 58 140 15

HSL 99.36, 0.81%, 0.3%

LAB 51.49, -45.69, 51.8

 

CMYK 89 / 58 / 0 / 46

HEX #0F3A8A

RGB 15 58 138

HSL 219.02, 0.8%, 0.3%

LAB 26.63, 18.58, -48.43

 

CMYK 0 / 89 / 58 / 46

HEX #8A0F3A

RGB 138 15 58

HSL 339.02, 0.8%, 0.3%

LAB 29.54, 50.4, 9.02

 

CMYK 59 / 0 / 89 / 45

HEX #3A8C0F

RGB 58 140 15

HSL 99.36, 0.81%, 0.3%

LAB 51.49, -45.69, 51.8

 

CMYK 89 / 0 / 13 / 46

HEX #0F8A78

RGB 15 138 120

HSL 171.22, 0.8%, 0.3%

LAB 51.42, -35.16, 0.89

 

CMYK 31 / 89 / 0 / 46

HEX #5F0F8A

RGB 95 15 138

HSL 279.02, 0.8%, 0.3%

LAB 25.59, 52.58, -49.83

 

CMYK 0 / 89 / 76 / 46

HEX #8A0F21

RGB 138 15 33

HSL 351.22, 0.8%, 0.3%

LAB 29.04, 48.97, 24.95

 

CMYK 59 / 0 / 89 / 45

HEX #3A8C0F

RGB 58 140 15

HSL 99.36, 0.81%, 0.3%

LAB 51.49, -45.69, 51.8

 

CMYK 89 / 13 / 0 / 46

HEX #0F788A

RGB 15 120 138

HSL 188.78, 0.8%, 0.3%

LAB 46.14, -20.52, -17.59

 

CMYK 31 / 89 / 0 / 46

HEX #5F0F8A

RGB 95 15 138

HSL 279.02, 0.8%, 0.3%

LAB 25.59, 52.58, -49.83

 

CMYK 0 / 76 / 89 / 46

HEX #8A210F

RGB 138 33 15

HSL 8.78, 0.8%, 0.3%

LAB 30.7, 43.18, 36.95

 

Description

Color code: HEX #3A8C0F | qconv.com Color code: HEX #3A8C0F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 140 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 140 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 89 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 89% 45% C M Y K

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Provide designers and agencies with accurate color values.

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